Author: Alexiel Divine

Batushka – Hospodi

The mysterious Polish band Batushka quickly conquered attention and critical acclaim within the underground metal scene therefore since the announcement of the sophomore release “Hospodi” it has become clear that this would be one of the most anticipated albums of the year. As “Hospodi” triumphantly emerges from the depths of darkness its genesis is surrounded by a strong mysticism and inspired by Eastern Orthodox liturgical music but the major schism within the band and the consequent divided fanbase might unfortunately distract the listeners from fully comprehending the immersive essence of this album.

The monumental liturgy symbolized by “Dziewiatyj Czas” aims to conjure the album’s darkest essence through a loop of captivating melodies that will eventually evolve into a more aggressive instrumental core that certainly bears the mark of traditional black metal just like the deeply anguished growls while obviously the chanted vocals create an intense mystical aura.

“Wieczernia” still preserves the decadent mixture of abrasive blackened momentum and solemn transcendent atmosphere accompanied by Gregorian style chants but adds a generous dosage of groovy rock rhythmic dynamics that sound more accessible in the midst of faster menacing guitar riffs.

“Powieczerje” has the fervour of a spiritual experience building darkened aesthetics with an intense blend of mournful guitar melodies that can also sound quite catchy and multilayered arcane chants that naturally emphasize the expression of tormented emotions.

“Utrenia” feels more enigmatic with an overdose of occult atmospheric nuances enriched by the occasional blasts of blackened fury courtesy of merciless rhythmic twists and diabolical growls yet maintains a remarkable melodic essence that flourishes through the dramatic guitar progressions.

“Pierwyj Czas” will inevitably convey anguished feelings due to the faster and absolutely vicious rhythmic segments once again clearly inspired by old school black metal so what really makes a difference here is the sudden introspective momentum and the underlying semi religious atmospheres.

“Liturgiya” closes the arcane ceremony accentuating the funereal vibes with the doom laden weight of the imposing guitar riffs and the essential ominous chants that definitely sound like prayers for the dead lingering through the hypnotic slow burning melodies.

At this point it would make more sense to focus on the strong obscure force of “Hospodi” and put aside any drama or gossip surrounding Batushka because music always has a more important value as you will certainly notice listening carefully to this majestic new opus.

 

TheNightTimeProject – Pale Season

Fredrik and Mattias Norrman are really prolific musicians, after spending fifteen years in Katatonia they are currently active in October Tide, and this time their unstoppable creative force is embodied by the band TheNightTimeProject, also featuring guitarist/vocalist Alexander Backlund and drummer Jonas Sköld of Letters From The Colony, and the brand new album “Pale Season” aims to conquer your heart with an exquisite melancholic progressive rock ensemble.

Since the beginning of “Hound” you will notice how the melancholic themes are a crucial component of the whole album as gorgeous fragile guitar melodies and understated atmospheric layers create an enchanting sonic realm emphasized by the poignant soft vocals.

“Rotting Eden” maintains a profound melancholia through enticing melodic waves accompanied by a comforting heartfelt vocal delivery but picks up a vibrant energy fully expressed by the catchy guitar riffs and the occasional tormented growls.

“Final Light” features so many fascinating melodies and compelling darkened tonalities skillfully crafted by guitars and vocals following a contemplative mood that often demands a mellow tempo yet acquires extra charisma with some heavier rhythmic progressions.

The title track continues to spellbind the listeners with the sorrowful nature of the lavish melodies emphasized by another moving vocal performance and in general the shimmering guitar work naturally conveys the Scandinavian dark melancholy that we all love.

For “Signals In The Sky” the band wisely chooses Heike Langhans of Draconian as guest vocalist and her mesmerizing voice perfectly expresses profound emotions flowing gently through the gloomy doom tinged melodic phrases which here feel particularly heartbreaking surrounded by darkly elegant atmospheric arrangements.

As expected the experience and the songwriting skills of TheNightTimeProject are evident throughout “Pale Season” which also easily stands out for the cathartic emotions always generated by the ravishing melodic tapestries.

Valborg – Zentrum

German band Valborg has mastered a sophisticated primitivism which is definitely a peculiar music style that today leads to the darkened atmospheres and raw energy of the latest effort “Zentrum”.

“Rote Augen” creates asphyxiating atmospheres through relentless drum blasts that could make you feel dizzy while the only interruption that allows you to breathe comes from the moody borderline dissonant tonalities of the guitar work.

Still dwelling in a chaotic nightmarish sonic realm “Alphakomet” has the stomping force of industrial metal with loads of gritty guitar riffs and venomous screams but guitars will also bring glimpses of hope through unusual slower passages in contrast with the fully dissonant finale.

On “Anomalie” a slower dramatic tempo favors utterly bleak atmospheric layers that surround the evident industrial energy of mighty guitar riffs in the midst of flourishing darkened melodic accents and solemn vocals.

“Nonnenstern” definitely has a less hostile approach and actually puts the spotlight on the charming gothic tonalities of the melodic guitar phrases while the vocal delivery shifts from sheer desperation to comforting melancholy.

The final track “Vakuum” stands out for the consistent weight of the doom laden guitar riffs amplified by obscure atmospheric layers that lead to a desolate soundscape until fiery industrial  dynamics take over with pulsating drum blasts.

We can all agree that within the crowded metal scene Valborg’s unique sonic manifesto tends to stand out in fact the enigmatic nature and the experimental approach of “Zentrum” are bound to generate interest among those looking for innovative music.

Salem’s Bend – Supercluster

LA-based rock trio Salem’s Bend proves to know how to put together a delicious psychedelic stoner rock ensemble on the sophomore album “Supercluster” which from beginning to end will impress you with its bewitching rock spirit.

You could never resist the cosmic energy of “Spaceduster” which will take you on a wild ride with tons of grooves featuring the right dosage of gritty stoner doom guitar riffs accompanied by seasoned rocker style vocals but there is also plenty of space to jam freely and add magical melodic accents.

“Ride The Night” pays homage to ’70s classic rock with genuine devotion and guitars acquire all those captivating retro vibes accompanied by a dense rhythmic backbone to create no frills grooves and to channel a contagious raw energy.

On “Heavenly Manna” there are some slower extremely trippy moments that make you instantly space out as guitars have a hypnotic sound that truly enhances the vintage rock vibes but the heavier rhythmic sections also feel quite memorable as guitars push on the fuzz pedal and powerful drums keep the grooves rolling.

The mood of “Thinking Evil” becomes darker and a bit mystical as an atmospheric choir introduces a series of slow burning grooves offering another overdose of catchy fuzzy guitar riffs and spacey melodies flourishing around warm laid back vocals and generating a proper hazy stoner rock mood.

“Infinite Horizon” has some fascinating occult rock vibes with mysterious slow moments but certainly gives you another chance to space out guiding you through enticing blurry melodic waves and exciting heavier rhythmic crescendos embellished by the dreamy harmonies of the guitar solo.

It sounds like Salem’s Bend are performing in the middle of the desert consequently there are many reasons why you should join them and “Supercluster” will be easily remembered for the authentic charismatic psychedelic tinged rock approach.

Haunt – If Icarus Could Fly

Haunt began as a solo project of Beastmaker frontman Trevor William Church and on the sophomore release “If Icarus Could Fly” they passionately continue to carry the torch for traditional heavy metal.

With the explosive album opener “Run And Hide” Haunt prove to be genuinely devoted to an old fashioned way to make music in fact this track is filled with memorable hooks featuring gritty guitar riffs and electrifying rhythmic patterns that stand out for the 80’s & 70’s influenced tonalities emphasized by the energetic acrobatics of the guitar soloing.

“It’s In My Hands” has an anthemic rock flair with evident retro vibes and a super catchy chorus while the guitar work has the charismatic energy necessary to impress the listeners with loads of tight riffs and flamboyant solos.

While “Ghosts” doesn’t really put aside the groovy structure it tends to favor a more melodic direction as the emotional vocal delivery and the lead guitar progressions acquire nostalgic tonalities leading to the smooth harmonies of the vibrant solo.

There’s no intention to deviate from the album’s mood so the title track offers fiery rock dynamics courtesy of a cohesive groovy rhythmic ensemble and again the guitar work confidently delivers remarkable shredding solos.

All things must come to an end so the final track “Defender” might feel a bit nostalgic but the band is ready to unleash a fair dosage of fervent guitar riffs, bold drum blasts and soaring melodic solos which as expected add some entertaining variations.

Undoubtedly the irresistible charm of “If Icarus Could Fly” comes from the overdose of thrilling guitar driven grooves and as we are currently witnessing a triumphant renaissance of classic heavy metal it’s nice to see how Haunt sincerely pay homage to such beloved genre.

 

Diamond Head – The Coffin Train

Known as New Wave Of British Heavy Metal pioneers Diamond Head have inspired countless bands and their explosive music journey that started back in 1976 continues today with an excellent line up on the brand new full length “The Coffin Train”.

“Belly Of The Beast” relies on electrifying guitar driven grooves to amplify the classic heavy metal headbangers friendly approach and the consequent catchy vibes plus there are some thrilling guitar leads that will certainly grab your attention.

“The Messenger” might seem less bombastic but offers plenty of memorable rhythmic dynamics supporting the variegated & energetic guitar soloing as well as the inner heavy metal spirit of the song always emphasized by the skillful musicianship and the charismatic vocal delivery.

The title track still features many groovy moments yet gets a bit nostalgic with some calmer refined melodic crescendos and comforting vocal harmonies as vocalist Rasmus Bom Andersen tends to steal the spotlight showcasing an impressive range and a truly passionate performance.

“The Sleeper” marks another highlight of this album as contemplative guitar melodies introduce a sophisticated sonic ensemble where this time the energetic guitar riffage is enriched by the darkened melancholic allure of the majestic atmospheric arrangements and understated epic vibes.

The structure of “The Phoenix” balances the mellow tonalities of the soothing guitar melodies and the raw energy provided by the crunchy riffs following a catchy mid tempo rhythmic section  embellished by the dazzling crispy guitar solos.

The album’s fascinating grand finale comes with “Until We Burn” as subtle atmospheres surround an impeccable mixture of captivating sorrowful guitar melodies and bold riffs leading to opulent epic rhythmic segments accompanied by deeply melancholic vocals.

At this point in time “The Coffin Train” might not sound innovative as the classic albums that cemented the legacy of Diamond Head but it still incarnates a powerful sonic experience that should not be overlooked.

Ringworm – Death Becomes My Voice

In the underground metal scene Cleveland’s metallic hardcore band Ringworm is known for the ferocious music style that leads to the untamed rage behind the 8th studio album “Death Becomes My Voice”.

The title track sounds extremely dark and hostile focusing on a belligerent rhythmic rampage full of relentless bold guitar riffs and merciless drumblasts plus the vocals add some chaotic despair to such aggressive dynamics.

On “Acquiesce” chunky guitars add some slower incisive variations channeling a substantial thrash metal force with the right dose of sharp riffs that this time don’t require an excessive speed to make an impact.

“Dead To Me” relies on steady savage guitar riffs to build punishing rhythmic patterns maintaining a fierce darkened mood with the addition of catchy soloing while the inner fury is fully expressed by the insanely vicious screams.

On “Dying By Design” the guitar work is once again fundamental in the creation of unrestrained inflamed rhythmic segments deeply influenced by classic thrash & death metal and spontaneously reach utterly chaotic moments.

“Final Division” hits you in the face with persistent punishing guitar riffs and oppressive vibes but almost gives you time to breathe with an entertaining somber breakdown amplified by the mighty sludge tonalities of the guitar solo.

Since thirty years Ringworm are dedicated to the most brutal aspects of thrash metal & hardcore so without special effects or surprises “Death Becomes My Voice” delivers the overdose of straightforward enraged grooves that fans would expect.

Spirit Adrift – Divided By Darkness

Arizona based heavy metal outfit Spirit Adrift started as the solo project of multi instrumentalist Nathan Garrett and now has become a full band ready to reach another milestone with the release of the third full length “Divided By Darkness” which focuses on a more elaborate songwriting approach with evident classic metal influences.

“We Will Not Die” has an anthemic structure that aims to grab your attention instantly with explosive guitar riffs and skillful melodic leads characterized by delightful crispy tonalities so the focus here is on the creation of impactful heavy metal grooves.

The strength of the title track undoubtedly comes from the impressive guitar work that delivers loads of sharp riffs again executed in proper classic heavy metal style impeccably supported by a fiery rhythmic section as well as tasteful and often quite melancholic melodic phrases enhanced by soulful atmospheric layers.

Even if it’s not a full blown ballad “Tortured By Time” feels even more nostalgic with truly passionate vocal harmonies surrounded by stylish guitar progressions that add an elegant melodic depth and ultimately emphasize the somber emotional turmoil.

“Hear Her” is full of intense galloping guitar riffs keeping a cohesive series of memorable bold grooves that proudly carry the torch for traditional heavy metal yet sound like a variegated sonic ensemble as soaring lead guitars always add memorable licks.

The instrumental grand finale “The Way Of Return” revolves around massive cosmic melodies and epic vibes with a complex structure that still puts the spotlight on the excellent guitar work this time engaging the listeners more than ever with the hypnotic power of slow burning harmonies intensified by the delightfully psychedelic tinged atmospheric arrangements.

While Spirit Adrift certainly showcase strong 80’s/90’s metal roots at the core of “Divided By Darkness” they also work hard to ensure a compelling sonic diversity and to develop a unique identity that can sound relevant in the modern metal scene.

 

Arch / Matheos – Winter Ethereal

Progressive rock virtuosos John Arch and Jim Matheos, renowned for their work in Fates Warning, have joined forces under the Arch / Matheos banner to create a stylish immersive collection of songs on the sophomore album “Winter Ethereal”.

The monumental album opener “Vermillion Moons” truly holds a passionate soul that fully comes to life since the very beginning through smoldering guitar melodies that will continue to add melancholic aesthetics and emphasize the dazzling vocal delivery generating a stunning emotional whirlwind but there are also memorable heavier grooves carefully crafted by bold guitar riffs.

“Wanderlust” provides a fair dose of catchy energetic rhythmic patterns that certainly showcase the flawless musicianship further emphasized by the elegant polished guitar solos while the shimmering melodic waves evoke poignant feelings matched by the perfect high pitched vocals.

“Wrath Of The Universe” has a prominent heavier approach in fact the fiery guitar work provides loads of intense crunchy riffs following faster rhythmic segments supported by precise drumming and enriched by interesting fancy prog twists but also features some bright melodic guitar phrases amplified by Arch’s vibrant vocal harmonies.

On “Pitch Black Prism” the atmosphere becomes quite gloomy due to the dramatic vocal delivery and the refined bittersweet guitar melodies yet this is not a simple slow & sad track as the explosive rhythmic segments ensure solid bursts of energy often focusing on majestic prog metal acrobatics.

With a particularly intricate structure “Kindred Spirits” symbolizes the album’s music direction with the allure of flourishing melodic essence and an evident progressive metal grandeur that lead to diverse instrumental progressions as guitars naturally & skillfully shift from heavier riffage to profoundly contemplative moments without forgetting to add a generous dose of sophisticated shredding and certainly such contrasting aspects are well expressed also by the wide range of Arch’s vocal performance.

Considering that in the progressive rock/metal circles Arch and Matheos are known since many years for their exceptional talent “Winter Ethereal” certainly reflects all their skills offering a balanced blend of impeccable prog dynamics and emotionally driven melodic passages.

Silver Snakes – Death And The Moon

As Los Angeles-based quartet Silver Snakes continues to evolve in order to develop a solid music identity that will impress the audience the new full length “Death And The Moon” offers a catchy blend of dark rock nuances and dancey electro/industrial beats.

“Smokedance” relies on multilayered danceable grooves that will evolve into an alt rock ensemble when guitars add some crunchy riffs and vocals focus on an easy chorus.

On “Worship” the relentless electro beats evoke darker nuances with a subterranean mood and an evident harsh industrial flair that would still work on the dance floor and benefits also from the slightly tormented filtered vocals.

“Wool” delivers a groovy mixture of contrasting gritty industrial elements courtesy of edgy electro arrangements and a melodic rock rampage as guitars and vocals work harmoniously to provide a generous dosage of catchy vibes.

On “Eclipse” you can immediately perceive a huge Nine Inch Nails influence and the experimental accents of the atmospheric layers successfully add a dramatic depth that demands a moody vocal delivery and loads of gloomy guitar tonalities.

On “Black Fire” there are some major groovy guitar riffs leading to cool acidic industrial dynamics but there is also an essential melodic core generated by dreamy almost romantic atmospheric arrangements and soft vocals.

“Gone Is Gone” focuses a lot on the electronic direction of the band with blurry atmospheres and modern electro layers that certainly create a quite somber soundscape while guitars amplify the industrial motifs with fierce stomping riffage.

The creative pathway behind “Death And The Moon” leads to a radio friendly rock attitude yet Silver Snakes also seem to feel comfortable within a darker, and definitely more interesting, sonic realm clearly inspired by familiar industrial dynamics.