Dutch band GGGOLDDD has been developing a unique sonic vision bravely exploring diverse styles & sounds and the result of this intense evolution is the new full length “This Shame Should Not Be Mine” which for vocalist Milena Eva becomes the rightful creative outlet to confront the trauma of her personal experience with sexual assault.
“Strawberry Supper” focuses on Milena’s haunting vocal delivery flowing gracefully through an enigmatic atmosphere that becomes darker as the rhythmic section gains momentum channeling heavier rock roots.
As unsettling vibes linger though “Like Magic” the instrumental ensemble seamlessly shifts from faster gritty blackened patterns fueled by the unrestrained guitar work to blurry electro layers that seem to emerge from a distant dimension.
Monochromatic vocals are floating through the pulsating beats of “Spring” naturally expressing painful feelings and the rhythm becomes quite frantic with an edgy mix of industrial accents and crunchy guitar riffs.
The strength of “Notes on How to Trust” relies on the captivating nature of the eerie atmospheric maze and the darkly magnetic rhythmic crescendos that perfectly complement Milena’s eclectic vocal performance.
On the title track the electro arrangements feel like a heartbeat and Milena’s eloquent vocals flourish through the opulent atmospheric tapestries that also maintain a cinematic darkened allure.
The impactful final track “Beat by Beat” creates irresistible and borderline feverish grooves with a fascinating combo of multilayered electronic nuances and inflamed guitar riffs emphasized by the poignant vocal harmonies.
Throughout “This Shame Should Not Be Mine” GGGOLDDD reach a striking emotional depth blending moody electronic textures and evocative melodies that defy any standard musical category and ultimately have the power to instantly spellbind the listeners.

Formed by Justin Hagberg of 3 Inches of Blood and Ash Pearson of Revocation the new band Ritual Dictates is ready to showcase a menacing sonic manifesto with the debut release “Give In To Despair”.

“Dominance And Will” prepares a savage rhythmic assault with scorching guitar riffs and punishing drums so the grindcore vibes feel quite dominant yet a groovy heavy rock flair eventually takes over with gritty and much calmer progressions. 

“Given To Despair” offers some catchy guitar riffs marching through the hostile rhythmic segments leading to a major black ‘n roll mood yet the song will shapeshift once again to embrace melancholic guitar melodies and contemplative atmospheric textures.   

The abrasive guitar riffs on “Last Phase Of Life” channel some primal ominous energy that dictates an overdose of icy tonalities and blackened rhythmic blasts while the malevolent growls perfectly match this darker mood.  

“Poisonous Proclamation” goes straight to a merciless rhythmic rampage with vitriolic guitar riffs and super fast drumming that leave you breathless while the chunky bass lines will suddenly introduce a significant change of pace favoring a classic rock inspiration. 

“Aperiam In Porta” tends to focus on aggressive rhythmic patterns yet a darkened aura will allow guitars to slow down in order to deliver fancy progressions following a classic heavy metal formula.  

“Extinction” can sound utterly brutal as the chaotic instrumental rampage and the spiteful growls conjure extreme metal dynamics often interrupted by slower and definitely more accessible grooves featuring memorable guitar riffs. 

In terms of styles Ritual Dictates seem to rely on a main fast and furious grindcore blueprint but also aim to blend many different influences consequently the whole album “Give In To Despair” manage to offer some surprising elements. 

It’s not easy to categorize the music style of Dutch band Gold but their eclectic creative force is very clear on the fourth full length “Why Aren’t You Laughing?” which naturally expresses an emotional turmoil telling personal stories and experimenting with different sounds.

“He Is Not” can sound quite gloomy as guitars craft spellbinding melodies with enticing goth vibes enhanced by Milena Eva’s dazzling and deeply emotive vocals yet the rhythmic section ensures plenty of catchy vibes.

On “Things I Wish I Never Knew” the darkened atmosphere naturally surrounds the vibrant guitar work that showcases a diverse approach shifting from steady riffs to compelling melancholia infused leads and the resulting multitude of feelings is further emphasized by Milena’s soothing vocal delivery.

The dreamy atmospheric nuances and delicate guitar phrases of title track introduce a groovy instrumental ensemble that relies on the increasingly energetic rhythmic patterns and towards the finale the guitars even acquire rebellious quasi chaotic tonalities.

In the beginning “Taken By Storm” is full of bittersweet harmonies that will evolve into a massive heavier & faster rhythmic ensemble featuring sharp guitar riffs and obscure tonalities clearly fueled by a primal blackened force that inevitably evoke tormented feelings.  

“Wide-Eyed” has an introspective mood as the guitar work creates irresistible darkened nuances through unusual rhythmic patterns and hypnotizing melodies surrounded by intricate brooding atmospheres always embellished by passionately melancholic vocals.

On “Till Death Do Us Part” Milena is able to express genuine emotions with ethereal vocals accompanied by fragile guitar melodies that maintain an apparent serenity while later eerie post-metal dynamics will flourish influencing the whole instrumental ensemble.

The multifaceted nature of “Why Aren’t You Laughing?” is fundamental in the creation of a unique sonic experience that can always move the listeners and Gold confidently prove to have the ability to craft elaborate soundscapes that will definitely grab your attention.

 https://www.youtube.com/watch?v=iIGcUd9W6Cw

Canadian metallers Dead Quiet are eager to conquer the audience with the sophomore work of music “Grand Rites” containing a massive blend of classic heavy metal roots, stoner and doom.

“Moon Cruiser” is all about tight guitar riffing and chunky rhythmic patterns but there are hints of stoner rock providing some welcomed trippy vibes further enhanced by vintage keyboards arrangements and intriguing melodic progressions while vocals often becomes angered screams.

“Blood Lovers” begins with atmospheric keyboards introducing a crescendo of gloomy melodic guitars that will acquire a heavier attitude building cohesive classic rock grooves amplified by intensely thick bass lines yet keeping a melodic core spiced up by retro keyboards accents.

“Disgraced” showcases a power ballad approach as everything slows down significantly to favor lovely slow burning melodies leading to an absolutely compelling borderline dramatic guitar solo enhanced by steady melancholy infused keyboards layers and obvious dominant retro flavors.

“Fucking Oath” clearly evokes a moody doom essence that influences deeply the heavier guitar riffs and the consequent strong bass driven rhythmic patterns accompanied by subtle ‘70s rock oriented spacey keyboards and a wild vocal delivery.

“Grand Rights” closes the album reflecting the weirder and at times dissonant tonalities of the second half of songs and is certainly not an ordinary metal track as Dead Quiet seems to become more adventurous. You still find a great deal of stoner rock/metal elements as guitar riffs ensure a heavy rhythmic section that will eventually evolve into a darkly spaced out sonic realm.

As you can tell immediately there are experienced musicians behind Dead Quiet ensuring a mature sound and songwriting skills which result in an enthusiastic music approach and the retro rock/metal tonalities render “Grand Rites” an enjoyable listening experience.