Category: Album Reviews

Iotunn – Access All Worlds

Danish progressive metallers Iotunn invite you to join an unforgettable cosmic journey with the striking debut full length “Access All Worlds” featuring talented vocalist Jón Aldará of Hamferð. 

“Voyage Of The Garganey I” marks a grandiose beginning as the spacey atmospheric intro leads to a harsh rhythmic ensemble characterized by vicious growls and crunchy riffage yet the prog metal inspiration will generate elaborate dynamics and majestic guitar soloing. 

The monumental title track immediately stands out for the dramatic clean vocal delivery embellishing the technical aspects of the intricate guitar progressions which will naturally shift from sumptuous melodic moments following a slower rhythm to aggressive dynamics evoking somber feelings. 

“The Weaver System” offers a pleasant overdose of gorgeous melodies emphasizing the soulful tonalities of the guitar work and the poignant emotions expressed by the theatrical vocals yet the band carefully creates convoluted rhythmic patterns channeling the gelid darkened vibes of melodic death metal. 

The ambitious final track “Safe Across The Endless Night” perfectly manifests the band’s prowess as within a massive sonic maze guitars fiercely deliver unrestrained riffage enriched by prog oriented technical accents and thrilling solos but you can also perceive a captivating melancholia through the darkened melodic phrases and Jón’s eloquent vocal performance. 

While Iotunn are just beginning their sonic endeavor you can immediately appreciate the remarkable musicianship and the fascinating creativity that generate the complex composition of “Access All Worlds” which is definitely destined to impress the metal scene. 

Anneke van Giersbergen – The Darkest Skies Are The Brightest

During the last two decades the enchanting voice of Anneke van Giersbergen has conquered our hearts and after prolific collaborations with stellar musicians & bands she is ready to begin a new chapter with the release of the intimate solo album “The Darkest Skies Are The Brightest”.

Anneke’s unique voice is destined to shine bright throughout “Agape” which focuses on the fascinating melancholia embodied by the mix of soothing acoustic guitars and refined string melodies. 

“Hurricane” continues to focus on smooth acoustic passages that acquire a bittersweet southern style often emphasizing the haunting vocal delivery while the super catchy rhythm is embellished by a striking trumpet solo. 

“My Promise” is filled with wistful feelings as Anneke’s magical vocal harmonies are surrounded by breathtaking cello & violin melodic phrases that will ultimately evolve into an energetic opulent crescendo.  

“The End” is destined to move the listeners as the eloquent acoustic guitar melodies and the exquisite strings flow gently like a sweet daydream unfolding around Anneke’s poignant vocal performance. 

“Survive” revolves around the vibrant faster paced rhythm naturally built by the soft rock vibes of the acoustic guitars and the powerful vocal performance channeling an intense positive energy.  

“Love You Like I Love You” once again highlights the honesty and the stirring emotions that characterize the whole album as Anneke’s evocative vocals flourish through the elegant melodic ensemble. 

For the composition of “The Darkest Skies Are The Brightest” Anneke chooses a minimalist and deeply emotive approach sharing her personal heartbreak but also evoking a sense of precious hope that will inevitably touch your soul. 

Epica – Omega

For more than 15 years Dutch symphonic metal icons Epica have meticulously developed a fascinating sonic identity that today reaches the acme with the majestic opus “Omega” which is also the final part of the metaphysical trilogy they began with “The Quantum Enigma” back in 2014. 

“Abyss Of Time – Countdown To Singularity” is filled with soaring rhythmic patterns showcasing a heavier approach amplified by the vicious growls while the flawless opulent symphonic arrangements and Simone Simons’s luminous vocal performance evoke the timeless beauty of the operatic style. 

On “The Skeleton Key” the elegantly darkened piano melodies and the solemn operatic choirs generate a harrowing mood that continues to linger through the bold guitar progressions while the super catchy chorus conveys a warm sense of hopefulness. 

Beginning with charming oriental tonalities “Seal Of Solomon” swiftly embraces a sumptuous symphonic essence as the orchestral grandeur constantly creates elaborate tapestries while the charismatic guitar solo skillfully blends melodic and heavier tonalities. 

The middle eastern style of the atmospheric intro on “Code Of Life” evokes mystical vibes that will continue to emerge through the symphonic splendor well supported by the robust rhythmic section and embellished by Simone’s striking vocal range during the poignant chorus. 

“Kingdom Of Heaven prt. 3 – The Antediluvian Universe” might be the most ambitious and complex track on the album as the delightful atmospheric arrangements combined with the classical elegance of the orchestra craft a cinematic sonic realm that often puts the spotlight on the soothing melodies as well as the dramatic crescendos while the heavier rhythmic patterns accompanied by Mark Jansen’s fiery growls can clearly channel a profound darkness. 

On “Synergize – Manic Manifest” guitars take the center stage following a significantly faster tempo and delivering loads of energetic riffs that maintain a groovy momentum within the epic symphonic ensemble while the calmer harmonious passages and the chorus sound quite accessible. 

The final track “Omega – Sovereign Of The Sun Spheres” perfectly manifests the band’s successful formula as the elaborate instrumental progressions are seamlessly entwined with the magnificent symphonic arrangements providing an entertaining mix of powerful rhythmic blasts and dazzling melodies leading to a memorable chorus. 

Epica certainly don’t disappoint their loyal acolytes delivering an overdose of monumental grooves and exquisite orchestrations enhanced by an impeccable production throughout “Omega” which is destined to shine bright in this dark world. 

Moonspell – Hermitage

As dark metal titans Moonspell approach their 30th anniversary the brand new opus “Hermitage” symbolizes a crucial moment in time and a cathartic voyage created with rare emotions and of course impeccable musicianship. 

The detailed atmospheric tapestries of “The Greater Good” certainly belong to a gloomy world where Fernando Ribeiro’s poetic clean delivery emphasizes the sombre beauty of the melodic guitar work while the rhythmic section will eventually embrace a significantly heavier momentum. 

You can immediately perceive the darkened grandeur of the title track as the solemn vocal performance and the sharp riffage highlight the soaring rhythmic patterns surrounded by alluring atmospheric arrangements and enriched by the dazzling melodic nature of the guitar solo. 

On “Entitlement” the rhythm often slows down to focus on the cinematic approach and the experimental twists of the intricate keyboards while guitars can acquire dreamy tonalities to create spellbinding melodies.  

“The Hermit Saints” feels like an epic journey fueled by Ferrnando’s theatrical vocals and the band’s darkest roots that inevitably lead to inflamed guitar progressions and fierce rhythmic blasts marching through the opulent atmospheric waves. 

“Apophthegmata” can sound quite soothing due to the delicate keyboards and the mellow vocals but the inner darkness is bound to emerge through the gothic flair of the refined atmospheric textures and the harsh guitar riffs. 

The dystopian poetry feels strong throughout “Without Rule” which perfectly blends the vibrant atmospheric layers, the futuristic electronic accents and the deeply darkened guitar tonalities that will ultimately generate brooding crescendos but also monumental  guitar driven grooves. 

It becomes evident that the intricate composition behind “Hermitage” is the product of an intense sonic evolution that defies standard categorization and rightfully aims to reach the soul of the listeners as Moonspell genuinely share their feelings through words and music.

Empyrium – Über Den Sternen

Featuring talented artists Markus Stock and Thomas Helm, German folk/doom metal band Empyrium returns with the highly anticipated full length “Über Den Sternen” inspired by the romanticism and the ancient myths of their homeland. 

Exquisite arpeggios and cello harmonies introduce the melancholic world of “The Three Flames Sapphire” where the graceful acoustic phrases and the charismatic vocal delivery convey a folk grandeur that will eventually embrace heavier & darker rhythmic crescendos. 

The solemn atmosphere of “A Lucid Tower Beckons On The Hills Afar” acquires arcane nuances emphasized by the presence of darker guitar riffs and growls while the operatic vocals enrich the grave tonalities of the sophisticated melodic passages that will evolve into a dreamy folk realm as the soothing acoustic ensemble takes the center stage. 

“The Oaken Throne” provides another overdose of pure melancholia focusing on contemplative folk vibes as the delicate arpeggios accompanied by the sublime cello melodies seem to emerge from an enchanted forest and naturally reach the acme with a poignant rhythmic crescendo. 

“The Wild Swans” perfectly manifests the balance between the otherworldly melodic ensemble and the dark depths of doom metal as the vocals shift from majestic operatic style to tormented growls while the harrowing rhythmic patterns become entwined with the refined acoustic moments.  

The detailed composition behind the title track generates a majestic opus as the primal doom force inevitably thrives within the crestfallen guitar work and the monumental rhythmic section yet the mystical essence often prevails through the cathartic acoustic melodies and the dreamlike atmospheric arrangements. 

The poetic flair of “Über Den Sternen” is evident from beginning to end as Empyrium continue to develop a mesmerizing sonic vision and masterfully create magical folk soundscapes without sacrificing the intense darkness of their doom metal roots. 

https://prophecy.lnk.to/empyrium-ueber-den-sternen

Emptiness – Vide

Belgian quartet Emptiness embraces a surreal sonic pathway and an experimental approach on the new full length “Vide” recorded in confined spaces like a cabin in the woods and an apartment. 

A claustrophobic sense lingers throughout “Un corps à l’abandon” yet the whispered vocals and the guitar melodies can feel quite comforting channeling an alluring dreamy essence. 

On “Vide, incomplet” the electro beats add catchy and even danceable vibes to the haunting melodic passages and the monochromatic atmosphere. 

“Ce beau visage qui brûle” revolves around the mellow tonalities of the harmonious guitars that seem to emerge from a distant world surrounded by glitchy electro accents and ethereal synths. 

On “Détruis‐moi à l’amour” the blend of moody melodic guitars and the slightly dissonant tones float gently through the blurry atmospheric tapestries.  

“L’erreur” feels like a fading memory as the minimalist melodic guitar work is spiced up by unexpected dissonance and electronic twists evoking bittersweet feelings.  

On “L’ailleurs” the hazy guitar phrases, the understated distorted sound and the soft atmosphere evoke wistful feelings yet you can easily perceive a darkened aura surrounding the instrumental ensemble. 

It would be difficult to categorize the music style of “Vide” as Emptiness embark on a contemplative journey to explore the essence of perception through shapeshifting atmospheric & melodic waves.

Harakiri For The Sky – Mӕre


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Within the burgeoning blackgaze/post metal movement Harakiri For The Sky have garnered interest worldwide with their haunting blend of melancholic soundscapes and harsh dynamics that become feverish dreams on the fifth full length “Mӕre”. 

The recurring enchanting melodic nuances of “I, Pallbearer” can feel like a lovely daydream channeling hazy post metal vibes yet the precise rhythmic section is always ready to unleash faster & colder progressions amplified by the enraged screams. 

Featuring exceptional guest vocalist Neige of Alcest “Sing For The Damage We’ve Done” conceptually deals with estrangement and the emotional whirlwind comes to life as guitars skillfully shift from eloquent melodic phrases to blackened riffage.

“I’m All About The Dusk” focuses on magical guitar melodies and lavish atmospheric nuances that demand a slower contemplative rhythm naturally evoking a distant dreamy world yet there is still some space for darkened heavier grooves. 

On “Once Upon A Winter” the opulent melodic guitar work is characterized by gelid moody tonalities that inevitably convey an immense melancholia while the intense patterns meticulously built by the rhythmic ensemble maintain a blackened aura.  

Featuring the anonymous vocalist of Gaerea “Silver Needle – Golden Dawn” definitely evokes a fascinating darkened mood as the grim guitar sound naturally generates sorrowful melodic progressions yet the massive groovy dynamics still hold a dominant role. 

“Time Is A Ghost” begins with nostalgic arpeggios and an enthralling dreamy atmosphere will often prevail through the unrestrained rhythmic assault emphasizing the inner spiritual essence and the luminous shoegaze flair of the guitar harmonies. 

Throughout “Mӕre” Harakiri For The Sky confidently manifest an elaborate songwriting approach to create an alluring darkened sonic realm fueled by genuine emotions and sheer anger.  

God Is An Astronaut – Ghost Tapes #10

Irish experimental instrumental quartet God Is An Astronaut reach a crucial milestone with the release of the 10th album “Ghost Tapes #10” showcasing an opulent multifaceted composition. 

“Adrift” is a fascinating album opener where the whole instrumentation gradually builds a powerful momentum blending hazy harmonies and harsh rhythmic patterns that highlight the expression of contrasting emotions. 

“Burial” begins with shimmering piano melodies entwined with soulful guitar phrases channeling a dreamy post rock essence while the impeccable rhythmic section will acquire a cosmic energy to create memorable grooves. 

The ethereal atmosphere of “In Flux” evokes a surreal distant world favoring a moody melodic ensemble yet the rhythmic segments gradually acquire heavier murky tonalities following a syncopated rhythm. 

Listening to “Barren Trees” you can easily space out as the cinematic motifs take the center stage while the mesmerizing multilayered synths and the melancholic melodies constantly evoke an emotional whirlwind. 

“Ghost Tapes #10” definitely marks an intense sonic experience as God Is An Astronaut skillfully create intricate soundscapes that range from energetic dynamics to contemplative post rock nuances. 

Cult Of Luna – The Raging River

Cult Of Luna have been around for over two decades and today their intriguing sonic journey continues to thrive within the elaborate soundscapes of the new EP “The Raging River”. 

“Three Bridges” spreads immense darkness through the somber melodic textures and the enigmatic atmospheric layers that surround the complex harsh rhythmic patterns amplified by tormented screams while the calmer moments focus on the emotions expressed by the shimmering arrangements. 

“What I Leave Behind” belongs to a distant dark dimension where the multilayered synths skillfully create a dystopian atmosphere that highlights a cinematic approach and the resulting grave feelings influence deeply the murky rhythmic ensemble which can easily deliver heavier blasts. 

“Inside Of A Dream” is a particularly captivating track featuring the warm voice of Mark Lanegan which emphasizes the contemplative nature of the melancholic guitar melodies. 

The monumental final track “Wave After Wave” takes you back into a darkened world as the guitar work channels raw energy but the synths become quite dominant crafting sophisticated atmospheric crescendos enriched by moody electro accents. 

Throughout “The Raging River” Cult Of Luna never fail to showcase their creative force embracing an intricate songwriting style inevitably drenched in alluring darkness.

Hulder – Godslastering Hymns Of A Forlorn Peasantry

Hulder emerges from the darkest depths to deliver the debut full length “Godslastering Hymns Of A Forlorn Peasantry” channeling a primal blackened force and esoteric vibes. 

The frostbitten guitar riffs of “Upon Frigid Winds” evoke a perennial darkness following a ravenous fast rhythm that will eventually embrace a mystical atmospheric momentum featuring ethereal synths and grim melodies. 

Throughout “Creature Of Demonic Majesty” the raw energy of the guitar work can lead to robust black’n’roll dynamics while the synths add arcane accents and the growls maintain a malignant delivery. 

On “Sown In Barren Soil” the gelid guitar tonalities and the hostile rhythmic blasts can sound quite ferocious yet at times the tempo slows down to highlight the comforting feelings of the soft harmonies.  

“A Forlorn Peasant’s Hymn” begins with mellow arpeggios embellished by celestial vocals that belong to a distant dreamy world yet a vicious blackened essence will take over as the rhythmic section acquires speed fueled by the blistering riffage.  

“From Whence An Ancient Evil Once” continues to rely on primordial blackened influences with tremolo picking and obscure tonalities even if often the whole instrumentation sounds less aggressive and there is space for calmer melodic passages. 

On “Godslastering Hymns Of A Forlorn Peasantry” Hulder successfully creates a mysterious sonic realm that ranges from enigmatic atmospheric waves to old school black metal.