French avant-garde metal outfit Hypno5e reaches another milestone with the ambitious new album “Sheol” demonstrating a striking creative force that ultimately generates a series of fascinating cinematographic soundscapes.
Listening to “Sheol – Part II – Lands of Haze” you can perceive a multitude of contrasting emotions as the band skillfully shifts from a heavily distorted rhythmic momentum fueled by dissonant guitar tones to ethereal arpeggios evoking pure tranquility.
“Bone Dust” could take you to a distant parallel dimension where bittersweet melodic guitar phrases and wistful vocals flow gently through a hazy atmosphere while the impeccable rhythmic section gradually builds density through the savage riffage and the extra speed.
“The Dreamer and his Dream” fully manifests the band’s visionary approach as the haunting string section creates a mystifying atmospheric realm where guitars can freely put the spotlight on luminous acoustic passages and sweeping melodies yet you can expect a fair dosage of borderline chaotic heavier rhythmic patterns.
Following an elaborate musical pathway “Slow Steams of Darkness – Part II – Solar Mist” can sound absolutely ferocious focusing on abrasive guitar driven grooves and desperate screams yet the inner melodic essence is destined to emerge through the enchanting guitar work that instantly conveys immense melancholia.
The omnipresent cinematographic elements throughout “Sheol” elegantly adorn the complex songwriting style as Hypno5e shape a unique artistic identity combining harsh dynamics and evocative melodic motifs.

French post-rock band Lost In Kiev aims to manifest their feelings concerning pressing environmental issues through the cinematic composition of the new album “Rupture”.
The harmonious soul of “We Are” comes alive through the delicate guitar phrases ultimately leading to heavier borderline chaotic rhythmic patterns enhanced by the eclectic synthesizers.
On “Squaring The Circle” guitars can embrace softer tonalities as well as wilder riffage emphasizing the expression of contrasting emotions and building a palpable rhythmic tension.
“Another End Is Possible” conveys a profound melancholia as the fragile arpeggios flow gracefully through a dreamy atmospheric ensemble while distorted guitars generate gripping rhythmic crescendos.
On “Solastalgia” the multifaceted synths can surprise you with moody electro layers and the mellow guitar sound depicts a desolate world until the rhythmic section picks up speed and rough distortion.
The title track once again highlights the emotive nature of the entire album focusing on gloomy guitar melodies that gradually morph into quasi frantic dynamics.
Recorded in a live-setting “Rupture” is filled with genuine emotions and raw energy as Lost In Kiev choose a multilayered songwriting approach skillfully shifting from hazy melodies to futuristic arrangements.

Swiss apocalyptic metal band Abraham follows a tormented sonic pathway channeling raw energy and sheer despair through the enigmatic new album “Débris de Mondes Perdus”.
“Verminvisible” opens the album with painful screams cutting through a dense heavily distorted instrumental ensemble and the gritty guitars can easily lead to frantic & faster rhythmic blasts conveying dismal feelings.
“Blood Moon, New Alliance” immediately unleashes a hostile rhythmic rampage highlighting the rough guitar sound and the oppressive drumming yet you can perceive a pale melodic essence within the darkened atmosphere.
Darkness aptly descends on “Ravenous Is the Night” as the tempo often slows down drastically to emphasize the gloomy melodic guitar phrases destined to shine through the dissonant rhythmic maze.
There is an apparent calm on “A Celestial Funeral” as the grave melodic textures and the hazy post-metal formula can feel quite dominant but at times the caustic rhythmic section generates chaotic moments.
“Black Breath” embodies post-apocalyptic themes and collaborator Emilie Zoé amplifies the inner melancholia with ethereal vocals flowing through a hazy atmospheric dimension enriched by the moody guitar harmonies and the pulsating rhythm.
Far from music for the masses “Débris de Mondes Perdus” belongs to a dystopian world as Abraham confidently provide violent dynamics and unsettling vibes keeping in mind an emotive post-metal flair.

Doom pop collective SOM invites you on an immersive voyage through the evocative soundscapes of the brand new record “The Shape Of Everything”.
A graceful vocal delivery and glowing melodic progressions flow gently through the hazy atmospheric maze of “Moment” which often feels like a distant daydream occasionally spiced up by distorted crescendos.
“Animals” is destined to reach your soul with an overload of magical atmospheric arrangements and a quite catchy melodic ensemble that certainly relies on the soothing post-rock flair of the guitar work.
“Shape” continues to follow a minimalist rhythmic approach skillfully blending bright melodic aesthetics and heavier guitar riffs to convey a fascinating emotional depth further enhanced by the haunting vocals.
Within the misty atmosphere of “Heart Attack” guitars effortlessly shift from darkly groovy passages to melancholic slow burning harmonies that can easily make you space out.
As the title suggests “Son Of Winter” would be an ideal wintry soundtrack as the comforting nostalgia infused melodies and the otherworldly atmospheric layers create a cold dreamy sonic realm enriched by the subtle doom influences of the rhythmic section.
The music style of SOM might be hard to categorize but undoubtedly a delightful shoegaze inspiration contributes to the creation of the shimmering nuances and the introspective themes of “The Shape Of Everything”.

Boston quintet Lesser Glow have been developing a unique style following a truly immersive approach that today generates the multifaceted nuances of the sophomore release “Nullity”.

“The Great Imitator” instantly unleashes a mysterious blend of traditional doom dynamics and gloomy atmospheric waves so guitars can sound absolutely heavy delivering monolithic riffs amplified by tormented screams but the contemplative momentum certainly feels surreal with dramatic tonalities. 

Throughout “Red Ayrag” a gorgeous darkened essence flows naturally due to the cold melodies and the poignant vocal delivery making everything sound like a fading dream even if guitars can always channel ominous vibes with doomed colossal riffage. 

As soon as “Fostering This Nullity” begins you understand that there’s no escape as the insane weight of the guitar riffs creates an asphyxiating sonic realm but the soft vocals, the dreamy atmospheric arrangements and the hazy guitar harmonies can easily evoke an enticing melancholy. 

The post rock essence of “I Am The Island” becomes palpable as the grave melodic guitar phrases flow gently like blurry memories and the resulting somber emotions are further enhanced by the soulful vocal delivery. 

The monumental instrumental ensemble of “Toba” embraces a particularly heavy brooding mood as the imposing grooves and the ferocious growls seem to emerge from the darkest depths of doom metal with untamed force but you can still perceive a pale tranquility within the brief melodic passages. 

Certainly Lesser Glow are following a remarkable creative pathway as on “Nullity” they take the time to focus on hypnotic soundscapes and an intense songwriting approach. 

Belgian psychedelic post-metal trio Psychonaut is a new band that deserves to be on your radar as the debut full length “Unfold The God Man” already showcases a captivating sonic manifesto enriched by excellent musicianship. 

The instrumental album opener “All I Saw As A Huge Monkey” feels like a wild jam session that marks a truly trippy beginning as the whole instrumentation undergoes a continuous inspiring evolution embracing diverse tonalities and styles while the majestic multifaceted guitar work is bound to impress all music connoisseurs shifting from heavy inflamed riffage to eclectic leads. 

On “The Story Of Your Enslavement” guitars confidently focus on a series of bold groovy riffs leading to massive heavier rhythmic dynamics amplified by spiteful screams that often evolve into darkened introspective clean vocals. 

“The Fall Of Consciousness” is a complex track that emphasizes a charismatic sonic diversity beginning with a spiritual atmospheric ensemble adorned by the soothing clarity of melodic guitars and the technical approach of the enticing soloing while the desperate screams and the grim energy of the galloping riffs generate a groovy momentum. 

“Celestial Dictator” will drag you into a cosmic realm where you’re bound to space out indefinitely guided by an ancestral chant and a tribal rhythm that introduces an opulent instrumental ensemble featuring monolithic rhythmic patterns, enigmatic style variations and an overdose of mesmerizing guitar progressions.   

The extra lengthy final track “Nothing Is Consciousless” can move the listeners with the exquisite melancholy of the flawless harmonious guitar passages and the comforting charm of the clean vocals consequently the meditative moments become quite prominent especially with the addition of the jazzy saxophone tonalities but the belligerent energy of the groovy rhythmic segments often demands your utmost attention. 

Undoubtedly “Unfold The God Man” is an excellent debut album that demonstrates mature songwriting skills as Psychonaut constantly show the clear intention to create an ambitious detailed opus that simply should not be overlooked and might even inspire you to reach a higher level of consciousness. 

French post-metal collective Hypno5e are known for the alluring cinematic nature of their music which once again flourishes through the magical soundscapes of the new full length “A Distant (Dark) Source”.

“On The Dry Lake” is an artsy hypnotizing work of music that offers a profoundly emotive cinematic ensemble feeling like the ideal soundtrack for an avant-garde movie. The understated atmospheric arrangements surround the charismatic heavy rhythmic segments that can sound quite aggressive at times with fierce guitar riffs and hostile screams yet the delightful melodic soul is fully expressed by the glowing melancholic guitar melodies and the softer vocal delivery. 

“A Distant Dark Source – Part I” is a somber quasi enigmatic cinematic introduction of “A Distant Dark Source -Part II” which delivers an elaborate blend of soulful guitar harmonies and technical grooves characterized by intriguing prog metal variations leading to contrasting feelings of nostalgia and sheer anger.  

The surreal and moody “A Distant Dark Source – Part III” continues to seamlessly shift from darkened melodic moments to intense rhythmic crescendos courtesy of the brilliant guitar work again showcasing the amazing abilities of Hypno5e. 

“On Our Bed Of Soil – Part I” relies on mellow and dreamy harmonies accompanied by poetic narratives while “On Our Bed Of Soil -Part II” soon evolves into a terrific unrestrained rhythmic rampage featuring sharp guitar riffs fueled by some primal energy in contrast with the recurring poignant melodies that will inevitably move the listeners.

“On Our Bed Of Soil -Part III” begins with graceful atmospheric layers and calm vocals channeling peaceful feelings yet such enchanting tranquility will be interrupted by a darker and significantly heavier rhythmic approach with venomous riffage and powerful drumming before returning to a less chaotic and rather melancholic momentum. 

As Hypno5e continue to showcase stellar musicianship and stylish ideas “A Distant (Dark) Source” is undoubtedly a complex album where so many emotions fuel the intricate melodic tapestries and the wilder djent oriented patterns. 

Featuring members of Norwegian doom outfits Tombstones and Hymn the new band Sâver describes the music style of the debut album “They Came With Sunlight” as “heavy, spaced-out darkness” so you should get ready for an intense sonic experience.

The beginning of “Distant Path” is already super trippy with thick bass lines that could go on forever but instead introduce a mysterious and often super heavy sludge ensemble characterized by monumental guitar driven grooves, desperate screams and painfully slower doom tinged moments.

“I, Vanish” combines cosmic energy and heavy sludge momentum as guitars concoct mighty riffs throughout the song supported by massive rhythmic blasts but also some shimmering harmonies that emphasize the substantial spacey mood.

There are only scattered melodic hints through “How They Envisioned Life” which stands out for the monolithic full blown doom dynamics as guitar riffs could not sound heavier constantly evoking funereal vibes and building ominous crushing grooves accompanied by tormented screams.

The ambitious album’s finale is the massive lengthy opus “Altered Light” where the whole instrumentation is surrounded by a perennial darkness that generates a suspenseful mood. Guitars can always deliver intense doom progressions following an anguished atmosphere but also provide the right dosage of melancholic melodies during the dramatically slower introspective moments.

With the release of “They Came With Sunlight” Sâver share with the world their dark music vision without any hesitation demonstrating a diverse songwriting approach and a strong desire to develop a unique style.  

 https://www.youtube.com/watch?v=hGkFl_BeWdA

French post-metal pioneers Hypno5e return with the new album “Alba – Les Ombres Errantes” which is actually a particularly interesting release being the soundtrack of the first full length movie directed and filmed in Bolivia by singer and guitar player Emmanuel Jessua.

With such a beautiful poetic title “Who Wakes Up From This Dream Does Not Bear My Name” will trigger immediate curiosity. Here everything moves sinuously following an imaginary heartbeat through hazy darkened roads as the band certainly uses familiar elements of post-metal to evoke surreal cinematic soundscapes with fascinating intricate guitar melodies and heartfelt acoustic passages drenched in overwhelming melancholia accompanied by delightfully gentle vocals and solemn atmospheric arrangements.

Narratives and gentle acoustic phrases lead the way on “Cuarto del Alba” which is certainly full of ardent emotions naturally expressed by the passionate vocal delivery and the mixture of sober atmospheres and enchanting instrumental crescendos.

“Night on the Petrified Sea” offers abstract moments fueled by unusual acoustic passages that far from the standard mellow tonalities truly display an eclectic nature and prog inspiration leading to technical guitar work and dreamlike atmospheres.

Besides the poignant acoustic melodies “The Wandering Shadows” stands out for the sophisticated orchestrations that enhance the atmospheric grandeur and the poetic mood while percussions and additional melodic layers create ethereal yet groovy rhythmic segments.

“Light of Desert and the Shadows Inside” begins with dreamy atmospheric arrangements soon followed by exquisite sorrowful vocals & acoustic guitars that skillfully depict inspiring darkened soundscapes which will gradually become even more magical with the addition of refined orchestrations and will briefly embrace a more energetic proggy rhythmic momentum.

Leaving temporarily behind loud & heavy distortions Hypno5e focus on telling an emotional story blending images and acoustic melodies that render “Alba – Les Ombres Errantes” a unique cinematic emotionally charged experience.
Alba – Les ombres errantes