BREEDING CHAOS unveil new single “Cradle of New Suns” — first taste of their upcoming album, out December 18 via Great Dane Records

Following the renewed international push around their debut album ‘Distant Planets‘, French modern death metal band BREEDING CHAOS are bringing one of their most overlooked tracks back into the spotlight.

Released as a stand-alone single in Spring 2025, “Legion of the Dead” largely flew under the radar.

It deserved better.

While ‘Distant Planets’ established the band’s identity through massive riffs, controlled dynamics and a sonic concept rooted in astrophysics and interstellar phenomena, “Legion of the Dead” pushes that formula beyond the album.

Dense. Groove-heavy. Atmospheric. Purposeful.

No speed saturation. No genre clichés. No unnecessary excess.

Just modern death metal built around weight, memorable structures and impact.

“Legion of the Dead” stayed under the radar the first time around. It shouldn’t stay there.

Breeding Chaos has forged a sound that sits between the melodic discipline of Dark Tranquillity and In Flames, and the rhythmic precision of Textures — with a darker, more atmospheric backbone drawn from the ambition of Blood Incantation. 

Progressive in structure, uncompromising in heaviness.

With a second album in development and the band actively building its live presence across France and Europe, now is the right moment to get ahead of what they’re becoming.

 

DIRTY SHIRT Celebrates 30 Years w/ The Ultimate Live Best Of Album “Dirty Thirty Live”

Celebrating 30 years as one of Eastern Europe’s most distinctive and genre‑defying metal bands, the champions of folkcore, Dirty Shirt, are sharing the ultimate live best-of album, “Dirty Thirty Live”. The live album features 30 songs selected from 11 of the most important performances in the Romanian band’s history. The album is available on a double-CD digipack, deluxe double vinyl, and digital streaming.

“DIRTY THIRTY LIVE is a journey through some of the biggest and most important shows of our career. From FolkCore Detour to Wacken, from Hellfest and Rockstadt Extreme Fest to the incredible crowds of Pol’and’Rock, these recordings capture the energy, madness, and emotion that we’ve shared with you onstage throughout the years,” says Mihai Tivadar.

The live album follows Dirty Shirt‘s other celebratory record, “Dirty Thirty (The Best Of),” released this past June on digital platforms, as a limited double‑CD digipak, and on vinyl.

“Dirty Thirty Live” features live recordings from their performances at the following events:

FolkCore Detour – 2017
Wacken Open Air – 2019
25 Years: Pandemic Special – 2020
Pol’and’Rock Festival – 2021
Maximum Rock Festival – 2021
Hellfest – 2022
Pol’and’Rock Festival – 2022
WOŚP Grand Finale – 2023
Electric Castle – 2025
Rockstadt Extreme Fest – 2025
Pol’and’Rock Festival – 2025

​

Track Listing:​
​
​CD 1:​
1. Rapsodia Română – Ciocârlia (feat. Ansamblul Transilvania, FolkCore Detour 2017)
2. Put It On (Hellfest, 2022)
3. Fake (Pol’and’Rock, 2022)
4. Nem Loptam (Pol’and’Rock, 2021)
5. Când s-o-mpărțit norocu’ (Part 1, Electric Castle, 2025)
6. Ride (feat. Ansamblul Transilvania, FolkCore Detour, 2017)
7. Freak Show (feat. Ansamblul Transilvania, FolkCore Detour, 2017)
8. Hora Lentă (Wacken, 2019)
9. Moneyocracy (Maximum Rock Festival, 2021)
10. Bun îi vinul ghiughiuliu – Dulce-i vinu’ (feat. Ansamblul Transilvania, FolkCore Detour, 2017)
11. Cobzar (feat. Ansamblul Transilvania, FolkCore Detour, 2017)
12. Dope-A-Min (WOŚP Grand Finale, 2023)
13. FOMO / Fear of Missing Out (Pol’and’Rock, 2025)
14. Geamparalele (Rockstadt Extreme Fest, 2025)
15. Rapapara (feat. Łydka Grubasa, Pol’and’Rock, 2022)
​
​CD 2:​
16. Căluşarii (feat. Ansamblul Transilvania, FolkCore Detour 2017)
17. Pretty Faces (Pol’and’Rock, 2025)
18. Hot for Summer (Hellfest, 2022)
19. Nice Song (Pol’and’Rock, 2021)
20. Away (25 Years Pandemic Special, 2020)
21. New Conspiracy (Pol’and’Rock, 2022)
22. Manifest (feat. Ansamblul Transilvania, FolkCore Detour, 2017)
23. Ungarische Tänze No. 5 – Mental Csárdás (feat. Ansamblul Transilvania, FolkCore Detour, 2017)
24. Ciuleandra – Hoții (feat. Ansamblul Transilvania, FolkCore Detour, 2017)
25. Büntető (Rockstadt Extreme Fest, 2025)
26. Dirtylicious (Rockstadt Extreme Fest, 2025)
27. Maramu’ (Wacken, 2019)
28. Săracă inima me (Rockstadt Extreme Fest, 2025)
29. Bad Apples (Wacken, 2019)
30. Pălinca – Latcho Drom (Pol’and’Rock, 2025)

“Dirty Thirty Live” double-CD digipak, deluxe double vinyl, and digital streaming are available at the following links:

​https://www.dirty-merch.com/​

​https://dirtyshirt.bandcamp.com/​

Digital – https://linktr.ee/dirtyshirtband​

For more info: https://dirty-shirt.com/​
​
​About Dirty Shirt:​
For over 30 years, Dirty Shirt has stood as one of Eastern Europe’s most original and successful rock/metal acts. Formed in the mid‑90s as a wedding band, they evolved into a genre‑blending powerhouse, fusing modern heavy music with the vibrant energy of Eastern European traditional sounds. Their explosive live shows and innovative approach have taken them to major festivals across Europe, including Hellfest, Wacken Open Air, Pol’and’Rock, Electric Castle, and more, and earned praise from outlets such as Metal Hammer, Rock Hard, Metalsucks, and Hard Rock Mag. Dirty Shirt has performed over 600 shows in 17 countries and shared stages with Megadeth, Godsmack, Gogol Bordello, Skindred, and Orphaned Land.

Italian Power Metal ALETHEYA Released Debut Album “Chance To Reborn” and New Video “Stealer”

Italian melodic power metal band Aletheya releases “Stealer”, the new single from their debut full-length album “Chance To Reborn”, out now, on digital and CD Digipak Version via Rockshots Records.

Accompanied by an official lyric video, “Stealer” arrives in conjunction with the album’s release, bringing its heavier side into focus while remaining firmly connected to Aletheya’s melodic power metal roots.

The band comments:

“The heaviest and most ’80s-inspired track on the album while still maintaining coherence with the overall sound and recalling classic metal elements like White Lion.”

While “Shame” explored a more introspective atmosphere and “Chasing The Sun” embraced an uplifting power metal drive, “Stealer” adds a different shade to “Chance To Reborn”. Across the album, Aletheya builds on their melodic power metal foundations with symphonic, neoclassical, and progressive influences shaping a sound that balances melody, energy, and emotional depth.

Watch the lyric video: https://www.youtube.com/watch?v=SNXPuH-aEo0​

Digital Single: https://lnk.to/XGout3FG​

Conceived as a cohesive listening experience rather than a simple collection of songs, “Chance To Reborn” draws lyrically from personal experiences and explores themes of resilience, rebellion, inner struggle, awareness and transformation. These different perspectives reflect the band’s approach to turning conflict and adversity into strength, creating a recurring emotional thread throughout the record.

Produced by Stefano Morabito at 16th Cellar Studio with additional keyboards performed by Alessio Lucatti (Vision Divine, Deathless Legacy), “Chance To Reborn” marks Aletheya’s first full-length release and brings together the experience of musicians active across the Italian and international metal scene.

For fans of: Helloween, Gamma Ray, Angra, Stratovarius, Sonata Arctica.

ORDER THE ALBUM: https://rockshots.eu/products/aletheya-chance-to-reborn​

Spotify – https://open.spotify.com/artist/4szmGzBq6jClwrF4EsM15O​

Music Video – “Chasing The Sun” – https://www.youtube.com/watch?v=YfyahKs7_v4​

​

ALETHEYA lineup:

  • David Folchitto: Drums
  • Francesco Menale: Guitars
  • Gianni Carcione: Vocals
  • Fabrizio Sclano: Bass

More info:

​https://rockshots.eu/​

​https://www.instagram.com/aletheya__official/​

​https://www.facebook.com/people/Aletheya/61578108544801/​

BIOGRAPHY:

Aletheya is an Italian melodic power metal band formed by experienced musicians united by a shared artistic vision rooted in the legacy of classic heavy and power metal while embracing a contemporary and emotionally driven songwriting approach. Although “Chance To Reborn” represents the band’s debut full-length album, Aletheya brings together years of experience gained across the Italian and international metal scene.

The line-up features David Folchitto (Stormlord, Kaledon, Embryo, Fleshgod Apocalypse) on drums, Francesco Menale (Risen Crow) on guitars, and Gianni Carcione (A.T.T., Concept) on vocals, and Fabrizio Sclano (Ivory Moon) on bass, combining technical expertise, compositional depth, and a strong artistic identity shaped through decades of musical activity.

Aletheya’s sound blends soaring melodies, powerful rhythmic structures, dynamic vocals, and refined guitar work, balancing the grandeur of traditional European power metal with symphonic textures, neoclassical influences, and progressive sensibilities. Deeply inspired by the German power metal tradition of the ’80s and ’90s, the band also draws from Scandinavian melodic metal, progressive metal and, at times, darker tonal shades connected to classic death metal influences. Their songwriting reflects a conscious effort to bridge the genre’s roots with a modern and personal artistic perspective.

Lyrically, Aletheya explores themes of resilience, rebellion, inner conflict, and personal awareness, transforming human struggles and emotional tension into songs driven by determination, introspection, and hope. Rather than relying exclusively on fantasy imagery, the band seeks to establish a deeper emotional connection with the listener through themes rooted in direct human experience.

Conceived as more than a simple collection of songs, “Chance To Reborn” represents both an arrival point and a new beginning for the band: the synthesis of past musical experiences and the foundation of a precise artistic identity aimed at bringing melodic power metal into a more contemporary and emotionally resonant dimension.

With their debut album, Aletheya position themselves as a new force within the modern melodic power metal landscape, combining experience, vision, and a profound respect for the genre’s past and future.

The Finnish progressive metal band Sum of Seven released a cover of Yoko Kanno’s ‘Rain’, which is featured in the anime series Cowboy Bebop

The Finnish progressive metal band Sum of Seven released a cover version of ‘Rain’ which is known from the anime series Cowboy Bebop.

LISTEN to the Rain single streaming services: https://push.fm/fl/sum-of-seven-rain

““Rain” is a cover of the song composed and arranged by Yoko Kanno, with lyrics by Tim Jensen. The song is best known from the anime series Cowboy Bebop, and like so much of Yoko Kanno’s work, it is one of those pieces that simply stands out and leaves you speechless.

For our version, we wanted to preserve the essence of the original while bringing it into the musical world of Sum of Seven. What makes “Rain” special to us is its contrast. Beneath its melancholic and intimate surface lies a powerful emotional core, and we wanted to bring that contrast forward without losing the vulnerability of the original.

Yoko Kanno is one of the most phenomenal musicians of our time. Her work is a reminder of what music can be when it is born from genuine skill, courage, and emotion. Her ability to move freely between genres and create music for anime, film, television, and beyond is something we deeply admire. We hope this cover conveys even a fraction of the respect and admiration we feel for her music.”, tells Ari Lempinen

Turku-based Sum of Seven blends progressive storytelling, heavy riffs, and melodic atmospheres inspired by bands like Haken, Threshold, and Vola. Following acclaimed releases and a lineup renewal with vocalist Marko Loukamaa in 2020, the band emerged stronger than ever. After overcoming major setbacks including a serious accident involving guitarist and main composer Ari Lempinen in 2024,  Sum of Seven returned to the stage in 2025 and released their critically acclaimed concept album Echoes of the Hypermind in spring 2026.

Line-up:

Ari Lempinen – Guitar & backing vocals

Harri Annala – Guitar, lead Guitar

Rasmus Raassina – Drums

Miika Erkkilä – Bass

Esa Lempinen – Keyboards

Marko Loukamaa – Vocals

Links:

https://www.sumofsevenofficial.com
https://www.facebook.com/sumofsevenofficial
https://www.instagram.com/sumofsevenofficial
https://www.youtube.com/@SumofSevenOfficial
https://sumofsevenofficial.bandcamp.com

Egokills Video Interview

Egokills is a hard rocking metal force founded in 2011. With three albums behind them and dozens of shows across 13 countries, the band has earned a global following through their fiery blend of multi‑layered alternative metal and heavy rock.
Their fourth album, Brainbanger, is a burst of raw inspiration, sparked when lead vocalist and bandleader Janne Selo picked up a guitar and steered the creative charge. The album drops on October 2.
More relaxed than ever, Egokills proudly carry the torch for loud, live, instrument driven music. Whether in the rehearsal room, the studio, or on stage, they thrive on intensity, authenticity, and the chemistry of playing together.
Janne Selo and Vilho Rajala sat down with The Offering to talk about the new album, the band’s 15 year milestone, the upcoming release party, and much more.

https://www.egokills.net

Aston Kalmari Video Interview

Aston Kalmari is a rock band from Lappeenranta, Finland, celebrated for its explosive live presence and sharp, emotionally resonant Finnish lyrics. Their sound moves confidently between bright, feel‑good punk anthems and heavier rock tracks that dig into more serious themes, a balance that has helped them accumulate over 10 million Spotify streams and build one of the most dedicated followings in Finland’s independent scene.
The band’s new album Mun sydän hakkaa mut marks a major milestone: with its release, Aston Kalmari officially crossed the ten‑million‑stream threshold, placing them among the most‑streamed independent artists of the year. Several singles have already paved the way. “Hyppää kyytiin hani” has earned more than half a million streams and become a familiar staple on stations like Radio Suomirock, while “Polkupyörä”, a fan favorite thanks to its hilariously vivid storytelling, remains the band’s most‑played track on both Spotify and YouTube.
Their skyrocketing popularity on the live circuit is the result of a simple, honest formula.
Ville Vuorio and Samu Pellikka sat down with The Offering to talk about the band’s origins, the making of the new album, their music videos, and what 2027 has in store.

FACEBOOK | INSTAGRAM | SPOTIFY | TIKTOK | YOUTUBE

Blackment Video Interview

Blackment is a melodic metal force hailing from Hyvinkää, Finland, founded in 2014. Their debut album Plains of Oblivion arrived in autumn 2022 and quickly gained traction across European radios. That same year, the band earned a nomination for Newcomer of the Year by Kaaoszine and reached the semifinals of Wacken Metal Battle Finland, marking them as one of the most promising rising acts in the Finnish metal scene.
Over the years, Blackment has carved out a distinct identity; catchy yet intricate melodies, punchy and technical guitar work, groovy rhythm foundations, atmospheric synth layers, and a wide vocal palette led by a uniquely recognizable voice. Their band has also built a reputation for energetic, engaging live performances, appearing at events such as Heavy Metal Heart Festival and Helsinki’s Semifinal club.
Now, with the release of their second album Pandemonium Portrait, Blackment steps into a new chapter, ready to bring their music across Finland and beyond its borders. Sami Vuorenheimo and Saalas Ruokangas sat down with The Offering to talk about the band’s origins, the making of the new record, insights from the studio, what 2027 has in store, and much more.

https://www.facebook.com/blackmentofficial

https://www.instagram.com/blackmentfin

https://www.tiktok.com/@blackmentofficial

https://blackment.bandcamp.com/

Blackment, a rising star of Finnish melodic heavy metal, has released its second album

Finnish Blackment released their debut album Plains of Oblivion in 2022. The excitement, momentum, and pressure surrounding the new album were intense after the debut, and fans had to wait four years for the Pandemonium Portrait album, which is finally out today. Originally planned for the spring, the release was also pushed back to the fall for entirely self-serving reasons—after all, you have to live with the album for the rest of your life.

“From the very beginning of the project, it felt like this album was going to be a really significant step forward for Blackment. The songs and sounds on this second album have been polished with great care, and I’m really happy with what we’ve accomplished together. Some aspects of the songs have become more straightforward compared to the vibe of the first album, but at the same time, some of the tracks on the album are quite complex and massive,” says the keyboardist Sebastian Nyandoto.

Listen to the album on music services (Spotify, Apple Music, Deezer, Tidal, YouTube Music etc.): https://push.fm/fl/blackment-pandemoniumportrait

Looking back, there were also some rather bizarre moments during the recording sessions; the best of these was when the stairs leading to Harri Petjakko’s Studio UG—which the band had used for the recordings—were unexpectedly dismantled as part of a renovation.

“For my last recording sessions at Studio UG, we actually had to carry my full-size digital piano into the studio along some icy scaffoldings. Anyway, it’s amazing that ‘Pandemonium Portrait’ is finally finished!” Sebastian continues.

Vocalist Sami Vuorenheimo explains that, in the end, they had to take a break specifically to refine the final picture of the whole from different perspectives. The time spent polishing the result was definitely worth it.

“Eventually, along the way, things slowly began to come into focus, and the pieces just fell into place beautifully. We also included some fanservice for older fans on the album, which has been given a fresh new twist,” Vuorenheimo says of a fun detail to be found on the album.

The album’s standout track, “Ground Zero,” traces its roots back ten years, when the band’s former keyboardist, Riku Mälkiä, was working on the synth riffs for the song.

“Well, it took a while to come up with a good melody, and we even had a change in keyboardists along the way. But the song turned out to be quite a hit, so better late than never,” guitarist Saalas Ruokangas smiles.

A music video for the song was filmed and edited by Petri Sara, and it takes us right to the heart of metal video history.

“Our vision was to create every band’s milestone: a music video shot in the gravel pits. Luckily, I remembered a suitable spot with good transportation access, where we could easily haul our gear. The owner gave us the go-ahead, and we were able to go wild with it. Petri Sara came by to make sure the video didn’t turn out like crap, and the rest is history,” says Sami Vuorenheimo.

Blackment are:

Sami Vuorenheimo – vocals

Saalas Ruokangas – guitar & backing vocals

Allan Välimaa – guitar

Väinö Huhtanen – bass & backing vocals

Sebastian Nyandoto – keyboards & backing vocals

Akseli Aalto – drums

https://www.facebook.com/blackmentofficial

https://www.instagram.com/blackmentfin

https://www.tiktok.com/@blackmentofficial

https://blackment.bandcamp.com/

FLAMESTRIKE Unleashes New Single “Unholy March” From Debut Album “The Unholy March” Out Jan 2027 via Rockshots Records

Italian epic power metal band FLAMESTRIKE is ready to march into a new chapter with “Unholy March”, the first single from their forthcoming debut album “The Unholy March”, set for release on January 29th, 2027 via Rockshots Records.

The song throws the listener straight into a dark tale of death, betrayal, and vengeance. “Unholy March” follows a fallen commander who, after making an unholy pact, returns from beyond the grave at the head of an army of the dead. Determined to reclaim his sovereign’s throne by force, his march ultimately brings destruction upon the kingdom and ushers in a new age of darkness.
​
Musically, the track introduces the core identity of FLAMESTRIKE, combining the epic and heroic character of classic power metal with the heavier influences that have shaped the band’s sound.
​
The band comments:
​
“We wrote the kind of epic, powerful, and engaging music that we ourselves would want to hear. Throughout the album you’ll find fantasy worlds, fearless heroes, evil entities and endless battles, all shaped by the different musical backgrounds that make us who we are as a band.”

Listen to “Unholy March” on all digital platforms: https://lnk.to/A50bp9​

YouTube – https://www.youtube.com/watch?v=sG5Mox-L_tg​

​

Rooted in the European power and epic metal tradition while drawing inspiration from heavier, symphonic and extreme sounds, FLAMESTRIKE forges a style built around powerful riffs, heroic melodies and fantasy-driven atmospheres.
​
Their forthcoming debut album “The Unholy March” is not conceived as a single concept story, but its songs share recurring themes of battle, revenge, triumph, and the inevitability of fate. The stories do not always unfold from the perspective of the traditional hero, leaving room for darker characters, defeat, and morally ambiguous outcomes.
​
The band adds:
​
“We want this album to be an immersive listening experience, something capable of transporting the listener directly onto the battlefield or inside the walls of a medieval tavern. Every track remains deeply connected to our epic and symphonic trademark.”
​
Formed in Vercelli, Italy, in 2008, FLAMESTRIKE initially came together through a shared passion for power and epic metal. After starting out performing songs by some of the genre’s defining bands, the musicians gradually began replacing covers with their own material.
​
Their first self-produced EP, “Dark Clouds On The Obsidian Tower”, arrived in 2021. Following several line-up changes, FLAMESTRIKE returned in 2024 with the singles “Where Glory Awaits” and “The Death Scythe Has Come”, both included on the forthcoming album.
​
​For fans of: Blind Guardian, Manowar, Ensiferum
​
In 2026, the band signed with Rockshots Records, setting the stage for the release of their first full-length.
​
​Pre-order “The Unholy March” (Out Jan 29, 2027):
​https://rockshots.eu/products/flamestrike-the-unholy-march-cd​

​

Track Listing:​
1. Heralds Of The Fallen King – 1:28
2. Unholy March – 4:19
3. Where Glory Awaits – 8:56
4. The Death Scythe Has Come – 4:20
5. Lindisfarne – 5:57
6. Enslaved By The Steel – 5:38
7. Flamestrike – 7:48
8. A Rainy Forest Where The Minstrel Rests… – 2:01
Album Length: 38:40
​
​FLAMESTRIKE is:​
Marco Caputo: Lead Vocals, Backing Vocals, Choirs
Emmanuele Iacono: Electric & Acoustic Guitars
Fabrizio Amapane: Electric & Acoustic Guitars, Choirs
Alessio Marchetto: Bass
Luca Traversa: Drums & Percussion
​
​Album Credits:
​
Recorded at Edge Of Darkness Studio, Robbio, Italy
Produced, mixed, and mastered by FLAMESTRIKE
Cover artwork by Kaijie Huang

More info:

​https://rockshots.eu/​

​https://www.facebook.com/FlamestrikeOfficial​

​https://www.instagram.com/flamestrikeofficial​

BIOGRAPHY:

Formed in Vercelli, Italy, in 2008, Flamestrike grew out of a shared passion for the epic and power metal scene. Their roots can be traced back to the previous year when a group of university students and recent graduates came together to play songs by some of their favourite bands, including Blind Guardian, Hammerfall, Manowar, Virgin Steele and Edguy.

That early incarnation lasted only a few months, but it brought together bassist Marco Caputo and drummer Marco Canella, who would go on to become the founding members of Flamestrike. After recruiting a new line-up, the two officially formed the band in April 2008. The name itself reflected another passion they shared at the time: fantasy literature. While going through a seemingly endless list of characters from their favourite fantasy sagas, they eventually settled on Flamestrike, the name of a dragon from Margaret Weis and Tracy Hickman’s Dragonlance Chronicles.

Initially, the band returned to the stage with a set built around power and epic metal covers, playing venues and events throughout the local area. It was not long, however, before original music began to take over. Between 2009 and 2010, Flamestrike started writing their first songs, firmly rooted in the same epic and power metal tradition that had inspired the band from the beginning.

By the end of 2010, Flamestrike had built up a substantial body of original material, but the departure of three of the five members brought the band’s progress to an abrupt halt. Caputo and Canella remained, and after a brief period of uncertainty, the line-up began to take shape again in early 2011 with the arrival of guitarists Emmanuele Iacono and Alessio Marchetto. At the same time, Caputo expanded his role, taking over lead vocals while continuing to play bass.

This four-piece line-up gave Flamestrike the momentum to move forward, both on stage and as songwriters. In 2012, keyboardist Fabio Sguazzotti joined the band, restoring the line-up to five members and remaining with Flamestrike until 2015.

Another important transition came that same year when Caputo decided to step away from bass and devote himself entirely to vocals. Riccardo Rondolotto subsequently joined as the band’s new bassist, beginning four years of rehearsals, live performances and continued songwriting. In 2019, both Marchetto and Rondolotto eventually left Flamestrike to pursue other musical paths.

Reduced to a three-piece, Caputo, Canella and guitarist Emmanuele Iacono used this transitional period to begin recording the original material that would eventually become the band’s first EP. By mid-2019, Flamestrike had once again completed their line-up with the addition of Fabrizio Amapane on second guitar and Ivan Bovio on bass.

The following two years brought an entirely different challenge. Although the band remained stable and united throughout 2020 and 2021, the disruption caused by the pandemic inevitably slowed down their activities. After almost two years of work, delays and interruptions, October 2021 finally saw the digital release of “Dark Clouds On The Obsidian Tower“, Flamestrike‘s first EP of original material. Featuring five tracks, the release marked the band’s first major step from years of songwriting and live activity towards a fully realised recording project.

In 2022, another chapter in Flamestrike‘s history came to a close when founding drummer Marco Canella left the band for personal reasons after fourteen years. He was succeeded by Luca Traversa, formerly of Alltheniko and a longtime friend of the band. With Traversa behind the kit, Flamestrike began shaping the material that would form their debut full-length album.

The first glimpse of this new chapter arrived in 2024 with two singles: “Where Glory Awaits“, released in March, followed by “The Death Scythe Has Come” in December.

A further line-up change followed in 2025, when Ivan Bovio parted ways with Flamestrike by mutual agreement. His departure opened the door for the return of Alessio Marchetto, who rejoined the band five years after leaving it. This time, however, he returned in a new role, taking over bass duties and bringing a familiar face back into the Flamestrike ranks.

In 2026, Flamestrike reached a new milestone by signing with Italian label Rockshots Records, setting the stage for the release of their debut full-length album in early 2027.

Nero released debut album

Colombian Melodic/Progressive Death Metal band Nero released their new album «Iter Umbrae». The release was recorded, mixed and mastered by Mauricio Gallón in Soundblast Studios.
Formed in Colombia in 2019, Nero is a melodic death metal outfit infused with doom and progressive influences. Fronted by lead vocalist Isabel Andujar alongside guitarists Ruben Dario and Andy Lasso, bassist Leonardo Trujillo, and drummer Andres Lopez, the band explores philosophy, consciousness, and human introspection. Nero showcases their technical skill and musical diversity through their debut studio album «Iter Umbrae». Grounded in Jungian concepts of the shadow self, the album invites listeners on a transformative journey into the hidden psyche, confronting the repressed impulses and internal forces that shape human identity.