Canadian metallers Arrival Of Autumn proudly presents to the world their debut full length “Harbinger” offering an intense mixture of groovy moments and bleak apocalyptic soundscapes.
On “Hurricane On The Horizon” there is a cool blend of polished somber melodies featuring interesting guitar progressions and insanely heavy patterns amplified by enraged vocals as the overall energy is fueled by the evident metalcore attitude.
“End Of Existence” follows a similar groovy music pathway as guitars naturally shift from explosive riffs marching through intriguing rhythmic variations to smooth melodic textures and wild soloing.
On “Witness” brutal guitar driven grooves continue to feel fundamental within the song’s structure leading to steady metalcore dynamics and angered screams yet leaving some space for calmer pensive moments enhanced by hazy atmospheres and clean vocals.
Undoubtedly “Better Off Without” stands out for the charismatic guitar solos and the creepy atmospheric tapestries that evoke the album’s apocalyptic themes just like the grim guitar tonalities and the contemplative clean vocals in contrast with a consistent series of aggressive rhythmic segments enhanced by the ferocious vocal delivery and the crunchy riffage.
While “The Endless” is clearly characterized by a fierce heavy & fast rhythmic core the song benefits greatly from the intricate melodic waves carefully crafted by the impressive lead guitar work and the melancholic atmospheres plus the extra catchy chorus will get stuck in your head.
The album’s grand finale comes with the dismal melodic guitars of “Apocalyptic” that still offers many raw energetic grooves dictated by the belligerent drum blasts but often slows down to rightfully emphasize the dramatic atmospheric textures and the darkened harmonies.
For a young emerging band like Arrival Of Autumn the main goal is to attract an audience in the chaotic metal scene and the fiery yet approachable soundscapes of “Harbinger” will certainly give them a chance to get noticed.
Back in 2017 Cellar Darling shared their powerful music vision with the debut album “This Is The Sound” and now the time has come to embark on a new journey symbolized by the sophomore full length “The Spell” which is also a dark fairytale telling the story of an unnamed girl who falls in love with death.
The album opener “Pain” aptly puts a spell on you with the magical folk arrangements and hurdy-gurdy melodies accompanied by the elegant vocal delivery leading to peaceful feelings in contrast with the heavier rhythmic momentum fully expressed by the crunchy guitar riffs.
While on “Death” guitars can often acquire heavy darkened tonalities the compelling melodic depth comes from the otherworldly flute melodies and the lavish multifaceted vocal harmonies that shift from the catchy delivery of the chorus to the softer introspective delivery.
The title track features immensely melancholic soundscapes as the whole melodic ensemble craft intricate instrumental passages that benefit from the mixture of daydreaming folk nuances and somber guitar work while Anna’s simply spellbinding vocals render this track particularly sophisticated.
On “Burn” guitars have a delicious edgy rock mood that leads to heavy and utterly eerie grooves following bold rhythmic dynamics but there are also dramatic moments enhanced by the darkly heartfelt melodies and dreamlike atmospheric arrangements.
“Insomnia” shines for the heavier prog influences of the galloping guitar riffs and the eclectic rhythmic variations without sacrificing the inner pensive melodic nature that once again is intensely emphasized by the impeccable warm vocals and the ethereal piano passages.
“Drown” can feel like an immersive sonic experience as well as a dreamy ballad with subtle atmospheric accents and the calming sound of the sea but also features profoundly darkened themes amplified by the gritty guitar riffage in the background while the hurdy-gurdy obviously adds a graceful folk aura.
On “Death Pt. II” emotions become an essential part of the song that inevitably acquires a profoundly melancholic mood allowing Anna’s voice to take the spotlight with a particularly moving performance accompanied by the sheer beauty of enchanting piano melodies.
In just few years Cellar Darling have already developed a unique music style that becomes even more fascinating and complex blending edgy prog elements and magical folk themes on “The Spell” which ultimately confirms that the band has great potential to stand out in the current metal scene.
Renowned guitarist of Lamb of God Mark Morton has crafted his first solo record entitled “Anesthetic” exploring diverse music styles with total creative freedom and collaborating with several acclaimed musicians and vocalists from the metal/rock scene.
“Cross Off” is the song that everybody has been curious to hear since it features Chester Bennington as guest vocalist and definitely the vocals here steal the spotlight with a passionate and at times even savage delivery supported by massive groovy guitar riffs as well as softer deeply melancholic passages.
“Sworn Apart” marks another major groovy moment with a subtle modern metal approach featuring Jacoby Shaddix of Papa Roach on vocals and a winning mixture of crunchy rhythmic dynamics and melodic elements particularly dominant in the accessible chorus.
With its Southern rock vibes “Axis” might surprise the listeners but is actually one of the most interesting tracks featuring the unmistakable charming voice of Mark Lanegan that constantly amplifies the warm bluesy tonalities of the guitar melodies and charismatic soloing.
“The Never” packs a more aggressive punch with killer thrash elements which is definitely expected since the guest vocalist is the one & only Chuck Billy of legendary Testament and his monumental signature vocals successfully enhance the darkened grooves crafted by galloping guitar riffs and pummeling drums.
When “Save Defiance” begins you can instantly perceive a change of style as guitars diligently channel classic rock vibes and guest vocalist Myles Kennedy is the perfect choice to embody the catchy rock spirit of the song.
Featuring Randy Blythe of Lamb Of God and Alissa White-Gluz of Arch Enemy “The Truth Is Dead” begins with calm melodies and soothing vocal harmonies but the rest of the song feels like a full blown metal anthem with steady sharp guitar riffs and diabolical growls supported by an intense rhythmic section.
Certainly the intriguing sonic diversity of “Anesthetic” comes from the various artistic collaborations that lead to unique flavors in each song but also from the fact that Mark Morton doesn’t necessarily play it safe and is often willing to push boundaries.
L.A. Satanic doo-wop duo Twin Temple make their official debut with the album “Twin Temple Bring You Their Signature Sound…Satanic Doo-Wop” which is bound to trigger curiosity with the unusual blend of Luciferian worship and vintage music style.
The sound of “The Devil (Didn’t Make Me Do It)” is incredibly nostalgic and distant from what we’re used to listen to in the modern music scene with the unique spellbinding vocals and the raw guitar tonalities following a fun upbeat rhythm.
“Lucifer, My Love” is a love song clearly dedicated to Lucifer so there is a certain degree of sheer romanticism and decadence within the languid guitar melodies and dreamy ballad vibes that are certainly enriched by the sultry vocal delivery.
“I Know How To Hex You” might be a curse but doesn’t sound particularly evil as the mix of smooth guitars and jazzy dynamics makes you want to dance and could even put you in a good mood.
“I’m Wicked” relies on warm guitar melodies and enjoyable trumpets following a softer & slower rhythm embellished by charming piano passages while vocals naturally shift from voluptuous whispers to strong rocker delivery.
On “Let’s Hang Together” the vocals sound pleasantly playful and definitely take the center stage once again diligently accompanied by the shimmering melodies of the utterly wistful instrumental ensemble.
“Bring You Their Signature Sound…Satanic Doo-Wop” truly sounds like an old vinyl from 1950 with its old school recording and lack of any special effects and you can easily tell that Twin Temple has the ability to carry the torch for classic rock ‘n’ roll obviously with the addition of occult themes.
Representing Scandinavian metal since over two decades Týr return with the anticipated eighth full length “Hel” which naturally stays true to the band’s progressive folk metal style and delivers loads of compelling detailed melodic tapestries.
“Gates Of Hel” immediately evokes the massive epic vibes that will recur throughout the entire album starting with graceful polished guitar melodies that introduce entertaining power metal tinged heavy grooves while the irresistible Nordic melancholia will always influence the passionate vocal delivery and the intricate guitar soloing.
“All Heroes Fall” continues to embody the album’s epic grandeur with fierce rhythmic segments and solemn vocals while the melodic aspects revolve around profoundly somber feelings and tasteful guitar progressions featuring truly impressive solos.
“Ragnars Kvæõi” is a traditional Faroese ballad yet the rhythm doesn’t slow down drastically but certainly the ancient folk spirit is essential deeply influencing the dramatic vocal delivery and the melodious beauty of the guitar leads generating another immensely epic momentum.
Without necessarily sounding like a standard metal ballad “Sunset Shore” has all the elements to become a favorite offering a catchy chorus, plenty of softer melancholia infused guitar melodies and crispy tonalities emphasized by the memorable fancy soloing.
“Empire Of The North” features many heavier groovy moments diligently built by the harsh tones of the guitar riffs and the belligerent drumming yet there are some majestic melodic guitar passages that evoke a major sense of nostalgia with luminous nuances.
On “Songs Of War” the compelling lead guitar work is bound to stand out since the very beginning with technical musicianship and complex progressions while the rest of the song provides a fair dosage of heavy & groovy riffage supported by a bold yet not necessarily super fast rhythmic ensemble.
“Álvur Kongur” is another traditional Faroese ballad that elegantly pays homage to the band’s homeland emphasizing the strong folk roots and Nordic aesthetics through a sophisticated composition that favors dreamy atmospheric textures and extensive fascinating guitar melodies.
Ancient myths and traditions of the Faroe Islands always feel prominent throughout “Hel” as Týr aim to create a triumphant series of epic soundscapes confidently combining utterly heavy instrumental passages and refined harmonies.
British quintet While She Sleeps continue to gain popularity with their energetic blend of heavy metalcore and catchy grooves that now more than ever have the potential to reach a wider audience worldwide with the latest full length “So What?”.
The sonic formula behind “Anti-Social” can sound quite frenetic mixing steady sharp guitar riffs and angered screams according to metalcore style but all this doesn’t compromise the essential easier melodic approach of the chorus and the electro layers.
“Inspire” often focuses on crunchy guitar driven grooves still featuring familiar metalcore elements amplified by the scattered heavier segments and furious vocals but the song’s main theme relies on a calmer atmospheric & melodic essence.
The title track offers loads of brighter melodic moments as guitars tend to acquire modern polished tonalities surrounded by dreamy atmospheres but at times the rage becomes real through galloping guitar riffs and faster drumming.
Certainly “Haunt Me” features some cool guitar riffs that successfully channels the band’s heavier roots while the strong melodic ensemble and consequent catchy chorus this time feel a bit darker accompanied by enjoyable subtle atmospheric arrangements.
On “Elephant” the rhythmic sections become more aggressive evoking darkly enraged feelings clearly amplified by the ravenous screams while the melodic passages are characterized by luminous guitar tonalities and atmospheric serenity that enhance the emotional aspects of the clean vocals.
In the beginning the electro elements of “Gates Of Paradise” create a spacey mood that introduces cohesive rhythmic blasts with galloping metalcore style guitar riffs and a sing along chorus while the significantly slower breakdown features an overload of atmospheric melancholia and smooth clean vocals.
At this point While She Sleeps have developed a precise music style which constantly showcases accessible modern metal dynamics spontaneously leading to impactful grooves and big choruses throughout “So What?”.
Featuring members of Norwegian doom outfits Tombstones and Hymn the new band Sâver describes the music style of the debut album “They Came With Sunlight” as “heavy, spaced-out darkness” so you should get ready for an intense sonic experience.
The beginning of “Distant Path” is already super trippy with thick bass lines that could go on forever but instead introduce a mysterious and often super heavy sludge ensemble characterized by monumental guitar driven grooves, desperate screams and painfully slower doom tinged moments.
“I, Vanish” combines cosmic energy and heavy sludge momentum as guitars concoct mighty riffs throughout the song supported by massive rhythmic blasts but also some shimmering harmonies that emphasize the substantial spacey mood.
There are only scattered melodic hints through “How They Envisioned Life” which stands out for the monolithic full blown doom dynamics as guitar riffs could not sound heavier constantly evoking funereal vibes and building ominous crushing grooves accompanied by tormented screams.
The ambitious album’s finale is the massive lengthy opus “Altered Light” where the whole instrumentation is surrounded by a perennial darkness that generates a suspenseful mood. Guitars can always deliver intense doom progressions following an anguished atmosphere but also provide the right dosage of melancholic melodies during the dramatically slower introspective moments.
With the release of “They Came With Sunlight” Sâver share with the world their dark music vision without any hesitation demonstrating a diverse songwriting approach and a strong desire to develop a unique style.
It’s a really exciting time for Swedish doom raiders Witchers Creed as they are ready to share their music with the world releasing the debut full length “Awakened From The Tomb”.
“Witchers Creed” immediately channels vintage vibes with an overload of classic doom guitar riffs that build up solid grooves characterized by a generous dosage of darkened tonalities and stoner rock elements plus the shredding guitar solo is definitely entertaining.
“Depths Of The Black Void” maintains a slower yet heavy rhythmic section that puts in the spotlight the moody bass lines accompanied by monumental guitar riffs and rocker style vocals that will embrace a catchy delivery in the chorus.
With a bittersweet romanticism the rock ballad “Larissa” changes pace to focus on spellbinding guitar phrases and 70’s influenced melodies that ultimately amplify the retro rock vibes surrounding the rather emotional vocal delivery.
On “Monolith” Witchers Creed confidently follow a precise music vision where traditional heavy doom tonalities are fundamental generating intriguing and definitely monolithic grooves with compelling guitar leads and intense rhythmic patterns. This track also offers hypnotizing moments as at some point guitars spontaneously shift to a major spacey melodic jam that will naturally continue on the instrumental title track acquiring extra psychedelic vibes and delivering an overdose of gloomy melodies.
Witchers Creed step out of the grave seeking a niche in the heavy rock scene and listening to “Awakened From The Tomb” you will see that these young musicians crafted this album with absolute passion.
Founded by acclaimed drummer James Payne of Vital Remains and Hour of Penance, Hiss From The Moat is ready to celebrate the release of the sophomore album “The Harrier” which revolves mainly around technical blackened death metal dynamics.
The creepy atmospheres of “The Badial Despondency” introduce the monstrous title track where the massive rhythmic ensemble is constantly fueled by the technical precision of the drums and the belligerent guitar riffs while the soloing showcases fancy shredding and darkened vibes.
The mood of “The Passage To Hell” definitely matches the title as the menacing drum march and the consequent guitar driven grooves dwell within an asphyxiating blackened realm enriched by the calmer yet nightmarish atmospheric momentum.
It’s nice to take a break with the sophisticated classical guitar melodies of “The Abandonment (Interlude)” where the band can showcase a different songwriting approach and still manifest a profound sense of darkness.
There are plenty of extreme metal elements on “The Allegory Of Upheaval” as thick guitar riffs could not sound more obscure supported by brutal drum blasts and hellish growls while the lead guitar work tends to focus on remarkable melancholia infused melodies.
“God Nephasto” fully embraces fierce uncompromising grooves fueled by a palpable primordial force that demands faster rhythmic segments and blackened guitar riffs while once again the technical soloing stands out for the subtle melodic accents.
There is a perennial darkness throughout “The Decay Of Lies” and the blackened influences become rather dominant in the guitar work that skillfully takes the center stage with an overdose of gloomy tonalities and decadent melodies.
Overall “The Harrier” is a solid extreme metal opus that can often sound absolutely ominous but Hiss From The Moat are able to add also melodic & atmospheric twists to such aggressive sonic approach.
So many have been waiting for a new full length by renowned Finnish metallers Children Of Bodom and finally the time has come for “Hexed” to unleash the expected brilliant shredding within the band’s signature melo-death sonic realm.
“This Road” is a quite energetic album opener starting immediately with frenetic guitar driven grooves amplified by massive drum blasts but certainly the opulent keyboards arrangements and the cool guitar licks stand out throughout the song with fascinating somber tonalities.
“Under Grass And Clover” has a stronger positive energy as guitar leads and keyboards here channel major catchy ‘80s influences nevertheless vocals sound as enraged as possible just like the crunchy guitar riffs.
In the beginning “Hecate’s Nightmare” feels like a creepy lullaby with dominant gothic tinged atmospheres and borderline diabolical growls surrounded by the refined keyboards tapestries that add subtle symphonic accents while the charismatic guitar soloing relies on flamboyant shredding and classic metal vibes.
On the title track the lavish melodic combo of keyboards and guitars this time showcases exquisite neoclassical accents leading to a theatrical grandeur that naturally embellishes the fierce instrumental dynamics and the galloping extra heavy guitar riffs.
The composition of “Say Never Look Back” combines explosive grooves and melodic phrases as once again smooth guitars and keyboards work harmoniously to craft sophisticated instrumental passages often characterized by cold darkened nuances.
“Soon Departed” enhances a dramatic momentum allowing the slightly slower melancholic guitar work to take the center stage and deliver loads of catchy bittersweet melodies in contrast with the scattered harsh rhythmic segments and rather angered vocals.
Children Of Bodom confidently add some eclectic twists constantly emphasized by the impressive musicianship on “Hexed” but also tend to follow the successful music formula that has generated great interest throughout the years.