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The Atlas Moth – Coma Noir

Hailing from Chicago The Atlas Moth always focused on experimenting with psychedelic & atmospheric facets of metal and on the latest effort “Coma Noir” the band embraces darkened nuances and bravely continues to defy standard music style categorization.

The title track offers plenty of aggressive rhythmic dynamics but never sacrifices an inner melodic finesse fueled by  post-metal dark tonalities embedded in the polished guitar work and a conscious desire to blend multiple music styles with recognizable doom/sludge accents and industrial oriented synths layers.

On “Last Transmission From The Late, Great Planet Earth” fiery distorted guitars contribute to the creation of super tight eclectic rhythmic patterns but also deliver a noteworthy series of rather catchy vibrant melodies which passionately match the shimmering atmospheric weaves.

“Galactic Brain” becomes particularly cinematic with modern electro/industrial atmospheres and experimental noise momentum surrounding slick sludgy grooves and the creative clarity of guitars often provide icy luminous melodic textures while clean vocals hold emotional quality in contrast with the more obscure piercing screams.

“The Streets Of Bombay” immediately features exquisite trippy moments where synths evoke contemplative soundscapes that will ultimately enter an intensely darkened realm made of super groovy riffing bearing heavy doom tonalities and widely accessible melancholia infused guitar melodies.

Massive guitar riffs gain a primary role on “Smiling Knife” which is consequently filled of untamed stomping grooves but also features several quite creative lead guitar concoctions surrounded by spacey & mysterious industrial elements lurking in the background.

“Chloroform” feels quite hypnotizing as the whole instrumentation acquires profoundly nostalgic tonalities especially palpable and lovable in the charismatic lead guitar moments scattered throughout the grim doom oriented rhythmic maze enriched by loads of cinematic creepy accents and deliciously flamboyant saxophone leads performed by Bruce Lamont of Yakuza & Corrections House.

What stands out on “Coma Noir” is certainly the fascinating darkness surrounding the multifaceted intricate instrumental passages as The Atlas Moth shows the necessary creative force and potential to conquer a solid status in the current underground metal scene.

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