Swedish horror entity Opera Diabolicus conjures darkness to create the theatrical sophomore opus “Death On A Pale Horse” collaborating with exceptional musicians.
Featuring talented vocalist Mats Levén, “Bring Out Your Dead” combines a classic heavy metal formula and symphonic splendor to generate an inflamed rhythmic rampage with striking epic vibes as the soaring guitars are skillfully enriched by solemn orchestrations.
The detailed composition of “Second Coming” leads to dreamy melodic passages and wild rhythmic blasts enhanced by sumptuous choirs that often evoke sinister vibes while the stunning lead guitar work courtesy of legendary Andy La Rocque is destined to impress the listeners.
“Darkest Doom on the Brightest of Days” maintains a massive heavy metal rhythmic core with majestic guitar progressions and aptly sounds darker and diabolical with particularly wicked vocals and arcane organ tapestries while the classical elegance of violin harmonies evokes sheer melancholia.
“Night Demon” begins with the ominous combo of organ and operatic choirs introducing thrilling rhythmic patterns fueled by the frenetic drum blasts while the gloomy gothic flair continues to thrive within the witchy atmospheric ensemble.
On “At Nighttime” mournful arpeggios are swiftly followed by a charismatic devilish vocal delivery so the consequent nightmarish mood demands bewitching orchestral layers and faster soaring guitar riffs in contrast with the softer classical breakdown and the melodic allure of the compelling guitar solo.
Opera Diabolicus makes a triumphant comeback telling a story of witchcraft, the black death and revenge throughout “Death On A Pale Horse” which undoubtedly feels like a grandiose decadent operetta due to the magnificent symphonic approach and the brilliant musicianship.

Despite many struggles Cynic returns triumphantly with the expansive musical vision and the futuristic soundscapes of the highly anticipated full-length “Ascension Codes”.
The ethereal atmospheric nuances of “The Winged Ones” begin a celestial voyage as the glowing guitar phrases flow gently following a spacey rhythm that often embraces striking technical prog elements leading to an intricate solo.
“Elements And Their Inhabitants” generates a heavier momentum as the precise combo of monumental drumming and crunchy riffage naturally create interesting rhythmic twists surrounded by luminous atmospheric layers.
The strength of “6th Dimensional Archetype” relies on the convoluted guitar progressions well supported by the eclectic rhythmic section and embellished by cinematic atmospheric textures and shimmering harmonies.
“Architects Of Consciousness” feels like traveling in outer space with a mix of robotic synths and hazy atmospheric accents accompanied by a soft vocal delivery while the excellent guitar work shifts from heavier riffs to fragile melodic passages.
“Diamond Light Body” follows a fascinating avant-garde pathway blending jazzy textures and an intense prog inspiration to craft shape-shifting rhythmic patterns and brighter melodic crescendos.
With a supernatural allure, especially evident in the code interludes, “Ascension Codes” takes you to a distant dimension as Cynic chooses a multifaceted progressive approach bravely exploring diverse musical territories and surprising the audience with loads of unexpected complex dynamics.