Author: Crix

More easy listening tunes from Finnish sludge metal band Sounds Of Delusion – “Newborn” is a song about the next omnipotent generation

More easy listening tunes from Finnish sludge metal band Sounds Of Delusion! Now released “Newborn” is a song about the next omnipotent generation. No sense, no facts, no laws of physics. Humanity truly has absolutely no limits!

Sounds Of Delusion started as a solo project by Juuso Raatikainen (Swallow The Sun) has grown recently into a trio. The band will play their first gig this fridat at Kuudes Linja in Helsinki on May 29. The live lineup includes Okko Solanterä (Horizon Ignited, I Am the Night), Antti Karhu (Shining [NO], Post Pulse), Pekka Löhönen, and Juuso Raatikainen. The gig will celebrate the album release of guitarist Karhu’s other band, Post Pulse, and will also feature a performance by Turku-based rock-metal hybrid Sisin.

Listen to the single on music services (Spotify, Apple Music, Tidal, Amazon Music, Qobuz, yms.): https://push.fm/fl/soundsofdelusion-newborn

https://soundsofdelusion.bandcamp.com/

https://www.facebook.com/soundsofdelusion

https://www.instagram.com/soundsofdelusion/

Melodic death metal powerhouse As The Sun Falls delves into northern mythology and shadows with their album Songs From The Veil

Originally founded in Switzerland but soon moved to Finland, melodic death metal band As the Sun Falls released their third album.
Released via Thogonia Records, Songs From The Veil delves into the ancient and mythical shadows of the Nordics, and the thematically coherent work continues the band’s series of acclaimed releases, where dark tones and melancholic melodies even feel comforting.

Songs From The Veil continues where 2024’s Kaamos and the following year’s Pohjoisen Sydän EP left off, taking the chilling melancholy even further. As The Sun Falls’ vast soundscapes inevitably bring to mind cinematic moods, where folklore, nature and the fragility of humanity merge into a seamless whole.

“Rooted deep in Finnish mythology and old beliefs, Songs From The Veil weaves together tales of the soul bird, ancient creation myths, the shadowy realms of the afterlife, and the legendary fire fox, whose burning tail is said to ignite the northern lights in the sky. These mythical tales are combined with stark, nature-inspired imagery: the heavy silence of the night above the earth, the cold brilliance of the winter stars, and one very personal song about grief and the loss of a loved one, anchoring the album’s folklore to a deep human emotion,” the band describes.

The new album was mixed and mastered by Mikael Andersson of Soundport Studio, and the album also features Gogo Melone, who created the Songs From The Veil cover art, and who guest-stars on the album’s focus track, Silent Waters, and the album’s opening track, Daughter of the Air. Joel Notkonen, who has gained inspiration from several Finnish bands, was given a speaking role in the latter song.

Songs From The Vail album features the following songs:
Daughter Of The Air (feat. Gogo Melone & Joel Notkonen)
A Shimmer On The Tides
As Night Devours
A Million Stars Ashine
Below A Pale Tree
9 Days Of Sorrow
Burning Snow
Silent Waters (feat. Gogo Melone)
Blood To The Soil
Soul Bird

As The Sun Falls on:
Joni Hakulinen – vocals
Jani Berney Mikkänen – guitars, clean vocals
Juuso Laitinen – guitars
Anttoni Välimaa – drums

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Dali van Gogh Announce New Live Album “Roadkill”

Canadian hard rock band Dali Van Gogh are set to release an electrifying new live album, “Roadkill”, a six-track collection capturing the band at their most visceral across stages in Eastern and Central Canada.

Rolling out in a waterfall release format beginning May 22, Roadkill documents three years of relentless touring, distilling the sweat, grit, and chaos of the band’s live show into a definitive closing statement on their current era.

Tracklist & Release Dates:

Wicked Way (Live at Overtime Sports Bar, Kingston) — May 22

Boneyard (Live at Tide & Boar, Moncton) — June 12

Bury The Lead (Live at The Scotiabank Centre, Halifax) — July 3

Savanna (Live at Bovine Sex Club, Toronto) — July 24

Out For Blood (Live at The House of Targ, Ottawa) — August 14

Little Hell (Live at The Eastlink Centre, Charlottetown) — September 4

Roadkill serves as a deliberate bookend to the band’s breakout chapter, which includes their critically recognized EP “New Blood, Old Wounds” and the single “Wicked Way.” That release cycle saw the band earn two nominations at the East Coast Music Awards in 2023, taking home Loud Recording of the Year. The studio version of “Wicked Way” continues that momentum with a 2026 nomination for Loud Release of the Year.

“This record is DVG in its natural habitat,” shares band frontwoman Rocky Moreau. “No polish, no safety net, just us at our most vulnerable.”

To celebrate the release, Dali Van Gogh will host a one-night-only hometown performance at Monte’s Showbar on May 29, following which they will head out on a full summer of touring in support of the album.

With new material looming in the near future, Roadkill captures a band in motion—looking back only long enough to slam the door behind them.

Dali van Gogh Roadkill Summer Tour dates:

09.06.26 – Brantford, On – Live From The Tour Bus

12.06.26 – Toronto, On – Bmo Field

13.06.26 – Oshawa, On – The Atria Diezel Room

14.06.26 – Penetanguishene, On – Rendezvous Bistro

16.06.26 – Vaughn, On – Live From The Tour Bus

17.06.26 – Toronto, On – Horseshoe Tavern

19.06.26 – Hamilton, On – Corktown Pub

20.06.26 – Guelph, On – Kronic Summer Slam^

23.06.26 – Toronto, On – Bmo Field

26.06.26 – Toronto, On – Bmo Field

27.06.26 – Kingston, On – Daft Brewing

30.06.26 – Cornwall, On – Live From The Tour Bus

26.07.26 – Truro, Ns – Rock The Hub

05.09.26 – Tidnish, Ns – Giv’r On The Riv’r

www.dalivangoghmusic.com 

Averse, the new hope of melodic metalcore and progressive metal, released their single Servant to None with a video

Averse, who took their first steps as a recording band last year, are heading towards the summer with a new tune. The five-piece, which fuses metalcore, deathcore and progressive metal into their own concoction, now releases their single Servant to None, which introduces the band in its new lineup, with guitarist Roni Kinnunen joining the band.

Averse got the metal media’s ears perked up with last year’s Twisted Mind EP, and the band’s vocalist Jonathan Timonen had already gained some momentum with his exceptionally wide vocal range by succeeding in the 13th season of The Voice Of Finland. Servant To None has been meticulously honed, and the final result was shaped by the studio wizard and producer Mikko Herranen, who has also made a name for himself as an artist. At the same time, the band’s own identity has taken a huge leap forward in just a year.

“Servant to None is about a person who stops waiting for salvation and rebuilds themselves on their own terms. The song is not a traditional power song, but a cold and determined description of a person who finds direction in the midst of failures, silence and chaos,” the band says.

The new single is also the first step towards the band’s debut album, which is scheduled for release in spring 2027. The upcoming album will also be produced in collaboration with Mikko Herranen.

Servant To None is released with a video shot in a very colorful environment, in Seinäjoki’s Graffittilandia, to counterbalance the song’s even darker aesthetics and atmosphere. The energetic video, shot and directed by Monarkki Media’s Joona Penttilä, can now be viewed here.

“At the heart of the song is not rebellion against others, but the decision to never kneel before anything again. Servant to None is a declaration of complete independence: if the light goes out, the road will be built in the dark itself.”

Averse is:
Bass: Roope Osmo
Guitar: Roni Kinnunen, Jimi Andström
Drums: Marlon Mäkelä
Vocals: Jonathan Timonen

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The Finnish death metal band Morbid Intent are set to release their debut EP. The first single, ‘Ashen Veil’, is out now, accompanied by a music video

The Finnish classic Gothenburg-style melodic death metal band Morbid Intent are set to release their debut EP Marionettes later in 2026 via Inverse Records. The first single ‘Ashen Veil’ is out now and it’s accompanied by a music video which can be seen here: https://youtu.be/lAWiPltZJ-M 

The band comments:
“Ashen Veil explores the distortion of reality and the illusion that wraps itself around the human mind like a veil of ash. The lyrics portray a state where the individual can no longer distinguish truth from falsehood – everything is obscured by manipulation and delusion.

Musically, the track combines crushing riffs, melancholic melodies and an intense atmosphere. The result is a dark yet captivating composition driven by both aggression and mood.

Ashen Veil serves as a gateway into the band’s upcoming Marionettes EP- release, offering a first glimpse into its central theme: the fragility of the human mind and the power of manipulation.”

LISTEN to Ashen Veil on streaming services: https://push.fm/fl/morbid-intent-ashen-veil

BIOGRAPHY:

Morbid Intent is an upcoming melodic death metal act formed in Oulu, Finland. Looking to take the scene by storm, Morbid Intent will release their debut EP “Marionettes” in 2026. The main inspiration for the band is the classic Göteborg-style melodic death metal mixed with a splash of modern extreme metal aggression. Fast blast beats, crushing riffs, and haunting melodies are to be expected.

The band members have experience playing in bands such as Mors Subita, Electric Deathbeat, Swansong, Se, Josta Ei Puhuta.

“Marionettes” will crush you, set you on fire, hit you like a truck, set you on fire again, and leave you wanting for more. This is a band and a debut that you will not want to miss.

Line-up:

Vocals & Synths: Juha Väyrynen

Guitar: Juho Näppä

Guitar: Mikko Lavander

Bass: Janne Karjalainen

Drums: Jimi Myöhänen

Links: 

https://www.facebook.com/morbidintentband

https://www.instagram.com/morbidintentband

https://morbidintent.bandcamp.com

IRON KINGDOM’s New Video Opens The “Deadhouse Gates” Ahead of Sixth Album “Shadows and Dust” Out June 2026

Canada’s purveyors of heavy metal Iron Kingdom, are charging forward with the next chapter of their upcoming sixth studio album, “Shadows and Dust,” and unveiling their third single and music video, “Deadhouse Gates”.
​
​“Deadhouse Gates” follows the album’s first two singles, “Defenders” and “Blood and Steel,” continuing to showcase the band’s blend of classic heavy metal power, epic storytelling, and electrifying musicianship.
​
Bassist Leighton Holmes offers a deep look into the single’s literary inspiration:
​
​“Deadhouse Gates is based on Malazan Book of the Fallen by Steven Erikson. The Deadhouse is a seemingly abandoned house in Malaz City that serves as a conduit to other planes of existence and is used by two mortals to ascend to godhood as rulers of Shadow. The song tells the story of ancient power waiting for those worthy, or crafty, enough to gain entry, but warns of the dangers presented to the unprepared. Straying from the path means an eternity of torment and imprisonment, but the chance for power is enticing. The dead trees scattered across the yard of the house hide those that are unsuccessful in their roots. It is a cautionary tale of reach exceeding grasp as well as an inspirational story of striving towards greatness.”

Frontman Chris Osterman adds:
​
​“This one is just a total rock n’ roll song, some great leads and melodies, and just overall, I think very catchy!”​
​
Watch and listen to the video for “Deadhouse Gates” at https://www.youtube.com/watch?v=zBE3s4WRlIw​

Add to your Spotify playlist – https://open.spotify.com/track/5YtmnaBqfbJkUBa4s4N42d​
​
​“Shadows and Dust” marks a major milestone for Iron Kingdom: their 15th anniversary and their first release under their new label partnership with Steel Shark Records (France), who will offer an exclusive EU edition limited to just 300 double‑CD copies. Disc 1 will contain the full “Shadows and Dust” album, while Disc 2 will feature a “Best Of” collection highlighting tracks from Iron Kingdom’s previous five releases. In addition, the label will introduce a third vinyl colour (100 copies) available only to EU fans. The album arrives June 6, 2026, coinciding with the 82nd anniversary of D‑Day, a symbolic date the band intentionally chose.
​
Recorded entirely in their newly completed home studio, the album explores themes of mortality, hardship, perseverance, and the search for meaning. Osterman describes the emotional weight behind the record:
​
​“This album plays in quite a dark realm of topics… but I also think that’s exactly what will make this album accessible to people going through tougher times… The music shows hope for a positive way out, and hopefully offers the listener the will to fight on.”​
​
​Iron Kingdom will celebrate the album with their biggest hometown headliner yet at Vancouver’s iconic Rickshaw Theatre on June 5, 2026. Info – https://orangetickets.ca/detalles_evento.php?id_evento=2127​
​
​“To feel in some way that we have worked our way up to headline a venue of that size is very exciting, and we cannot wait to bring our biggest show yet!”​
​
Following the album’s release, Iron Kingdom will hit the road across Western Canada (dates listed below) with confirmed festival appearances at Armstrong Metal Fest and Loud As Hell Open Air Festival.

​

True North Strong And Heavy Canadian Tour – Iron Kingdom, W.M.D.​
​https://www.iron-kingdom.com/tour-dates​
June 5 – Vancouver, BC – The Rickshaw
July 2 – Nanaimo, BC – The Globe
July 3 – Victoria, BC – Lucky Bar
July 4 – Cumberland, BC – The Waverley
July 5 – Powell River, BC – The Carlson Loft
July 17 – Armstrong, BC – AMF 2026
July 21 – Prince George, BC – Knox Performance Centre
July 23 – Whitehorse, YT – Lefty’s Well
July 24 – Dawson City, YT – The Pit
July 25 – Dawson City, YT – The Pit
July 26 – Whitehorse, YT – The 98 Hotel
July 28 – Yellowknife, NT – The Underground
July 29 – Fort Smith, NT – Dirty O’ Fergie’s
July 30 – Edmonton, AB – Starlite
July 31 – Drumheller, AB – LAH 2026
Aug 1 – Winnipeg, MB – Park Theatre
Aug 2 – Thunder Bay, ON – Bloom Bar + Lounge
Aug 3 – Sudbury, ON – The Lounge 390
Aug 4 – London, ON – Supply & Demand
Aug 5 – Waterloo, ON – Maxwells
Aug 6 – Ottawa, ON – Dominion Tavern
Aug 7 – Toronto, ON – Bovine
Aug 8 – Montréal, QC – Foufounes Électriques
Aug 9 – Sherbrooke, QC – Le Murdoch
Aug 11 – Woodstock, NB – Monteith Manor
Aug 12 – Halifax, NS – Gus’ Pub
Aug 14 – Corner Brook, NL – Retro
Aug 15 – St. John’s, NL – The Rockhouse
Aug 17 – Truro, NS – Marigold Cult. Centre (Lobby)
Aug 18 – Quebec City, QC – L’Anti
Aug 19 – Hamilton, ON – Doors Pub
Aug 21 – Saskatoon, SK – Black Cat Tavern
Aug 22 – Calgary, AB – Dicken’s
Aug 23 – Kelowna, BC – Jackknife Brewing

Formed in 2011 in Vancouver, Iron Kingdom carries the flame of classic heavy metal inspired by Iron Maiden, Judas Priest, Helloween, The Scorpions, and Rush. Known for their high‑energy performances, intricate twin‑guitar work, and unwavering DIY ethos, the band has toured extensively across Canada, the USA, Europe, and Brazil, sharing stages with Night Demon, Blaze Bayley, and more.
​
Their discography includes “Curse of the Voodoo Queen” (2011), “Gates of Eternity” (2013), “Ride for Glory” (2015), “On the Hunt” (2019), and “The Blood of Creation” (2022). “Shadows and Dust” marks the next chapter in their evolution, an album that blends old‑school metal spirit with fresh energy and emotional depth.

Album pre-order (release date June 6th, 2026) available at the following links:

Official Merch store: https://www.iron-kingdom.com/shop​
Bandcamp: https://iron-kingdom.bandcamp.com/music​

Music Video – Defenders – https://www.youtube.com/watch?v=t3k7tW5-9Os​

Lyric Video – Blood and Steel – https://www.youtube.com/watch?v=qb8BIzHT3_Q​

​

Track Listing:
​1. Defenders
2. Eternal Emperor
3. Dreamless Sea
4. Deadhouse Gates
5. Line Of Fire
6. Blood And Steel
7. Shadow Of Time
8. Dark Demands
9. Starlight
10. Sacred Fire

For more info:
​https://www.iron-kingdom.com​
​https://www.facebook.com/ironkingdomofficial​
​https://www.instagram.com/iron_kingdom​

Blackened melodeath metallers Thrown Into Exile unleash new video “Behind the Veil” out now via BLKIIBLK

Los Angeles’ THROWN INTO EXILE proudly unleashed their new single, “Behind the Veil,” marking their official BLKIIBLK debut. The new track (which premiered Wednesday on Matt Heafy’s “Chaos Hour” on Sirius XM’s Liquid Metal) showcases the addition of the band’s new singer, Joshua Santos. “Behind the Veil” arrives alongside an official music video, available to view below.

THROWN INTO EXILE comments:

“The addition of Joshua Santos brings a whole new dynamic to THROWN INTO EXILE that showcases a more extreme side to us that has not really been done in the band’s history. This is only a taste of what’s to come from our new album and we can’t wait to play this live in a city near you this year.”

Watch the Music Video for “Behind the Veil” HERE

With a career marked by constant change and evolution, THROWN INTO EXILE is a band on the brink. Exhaustive international touring and gigs alongside the likes of Arch Enemy, Orbit Culture, At The Gates, Deathklok, and Black Label Society, as well as US and European festivals including the UK’s Bloodstock, have paved the way.

Now, THROWN INTO EXILE breaks through with the release of their new single and BLKIIBLK debut, “Behind the Veil.” With the addition of 26-year-old vocalist, Josh Santos, the stakes have grown as the band’s new material brings together urgent riffing with underlying melodies that recall both American and European sounds while delivering modern metal with unapologetic intensity.

Stream / Listen to “Behind the Veil” HERE

THROWN INTO EXILE is currently supporting Dethklok ahead of a EU/UK run with Black Label Society. The band will also be supporting Arch Enemy and The Black Dahlia Murder this fall. A full list of dates can be found below.

THROWN INTO EXILE Live:

w/ Dethklok:
5/22 – Los Angeles, CA @ The Palladium
5/25 – Seattle, WA @ Moore Theater
5/26 – Portland, OR @ Roseland Theater
5/28 – San Diego, CA @ Observatory North Park

EU/UK w/ Black Label Society
7/30 – Berlin, DE @ Huxleys Neve Welt
8/01 – Wiesbaden, DE @ Schlachthof
8/04 – Barcelona, ES @ Razzmatazz
8/09 – Derby, UK @ BLOODSTOCK FESTIVAL
8/11 – Oberhausen, DE @ Turbinehalle
8/14 – Leipzig, DE @ Parkbuhne

w/ Arch Enemy and The Black Dahlia Murder:
10/5 – Riverside, CA @ Municipal Auditorium
10/6 – Phoenix, AZ @ Marquee
10/8 – Salt Lake City, UT @ Rockwell at The Complex
10/9 – Denver, CO @ Fillmore
10/11 – Dallas, TX @ Echo
10/12 – Houston, TX @ House of Blues
10/13 – San Antonio, TX @ Aztec Theatre
10/15 – Orlando, FL @ Beacham
10/16 – Ft. Lauderdale, FL @ Revolution
10/18 – Tampa, FL @ Jannus
10/20 – Atlanta, GA @ Masquerade (Heaven)
10/21 – Charlotte, NC @ Fillmore
10/22 – Raleigh, NC @ Ritz
10/24 – New York, NY @ Palladium Times Square
10/25 – Silver Spring, MD @ Fillmore Silver Spring
10/26 – Philadelphia, PA @ TLA
10/28 – Worcester, MA @ Palladium Worcester
10/30 – Quebec City, QC @ Videotron Centre Hall
10/31 – Montreal, QC @ Olympia
11/1 – Toronto, ON @ Danforth
11/3 – Chicago, IL @ Concord Music Hall
11/4 – Detroit, MI @ Royal Oak Music Theatre
11/5 – Cleveland, OH @ Agora
11/7 – Minneapolis, MN @ Fillmore
11/8 – Winnipeg, MB @ Burton Cummings Theatre
11/9 – Saskatoon, SK @ Coors Event Centre
11/11 – Calgary, AB @ MacEwan Hall
11/12 – Edmonton, AB @ Midway
11/14 – Vancouver, BC @ The Key
11/16 – Seattle, WA @ Showbox

FOLLOW THROWN INTO EXILE:
Website
Instagram
Facebook
YouTube

AKANTOPHIS Unveils “Renewal” Lyric Video

Wormholedeath is pleased to announce the release of the official lyric video for “Renewal,” an impressive atmospheric black metal offering from German band Akantophis‘ latest album, Erneuerung.

Akantophis frames “Renewal” around the concept of transformation, both personal and universal. It underlines the idea that change begins within each individual, beyond any belief system. At its core, the track also reflects the band’s respect for nature, recognizing humanity as one part of a greater whole.

Founded in a small town in the Harz Mountains in 1998, Akantophis established a stable line-up by mid-2000 and made an early mark in the underground scene with their debut album Galaria: Terra@ Exitus (2001), followed by the live-plus-new-material release Live im Klima. The band went on hiatus in 2004, with members active in other projects including Hidden in the Fog, Throat Cut, and Psykra. They reunited in April 2017 with a revised line-up and released the 7-inch vinyl Wiederkehr in 2018. The MCD EXITUS XX (2020) concluded the band’s earlier chapter and set the stage for Erneuerung, their most recent full-length.

The Lineup:

Andi : vocals
Sebastian: guitar
Lars: bass guitar
Micha: drums

akantophis.bandcamp.com
www.instagram.com/akantophis
www.facebook.com/akantophis

The new “Afterlife” single by Finnish melodic metal band Blackment is a cryptic tale in which the sense of anxiety is palpable

Blackment, the Finnish masters of diverse melodic metal, have released more new material from their upcoming second studio album. Along with the release of the “Afterlife” single, the band unfortunately also has to announce that the album’s release has been delayed from the originally planned date in June.

“The production of the last five tracks took a bit longer than expected, so we’re way behind schedule. In a situation like this, it’s better to take some extra time so we can polish the album to sound exactly the way it’s supposed to,” the band says.

The newly released “Afterlife” offers a great preview of what’s to come on the upcoming album.

Listen to the single on music services (Spotify, Apple Music, Deezer, Tidal, YouTube Music etc.): https://push.fm/fl/blackment-afterlife

“Afterlife is a really dynamic song, and I think it really highlights the strengths of every member of Blackment. The song showcases our lighter, more atmospheric side,” says Sebastian Nyandoto.

Guitarist-composer Saalas Ruokangas set himself the challenge on “Afterlife” of creating a song built around a single chord progression without trying to make it so-called “radio-friendly” music.

“You can only find that out by trying, and Afterlife’s initial ideas seemed to have the makings of such an experiment. Personally, I’m very happy with the end result. The song’s most essential elements are exceptionally simple compared to our other material, which allowed for a structure where those elements are introduced one by one, and as the song builds to a climax, they all come together at the same time,” says Saalas Ruokangas.

Sami Vuorenheimo, who wrote the lyrics, mulled over the song’s themes several times last fall.

“The theme emerged—loneliness and the desire to protect one’s loved ones to the very end—or beyond. This formed a cryptic story in which the anxiety is palpable. It may be that the next album will feature a continuation of the story with a twist, which can be inferred from the message at the end of the song,” Vuorenheimo adds.

The duo Allan Välimaa and Hille Sadehelmi, who also directed the previous “In Motion” video, are behind the “Afterlife” music video as well, though the concept was developed by the entire team. Preparations for the shoot included blindfolds, spray paint, and roses, the station master’s desk, as well as an old-school scouting expedition in the woods to find good filming locations.

“We decided to go with symbolism that complements the song’s narrative perfectly. The identity of the man in the cloak in the video is crystal clear to everyone! Allan handled the filming and the water bowl shaking flawlessly, not to mention Akseli’s spotlight effect. There’s also an Easter egg hidden in the classic style—comment and report this on YouTube to claim your parrot sticker!” Sami Vuorenheimo hints.

Watch the music video: https://youtu.be/ZhG22CJ_Wvk

Blackment are:

Sami Vuorenheimo – vocals

Saalas Ruokangas – guitar & backing vocals

Allan Välimaa – guitar

Väinö Huhtanen – bass & backing vocals

Sebastian Nyandoto – keyboards & backing vocals

Akseli Aalto – drums

The single also features:

Hille Sadehelmi – backing vocals

Blackment is a melodic metal band that was founded in 2014 at Hyvinkää, Finland. Their debut album “Plains of Oblivion” was released in autumn 2022. The album has gotten airplay in various European countries. In addition, the band was nominated for the newcomer of the year 2022 by Kaaoszine (a Finnish music news website). In 2023-2024 Blackment released three singles “Pariah”, “Ghost in the Machine” and “Freedom Fall”. The band also competed as a semifinalist in the Wacken Metal Battle Finland competition.

Over the years Blackment has developed a recognizable sound and style including catchy melodies, tricky yet punchy guitars, groovy drums and bass, atmospheric synths and a wide range of vocals with unique voice. The six-piece band has been praised for their energetic live shows and they have performed for example at Heavy Metal Heart Festival and at Semifinal club in Helsinki.

https://www.facebook.com/blackmentofficial

https://www.instagram.com/blackmentfin

https://www.tiktok.com/@blackmentofficial

https://blackment.bandcamp.com/

Mathias Lillmåns, known from Finntroll, announces new solo album

Mathias “Vreth” Lillmåns, one of the long-standing creators of Finnish heavy metal, is now taking the next step in his career and releasing his first solo single, In Glorious Black and White. This is the first completely new solo song, and at the same time the first cut from his upcoming full-length solo album. The song was released with music video. The publisher is Stormbound Records. Collectors are offered a very limited edition of signed Beatjaxx™ audio cards, which will be sold in the record label’s online store.

In Glorious Black and White brings a new sound palette to Lillmåns’s characteristically dark production and a different perspective on the entire writing process, which was done with an external producer. The end result is a unique combination of raw black metal and electronic sound worlds. Lyrically, the song is personal and reflective, according to Lillmåns:

“I’ve always been quite introspective as a lyricist. In Glorious Black and White is a very existential song. It was born in a kind of rift between my own perception and something unnamed in moments that eventually became real sources of inspiration.”

The collaboration with Stormbound Records began to take shape through discussions. At first, however, Lillmåns was wary of the idea of ​​an outside producer.

“The idea of ​​working with an outside producer felt contradictory to how I had worked before,” he says.

It was first agreed that the work would take place at Mathias’ own pace and with full creative control. Lillmåns says that his working method is different from the traditional way of making a metal album:

“I’ve always recorded albums traditionally, meaning that I first finish all the instruments on the album in a certain order. However, we’re building this album from start to finish, song by song, and we’re even using different session musicians depending on what the different songs need.”

The drums on the track are played by Tommi Tuhkala. Daniel Strang and Marco Luponero were in charge of production, and Grammy-winning Henkka Niemistö was in charge of mixing and mastering.

Last year, Lillmåns released a retrospective collection, Remains – a 17-track cross-section of material he’d recorded with different bands over three decades. However, the release, which was warmly received by fans, did something unexpected: while he was going through his old archives, the idea of ​​making solo material began to seem possible.

“I never really intended to start a solo project, but when I was going through old material for the Remains release, I realized that I had a lot of unfinished ideas that could really be used to build something new,” he recalls.

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