London blackened doom quartet Oldblood evokes grief & despair on the new EP “Arms To The Sky” conceptually inspired by the dropping of the atomic bomb over Hiroshima. 

You can immediately perceive an ominous aura surrounding “Kuebiko” as somber guitar melodies introduce a monolithic rhythmic section fueled by the oppressive weight of the riffs and the drum blasts while the slower moments highlight a pale sense of hopefulness and murky tonalities. 

On “Nuclear Blues” guitars can often acquire some robust sludge vibes to craft memorable groovy patterns following a rambunctious rhythmic rampage nevertheless the agonizing melodic segments and the obscure growls still evoke a grave doom essence. 

“Los Alamos” tends to embrace a sorrowful post-metal flair as the darkened guitar tonalities create hazy melodic passages following a dramatically slower tempo yet the heavier riffage will build intense doom oriented patterns. 

In the beginning “Alone” focuses on crestfallen harmonies that will continue to linger through the heavier monumental rhythmic ensemble and a dense darkness will inevitably become more dominant with the tormented growls and the fierce riffage yet a totally spaced out mood will lead to slow burning melodies and understated atmospheric textures. 

The sonic realm of “Arms To The Sky” is filled with anguish as Oldblood confidently channel the primal force of extreme metal to create a bold mix of crushing grooves and mournful melodic tapestries. 

 

In the New York hardcore scene Concrete are known for their unrestrained violent grooves and the new full length “Free Us From Existence” will inevitably drag the listeners through the depths of a merciless sonic realm. 

“Executing Vengeance” is an uncompromising album opener as the vicious rhythmic blasts simply seem unstoppable following a breakneck speed with relentless guitar riffs accompanied by utterly angered vocals while towards the end guitars will add some subtle melodic accents . 

“Starving Serpent” has a straightforward approach that maintains a monolithic heavy core as the harsh guitar riffs and the ravenous screams diligently lead the way through a groovy abrasive rhythmic maze.  

Listening to “Psychological Crucifixion” you will quickly realize that all hope is lost as the towering asphyxiating rhythmic patterns are constantly fueled by the extra heavy riffage yet the guitar leads can surprise you with extremely somber melodic passages. 

The atmospheric dystopian mood of “Apthotic Mirror” reminds you of the self destructive behavior of humanity and it’s not surprising to see that the monumental rhythmic section expresses an undiluted dark force as the chaotic guitar driven grooves feel quite dominant while the soloing showcases a mournful melodic essence. 

Certainly Concrete are devoted to their heavy hardcore roots yet throughout “Free Us From Existence” they aim to channel the darkest elements of diverse metal subgenres ensuring an intense sonic experience.