Author: Alexiel Divine

Spotlights – Love & Decay

Formed by husband and wife duo Mario and Sarah Quintero and now joined by drummer Chris Enriquez, Spotlights will guide the listeners through major spacey soundscapes with the intriguing third full-length poetically entitled “Love & Decay”.

There is a delicious dark mood running through the dizzy atmospheric waves of “Continue The Capsize” as guitars can easily acquire enigmatic tonalities leading to slightly rebellious rhythmic patterns that will naturally evolve into cathartic melodies that evoke wistful feelings.

The lovely guitar melodies and soft vocals of “The Particle Noise” spread some positive energy further emphasized by the daydreaming atmospheres but there is an impending darkness ready to emerge with the monumental grave distortions of guitars and bass.

“Far From Falling” begins with mysterious atmospheric arrangements that create a quite suspenseful mood introducing a harmonious dreamlike realm where whispered vocals are surrounded by compelling fuzzy guitar melodies and melancholic shoegaze nuances.

On “Until The Bleeding Stops” monolithic guitar riffs acquire heavier sludge tonalities that eventually lead to somber rhythmic patterns and certainly spice up the calmer mixture of soft melodic textures and emotive vocal delivery.

The ethereal composition of “The Beauty Of Forgetting” generates minimalist guitar melodies and contemplative soundscapes yet even if the main melodic essence remains intact guitars will ultimately shift to heavier & groovy progressions to enhance the darker nature of the song creating dramatic almost chaotic rhythmic crescendos.

“Love & Decay” is always filled with genuine emotions as Spotlights use their absolute creative freedom to channel raw energy, to experiment with heavy dynamics and to focus on fragile introspective melodic themes.

Fallujah – Undying Light

The new sonic journey of Bay Area progressive death metallers Fallujah begins with the 4th full-length album “Undying Light” which features new vocalist Antonio Palermo.

“Glass House” starts with luminous atmospheric nuances that will return throughout the song emphasizing melodic undertones but soon ensures a quite heavy rhythmic approach as guitars confidently unleash a ravenous series of riffs with edgy technical accents.  

“Last Light” still holds similar ferocious rhythmic blasts amplified by the massive angered growls as tempo often gets faster inevitably generating loads of harsh grooves until everything slows down drastically and melodic guitars have a chance to craft dreamy polished melodies.

On “Dopamine” guitars shift from detailed melodic passages to evidently aggressive grooves so the song’s structure relies mainly on such contrasting feelings matched by the melancholic vocal delivery versus the chaotic screams and an extra twist is represented by the warmth of the atmospheric finale.  

“Hollow” still offers menacing rhythmic progressions through wild riffage and drumming but the melodic guitar phrases certainly stand out through the delicate atmospheric waves channeling spacey vibes and somber emotions.

“Distant And Cold” almost puts aside completely the previous enraged rhythmic rampage to focus on intricate atmospheric arrangements with evident ambiance textures and lavish guitar melodies leading to a full blown daydreaming mood.

To close the album “Departure” fiercely returns to embrace an extreme metal structure with absolutely merciless drums and frenetic riffs while the prog influenced guitar leads craft some tasteful melodies.

While all the tracks on “Undying Light” tend to rely on fierce extreme metal dynamics Fallujah are always ready to spice up such music formula with the right dosage of technical musicianship and cinematic elements.

 https://www.youtube.com/watch?v=v8CcxqRPb3Y

The 69 Eyes Live in Joliet

We had to wait a decade but Goth’n’Roll Helsinki Vampires The 69 Eyes have finally returned to the United States on the ‘Back From The Grave!’ tour as they are ready to celebrate the band’s 30th anniversary this year as well as a brand new album due to be released in September via Nuclear Blast. At the show at The Forge in Joliet The 69 Eyes received a warm welcome from the fans, some of them have never had a chance to see them live while others perfectly remembered their previous US tour back in 2009. For the setlist The 69 Eyes chose many beloved unforgettable songs from their extensive discography opening the show with the anthemic “Devils” followed by “Don’t Turn Your Back On Fear”, “Perfect Skin”, the sultry “Dance d’Amour”, “Feel Berlin”, the iconic “Gothic Girl” and many other favorites. As always vocalist Jyrki 69 proved to be one of the most charismatic rockers in modern times and the band’s chemistry was simply perfect so we really hope to see The 69 Eyes touring again in the United States!

Spotlights Interview

Spotlights will soon release the new album “Love & Decay” via Ipecac Recordings and we had the pleasure to chat with Mario Quintero!

The Offering: Your third album “Love & Decay” will be released on April 26th, tell us a bit about the inspiration and the songwriting process.

Mario Quintero: Inspiration comes from all over.  In a way the idea that we’re coming out of my head for this album.  There seemed to be a dichotomy happening with the music.  More that before I think.  And that kind of lead the beginning of the subject matter for the album.  Life vs death, dark vs light, creation be destruction etc.  these are all things that can’t exist without the other.  So that’s a major party of what the title and songs come from.

TO: What are the advantages of handling the production personally?

MQ: More than anything, it’s time.  Even though we still moved pretty fast on this record, we had the luxury of listening and going back to change things if they weren’t working.  It also helps to complete the intension from beginning to end.  There are always pluses to working with others but in this case I’m really glad we were able to go at it ourselves.

TO: Did you have in mind a particular concept for the lyrics?

MQ: Yes and no.  As I said, there’s a definite source of where the lyrics and songs come from but every song has its own individual story or subject matter, yet all relate back to the initial idea.

TO: You’re often categorized as a post-metal band, do you agree with this?

MQ: I guess so.  I think whatever people hear and relate to the music to is fine.  There are so many sub genres these days, that it’s hard to keep up.  Apparently we’re a shoe-gaze, sludge metal, post metal, sludgegaze, dream sludge, psych metal, post rock band. But I do believe that if we had screaming throughout our music we would be categorized as just a post metal band more than anything. 

TO: How has your music evolved since your debut album “Tidals”?

MQ: To us it’s hard to tell.  Kinda like you don’t really notice yourself getting taller as a kid but all of a sudden you measure yourself and you are.  I think we’ve grown as people as musicians and as a band and in turn the music has become more complete.

TO: Thinking about when you started the band, how did it all happen?

MQ: It was a very vague idea Sarah and I have had since we met over 10 years ago. We wrote one song back in 2009 and then didn’t pick it back up until 2013 when we moved to New York.  We started out as a 2 piece with me on drums and Sarah on bass. Things slowly evolved and here we are!

TO: What are the most rewarding aspects and the challenges of being a musician today?

MQ: For me, the most rewarding thing about playing music and touring is when other people connect with what we’re doing. Knowing that we had a part in making someone’s day better is the ultimate reward in conjunction with playing loud in a good venue.  I think the biggest challenge is that there are SO many bands and it makes it tough when booking tours.  Otherwise I think the challenges are pretty much the same as ever.  It’s tough to make a living as a musician.  It always has been.  And even in the “hey day” of rock n roll there were only a select few making money off their records.  It’s easier than ever to be heard now but it takes a lot more to cut through the noise. 

TO: Do you have other music projects or collaborations in mind?

MQ: Nothing just yet.  I have been thinking about recording a new record for my solo project CODAS.

TO: Do you have touring plans for this year?

MQ: We do! We’ll be doing a full US tour.  This will be our first headline tour though the whole country so it’s a little scary but hopefully people will come see us and make it a success! We’re hoping to make it back to Europe at some point as well.

TO: What are your expectations for the future of the band?

MQ: We have some aspirations but we try to not have any expectations.  We didn’t expect any of what’s already happened and we’re super grateful to have had the opportunities that have come our way.

Arrival Of Autumn – Harbinger

Canadian metallers Arrival Of Autumn proudly presents to the world their debut full length “Harbinger” offering an intense mixture of groovy moments and bleak apocalyptic soundscapes.

On “Hurricane On The Horizon” there is a cool blend of polished somber melodies featuring interesting guitar progressions and insanely heavy patterns amplified by enraged vocals as the overall energy is fueled by the evident metalcore attitude.

“End Of Existence” follows a similar groovy music pathway as guitars naturally shift from explosive riffs marching through intriguing rhythmic variations to smooth melodic textures and wild soloing.

On “Witness” brutal guitar driven grooves continue to feel fundamental within the song’s structure leading to steady metalcore dynamics and angered screams yet leaving some space for calmer pensive moments enhanced by hazy atmospheres and clean vocals.

Undoubtedly “Better Off Without” stands out for the charismatic guitar solos and the creepy atmospheric tapestries that evoke the album’s apocalyptic themes just like the grim guitar tonalities and the contemplative clean vocals in contrast with a consistent series of aggressive rhythmic segments enhanced by the ferocious vocal delivery and the crunchy riffage.

While “The Endless” is clearly characterized by a fierce heavy & fast rhythmic core the song benefits greatly from the intricate melodic waves carefully crafted by the impressive lead guitar work and the melancholic atmospheres plus the extra catchy chorus will get stuck in your head.

The album’s grand finale comes with the dismal melodic guitars of “Apocalyptic” that still offers many raw energetic grooves dictated by the belligerent drum blasts but often slows down to rightfully emphasize the dramatic atmospheric textures and the darkened harmonies.  

For a young emerging band like Arrival Of Autumn the main goal is to attract an audience in the chaotic metal scene and the fiery yet approachable soundscapes of “Harbinger” will certainly give them a chance to get noticed.

 https://www.youtube.com/watch?v=IPZWH6YM1oc

Cellar Darling – The Spell

Back in 2017 Cellar Darling shared their powerful music vision with the debut album “This Is The Sound” and now the time has come to embark on a new journey symbolized by the sophomore full length “The Spell” which is also a dark fairytale telling the story of an unnamed girl who falls in love with death.  

The album opener “Pain” aptly puts a spell on you with the magical folk arrangements and hurdy-gurdy melodies accompanied by the elegant vocal delivery leading to peaceful feelings in contrast with the heavier rhythmic momentum fully expressed by the crunchy guitar riffs.

While on “Death” guitars can often acquire heavy darkened tonalities the compelling melodic depth comes from the otherworldly flute melodies and the lavish multifaceted vocal harmonies that shift from the catchy delivery of the chorus to the softer introspective delivery.

The title track features immensely melancholic soundscapes as the whole melodic ensemble craft intricate instrumental passages that benefit from the mixture of daydreaming folk nuances and somber guitar work while Anna’s simply spellbinding vocals render this track particularly sophisticated.  

On “Burn” guitars have a delicious edgy rock mood that leads to heavy and utterly eerie grooves following bold rhythmic dynamics but there are also dramatic moments enhanced by the darkly heartfelt melodies and dreamlike atmospheric arrangements.

“Insomnia” shines for the heavier prog influences of the galloping guitar riffs and the eclectic rhythmic variations without sacrificing the inner pensive melodic nature that once again is intensely emphasized by the impeccable warm vocals and the ethereal piano passages.

“Drown” can feel like an immersive sonic experience as well as a dreamy ballad with subtle atmospheric accents and the calming sound of the sea but also features profoundly darkened themes amplified by the gritty guitar riffage in the background while the hurdy-gurdy obviously adds a graceful folk aura.   

On “Death Pt. II” emotions become an essential part of the song that inevitably acquires a profoundly melancholic mood allowing Anna’s voice to take the spotlight with a particularly moving performance accompanied by the sheer beauty of enchanting piano melodies.  

In just few years Cellar Darling have already developed a unique music style that becomes even more fascinating and complex blending edgy prog elements and magical folk themes on “The Spell” which ultimately confirms that the band has great potential to stand out in the current metal scene.

 https://www.youtube.com/watch?v=dDV_BeAZIUM

Mark Morton – Anesthetic

Renowned guitarist of Lamb of God Mark Morton has crafted his first solo record entitled “Anesthetic” exploring diverse music styles with total creative freedom and collaborating with several acclaimed musicians and vocalists from the metal/rock scene.

“Cross Off” is the song that everybody has been curious to hear since it features Chester Bennington as guest vocalist and definitely the vocals here steal the spotlight with a passionate and at times even savage delivery supported by massive groovy guitar riffs as well as softer deeply melancholic passages.

“Sworn Apart” marks another major groovy moment with a subtle modern metal approach featuring Jacoby Shaddix of Papa Roach on vocals and a winning mixture of crunchy rhythmic dynamics and melodic elements particularly dominant in the accessible chorus.  

With its Southern rock vibes “Axis” might surprise the listeners but is actually one of the most interesting tracks featuring the unmistakable charming voice of Mark Lanegan that constantly amplifies the warm bluesy tonalities of the guitar melodies and charismatic soloing.

“The Never” packs a more aggressive punch with killer thrash elements which is definitely expected since the guest vocalist is the one & only Chuck Billy of legendary Testament and his monumental signature vocals successfully enhance the darkened grooves crafted by galloping guitar riffs and pummeling drums.

When “Save Defiance” begins you can instantly perceive a change of style as guitars diligently channel classic rock vibes and guest vocalist Myles Kennedy is the perfect choice to embody the catchy rock spirit of the song.

Featuring Randy Blythe of Lamb Of God and Alissa White-Gluz of Arch Enemy “The Truth Is Dead” begins with calm melodies and soothing vocal harmonies but the rest of the song feels like a full blown metal anthem with steady sharp guitar riffs and diabolical growls supported by an intense rhythmic section.

Certainly the intriguing sonic diversity of “Anesthetic” comes from the various artistic collaborations that lead to unique flavors in each song but also from the fact that Mark Morton doesn’t necessarily play it safe and is often willing to push boundaries.

 https://www.youtube.com/watch?v=4KdCEg7I8A0

Twin Temple – Bring You Their Signature Sound…Satanic Doo-Wop

L.A. Satanic doo-wop duo Twin Temple make their official debut with the album “Twin Temple Bring You Their Signature Sound…Satanic Doo-Wop” which is bound to trigger curiosity with the unusual blend of Luciferian worship and vintage music style.

The sound of “The Devil (Didn’t Make Me Do It)” is incredibly nostalgic and distant from what we’re used to listen to in the modern music scene with the unique spellbinding vocals and the raw guitar tonalities following a fun upbeat rhythm.

“Lucifer, My Love” is a love song clearly dedicated to Lucifer so there is a certain degree of sheer romanticism and decadence within the languid guitar melodies and dreamy ballad vibes that are certainly enriched by the sultry vocal delivery.

“I Know How To Hex You” might be a curse but doesn’t sound particularly evil as the mix of smooth guitars and jazzy dynamics makes you want to dance and could even put you in a good mood.

“I’m Wicked” relies on warm guitar melodies and enjoyable trumpets following a softer & slower rhythm embellished by charming piano passages while vocals naturally shift from voluptuous whispers to strong rocker delivery.

On “Let’s Hang Together” the vocals sound pleasantly playful and definitely take the center stage once again diligently accompanied by the shimmering melodies of the utterly wistful instrumental ensemble.

“Bring You Their Signature Sound…Satanic Doo-Wop” truly sounds like an old vinyl from 1950 with its old school recording and lack of any special effects and you can easily tell that Twin Temple has the ability to carry the torch for classic rock ‘n’ roll obviously with the addition of occult themes.

 https://www.youtube.com/watch?v=V0KJZaIivPc

Týr – Hel

Representing Scandinavian metal since over two decades Týr return with the anticipated eighth full length “Hel” which naturally stays true to the band’s progressive folk metal style and delivers loads of compelling detailed melodic tapestries.

“Gates Of Hel” immediately evokes the massive epic vibes that will recur throughout the entire album starting with graceful polished guitar melodies that introduce entertaining power metal tinged heavy grooves while the irresistible Nordic melancholia will always influence the passionate vocal delivery and the intricate guitar soloing.

“All Heroes Fall” continues to embody the album’s epic grandeur with fierce rhythmic segments and solemn vocals while the melodic aspects revolve around profoundly somber feelings and tasteful guitar progressions featuring truly impressive solos.

“Ragnars Kvæõi” is a traditional Faroese ballad yet the rhythm doesn’t slow down drastically  but certainly the ancient folk spirit is essential deeply influencing the dramatic vocal delivery and the melodious beauty of the guitar leads generating another immensely epic momentum.

Without necessarily sounding like a standard metal ballad “Sunset Shore” has all the elements to become a favorite offering a catchy chorus, plenty of softer melancholia infused guitar melodies and crispy tonalities emphasized by the memorable fancy soloing.

“Empire Of The North” features many heavier groovy moments diligently built by the harsh tones of the guitar riffs and the belligerent drumming yet there are some majestic melodic guitar passages that evoke a major sense of nostalgia with luminous nuances.

On “Songs Of War” the compelling lead guitar work is bound to stand out since the very beginning with technical musicianship and complex progressions while the rest of the song provides a fair dosage of heavy & groovy riffage supported by a bold yet not necessarily super fast rhythmic ensemble.

“Álvur Kongur” is another traditional Faroese ballad that elegantly pays homage to the band’s homeland emphasizing the strong folk roots and Nordic aesthetics through a sophisticated composition that favors dreamy atmospheric textures and extensive fascinating guitar melodies.

Ancient myths and traditions of the Faroe Islands always feel prominent throughout “Hel” as Týr aim to create a triumphant series of epic soundscapes confidently combining utterly heavy instrumental passages and refined harmonies.

 https://www.youtube.com/watch?v=3oAt3mBEKRk