Swedish rockers Spiders are on a mission to keep rock ‘n’ roll alive with the latest effort “Killer Machine” so get ready for a wild ride.
Packed with gritty guitar riffs and a catchy chorus “Shock And Awe” channels the energetic mood that will dominate the entire album and the consequent overdose of vintage dazed rhythms is constantly enhanced by Ann-Sofie Hoyles charismatic & wild vocal performance.
With undiluted rock energy “Dead Or Alive” is a fun track full of groovy upbeats built by the deliciously authentic rock sound of guitars and again there are many melodic hooks culminating with the memorable rebel spirit of the chorus.
“Burning For You” picks up speed as guitars become unrestrained focusing on the creation of wild classic rock riffs & leads while Ann-Sofie’s vocals diligently follow such rebellious instrumental ensemble and add hints of nostalgia.
The title track continues to pay homage to the golden days of rock channeling ‘60s flavors and keeping the focus on a widely accessible combo of melodic moments and acidic guitar riffing to maintain a good vibes attitude and nostalgic echoes are still present.
On “Swan Song” the rebel punk attitude contaminates the primary guitar driven grooves obviously executed in proper classic rock fashion but the rhythm acquires a frenetic mode that will lead to the inflamed guitar solo.
Don’t expect “Heartbreak” to sound like a love song because the rhythm is certainly slower and slightly somber but still packs a punch with steady rocking guitars delivering edgy riffs and warm bluesy melodic solos that scream retro rock while Ann-Sofie delivers another delightful vocal performance.
In the midst of an unstoppable retro rock revival from Europe undoubtedly “Killer Machine” preserves the polychromatic nuances of classic rock through loads of melodic hooks that call for good times & party as Spiders express a genuine passion for such timeless music genre.
Exeter’s trio Black Foxxes is ready to surprise the listeners with the experimental edge and catchy melodies of the second full length “Reiði‘” which is the Icelandic word for rage.
The minimalist guitar melodies and the subtle atmospheric accents of “Breathe” evoke bittersweet feelings certainly matched by the highly emotional vocals that contribute to create a very accessible melodic essence spiced up by distorted textures.
“Manic In Me” feels more positive with crispy rock upbeats and a polished melodic ensemble where the band focuses mainly on the creation of a genuine emotional whirlwind with simple chords yet later guitars add a crunchier rock sound.
Initially “Oh, It Had To Be You” has a romantic vibe with soft piano melodies and melancholic vocals but soon elegant atmospheric arrangements and a melodic guitar crescendo craft more complex rhythmic patterns without sacrificing the primary smooth harmonies.
“JOY” amplifies the alternative/experimental approach as charismatic distorted guitars provide energetic grooves seamlessly entwined with softer melodic passages while vocals shift from rebellious screams to soothing delivery.
“Float On” emphasizes a polished melodic essence fully expressed by intensely dramatic vocals naturally floating through subtle atmospheric layers leading to highly contemplative moments and subdued melodic guitars that will eventually become more present with gritty tonalities.
“Reiði‘” is not a metal album nevertheless it has the necessary inner energy to invite the audience to an emotional music journey as Black Foxxes don’t really care about following standard music rules and simply follow their heart to deliver a sincere melodic effort.
New Jersey’s quintet Toothgrinder is ready to entertain and surprise the audience experimenting with multiple music styles ranging from jazz to straightforward metal on the newest record entitled “Phantom Amour”.
With a mix of super crunchy guitar riffs and modern electro layers “HVY” opens the album favoring a heavy approach that will recur throughout the song yet the band proceeds to deliver a more radio friendly melodic blend as the guitar sound acquires polished tonalities enhanced by soothing vocal delivery.
On “The Shadow” the band’s hardcore influences become palpable with a series of fierce guitar riffs and screams yet the smooth breakdown evokes ethereal melodic soundscapes with alt-rock flavors.
“Let It Ride” ensures pure catchiness with the refreshing chorus surrounded by classic rock vibes as well as danceable moments with more modern electro layers bearing hints of radio friendly pop.
The title track sounds definitely catchy with a generous dose of guitar driven grooves that often give way to softer crispy harmonies but don’t refrain from offering more gritty metal rhythmic patterns and furious screams.
“Jubilee” is the must-have romantic ballad stripped down to minimalist acoustic harmonies and mellow vocals but packs a final surprise with the addition of banjo.
“Pietà” drastically changes scenario as hardcore elements take a lead role in the mix with intensely angered screams and massive raw guitar riffs following a faster rhythm that leads to a compelling eclectic guitar solo.
“Vagabond” offers abundant sonic clarity with luminous atmospheric textures but doesn’t refrain from adding a more metal approach with tight guitar riffs, chunky bass lines and venomous screams yet still maintains a catchy melodic core.
With “Phantom Amour” Toothgrinder chooses to take a more melodic route communicating genuine emotions through music & lyrics and also showcases an authentic desire to explore further music territories.
British doom masters Electric Wizard return with the uncompromising “Wizard Bloody Wizard” fueled by their renowned vintage rock blend and occult theatricals fearlessly deviating from the average modern metal approach to ensure a true raw sound for this collection of ‘hymns to death, drugs, sex and violence’.
The towering guitar riffs of the album opener “See You In Hell” definitely channel creepy retro doom vibes with the right dosage of heaviness and consequently a stomping worth rhythm stripped of unnecessary bombastic effects and instead fueled by monolithic tonalities and fuzzy guitar licks.
With some stoner vibes and a simply obsessive chorus “Necromania” keeps on dragging heavy rhythmic patterns that carry significant occult rock elements as retro fuzzy guitar riffs steadily contribute to evoke an ominous mood and add extra depth with groovy leads.
On “Hear The Sirens Scream” you can literally feel the mythological hypnotizing power of the sirens in the midst of this doom riffing loop that could just go on forever unchanged. It seems like there are no clear signs of enthusiasm or energy yet the intentionally unrefined gritty guitar riffs & solo and the genuine funeral boogie stripped of typical modern studio magic completely spellbind the listeners.
The doom wonderland of “Mourning Of The Magician” definitely showcases the expected overdose of recurring heavy guitar riffs creating a perilous loop that might trigger sudden dizziness as Electric Wizard’s signature music formula acquires a full blown psychedelic rock-esque aura resulting in a trippy sonic alchemy that will hypnotize any audience with massive slow burning rhythmic patterns. It must be noted that the extensive length of this track contributes to the creation of a magical black hole where charismatic guitars indisputably lead the scene crafting detailed melodies and delivering stoner rock feedback/effects to enrich the main heavy grooves.
The all –analogue recording drastically amplifies the exquisitely crushing vintage doom & rock mood that characterizes “Wizard Bloody Wizard” as, coming from a doomed alternative dimension, Electric Wizard deliberately returns to an authentic primal sound.