Renowned prolific black metal vocalist & composer Gaahl has created the new anticipated debut album “GastiR – Ghosts Invited” under the moniker Gaahls WYRD which certainly showcases distinct black metal roots but deliberately goes beyond such genre following an experimental and theatrical vision.
“Ek Erilar” is drenched in undiluted darkness as dense atmospheric layers add mystical depth to the asphyxiating blackened rhythmic patterns but there are also some epic moments well expressed by the sober distant chants and grave melodic guitars that amplify the mysterious vibes.
“Ghosts Invited” sometimes sounds less extreme stepping out of the traditional black metal formula but still maintaining a thunderous blackened force and in the end the dramatic clean vocals and the gloomy guitar progressions become more intriguing.
On “Carving The Voices” the darkened aesthetics acquire contemplative vibes through the sophisticated guitar melodies and the solemn vocal delivery that certainly evokes a multitude of grim feelings well supported by the primal rhythmic dynamics lurking in the dark.
With faster menacing rhythmic bursts “Veiztu Hve” returns to a more aggressive approach filled with steady monochromatic guitar riffs and mournful melodic accents surrounded by massive sinister chants and haunting atmospheres.
The obscure allure of “Within The Voice Of Existence” is constantly generated by ghastly whispers accompanied by the slow hypnotizing guitar progressions that will eventually evolve into a series of arcane rhythmic crescendos within an impenetrable darkness.
“GastiR – Ghosts invited” focuses on cryptic nuances and contrasting tonalities rather than a full blown black metal assault and ultimately Gaahls WYRD craft an extremely dark opus that is bound to trigger curiosity in the underground metal scene.
Canadian post black metallers Numenorean worked hard for three years to craft the sophomore album “Adore” which has the potential to conquer the listeners with cathartic instrumental passages and fiery blackened force.
The melancholic nuances evoked by soft soulful guitar melodies on “Portrait Of Pieces” showcase evident shoegaze inspiration and are certainly essential throughout the entire song while angered feelings are fully expressed by the blackened rhythmic crescendos and ravenous growls.
On “Horizon” the black metal energy of the album is confidently unleashed since the very beginning through a fast merciless rhythmic assault but such aggressive approach doesn’t sacrifice the melodic aspects that will later emerge through emotive harmonious guitar phrases.
“Stay” is a brief track that emphasizes the melodic essence and the dreamy shoegaze elements of the album as hazy atmospheres surround mellow darkened guitar melodies and emotional clean vocals.
The daydreaming mood of “Coma” allows poignant guitar melodies to take the center stage before embracing a fierce increasingly darker soundscape fueled by relentless blackened guitar riffs and obscure tonalities.
The title track successfully maintains the balance between contrasting tonalities offering loads of dramatic melancholia infused instrumental passages and lovely contemplative arpeggios executed in proper modern post-metal fashion while the mighty rhythmic section leads to moments of sheer blackened fury.
Even if Numenorean are still relatively new in the current metal scene they already have the ability to express their own personalities through music and words embarking on a sonic evolution that becomes increasingly powerful on “Adore”.
It’s not easy to categorize the music style of Dutch band Gold but their eclectic creative force is very clear on the fourth full length “Why Aren’t You Laughing?” which naturally expresses an emotional turmoil telling personal stories and experimenting with different sounds.
“He Is Not” can sound quite gloomy as guitars craft spellbinding melodies with enticing goth vibes enhanced by Milena Eva’s dazzling and deeply emotive vocals yet the rhythmic section ensures plenty of catchy vibes.
On “Things I Wish I Never Knew” the darkened atmosphere naturally surrounds the vibrant guitar work that showcases a diverse approach shifting from steady riffs to compelling melancholia infused leads and the resulting multitude of feelings is further emphasized by Milena’s soothing vocal delivery.
The dreamy atmospheric nuances and delicate guitar phrases of title track introduce a groovy instrumental ensemble that relies on the increasingly energetic rhythmic patterns and towards the finale the guitars even acquire rebellious quasi chaotic tonalities.
In the beginning “Taken By Storm” is full of bittersweet harmonies that will evolve into a massive heavier & faster rhythmic ensemble featuring sharp guitar riffs and obscure tonalities clearly fueled by a primal blackened force that inevitably evoke tormented feelings.
“Wide-Eyed” has an introspective mood as the guitar work creates irresistible darkened nuances through unusual rhythmic patterns and hypnotizing melodies surrounded by intricate brooding atmospheres always embellished by passionately melancholic vocals.
On “Till Death Do Us Part” Milena is able to express genuine emotions with ethereal vocals accompanied by fragile guitar melodies that maintain an apparent serenity while later eerie post-metal dynamics will flourish influencing the whole instrumental ensemble.
The multifaceted nature of “Why Aren’t You Laughing?” is fundamental in the creation of a unique sonic experience that can always move the listeners and Gold confidently prove to have the ability to craft elaborate soundscapes that will definitely grab your attention.
Norwegian legends Darkthrone return with the brand new album “Old Star” which this time unleashes a savage series of guitar driven grooves with prominent 80’s thrash & death/doom metal influences within a distinct dark sonic realm.
“I Muffle Your Inner Choir” relies on consistent no frills heavy rhythmic patterns and the unmistakable ominous growls of Nocturno Culto creating a fiery sonic assault that doesn’t really need breakneck speed to make an impact and actually sounds more accessible than expected.
“The Hardship Of The Scots” focuses on an overdose of gritty guitar riffs leading to bold black n’ roll grooves that throughout the song will evolve into dramatically slower doom laden segments that certainly amplify the obscure undertones.
With a deeply darkened mood the title track again puts the spotlight on the extremely cold somber guitar work delivering the perfect dosage of dismal tonalities accompanied by venomous raspy vocals as the fiery black metal roots and the slower doom elements naturally embrace.
“The Key Is Inside The Wall” definitely channels a sense of impending doom that recurs through the frenetic drumming and the relentless guitar riffs fueled by familiar menacing blackened elements while the slick guitar leads have the ability to create memorable gloomy melodic moments.
While you can always perceive a strong blackened force behind the songwriting approach of “Old Star” the iconic duo Fenriz & Nocturno Culto clearly aims to expand the music vision of Darkthrone that on this album generates constant groovy vibes with the addition of old school dynamics that inevitably make you feel nostalgic.
Norwegian band Kampfar has been around for twenty five years crafting intense extreme metal music and after taking some time off to heal the release of the new album “Ofidians Manifest” marks a majestic renaissance.
“Syndefall” unleashes an obscure impactful sonic assault with vicious growls matching the aggressive rhythmic patterns which belong to the darkest realm of metal showcasing an inflamed blackened force that demands anguished atmospheres and belligerent guitar riffs.
On “Ophidian” the soaring guitar riffs confidently craft obscure rhythmic progressions channeling an overdose of dismal emotions enriched by the addition of some triumphant epic vibes fully expressed by the solemn clean vocals and choirs.
“Dominans” continues to offer wicked blackened grooves but stands out for the mysterious aura and suspenseful keyboards arrangements that surround a darkly alluring melodic essence enhanced by a dramatic vocal duet featuring guest vocalist Agnete Kjølsrud.
A sense of desolation emerges through fragile acoustic phrases on the lavish final track “Det Sorte” followed by powerful rhythmic blasts characterized by fast grim guitar riffs and pagan metal accents while the exquisite melancholic soul will truly come to life through dreamy piano melodies, haunting atmospheric arrangements and theatrical vocal delivery.
Kampfar naturally demonstrate the ability to express authentic emotions through gelid melodic tapestries and ferocious blackened momentum on “Ofidians Manifest” which always holds a darkened fervor that feels like the perfect way to begin a new flourishing chapter of the band’s career.
UK-based post-metal outfit Latitudes invites you to join an immersive music journey within the gorgeous melancholia infused melodic grandeur of the new full length “Part Island” which for the first time in the band’s career features captivating vocals on every track.
In the beginning “Underlie” will conquer your heart with the poetic themes, the understated piano melodies and the delicate arpeggios accompanied by exquisite emotive vocals while later the whole instrumentation takes over to generate a darker rhythmic momentum.
On “Moorland Is The Sea” the dreamy nature of post-metal always feels prominent through charming atmospheric arrangements and sophisticated guitar melodies that often evolve into significantly heavier doom tinged rhythmic patterns yet never overlook the irresistible nostalgic vibes.
Like the rest of the album “Dovestone” can trigger an emotional tumult as distorted guitars use familiar blackened dynamics to craft a cohesive rhythmic structure with the right dosage of darkened grooves firmly supporting the intricate melodic & atmospheric tapestries adorned by heartfelt vocals.
The title track takes you to a majestic yet desolate sonic realm offering a multitude of mesmerizing melodic textures, fragile harmonies and a lovely introspective vocal delivery that will continue to evoke a profound sense of melancholy through the fascinating tranquil guitar phrases as well as the dramatic & heavier rhythmic crescendos.
What Latitudes have created with “Part Island” is an absolutely enchanting collection of songs that have the power to move the listeners and showcases an impressive mature songwriting approach that benefits also from the expression of sincere emotions through music and words.
The music journey of the supergroup The Damned Things begins nine years ago when Scott Ian of legendary Anthrax started writing songs with Joe Trohman of Fall Out Boy and now they are back to impress the audience with the sophomore album “High Crimes”.
The album starts with the explosive rock vibes and the rebellious attitude of “Cells” revolving around groovy rhythmic progressions and catchy segments amplified by the raw energy of vocals and some cool guitar leads.
“Something Good” has a playful cheerleaders style chorus that lets you know that this is a fun track with some evident alt rock vibes which lead to a widely accessible mix of guitar driven grooves and melodies.
“Omen” is full of crunchy guitar riffs and catchy melodic phrases especially evident in the super catchy chorus but the warm bluesy guitar variations have the power to grab your attention more than anything else.
“Storm Charmer” feels more complex and a bit darker as the band here experiments with synths adding loads of atmospheric accents to embellish the thrilling classic heavy rock structure which is certainly enhanced by the slow burning guitar leads.
The strength of “Keep Crawling” is generated by the memorable chorus and the soothing guitar melodies that often follow a slower slightly pensive & nostalgic mood but plenty of groovy guitar riffage guarantees a heavy rock momentum.
“The Fire Is Cold” closes the album with a faster punkish impact that relies on the wilder screams and the frenetic rhythmic section yet there are calmer moments featuring a passionate vocal delivery and bittersweet guitar melodies.
The enjoyable heavy rock spirit of “High Crimes” is palpable in each song and as expected the stellar quality of both songwriting and musicianship reflects the experience of the renowned artists behind The Damned Things.
Canadian occult rockers Blood Ceremony haven’t toured in the United States since some years so the fans were eager to see them live at the Chicago Doomed And Stoned Festival at Reggies Rock Club. With a remarkable band chemistry and a unique creative force that effortlessly blends magical folk nuances and a groovy vintage heavy rock spirit Blood Ceremony performed an unforgettable full set that included the brand new single “Lolly Willows” available via Rise Above Records, “Goodbye Gemini”, “Oliver Haddo”, “Lord Of Misrule” and “The Magician”. Multi-instrumentalist Alia O’Brien confidently delivered spellbinding vocals and gorgeous flute melodies adding intense psychedelic vibes with the organ while the vocal duet with bassist Lucas Gadke on the melancholic song “Lord Summerisle” truly hypnotized the crowd.
We all notice how strong the thrash metal legacy still feels today and one of the reasons can be found in the true dedication expressed by iconic bands like Death Angel that give all they got to the faithful fans once again with the evident explosive nature of the brand new album “Humanicide”.
The title track immediately stands out for the smoldering guitar melodies that channel a rather darkened mood introducing an authentic merciless thrash assault full of memorable guitar riffs and pummeling drums while Mark Osegueda delivers a charismatic vocal performance that simply cannot be ignored.
From beginning to end “Divine Defector” stands out for the stellar guitar work carefully crafted by Rob Cavestany and Ted Aguilar unleashing cohesive rounds of terrific guitar riffs and flamboyant leads that effortlessly complement the aggressive rhythmic patterns.
The contemplative vibes of “Aggressor” are fully expressed by moody melodic aesthetics as elegantly darkened guitar tonalities embellish the main classic thrash metal dynamics and the glorious guitar solo undoubtedly adds stylish variations to the bold rhythmic segments.
On “Immortal Behated” the captivating guitar melodies lead to sophisticated melancholic moments and surround a series of absolutely catchy grooves amplified by Mark’s outstanding vocals and enriched by the impressive guitar soloing until the song fades into a deeply nostalgic piano piece accompanied by delicate arpeggios.
There is an irresistible untamed anger running through “The Pack”, a song dedicated to the band’s loyal fans, as guitars fiercely deliver massive thrash grooves channeling the band’s renowned roots with an overdose of bold galloping riffs and intense shredding leads.
“Revelation Song” can slightly deviate from the Bay Area thrash trademark offering diverse and energetic rhythmic progressions confidently built by another series of inflamed guitar riffs that still allow the melodic core of the song to shine through Rob’s vibrant solos and the catchy chorus.
In all these years Death Angel have been showcasing high quality songwriting skills and an authentic passionate approach therefore it’s not surprising to see them in excellent shape on “Humanicide”, a strong record that will increase the band’s popularity in the current metal scene.