Author: Crix

PHAETON Unveils Single “Isochron” ft. Keyboard Wizard Derek Sherinian (Dream Theater, Planet X, Sons of Apollo) – New Album “Neurogenesis” Out October 2025

Canadian instrumental prog-metal outfit Phaeton has released their latest sonic whirlwind, “Isochron”, featuring keyboard icon Derek Sherinian (Dream Theater, Planet X, Sons of Apollo). The single offers a high-voltage glimpse into their upcoming third album, “Neurogenesis,” out October 24th via INB Music.
​
Clocking in at just under five minutes, “Isochron” is one of the densest and most dynamic tracks Phaeton has written in years. It ricochets between killer riffs, Middle Eastern mellowness, and clenched-fist power, all supercharged by Sherinian’s signature synthesizer tsunami that came together with lightning speed.

The band explains:

“Colin reached out, and to our astonishment, Derek agreed immediately. He sent us half a dozen takes the next day, each with different moods and effects. Kevin stitched together a hybrid performance from all of them; we couldn’t choose just one. We’re happy with how this track sounded. There’s a feeling of whirlwind rush we deliberately injected into the tune. If an isochron connects different points where an event occurs simultaneously, then the song itself is that event, stretched across time, Newtonian physics be damned,” says the band.
​
Listen to “Isochron” ft. Derek Sherinian via its premiere on Metal Addicts HERE.​
​
​“Neurogenesis” marks a bold left-field shift for Phaeton. While their self-titled debut album established their identity and sophomore Between Two Worlds expanded it with heavier, more emotionally resonant compositions, “Neurogenesis” takes a more compact and concise approach, though not by design.

“The songs just ended up that way. Even as an instrumental band, our arrangements follow a kind of verse-chorus structure, but instead of vocals, it’s guitar and keyboard melodies that carry the narrative,” the band explains.
​
Thematically, “Neurogenesis” explores overlapping concepts inspired by the technological singularity, the looming fusion of biological consciousness with robotics and cybernetic implants. Musically, the album blends jazz-fusion sensibilities with prog-metal architecture, inviting listeners to interpret each track’s title and let their imaginations roam.

“It’s not a concept album in the strictest sense, but the ideas do interlock. It’s a cold warning as much as a sober observation. We’re asking: when that happens, will we still be human?” adds the band.
​
Formed by drummer Colin Righton, who united longtime collaborators Daniel Airth, Kevin Thiessen, and Ferdy Belland, Phaeton has carved out a niche with their “Interplanetary Psychedelic Hyper-Melodic Metallic Prog.” Their sound draws comparisons to Symphony X, Devin Townsend, Rush, Meshuggah, and Gojira, minus the vocals.

“We let the guitars and keyboards do the singing. Live, we’re heavier, crunchier, and thrashier than our polished recordings suggest. It catches people off guard in the best way,” explains the band.
​
Beyond “Neurogenesis”, fans can look forward to the 22-minute epic “Clouds of Mercury” slated for release as a standalone EP in 2026, and the band’s fourth album “Quartum” expected in 2027. With new material already brewing, Phaeton shows no signs of slowing its cosmic ascent.

For fans of instrumental metal, progressive rock, and sonic storytelling, Phaeton offers visceral thrill and intellectual expansion, song after song after song.

“Neurogenesis” – album pre-order (out Oct 24th) – https://phaetonband.bandcamp.com/​

​

Track Listing:​
1. Tethys Rising (6:25)
2. Discontinuum (6:37)
3. Isochron (4:12) ft. Derek Sherinian
4. Synethesia (6:24)
5. Arachnid (4:48)
6. Augmented (4:37)
7. Neurogenesis (6:16)
Album Length: 39:19

Band Lineup:​
– Colin Righton: Drums & Percussion
– Daniel Airth: Lead & Rhythm Guitars
– Kevin Thiessen: Lead & Rhythm Guitars, Keyboards
– Ferdy Belland: Electric Bass

For more info: https://linktr.ee/phaetonofficial​

FLAMECORE Presents “Only Waste Remains” Music Video

Greek melodic death metal force FLAMECORE presents the official music video for “Only Waste Remains”, taken from their forthcoming self-titled debut album, Flamecore, due for release on October 24th, 2025 through Wormholedeath.

Dark, heavy, and straight to the point, “Only Waste Remains” shows Flamecore at full force. The track blends speed and precision with a crushing breakdown and raw, aggressive vocals—creating a wall of sound that feels both epic and unrelenting. Lyrically, it explores ruin, time, and defiance: a portrait of empires collapsing and voices fading into dust.

Pre-save Flamecore: https://orcd.co/flamecore

Previous video:
Planes of Nameck: https://youtu.be/k2UZLvR4r74

Line-up
Akis Mplazakis – Vocals
Stathis Lianos – Rhythm and lead guitars
Panagiotis Tsopelas – Rhythm guitars
Panagiotis Mousouras – Bass
Leonidas Viglakis – Drums

Formed by Stathis Lianos and Leonidas Viglakis, the Greek melodic death metal band Flamecore emerged from a collaborative spark between Chania and Athens. Their journey began with a single riff, which grew into the track “Plains of Nameck.”

This initial creative success led to their self-titled debut album, released in February 2025. With a lineup solidified by the additions of Panagiotis Tsopelas and Akis Blazakis, Flamecore brought their vision of extreme, melodic metal to life. Following the album’s release and a series of live shows, the band is now focused on promoting their work with new bassist Panagiotis Mousouras while composing their next chapter.

www.facebook.com/Flamecoreband
www.instagram.com/flamecoreband
flamecoreband.com
www.youtube.com/@Flamecoreband
flamecore.bandcamp.com

Spiral Fracture Release First Single “Soul Allegiance” from Upcoming Album Grace in Decay

Progressive heavy metal band Spiral Fracture has released their first single, “Soul Allegiance”, alongside an official music video, marking the first glimpse into their highly anticipated debut album, Grace in Decay, set for release on January 23, 2026, via Wormholedeath.

With “Soul Allegiance”, Spiral Fracture delivers a storm of raw emotion and heavy riff-driven catharsis. A dark, introspective dive into inner conflict, betrayal, and fractured identity, this is metal with meaning — unfiltered and unapologetic.

The band’s upcoming album, Grace in Decay, promises a dynamic exploration of the human condition through progressive and extreme metal influences.

Pre-save “Grace in Decay”: https://orcd.co/graceindecay

Spiral Fracture is a progressive metal band that bridges the past and future of the genre. Their sound combines thunderous drums, soul-shaking bass, and atmospheric guitar work with a soaring alto vocalist, weaving primal emotion into a precise, genre-defying tapestry. Inspired by the Fibonacci spiral, their music reflects the fractures of modern society through a fusion of prog, rock, death, black, and power metal. With intricate guitar from David Givens, ferocious drumming from Brian Fisher, dynamic bass from Brian Tanner, and the melodic clarity of classically trained jazz vocalist Javier Ramos, the band is a magnetic force live. Now with Extreme Management Group, Spiral Fracture aims to connect with listeners and heal divides, one note at a time.

https://www.spiralfracturemetal.com
https://www.youtube.com/@spiralfracture
https://www.facebook.com/spiralfracturemusic
https://www.instagram.com/spiralfracture

STELLVRIS Unleashes Ferocious Single “Silence After Violence” from Upcoming EP “Shatter and Bloom” Out Nov 2025

Czech modern metal band Stellvris has dropped their latest single, “Silence After Violence,” a searing anthem from their upcoming EP “Shatter and Bloom,” set to release on November 7. Produced by Christoph Wieczorek (Annisokay, Caskets) at Sawdust Recordings, the track delivers a visceral punch, confronting the rising aggression in society and channeling it into a cathartic, high-voltage experience.
​​
“We see violence and frustration creeping into younger generations, and it’s terrifying. This song is a wake-up call — a cry for awareness and action,” says vocalist Nicol Hofman.
​
Founded in 2019, Stellvris has built a reputation for turning pain into power. Their music speaks directly to those battling anxiety, toxic relationships, bullying, and the weight of everyday struggles. With past releases “Upside Down” (2022) and “Persistence” (2023), the band carved out a sound that’s crushingly heavy yet hauntingly melodic, winning fans across Europe and the UK.
​
But Stellvris is more than just a band; they’re an experience. Known for electrifying live shows that include circle pits, walls of death, and stage dives, they’ve shared stages with Megadeth, Jinjer, The Ghost Inside, and more, and have lit up festivals like Summer Breeze, Brutal Assault, and Basinfirefest.
​
​“Silence After Violence” is the fourth single from “Shatter and Bloom,” a five-track EP that explores destruction, rebirth, and the emotional chaos of modern life. Each song is rooted in real stories, from the scars of toxic relationships to the emptiness of digital escapism, and crafted to empower listeners who need it most.
​
​“Our lyrics come from personal experiences and stories our fans share with us. We want people to feel seen, heard, and stronger after listening,” Hofman explains.
​
Musically, Stellvris blends metalcore, nu-metal, pop, and electronic elements into a sound that’s as catchy as it is brutal, drawing in even non-metal listeners with melodic choruses and bone-crushing breakdowns. During the recording of the EP, the band even captured a viral studio moment when their guitarist used phone vibrations to create a unique sound, leading to the now-infamous “WAKE UP MOTHERF***ER” breakdown.
​
With “Shatter and Bloom,” Stellvris continues to push boundaries, both musically and emotionally. The EP closes with a metal reimagining of Nicki Minaj’s “Starships,” proving that even amidst heavy themes, there’s room for joy, release, and celebration.
​
​“It’s never just about the sound. It’s about creating a safe space where pain turns into resilience, and where the silence after violence is shattered by music,” says Hofman.

Recommended for fans of Jinjer, Spiritbox, Holy Wars, Arch Enemy, and I Prevail, listen to “Silence After Violence” at the following links:

Visualizer – https://youtu.be/zJK1Ch9WbuA​

Add to your Spotify playlist – https://open.spotify.com/track/2cnmO3deE3ZCcgfH3gCHZx​

​

Previous Videos:

Starhip (Nicki Minaj) – https://youtu.be/NB60FdC6B1Q​

Monster – https://youtu.be/JsamTLqtLAs​

​

Track Listing:​
1. Shatter and Bloom – 3:18
2. Silence After Violence – 3:14
3. Monster – 4:16
4. Time’s Up – 3:32
5. Starships (Nicki Minaj Cover)
EP Length: 18:27
​
​EP Credits:
​• All songs performed by: STELLVRIS
• All songs written by: STELLVRIS
• Produced by: Christoph Wieczorek of Sawdust Recordings
• Mixed by: Christoph Wieczorek of Sawdust Recordings
• Mastered by: Christoph Wieczorek of Sawdust Recordings
• EP Artwork by: František Jelen
​
​Band Line Up:
​Nicol Hofman (vocalist)
Libor Hřebík (bassist)
Andreas Polášek (guitarist)
Hanz Polášek (drummer)

More info: https://linktr.ee/stellvris.band​

Nest of Plagues Unleash New Live Album and Announce “Hell Is A Place On Earth” Tour

Hungarian alternative/groove metal force Nest of Plagues has dropped a brand new live album, ‘Live At Akvárium’, showcasing the raw energy and emotional depth that have made them one of the region’s most exciting underground acts. The release comes as the band gears up for their “Hell Is A Place On Earth” Tour, which will see them storm stages across Romania, Bulgaria, Greece, and Hungary this fall.

NEST OF PLAGUES – DEAR ABYSS & HELL IS A PLACE ON EARTH (LIVE AT AKVÁRIUM)

Following the release of their critically acclaimed 3rd album, Hellsolation, Nest of Plagues are taking their uncompromising sound and message across borders. Blending crushing riffs, groove-driven rhythms, and elements of alternative metal, the band reflects on modern social struggles such as anxiety, depression, and loneliness – while encouraging fans to face these challenges together, finding strength in community.

The band’s unique mix of heaviness and catharsis has earned them a reputation for powerful, eclectic live shows that bring a spark of joy and defiance to the darkest of themes.

Listen to Live At Akvárium: orcd.co/liveatakvarium

Listen to the album Hellsolation: orcd.co/hellsolation

Hell Is A Place On Earth Tour Dates

🇷🇴 Oct 1 – Arad, Flex
🇷🇴 Oct 2 – Craiova, Arcade
🇧🇬 Oct 3 – Pleven, Japara Rock
🇧🇬 Oct 4 – Kazanluk, Hope
🇧🇬 Oct 5 – Varna, Smile
🇷🇴 Oct 6 – Constanța, Rock House 666
🇧🇬 Oct 7 – Plovdiv, Polinero
🇬🇷 Oct 9 – Trikala, Andromeda
🇬🇷 Oct 10 – Patra, Frida
🇬🇷 Oct 11 – Athens, Bums
🇬🇷 Oct 12 – Larisa, Skyland
🇲🇰 Oct 13 – Skopje, Dze Pub
🇩🇪 Oct 25 – Königsbrunn, Mammut Fest
🇭🇺 Nov 7 – Hajdúszoboszló, Rock Café
🇭🇺 Nov 8 – Kecskemét, Ápoló Klub
🇭🇺 Nov 14 – Kaposvár, Hang-Ár
🇭🇺 Nov 28 – Pécs, Várárok
🇭🇺 Nov 29 – Mezőkövesd, Dögkút
🇭🇺 Dec 19 – TBA

The Romanian and Bulgarian shows (Oct 1-7) will feature ClubMurder from Malta as special guests. Spewing twisted metal since 2005, the band has become notorious for hammering out groove-laden chaos with unrelenting force, sending audiences into frenzy with every performance.

For the Greek leg of the tour (Oct 9-12), Spitback will step on stage as local support. With roots dating back to 2003, the band brings a fierce Hardcore/Nu-Metal sound influenced by the US scene, delivering raw aggression and explosive energy that perfectly matches the tour’s atmosphere.

Joining the entire Balkan tour (Oct 1-12) is Chaos Engine Research from Poland, delivering their signature brand of death groove metal. With punishing riffs and intense stage presence, they add another layer of heaviness to the lineup, making each night a relentless experience.

About Nest Of Plagues:

With their lyrics, Nest of Plagues reflects on modern social diseases like social anxiety, depression, and the feeling of loneliness that people can collectively feel. Sharing this message, they encourage people to confront their mental health issues and connect, leveraging the power of the community. Bringing a fresh sound to the stage, they expanded from a metalcore sound into groove metal, incorporating elements of alternative metal while still adding a core edge to the mix. Due to their eclectic image and powerful live performances, they bring a little joy and fun where it seems there is only darkness.

Join the Nest of Plagues coven and stay connected:
linktr.ee/nestofplagues
www.facebook.com/nestofplagues
www.instagram.com/nestofplagues
www.youtube.com/NestofPlagues

Technical extreme metal band Vanguardian releases its experimental final single “Dead Space” from the upcoming album III: Inhumanity

Technical extreme metal band Vanguardian released its experimental final single “Dead Space” from the upcoming album III: Inhumanity.

In the song, the schizophrenic android “LI-2 XA-1” who gained consciousness earlier in the album, flies through space toward the first habitable planet with the intention of conquering it for the human race.

Dead Space depicts loneliness and a journey into the unknown. The song’s story has been influenced by Arthur C. Clarke, E. Schrödinger, D. Simmons, and others. The song was produced by Vanguardian.

Jami Honkala was responsible for mixing and mastering.

Listen to the single on music services (Spotify, Apple Music, Deezer, Tidal, Bandcamp, YouTube etc.): https://push.fm/fl/vanguardian-deadspace

Vanguardian is:
Markus Martinmäki – Vocals
Tino Jäntti – Drums
Mikko Saviranta – Guitar
Sakari Soisalo – Bass

https://www.facebook.com/vanguardianofficial
https://www.instagram.com/vanguardianofficial/
https://www.tiktok.com/@vanguardian.official

Polish Legendary VADER Issue Recap of Summer Concerts 2025 and Reveal First Future Plans

Polish Legendary VADER Issue Recap of Summer Concerts 2025 and Reveal First Future Plans.

Vader’s Peter Wiwczarek shared:

“VADERMANIAX !!! We ended the summer concert season with three concerts in the last weekend of August. THANK YOU ALL VERY MUCH for wonderful moments and total craziness and Massive Music for organization and great atmosphere on all trips in the summer season 2025 \m/
These were also the last concerts in 2025 in Poland and Europe. Upcoming plans are the Carnival of Death Tour tour in the USA/Canada in October.
Because we and Massive Music are still receiving inquiries about more concerts in Poland – we will try to organize one more weekend in December this year. I hope that in 2026, we will see each other more often at the common craziness in our country. It will be the 20th anniversary of the album “Impressions In Blood”. We will also like to remind you of the wider “Kingdom” (expect a new edition of this title soon). There are also plans for something special that we haven’t done before… but let’s wait for the specifics. The new Vader album will definitely be made next year – but let’s rather expect the release at the beginning of 2027.
Below is a memento KAT cover from the concert in Zamo Pć in August shared from the Janusz Bb collection. Thanks \m/”

All the stage photos by Adam Sieklicki
Band photo by Artur Tarczewski

Just recently VADER celebrated the 25th Anniversary of their classic “Litany” album, which originally came out on Metal Blade Records in 2000 with a special vinyl reissue edition. The original 11 tracks / 31 minutes of “Litany” were newly re-mastered for vinyl by Wojtek Wieslawski / Hertz Recording Studio and the LP also includes a 16-page booklet with new liner-notes by band leader, guitarist and vocalist Peter Wiwczarek.

The “Litany (25th Anniversary Reissue)” LP is available via Metal Blade Records:
in Europe: https://shop.metalblade.de/collections/vader
in North America: https://metalblade.indiemerch.com/collections/vader

Vader’s Peter Wiwczarek commented in the liner notes as follows about “Litany”: “‘Litany’ was definitely our fastest and most brutal album ever recorded…This year the album celebrates its quarter-century and we want to remind you of the power of these brutal riffs. The album returns to the stages in full form. Many of the songs haven’t been played since the 2000-2001 promotional tour. Some of them have never been played. I invite you to the world of ‘Litany’! Remember…you enter here at your own risk!”

May 30th 2025 VADER released new EP “Humanihility” via Nuclear Blast. Order it here: https://vader.bfan.link/humanihility

Five years after the much-lauded 12th studio album Solitude In Madness, VADER return with 3 brand-new tracks once again produced by Scott Atkins at Grindstone Studio, UK. Featuring excellent artwork by Marcelo Vasco (Slayer, Testament, Dark Funeral), this EP marks the first recording as a quintet with guitarist Mauser returning to the group and new drummer Michael alongside vocalist/guitarist Peter, bassist Hal and third guitarist Spider.

Humanihility offers scorching new songs that prove to be vicious, thrash-laden anthems perfectly blending old-school thrash with VADER’s unique straight-forward fury and neckbreaking tempos. Each of the songs was created by a different band member, giving them a more personal style.

The only physical edition will be a  limited 12” (red vinyl, 700 copies). Artwork was created by Marcelo Vasco Arts.

In case you missed, also watch the music video for the latest single “Unbending’ (which was the official anthem of Poland’s renowned Mystic Festival this year), created by Robert Gasperowicz: https://youtu.be/WoIZS0jx3hY

Humanihility Tracklist
1. Genocide Designed
2. Rampage
3. Unbending (Mystic Festival Anthem 2025)

More information at:
https://www.facebook.com/vader
https://www.instagram.com/vader_band_official
https://www.youtube.com/@panzervader
https://linktr.ee/vader_band_official
https://vader-store.com

Tuska 2026’s first acts announced: Bring Me The Horizon, Bad Omens, and 13 more

This is where it starts – the Tuska festival, which will be held in Suvilahti, Helsinki, from 26 to 28 June 2026, has announced the first performers for next summer. The headliners will be announced in two pieces right away:

Bring Me The Horizon, from Sheffield, England, will rightfully claim one of the Tuska 2026 headliner spots. BMTH, which started out as a deathcore act in 2004, is now more of an alternative metal band with electronic and pop influences.

Bring Me The Horizon has carved out its own niche on the path of modern metal and is one of the most significant influences and trendsetters in its genre. The “POST HUMAN: NeX GEn” album, released in 2024, took BMTH’s already huge international popularity to even greater heights, and the band’s fan base continues to grow, one continental-shaking gig at a time.

Bring Me The Horizon’s Tuska show the previous summer was quite the mind-blower, and with the band currently perhaps in a stronger position than ever, it’s worth holding on to your metaphorical and even real hats!

You ordered this and it’s here; Bad Omens is one of the headliners of Tuska 2026. The band had to cancel their European tour in the summer of 2024, including the eagerly awaited Tuska show so this has been awaited!

US metalcore sensation Bad Omens is definitely one of the hottest names in modern heavy music right now. Formed in 2015, the band mixes heavy expression, ripping melodies, and a dark, unapologetic aesthetic. It’s a combination that resonates with many.

With their 2022 breakthrough album “The Death of Peace of Mind,” Bad Omens introduced a new kind of electronic depth and darkness, and its title track went viral on social media, reflecting the explosive growth of the band’s fan base worldwide. Frontman Noah Sebastian’s multi-dimensional voice is the musical core of Bad Omens. The band’s art is simultaneously extremely visual, captivating, and startlingly personal.

Other Tuska 2026 performers who have just been announced include the American metalcore band The Plot In You, the American band Blood Incantation, which plays experimental and psychedelic death metal, the American Queensrÿche, one of the founding fathers of prog metal, Kublai Khan TX, a band from Texas that leans on the tradition of 90s metal hardcore and rolls extremely heavy, the English band Malevolence, who play traditional metalcore, Soilwork, one of the pioneers of melodic death metal from Gothenburg, the American Rivers of Nihil, who play extreme technical death metal, the Finnish band Ensiferum, who spice up their melodic death metal with folk metal influences, the modern Finnish band Bloodred Hourglass, who are at the forefront of Finnish metal, the Swedish messenger of symphonic power metal Majestica, the Australian metalcore phenomenon Melrose Avenue, a genre-breaking combination of mathcore, nu metal and chaotic emo serving up The Callous Daoboys from Atlanta and the Danish Neckbreakker, who carve out old-school death metal with a modern twist.

Confirmed Tuska 2026 performers:
Bring Me The Horizon, Bad Omens
The Plot In You, Blood Incantation, Queensrÿche
Kublai Khan TX, Malevolence, Soilwork
Rivers of Nihil, Ensiferum, Bloodred Hourglass, Majestica
Melrose Avenue, The Callous Daoboys, Neckbreakker

Artists’ performance dates will be announced later.
More programs will be released later this year.

Tickets:
Tuska 2026 3-day tickets, as well as VIP 3-day tickets are now available through Tuska’s official ticketing partners, Tiketti and Lippu.fi.
Other ticket categories will be on sale later.

Three-day tickets from €239.00
VIP three-day tickets from €379.00

In collaboration with: Fortum, Helsinki, Karhu, Radio City, Redi

#TuskaFestival

https://tuska.fi/

Finnish deathgrind band ‘I, Cursed’ released their Heretical Onslaught EP and announces Finnish tour

Finland’s I, Cursed, who combine angry and furious death metal and grindcore, released their new Heretical Onslaught EP on September 11th 2025. The EP is released in cooperation with Finnish record labels Inverse Records & Meara Music which is also an agency and event producer based in Ulvila.

LISTEN to Heretical Onslaught EP:  https://push.fm/fl/i-cursed-heretical

I, Cursed’s previous EP, Death Holograms, was a bleak and cold affair in terms of production. The new EP, Heretical Onslaught, is bleak like its predecessor, but a bit warmer, though still closer to a circulatory arrest and collapse. I, Cursed has also undergone some line up changes. Nico Brander, who played guitar on the new EP, has stepped aside. Bassist and the band’s main composer and lyricist Ville-Veikko Laaksonen has taken over on guitar. Joni Suodenjärvi, a familiar face from bands such as Cannibal Accident, Hateform, Mors Principium Est, and others, has been recruited as the band’s new bassist. I, Cursed will be touring Finland extensively throughout the fall with their new EP.

Finnish Tour:
September 19th Varjobaari, Tampere
September 20th Bar Loose, Helsinki
October 17th Nirvana, Turku
November 7th Lepakkomies, Helsinki
November 29th Meara Music Klubi, Pori
December 13th Bar 15 Basement, Seinäjoki

WATCH music video of first single ‘Disfigurement’: https://youtu.be/NlR4xJvdzlg
WATCH music video of second single ‘Death Pays It All’: https://youtu.be/DlpcScU6zSg

Line-up on EP:
Eero Haula – Vocals (Oceanwake)
Ville-Veikko Laaksonen – Bass & guitar (Atlases, Marto)
Nico Brander – Guitar (Blood Service, Marto)
Arttu Leppänen – Drums (Atlases, Marto)

Discography:
I, Cursed / Blood Service S/T Split EP 2023 (Meara Music)
Bloodsoaked / Storm Parade Double Single 2023 (Meara Music)
Blades Single 2024 (Inverse Records / Meara Music)
Sorrower Single 2024 (Inverse Records / Meara Music)
Death Holograms Single & EP 2024 (Inverse Records / Meara Music)
Disfigurement Single 2025 (Inverse Records / Meara Music)
Death Pays It All Single 2025 (Inverse Records / Meara Music)
Nothing From The Ruins Single 2025 (Inverse Records / Meara Music)
Heretical Onslaught Album 2025 (Inverse Records / Meara Music)

Links:
https://www.facebook.com/I.Cursed.Grind
https://www.instagram.com/i.cursed.grind
https://icursed.bandcamp.com

Glam rockers Crosson Drops soul-stirring ballad “Heaven’s Bell”

Renowned for their first pumping sing-along rock anthems,  the Glam Rock Warriors from Down Under have returned with a powerful, symphonic, heartfelt magnum opus. Drenched in emotion and wrapped in theatrical rock grandeur, “Heaven’s Bell” is a powerful ode to loved ones lost and the promise of reunion beyond the stars.

With haunting melodies, heart-piercing vocals, and lyrics that cut deep—“Some days are easy, the nights are hell”—Crosson taps into the raw pulse of grief while lighting the way with hope. A tender farewell turned rock ballad, this is Crosson at their most vulnerable… and most epic.

“Heaven’s Bell” is taken from Crosson’s album Guilty of Rock, out now via Wormholedeath.

Stream the album here: https://orcd.co/guiltyofrock

crosson.com.au
www.youtube.com/crossonrock
www.instagram.com/crossonrock
www.facebook.com/CrossonRock