Kallomäki Video Interview

It begins with the sound of a bow drawn across strings, a call from a time long forgotten. Kallomäki’s music merges the primal voice of the electric bowed lyre with the weight of metal and the depth of dark folk, forging a bridge to ancient echoes and untold stories. Since 2018, the group has carried these echoes across stages in Finland, Ireland, Estonia, Lithuania, and Germany, shaping performances that range from grand theatrical spectacles to intimate acoustic rituals, always anchored in the raw force of their sound.
With three releases, Roka Ukri (2018), the double album Uuden kuun aika I & II (2020), and Huunpurema (2023), Kallomäki continues to carve out a world where music becomes memory and every note carries the weight of history. After their packed show at Tuska, the band sat down with The Offering to talk about the project, future plans, and the stories still waiting to be unearthed.

Kallomäki

Despiser Video Interview

Despiser has emerged as a defining force in Oulu’s new wave of metal, blending the region’s melancholic Northern melodies with a sharper, more aggressive edge. Founded in 2017 and solidified into its current lineup in 2023, the band explores the tension between life and death through a sound that is both atmospheric and uncompromising. June saw the release of their debut EP Wreck, followed quickly by their first appearance at Tuska. After the show, Despiser joined The Offering to discuss the experience, the making of Wreck, their writing process, and their plans moving forward.

https://www.instagram.com/despiserband/

Paleface Swiss Video Interview

Paleface Swiss stands as one of Zürich’s fiercest deathcore exports, a powerhouse whose impact hits with bone‑deep intensity. Since forming in 2017, the band has carved out a reputation for relentless energy, both on stage and in the studio, delivering a succession of crushing releases, including their 2025 full‑length Cursed. Earlier this year, they followed it with the visceral EP The Wilted, further cementing their place at the forefront of the genre.
Marc “Zelli” Zellweger sat down with The Offering to dive into the making of both records, the vocal techniques behind his signature brutality, the band’s songwriting process, life on the road, and much more.

https://linktr.ee/palefaceswiss

 

 

Caskets Video Interview

Caskets have become one of Leeds’ most compelling post‑hardcore exports, delivering a crushing blend of modern metal, electronic grit and emotional vulnerability. Their latest album, The Only Heaven You’ll Know, marks their darkest chapter yet, an eruption of massive riffs, cinematic tension and vocals that feel both wounded and defiant.
With momentum carrying them from UK clubs to major international festivals, the band have built a reputation for shows that are equal parts chaos and catharsis. Just before unleashing that energy at Finland’s Tuska Festival, frontman Matthew Flood and drummer James Lazenby joined The Offering to reflect on the moments before stepping onstage, the craft behind their songwriting, the rhythm of life before, during and after a show, and the challenges of maintaining mental and physical health on the road.

https://linktr.ee/Casketsband

MIDNIGHTMARES Unveil Self-Titled Single – Speed, Melody & Dark Atmospheres Rooted in Thrash Metal

“MIDNIGHTMARES”, the debut single by Sardinian thrash metal band MIDNIGHTMARES, is available on all digital platforms from July 15 via Volcano Records.

The track stands as a true statement of identity for the band, not only because it shares their name, but above all because it captures the musical direction MIDNIGHTMARES have developed over the past few years. “MIDNIGHTMARES” represents the meeting point between the aggressive immediacy of their earliest compositions, more closely rooted in classic thrash metal, and the increasingly complex, technical and personal songwriting that has emerged throughout their evolution. Built around a combination of speed, melody and dark atmospheres, the single draws on the impact of American thrash and the legacy of the Bay Area scene, while also opening up to progressive and death metal influences. Tight riffs, dynamic shifts and a constant sense of tension shape a sound that is both hard-hitting and direct, yet capable of unfolding through less predictable structures and more layered compositional solutions. Formed in Cagliari in 2018, the band went through several line-up changes before establishing a consistent live presence and continuing to develop their songwriting. Track after track, MIDNIGHTMARES have gradually moved beyond the boundaries of traditional thrash metal, evolving towards a more modern, technical and multifaceted sound.

The new single captures this phase of transformation and officially introduces listeners to the band’s musical world: a territory where the aggression of thrash meets the complexity of progressive metal, the darker edge of death metal and an increasingly distinctive melodic identity. “MIDNIGHTMARES” is available on all major digital platforms via Volcano Records.

www.volcanopromotion.com
www.facebook.com/midnightmaresthrash

SHORES OF NULL Unveils First Single “Bleed to Life” From New Album “Homesick” Out October 2026

Italy’s melodic death doom collective Shores of Null open a new chapter with the launch of “Bleed to Life,” the first single and music video taken from their forthcoming album “Homesick,” set for release October 16th, 2026 through label Dusktone.

The track marks the beginning of the band’s next era, one defined by sharpened songwriting, emotional depth, and the unmistakable blend of doom, gothic, blackened, and melodic death metal that has become their signature.

“Bleed to Life” stands among the most aggressive yet melodic compositions in the band’s catalogue. Davide Straccione (vocals) explains that the song’s core theme is the paradox of finding life through pain, an inversion of the familiar phrase bleed to death that instead celebrates growth through suffering.

The track’s shadows represent traumas, memories, and scars that cannot be outrun. Instead, the band embraces them, returning to those emotional spaces in search of understanding and acceptance. The result is a song that feels both punishing and uplifting, a defining statement for the album ahead.

The single arrives accompanied by a striking new music video, offering fans their first visual immersion into the world of “Homesick.” The imagery amplifies the song’s emotional tension, its collision of vulnerability, heaviness, and catharsis.

Watch and listen to the music video for “Bleed to Life” at https://www.youtube.com/watch?v=s825Pn_EOLg

Spotify https://open.spotify.com/track/2xHwEaceWZAmKJDK0ANDhO?si=1878359078354a7e

Out October 16th, 2026 via Dusktone, “Homesick” represents the band’s most mature and focused work to date. Conceived as a complete listening experience, the album moves through longing, loss, anger, vulnerability, and the search for belonging. It captures Shores Of Null at their most confident and emotionally honest, balancing crushing moments with some of the most memorable melodies the band has written to date, enriched by guest appearances from Natalie Koskinen (Shape of Despair) with her vocals on The Numbing Void and Shaun MacGowan (My Dying Bride) on several tracks, including violin on Dreaming of a Scar and The Numbing Void.

“The record is an exploration of the deeply ambiguous nature of ‘home’, a place of comfort and identity, but also of pain, fear, and unresolved memory. It is probably the most honest representation of who Shores of Null are today. Behind this record lies a meticulous amount of writing, rewriting, and pre‑production work. At its core lies the idea of home as something deeply ambiguous: a place of comfort and belonging, but also of fear, pain, and memories we can never fully leave behind,” adds vocalist Davide Straccione.

“Homesick” marks a new milestone for Shores of Null as an immersive, emotionally charged work that expands their sonic universe to follow their acclaimed discography, which includes “Quiescence,” “Black Drapes for Tomorrow,” “Beyond the Shores,” “The Loss of Beauty,” and the 2025 split album with Convocation, “Latitudes of Sorrow”.

Recommended for fans of Paradise Lost, Amorphis, Swallow The Sun, Katatonia, and Borknagar, “Homesick” will be available for pre-order (Vinyl, CD, Digital) in the coming weeks.

Track Listing:
1. Allies Before Defeat – 4:35
2. Two Mountains – 4:34
3. Bleed to Life – 4:09
4. Homesick – 5:31
5. Son of the Tide – 4:18
6. Dreaming of a Scar – 5:08
7. Society Is the Murderer – 4:30
8. The Numbing Void – 6:18
9. Another Breath – 3:52
10. Disappear – 4:33
Album Length: 47:32

For more info:

https://www.shoresofnull.com/

https://www.facebook.com/shoresofnull

https://www.instagram.com/shoresofnull

About:

Shores of Null are a Rome‑based metal band known for their seamless blend of blackened intensity, gothic‑doom melancholy, and soaring melodic depth. Since forming in 2013, they’ve built a reputation for immersive, emotionally charged songwriting across acclaimed releases like Quiescence, Black Drapes for Tomorrow, Beyond the Shores, and The Loss of Beauty, supported by major tours and festival appearances across Europe.

Following their 2025 split, Latitudes of Sorrow, the band now enters a new chapter with Homesick (Dusktone, 2026), their most mature and evocative work yet. Featuring guest contributions from Natalie Koskinen (Shape of Despair) and Shaun MacGowan (My Dying Bride), the album explores nostalgia, absence, and the complex meaning of “home,” reaffirming Shores of Null as one of the leading forces in contemporary melodic death‑doom.

Album and Live Band Line-up:
Davide Straccione – Vocals
Gabriele Giaccari – Guitars
Raffaele Colace – Guitars
Matteo Capozucca – Bass
Emiliano Cantiano – Drums

Symphonic metallers Seven Spires announce Master Key Edition of ‘A Fortress Called Home’ set for release on September 4th via Frontiers Music Srl

SEVEN SPIRES is proud to announce the Master Key Edition of their acclaimed recent album ‘A Fortress Called Home,’ set for release on September 4th via Frontiers Music Srl. To mark the occasion, the band also shares the new single “Songs Upon Wine-Stained Tongues (Orchestral Version),” alongside a visualizer, available below.

Originally released in 2024 to widespread critical acclaim, ‘A Fortress Called Home’ further cemented SEVEN SPIRES’ reputation as one of the most ambitious, creative and emotionally compelling bands in modern metal. Seamlessly blending symphonic metal, power metal, progressive influences and extreme metal elements, the album showcased the band at the peak of its artistic vision, driven by Adrienne Cowan’s extraordinary vocal performance and the group’s fearless approach to songwriting.

Now available in the expansive Master Key Edition, this definitive 3 disc package offers fans the opportunity to experience the album from entirely new perspectives. Alongside the original album, the set includes a complete collection of instrumental versions, highlighting the remarkable arrangements, orchestration work and musicianship that underpin the record. The third disc further expands the listening experience with orchestral versions of selected songs as well as exclusive live recordings captured during the band’s recent touring cycle.

About the Master Key Edition, the band comments:

“We invite you to explore deeper into ‘A Fortress Called Home’ with this Master Key Edition! Who knows what secrets you may find hidden in the instrumentals and orchestral arrangements? What memories will you behold in the gallery of live souvenirs from the last two years?”

Watch the Visualizer for “Songs Upon Wine-Stained Tongues (Orchestral Version)” HERE

From the epic opener “Songs Upon Wine-Stained Tongues” to the cinematic closing moments of “The Old Hurt Of Being Left Behind,” ‘A Fortress Called Home’represents SEVEN SPIRES at their most accomplished and mature. The additional material included in the upcoming Master Key Edition reveals new dimensions of these compositions, offering a deeper look into the creative process behind one of the band’s most celebrated releases.

For longtime followers and new listeners alike, ‘A Fortress Called Home (Master Key Edition)’ stands as the ultimate document of this important chapter in the band’s evolution and a testament to why SEVEN SPIRES continue to be regarded as one of the most exciting and forward-thinking names in contemporary metal.

Adrienne Cowan shares:

“This is also our first time releasing orchestral arrangements. I’m a little extra proud of that, and quite excited since it’s something we’ve always wanted to do.”

Pre-Order the Master Key Edition of ‘A Fortress Called Home’ HERE

‘A Fortress Called Home (Master Key Edition)’ Track List:

Disc 1
1. A Fortress Called Home
2. Songs Upon Wine-Stained Tongues
3. Almosttown
4. Impossible Tower
5. Love’s Souvenir
6. Architect Of Creation
7. Portrait Of Us
8. Emerald Necklace
9. Where Sorrows Bear My Name
10. No Place For Us
11. House Of Lies
12. The Old Hurt Of Being Left Behind
13. House Of Lies (Acoustic) Bonus Track

Disc 2
1. A Fortress Called Home (Instrumental)
2. Songs Upon Wine-Stained Tongues (Instrumental)
3. Almosttown (Instrumental)
4. Impossible Tower (Instrumental)
5. Love’s Souvenir (Instrumental)
6. Architect Of Creation (Instrumental)
7. Portrait Of Us (Instrumental)
8. Emerald Necklace (Instrumental)
9. Where Sorrows Bear My Name (Instrumental)
10. No Place For Us (Instrumental)
11. House Of Lies (Instrumental)
12. The Old Hurt Of Being Left Behind (Instrumental)

Disc 3
1. Songs Upon Wine-Stained Tongues (Orchestral Version)
2. Almosttown (Orchestral Version)
3. Love’s Souvenir (Orchestral Version)
4. Architect Of Creation (Orchestral Version)
5. Portrait Of Us (Orchestral Version)
6. The Old Hurt Of Being Left Behind (Orchestral Version)
7. A Fortress Called Home (Live in Tilburg)
8. Songs Upon Wine-Stained Tongues (Live in Tilburg)
9. Architect Of Creation (Live in Montréal)
10. Succumb (Live in Tilburg)
11. Love’s Souvenir (Live in Montréal)
12. Wanderer’s Prayer (Live in Tilburg)
13. Gods Of Debauchery (Live in Tilburg)

Produced By: Jack Kosto

SEVEN SPIRES are:
Adrienne Cowan – Vocals, Orchestrations, Keyboards, Sound Design
Jack Kosto – Guitars
Peter de Reyna – Bass Guitars, Additional Vocals, Upright Bass
Drums performed by Chris Dovas

Special Guest Vocalists:
Alessandro Conti (2, 12)
Kristin Starkey (5)
Ty Christian (5)
David Åkesson (2, 3, 5, 7, 9, 12)
Angelica Åkesson (3, 9, 12)

Drums on “Live in Tilburg” and “Live in Montréal” by Dylan Gowan
Guest Vocals on “Love’s Souvenir (Live in Montréal)” by Ashleigh Semkiw

FOLLOW SEVEN SPIRES:
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Website
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Finnish prog metallers Oddland unveil new single “Unilluminate” from upcoming album “Unilluminate To Illuminate” out August 21st

Finnish progressive metal band Oddland unveil today their new single and official lyric video, “Unilluminate”, taken from the upcoming studio album, “Unilluminate To Illuminate”, out on August 21, 2026, via Frontiers Music Srl.

The band stated: “Unilluminate” is a song that speaks of hope, light, and resilience. It tells a collective story of children growing up in broken families while carrying the weight of generational burdens. The “shards of glass” on the floor – both actual and metaphorical – leave room for hope and strength if there is something or someone protective and good. The song reminds us of the value of providing hope and kindness, even when everything seems hopeless and lost.”

Oddland are also set to embark on a handful of tour dates across Europe, the full list of shows can be found below.

Watch the official lyric video for “Unilluminate” HERE

Pre-Order “Unilluminate To Illuminate” HERE

Oddland return with their highly anticipated new album “Unilluminate To Illuminate”, reaffirming their status as one of the most innovative and compelling forces in modern progressive metal.

Talking about the record, the band stated: “Unilluminate To Illuminate” reflects the need for polarity in life, the need for darkness in order to find joy in light, and the dance of these qualities that deepen the human experience. In the modern age there is a constant chase for dopamine rushes and shortcuts to euphoria. A constant state of happiness is not only impossible but an unfulfilling and untruthful way to live. There is darkness in all of us like there is light in all of us. And, in order to find your light, you must sometimes deeply explore your darkness. This is what the album aims to reflect in the songs and atmospheres we have created.”

Known for their intricate compositions and fearless approach to songwriting, the band continues to push boundaries while refining their already distinctive sonic identity.

The experience gained while supporting Soen on tour has clearly elevated the band to an even higher level, sharpening their performance edge and strengthening their sense of dynamics and impact. That growth is fully reflected in this new record, which feels more focused, confident, and mature than ever before.

This new album expands Oddland’s complex musical universe with heightened intensity, atmospheric depth, and razor-sharp precision. Shifting seamlessly between crushing heaviness and cinematic expanses, “Unilluminate To Illuminate” showcases a band operating at the peak of their creative powers, delivering a listening experience that is both technically impressive and emotionally resonant.

With a bold sense of dynamics and a strong conceptual undercurrent, the album captures the essence of a band that refuses to stand still. Each track reveals new layers upon repeated listens, blending progressive complexity with memorable themes and a powerful sense of direction.

“Unilluminate To Illuminate” stands as a striking statement from one of the finest names in modern progressive metal – a record that challenges, captivates, and ultimately elevates the listener.

“Unilluminate To Illuminate” Tracklist:

1.    Amokinus
2.    Eternal Erode
3.    Soar
4.    Ascent
5.    Freefall
6.    Unilluminate
7.    Illuminate
8.    Act Of Solace
9.    Red Canvas
10.    Unbound In Time
11.    Waterdrops

Line Up:
Sakari Ojanen – Vocals, guitars
Joni Palmroth – Bass
Ville Viitanen – Drums
Jussi Poikonen – guitars

UPCOMING TOUR DATES:

29.08: DK – Næstved @ Næstved Metalfest
04.09: FI – Turku @ Logomo

Split headliner EU tour with Mother Of Millions:
17.09: DE – München @ Feierwerk
18.09: DE – Stuttgart @ Klub Zentral
19.09: NL – Zoetermeer @ Boerderij
20.09: BE – Diest @ Hell
22.09: PL – Krakow @ Garage Pub
23.09: HU – Budapest @ A38
24.09: SK – Bratislava @ Randal Club
25.09: RO – Cluj @ Machines Venue
26.09: RO – Bucharest @ Quantic

Follow ODDLAND:
Website
Facebook
YouTube

CITOVITZ AND THE FIREFLIES OF FEBRUARY Release First Single & Lyric Video ‘By The Time You Die, You’re Barely Human’ from Upcoming Album “Acoustism”

In the middle of summer 2026 — while the world outside grew louder and hotter and less certain of itself — Andrzej Citowicz sat down in his home studio in Cairo and finished a song that had been pressing against the inside of his chest for a very long time.

The result is By The Time You Die, You’re Barely Human — the first official single from Acoustism, the forthcoming album from Citovitz and The Fireflies of February, scheduled for release in autumn 2026. The single is available now on all major streaming platforms An official lyric video is available on YouTube.

Youtube link: https://youtu.be/698xSMmEbCk?si=FoJlcBkMDw4PWqpM

It is one of the most direct, most unflinching, and most necessary pieces of music Andrzej has ever released.

THE WORLD THAT MADE THIS SONG

There are songs that arrive from craft. And there are songs that arrive from necessity — from the specific pressure of living through a moment in history that demands a response. By The Time You Die, You’re Barely Human is the second kind entirely.

The lyric does not soften its diagnosis. It looks at what modern civilisation has done to itself — the trading of truth for comfort, love for pride, humanity for the kind of progress that turns out to be organised sinking — and it refuses to look away. Every generation reaches farther, the second verse observes, finding less within its reach. It is the most concise summary of the modern condition Andrzej has ever compressed into a single line.

“The mirror never lied to us — we simply learned to celebrate.”
— from By The Time You Die, You’re Barely Human

But the song is not nihilism. It is grief — which is an entirely different thing. Grief implies that something worth mourning was lost. That the person doing the grieving once knew what it felt like to be more than what they have become. The chorus does not condemn so much as mourn. And the outro — perhaps the most quietly devastating lines Andrzej has ever written — does not end in accusation but in hope worn thin:

“If tomorrow still remembers us — let it remember we tried.”
— from By The Time You Die, You’re Barely Human

That line, Andrzej says, arrived last. And when it did, he knew the song was complete.

“I did not write this song to point fingers. I wrote it because I looked around at the summer of 2026 — at everything the world was carrying, at everything my own life had been through in the past year — and I needed to say something true. Something that did not flinch. This is that song.”
— Andrzej Citowicz

THE SOUND: WHERE ALTER BRIDGE MEETS UNPLUGGED BON JOVI

Musically, By The Time You Die, You’re Barely Human exists in a space that Andrzej has been approaching his entire career but has never quite occupied so completely until now. The acoustic version carries the intimacy and emotional weight of the great unplugged rock tradition — Bon Jovi’s MTV Unplugged performances, the raw confessional energy of a guitar placed directly against a lyric with nowhere to hide. Clean, wide open, and devastating in its simplicity.

“The acoustic version asks you to sit with the words .Some people need the quiet to hear clearly…”
— Andrzej Citowicz

ACOUSTISM: THE ALBUM THAT IS COMING

By The Time You Die, You’re Barely Human is the first window into Acoustism — the most ambitious and most personal album Andrzej Citowicz has ever announced. Due for release in autumn 2026, the album is built around the intersection of Andrzej’s acoustic guitar work and his identity as a person on the autism spectrum — his ICD-11 diagnostic code, 6A02, has already given its name to one of the album’s tracks — alongside songs that document the extraordinary personal journey of the past twelve months.

A life-changing year. The loss of a beloved friend and mentor — H — whose memory lives inside the For The Hawk album released earlier in 2026. The discovery of an adult daughter, Esther, whose arrival Andrzej describes simply as a miracle beyond imagination. The grief. The gratitude. The bittersweet, overwhelming experience of finding that life, in its fifties, still has the capacity to rearrange everything you thought you understood about yourself.

All of that is inside Acoustism. By The Time You Die, You’re Barely Human is its opening declaration — the song that sets the emotional and philosophical stakes for everything that follows.

“This album is unlike anything I have made before. Not because I planned it that way. Because life made it that way. I am a different person than I was twelve months ago. The music had no choice but to reflect that.”
— Andrzej Citowicz

ANDRZEJ CITOWICZ: THE LIVING ROOM ROCKSTAR

Born in Wałbrzych, Poland, and now based in Cairo, Egypt, guitarist ad songwriter, Andrzej Citowicz has spent his career building one of the most quietly determined independent music projects in contemporary rock. Recording under the name Citovitz and The Fireflies of February, he operates entirely without label support — writing, performing, producing, mixing, and mastering from his home studio, with Suno AI serving as his virtual band alongside his own guitar work and the lyrical contributions of his wife, Shereen Shoukry Citowicz.

His musical DNA runs deep in the classic rock and power ballad tradition — Bon Jovi’s New Jersey and Blaze of Glory eras, Def Leppard’s Hysteria and Adrenalize, Desmond Child’s songwriting architecture, the neo-classical guitar vocabulary of Joe Satriani’s The Extremist. These are not influences he has moved on from. They are the foundation everything else is built on — and By The Time You Die, You’re Barely Human demonstrates exactly what that foundation looks like when it is carrying the full weight of a life examined honestly.

2026 has been Andrzej’s most prolific and most personal year to date. Beautiful Damage: 1990–1996 — released April 13th — completed songs written between the ages of 14 and 20, discovered on old tape cassettes. For The Hawk — released May 4th, Star Wars Day — honoured the memory of a beloved friend and mentor. And now Acoustism arrives in autumn, carrying everything the year has taught him about loss, identity, love, and what it means to still be here.

“The guitar is always first. It has always been first. Modern technology helps me build what I hear around it. But what I hear — I have been hearing since the early 1990s. That has never changed. And it never will.”
— Andrzej Citowicz

SINGLE & ALBUM DETAILS

Single: By The Time You Die, You’re Barely Human
Versions: Acoustic Version
Music, Guitars & Lyrics: Andrzej Citowicz
Available: All major streaming platforms — now
Lyric Video: YouTube — now
Album: Acoustism — Autumn 2026
Artist: Citovitz and The Fireflies of February

STREAM & WATCH
YouTube: https://www.youtube.com/@AndrzejCitowicz
Spotify: https://open.spotify.com/artist/7aIeg5DyI7xwkYLsBgJNWf
Instagram: https://instagram.com/citovitz
Facebook: https://www.facebook.com/citovitz/

Iceland’s Sorcerous Folk Metal HRAFNABLÓT Unleashes Debut Music Video “Svartigaldur”; The First Chapter of Forthcoming Album “Guðlaugar Saga”

Iceland’s sorcerous folk‑metal conjurers Hrafnablót (pronounced rahv-nah‑blote) have released their first official single, “Svartigaldur,” alongside an atmospheric music video. The track marks the opening strike from the band’s forthcoming debut album, “Guðlaugar Saga,” arriving in fall 2026.

A metallized Icelandic sea‑shanty rooted in ancient folk melody, “Svartigaldur” tells a pivotal moment in the album’s narrative. The kidnapping of Guðlaug, the record’s time‑travelling protagonist, is bound to the mast of a Viking longship after being mistaken for a witch. The song’s main riff, adapted from the Icelandic folk tune Að bíða þess sem búið er, anchors a storm of rowboat rhythms, black‑metal‑tinged chord work, and soaring clean‑vocal hooks.

The accompanying video, directed and edited by bassist Þórgnýr Einar Albertsson with creative direction by singer Hugrún Hanna Stefánsdóttir, was filmed across Iceland’s unforgiving winter landscapes and captures the band’s ritualistic energy and the stark contrasts that define their sound. During the shoot, members endured temperatures as low as –15°C, relocating mid‑day from a wind‑blasted lighthouse in Selvogur to the sheltering woods of Þrastarskógur to complete the performance scenes.

“Svartigaldur was the last song we wrote for the album, and it came together at lightning speed. We’re extremely proud to finally release it as we invite every listener on this journey through the Icelandic settlement age along with us,” adds the band.

Hrafnablót’s debut full‑length is a fully realized Icelandic epic, both musically and lyrically. The album follows Guðlaug, a modern‑day woman thrust back into the settlement age with nothing but her clothes and a taser. Across battles, celebrations, kidnapping, and existential crossroads, the record explores whether she will return to her mundane present or embrace a new destiny in the past.

Sonically, “Guðlaugar Saga” contrasts darkness and light, ugliness and beauty, past and present, weaving together Icelandic folk music, Nordic folk metal, NWOBHM, gothic influences, and extreme metal to create a sound that is sorcerous, folky, dramatic, melodic, and contrasting.

The album will feature seven full songs plus two spoken‑word pieces, including the seer’s prophecy in Spádómurinn and the chieftain’s post‑battle reflection in Kappar, meyjar, and komendur. Each track contributes to the overarching Saga, from the celebratory folk‑metal revelry of Fögnuður to the 11‑minute multi‑movement finale Örlagavegur.

Formed in Reykjavík in fall 2024, Hrafnablót draws deeply from Icelandic magick, folklore, and the Sagas. Their sound blends heavy riffs, folk instrumentation, haunting melodies, and both clean and harsh vocals, creating a distinct brand of sorcerous folk metal rooted in Icelandic myth and landscape.

Since forming, the band has become a rising force in Iceland’s live scene, performing at Íslenski rokkbarinn, Lemmy, BIRD, and the Icelandic Sorcery Festival, where drummer Andri famously performed despite a severe back injury, lying flat until the moment he took the stage.

Their performances channel ritual intensity, dramatic storytelling, and strong visual elements, aiming to feel less like a concert and more like a magickal rite.

The single artwork for “Svartigaldur,” illustrated by Ana Nikitina with layout by guitarist Mara Birna Jóhannsdóttir, depicts Guðlaug bound to the mast of a Viking longship. The frame features Icelandic magick staves used historically to ward against black magick, tying the visual world directly into the album’s themes.

Hrafnablót’s writing is highly collaborative. Bassist Þórgnýr Einar Albertsson often brings initial demos, which the band collectively reshapes during rehearsal, adding symphonic elements, vocal lines, and structural changes. Lyrics, primarily written by vocalist Hugrún Hanna Stefánsdóttir and drummer Andri Pétur Dalmar with contributions from the rest of the band, draw heavily from Icelandic folklore, Skaldic poetry, and historical magick traditions.​

The band’s influences span Cradle of Filth, Bathory, Iron Maiden, Ensiferum, Nightwish, Wintersun, and a wide spectrum of folk, gothic, and extreme metal.

With “Svartigaldur” now unveiled, Hrafnablót opens the gateway into their Saga, inviting listeners into a world of Icelandic myth, magick, and metal.

Watch and listen to “Svartigaldur” at https://www.youtube.com/watch?v=aDPpHb_Qf1s

Add to your Spotify playlisthttps://distrokid.com/hyperfollow/hrafnablt/svartigaldur

Bandcamp – https://hrafnablot.bandcamp.com/

For more info:

https://hrafnablot.is/

https://www.facebook.com/hrafnablot/

https://www.instagram.com/hrafnablot

About:
Hrafnablót is a sorcerous folk metal band, formed in Iceland in the fall of 2024. Drawing from the contrasting light and darkness of Icelandic magick, Sagas, and folklore, the band weaves together heavy riffs, folk influences, haunting melodies, and clean and harsh vocals. The outcome is a sound rooted in Icelandic myth and landscape.

Since forming, Hrafnablót has built a strong presence in the live music scene in Iceland, performing at venues such as Íslenski rokkbarinn, Lemmy, and BIRD, as well as the Icelandic Sorcery Festival in 2025.

Hrafnablót’s live shows channel ritual intensity and pure metal energy, carried by meticulous Icelandic lyrics, storytelling, and a distinct sense of drama.

Hrafnablót is releasing their debut album, Guðlaugar Saga, in the fall of 2026.