Founded in 2001 progressive/melodic death metal band Persefone embraces a remarkable evolution leading to the stylish blend of technical acrobatics and sophisticated melodies on the highly anticipated new record “Metanoia”.
“Katabasis” instantly showcases instrumental prowess putting the spotlight on the convoluted guitar progressions and the consequent eclectic prog dynamics seamlessly become entwined with the rather aggressive rhythmic blasts yet there are scattered calmer moments featuring somber piano harmonies.
“Architecture of the I” begins with crispy synth layers introducing a quite savage rhythmic rampage as the crunchy riffs march fiercely acquiring extra speed while the brighter tonalities of the intricate lead guitar work lead to an introspective atmospheric momentum.
On “Aware of Being Watched” ethereal vocal harmonies and futuristic synths feel like a pleasant daydream and the band certainly emphasizes the emotive themes through contemplative melodic tapestries yet there are plenty of twisted & heavier rhythmic patterns courtesy of the precise drumming and the virtuoso guitar style.
“Merkabah” manifests a soothing atmospheric approach embellished by the glowing guitar phrases and the softer vocal delivery in contrast with the striking technical nature of the frenetic rhythmic segments, the unrestrained riffage and the furious growls that can definitely channel an obscure death metal force.
The majestic lengthy track “Consciousness (Pt.3)” has a lot to offer symbolizing a cathartic journey as the melancholia infused cinematic intro gradually evolves into a melodic grandeur relying on the crystalline sound of the charismatic guitar leads enriched by sumptuous keyboards arrangements while the flawless rhythmic section focuses on a complex prog composition delivering the perfect dosage of harsh technical elements.
“Anabasis Pt2” unleashes a darker & ferocious assault as the faster roaring riffage leads the way through a feverish rhythmic maze yet the delightful slower passages surrounded by elegant atmospheric textures evoke genuine emotions and mystical vibes.
While Persefone is destined to impress the audience with outstanding musicianship the strength of “Metanoia” also comes from the immersive soundscapes characterized by modern electro accents and opulent atmospheric nuances.

Moldovan modern metal band Infected Rain begins a new exciting journey through the futuristic sonic realm of the latest release “Ecdysis”.
Surrounded by visionary multilayered synths “Postmortem Pt. 1” prepares a harsh rhythmic assault relying on Lena Scissorhands’ visceral growls to amplify the hardcore force of the crunchy riffage in contrast with the recurring bittersweet melodic passages.
The enhanced brutality of “Fighter” comes from the faster savage rhythmic patterns and the consequent groovy momentum seems unstoppable but there is still space for a calmer breakdown accompanied by soulful vocals.
Throughout “Longing” gritty guitars and fiery drums can easily generate solid grooves yet the multifaceted electro elements certainly add diversity creating subtle dreamy moments to express genuine emotions.
Featuring guest vocalist Heidi Shepherd of Butcher Babies “The Realm of Chaos” will definitely stand out for the thrilling vocal performance embellished by the alluring darkened atmospheric nuances floating through a quite ruthless rhythmic core.
Channeling unrestrained metalcore influences “Everlasting Lethargy” can hit you in the face with vicious rhythmic blasts while Lena shows her versatile vocal skills shifting from hostile screams to soothing lullaby harmonies during the glowing atmospheric passages.
“Nine, Ten” leaves behind any sign of brutality to focus on a surreal atmospheric ensemble evoking a daydreaming state through shimmering synths and a profoundly melancholic vocal delivery.
“Postmortem Pt. 2” begins with hazy atmospheric layers and graceful vocals leading to a more melodic composition to emphasize haunting feelings but the bold rhythmic section can still unleash heavier dynamics with some tasteful proggy accents.
In the last few years Infected Rain have developed a catchy blend of aggressive grooves and deeply emotional melodic textures that today continues to flourish within the intense soundscapes of “Ecdysis”.

Toulouse based symphonic melodic death metal act Aephanemer aims to raise the bar with the multifaceted composition and the theatrical flair of the third full-length “A Dream Of Wilderness”.
Listening to “Antigone” you can appreciate the sophisticated symphonic arrangements that constantly surround the inflamed guitar progressions with hints of glowing power metal influences in contrast with the faster passages accompanied by aggressive growls.
The engaging rhythm of “Le Radeau de La Méduse” is naturally fueled by the soaring guitar riffs and the fierce drumming but the triumphant atmosphere and the intricate leads ultimately create a compelling melodic grandeur.
Like a French operetta “Roots And Leaves” features rich atmospheric textures and solem choirs while guitars can effortlessly shift from wild riffage to convoluted neoclassical phrases that emphasize the somber melodic essence.
On “Panta Rhei” the guitar work continues to impress with a charismatic blend of heavy riffs and elegantly harmonious leads evoking bittersweet emotions while the opulent orchestrations maintain an impeccable classical style.
The title track can unleash a majestic heavier rhythmic rampage easily enhanced by the ravenous growls yet the extensive sumptuous symphonic layers ultimately lead to a deeply dramatic atmospheric momentum.
As Aephanemer smoothly develop a remarkable sonic identity that could definitely put them on your radar “A Dream Of Wilderness” showcases a darkened soul skillfully embellished by refined symphonic tapestries.

After six years of silence, black death metal veterans Thulcandra unveil the fourth studio album “A Dying Wish” which relies on a classic sound effortlessly blending crushing dynamics and compelling melodies.
“Funeral Pyre” clearly embodies the band’s sonic vision beginning with soulful arpeggios and elegant melodies that will ultimately evolve into a faster obscure rhythmic rampage featuring big riffs and precise drumming.
Throughout “In Vain” the rhythmic patterns can sound quite violent nevertheless the melancholic allure of the intricate melodic phrases and the refined guitar solos is bound to grab your attention.
The cold atmosphere of “Nocturnal Heresy” naturally emphasizes the slower grim melodic tapestries yet the relentless rhythmic section continues to channel a ruthless death metal force amplified by the ferocious growls.
The endless darkness of “Devouring Darkness” thrives through the somber tranquility of the arpeggios and the frostbitten guitar tonalities ultimately generating a balanced mix of hostile rhythmic blasts and gloomy melodic passages.
On the title track the dramatic combo of soft arpeggios and sorrowful harmonies create desolate soundscapes in contrast with the visceral energy of the guitar riffs that can easily generate heavier and darker rhythmic twists.
Within the gelid sonic realm of “A Dying Wish” Thulcandra proudly stay true to a successful melodeath formula showcasing technical prowess shifting from aggressive grooves to crestfallen melodic aesthetics.

Ukrainian blackened death/doom metal outfit 1914 return to conquer a solid status in the metal scene with the new crushing full-length “Where Fear And Weapons Meet” lyrically centered on the gruesome tales of World War I.
“FN .380 ACP#19074” immediately manifests a dramatic depth through solemn orchestrations and sober melodic accents that successfully enrich the hostile rhythmic core fueled by unrestrained drumming and fiery blackened guitar progressions.
The theatrical symphonic arrangements of “Pillars of Fire (The Battle of Messines)” introduce a monolithic rhythmic ensemble yet the constant tremolo and the gelid doom tonalities ultimately lead to contemplative slower passages.
Throughout “Don’t Tread on Me (Harlem Hellfighters)” the rhythmic march seems unstoppable acquiring speed and brutality to create massive grooves amplified by the ruthless growls yet the guitar leads deliver mournful harmonies during the finale.
Featuring majestic vocals courtesy of Nick Holmes of legendary Paradise Lost “…And a Cross Now Marks His Place” emphasizes the presence of gloomy doom elements through the slower ominous guitar progressions but the untamed riffage can lead to rather aggressive rhythmic patterns.
“Corps d’autos-canons-mitrailleuses (A.C.M)” relies on the sombre tones of the elegant orchestrations which provide a sumptuous background for an intense rhythmic onslaught while the lead guitar work creates poignant melodic tapestries.
Within a pitchblack sonic realm “Mit Gott für König und Vaterland” hits you in the face with violent rhythmic blasts dictated by the belligerent drumming and the soaring guitar riffs eventually lead to a particularly charismatic solo.
1914 analyze historical events, tell horrific stories and celebrate heroism throughout “Where Fear And Weapons Meet” channeling the primal force of extreme metal entwined with a symphonic grandeur to create monumental soundscapes.

In just few years Alien Weaponry have shaken up the modern metal scene and officially became the hottest young metal band due to a remarkable thrash & groovy style singing in the native indigenous language te reo Māori, so the sophomore full length “Tangaroa” is bound to raise interest.
“Titokowaru” immediately emphasizes the band’s heritage with rowing chants and the sound of waves that introduce a robust rhythmic section fueled by the gritty guitar sound and the serious warrior-like attitude.
“Hatupatu” features an interesting mix of ancestral vibes and modern metal dynamics as the primal force of the vocals certainly enhances the heavier aspects of the savage rhythmic patterns.
The enigmatic nature of “Ahi Kā” comes from the darkened flair of the soft guitar melodies and the strong tribal tones while riffs and drumming aim to deliver edgy rhythmic segments.
Switching to english lyrics but maintaining a wild vocal delivery the title track tends to focus on impactful rhythmic blasts certainly amplified by the rough guitar riffs and the extra speed.
On “Kai Whatu” nothing sounds polished keeping alive the unruly feel of the whole album and consequently guitar, bass and drums spontaneously build an aggressive rhythmic backbone.
“Īhenga” is full of unexpected twisted grooves so the rambunctious rhythmic approach and the feral spirit continue to thrive accompanied by the solemn tribal chants.
Following the acclaimed debut release “Tū” Alien Weaponry continue to draw inspiration from their culture and environmental surroundings and the consequent tribal flair often becomes crucial within the primordial grooves of “Tangaroa”.

Undoubtedly Jinjer worked relentlessly to become one of modern metal’s hottest bands and the highly anticipated fourth studio album “Wallflowers” aims to solidify their status following a remarkable sonic evolution.
“Call Me A Symbol” marks an impactful beginning unleashing an overdose of ruthless guitar riffs perfectly supported by the speed and the technical accents of the monumental rhythmic section yet the melodic tinged hooks will follow a slower somber tempo to highlight the expression of raw emotions.
“Colossus” immediately showcases the band’s mature musicianship with a solid series of intricate prog metal dynamics fueled by the gritty tonalities and enriched by the combo of harmonious clean vocals and violent growls.
On “Vortex” the tempo slows down dramatically to focus on smooth melodic passages and sultry clean vocals so everything sounds more accessible until the blistering guitar riffs confidently build a heavier rhythmic assault.
On “Pearls And Swine” guitars often acquire striking darkened nuances to craft soulful melodic phrases while the colossal rhythmic patterns continue to rely on a balanced mix of proggy twists and vicious blasts.
“Wallflower” emphasizes an emotional composition focusing on a softer vocal delivery and refined gloomy melodies that belong to a distant dark sonic realm and can sound quite dreamy in contrast with the occasional heavy rhythmic segments.
“Mediator” brings a grand finale conveying contrasting emotions and even pure melancholy but a ferocious side will inevitably take over as the insane speed and the brutal guitar driven grooves generate an intense rhythmic rampage.
Throughout “Wallflowers” Jinjer skillfully blends aggressive dynamics and a delightful melancholia to shape a convoluted sonic vision that by now is clearly destined to leave a mark within the modern metal scene.

Legendary rockers Monster Magnet will surprise their loyal acolytes with an obscure selection of proto-metal and psych-rock covers on the new album aptly entitled “A Better Dystopia”.
Hawkwind’s “Born To Go” doesn’t waste any time and delivers mighty guitar driven grooves rightfully enriched by surreal psychedelic vibes and wild soloing that ultimately generate a trippy sonic experience.
“Solid Gold Hell” by The Scientists drags you through a hallucinogenic maze filled with fuzzy guitar tones and psych rock dynamics while Dave Wyndorf’s inimitable voice becomes your spiritual guide.
Pentagram’s “Be Forewarned” manifests a slower nostalgia infused approach and darker melodic nuances that highlight a glorious vocal performance by Wyndorf while guitars can still channel a powerful stoner rock energy.
Poobah’’s 1972 anthem “Mr. Destroyer” is destined to become a favorite due to the irresistible fuzzed-out heaviness of the guitar work, Wyndorf’s fiery vocals and the intense psychedelic breakdown that will inevitably induce a trancelike state.
Jerusalem’s “When The Wolf Sits” marks another memorable moment as the band successfully combines an overdose of magnetic guitar leads and strong riffage unfolding around Wyndorf’s true rocker style vocals.
The cover of “Death” by The Pretty Things follows a dramatically slower tempo and creates a bittersweet dreamy mood favoring moody vocals and hazy guitar melodies embellished by organ and sitar accents.
“Welcome To The Void” by Morgen stands out for the bewitching psychedelic atmosphere that definitely emphasizes the groovy rhythmic twists and the incendiary guitar work while Wyndorf delivers majestic & spacey vocals.
With a captivating psychedelic groovy mood “A Better Dystopia” is a simply addictive collection of timeless songs that makes you space out instantly and gives you the opportunity to take a wild trip inside the mind of Dave Wyndorf.

Greek metallers Scar Of The Sun continue to develop a distinctive sonic vision blending poignant melodies and modern metal dynamics on the third full length “Inertia” conceptually revolving around themes of social injustice.
The title track definitely embodies a massive groovy momentum as the sharp guitar riffs and the powerful drum blasts showcase a heavy approach further amplified by the spiteful screams and embellished by a compelling melodic solo.
“I Am The Circle” can effortlessly deliver an overload of catchy rhythmic patterns fueled by the crispy guitar tonalities and the eloquent melodic leads reaching the acme with a memorable chorus.
A dreamy atmospheric ensemble on “Quantum Leap Zero I: Torque Control” favors the presence of sorrowful melodic phrases and passionate clean vocals while the impeccable rhythmic section showcases a subtle prog metal flair.
“The Fallible Experiment” offers a fair dosage of heavy rhythmic segments yet the melodic hooks are bound to steal the spotlight as guitars deliver delightful melancholic melodies emphasized by delicate atmospheric accents.
“Singularity Collapse” focuses on the expression of genuine emotions through the sophisticated melodic passages and the heartfelt vocal delivery surrounded by understated atmospheric arrangements.
On the final track “Anastasis” you can always perceive tumultuous feelings as the darkened refined atmosphere introduces a series of belligerent guitar driven grooves accompanied by fierce screams.
An interesting aspect of “Inertia” is that Scar Of The Sun choose scientific terminology to deliver messages of social awareness and such strong concept is certainly supported by the mix of emotive soundscapes and energetic grooves.

Finnish dark occult rockers Cvlt Ov The Svn aim to lure you to join their mystical cvlt with the addictive and mysterious soundscapes of the debut full length “We Are The Dragon”.
The title track immediately manifests a seductive goth essence as the darkened guitar tonalities generate smooth melodic phrases within a nocturnal atmospheric ensemble amplified by the theatrical vocal delivery.
“My Venom” picks up speed favoring the presence of crunchy guitar riffs and a danceable rhythmic rampage which ultimately leads to the irresistible chorus while the synths create a mystifying aura.
“Twilight” follows a similar formula with catchy rock moments fueled by the entertaining blend of straightforward rhythmic patterns and arcane atmospheric arrangements.
On “I’m Gonna Find Out” the combo of whispered raucous vocals and profoundly darkened guitar progressions create a quite creepy mood further emphasized by the dramatically slower tempo.
“Whore of Babylon” is another memorable goth-bopper relying on a groovy rhythm surrounded by a sinful atmosphere that makes you want to dance under the pale moonlight.
The nightmarish nuances of “The Pit” maintain a sultry gothic flair and naturally lead to sinister grooves built by the bold bass lines and the horror rock style of the guitar riffs.
“Another Infinity” showcases a nostalgic atmospheric approach through understated synth layers and moody guitar melodies accompanied by a softer vocal delivery that can evoke a gothic romanticism.
Filled with delicious goth nuances “We Are The Dragon” is destined to attract lovers of all things dark & spooky as Cvlt Ov The Svn successfully crafts a bewitching collection of songs with a catchy rock/pop flair.