UK heavy rock band Green Lung fully embraces a glorious classic sound to deliver an overdose of memorable hooks on the new darkened album “Necropolitan”.
“Dance to the grave” feels entertaining and macabre at the same time maintaining a delightful retro attitude as soaring guitars focus on monumental stomping riffage and rebellious vocals enhance a spooky catchiness.
“Black magick radio” embodies a serious occult rock affair as the Hammond successfully crafts multilayered bewitching tapestries to support a ghastly storyline and a wild rhythmic rampage.
Stories from occult London folklore thrive on “Necropolitan line” which stands out for the intense grooves skillfully generated by the sumptuous Hammond and the blazing guitar acrobatics.
“Ozymandias” relies on the timeless strength of classic heavy metal with hints of vintage proto – metal so the swaggering riffs stay at the center of the rhythmic structure while the lead guitar work reveals a refined melodic approach.
Featuring Riley Pinkerton of US fantasy doomers Castle Rat as prophetic narrator “Alostrael (Be My Babalon)” quickly acquires an epic flair through solemn vocals and mythical themes while guitars continue to build inflamed groovy dynamics with evident raw energy.
Inspired by traditional British metal and an evident passion for esoterism Green Lung proudly channels a beloved old school style depicting a haunting Victorian era throughout “Necropolitan”.
Category: Album Reviews 2026
Moon Destroys – Omni
Formed by renowned guitarist Juan Montoya and drummer Evan Diprima, US heavy rock powerhouse Moon Destroys is ready to conquer your heart inviting you on a trippy voyage through the kaleidoscopic soundscapes of the new release “Omni”.
“Invasion” immediately unleashes acidic groovy dynamics and without particular bombastic effects the band skillfully blends sludgy riffage and dreamy vibes.
The cinematic track “My Eyes” begins to showcase an eloquent shoegazy atmospheric ensemble and guitars naturally acquire warmer tonalities crafting bittersweet harmonies but still follows a vibrant rhythmic approach.
“Kingdom” bravely explores hypnotizing psychedelic territories as drums choose a slower tempo to put the spotlight on the intricate shimmering guitar progressions accompanied by a particularly soulful vocal delivery.
The raw energy of “Missing Wish” feels quite liberating and generates a monolithic rhythmic momentum with galloping abrasive guitar riffs and thunderous drums.
“Nocturne” aptly embraces shadowy nuances and the resulting darkened mood leads to elaborate rhythmic variations and magnetic guitar phrases characterized by alluring shoegaze tonalities.
“She Cried” brings closure expressing immense melancholia through deeply emotive vocals and hazy melodic motifs yet guitars maintain a spontaneous gritty stoner rock sound enriched by significantly darker tonalities.
On “Omni” Moon Destroys take the chance to fully manifest their own sonic vision without any hesitation showing their vulnerable melodic side as well as an authentic devotion to heavy rock.
Psycroptic – The Pulse Of Annihilation
Renowned as vanguard of technical death metal, Psycroptic are back to reconfirm their reputation delivering an intense sonic experience on the new studio effort “The Pulse Of Annihilation”.
“Ashes Of A New Dawn” drags you through a dystopian dimension where violent guitars masterfully build a colossal rhythmic march showcasing excellent musicianship with plenty of twisted technical elements and solemn melodic accents.
“A Sword Of Me” emphasizes an intriguing melodic finesse through the eloquent arpeggios and the crispy guitar sound yet the monumental combo of pummeling drums and hostile riffs can leave you breathless.
“Our Pillars Fall” welcomes you with warm acoustic passages but this momentary peacefulness is destined to fade away as the monolithic riffing ignites pure rhythmic fury ultimately leading to a memorable chorus focused on fiery vocals and glorious guitar leads.
“Annihilation Pulse” relies on the technical density of the empowering rhythmic section once again bound to impress any music connoisseur and the menacing growls constantly amplify a classic brutal death metal inspiration.
On “Forging The Crown” nocturnal atmospheric arrangements embellish the precise harsh rhythmic structure evoking a primordial cryptic force and guitars can often shift to sophisticated gloomy harmonic movements.
Driven by impressive technical prowess and indisputable death metal worship Psycroptic show no mercy throughout “The Pulse Of Annihilation” presenting an extremely elaborate composition that challenges and even pleasantly entertains the audience from beginning to end.
Green Carnation – A Dark Poem, Part III- The Messiah Complex
Norwegian prog metal veterans Green Carnation reach their artistic acme with the final chapter of a monumental trilogy entitled “A Dark Poem, Part III: The Messiah Complex” which from beginning to end definitely incarnates their remarkable and influential sonic vision.
“Unconditional Artificial Chemistry” immediately spreads overwhelming melancholia through a thoughtful composition highlighting the crucial role of detailed cinematic keyboards and the excellent guitar work delivering wistful melodies and sharp riffing.
*Broken Souls, Common Enemies” is bound to spellbind you with the cathartic approach of impeccable luminous guitar leads, graceful acoustic passages and opulent atmospheric arrangements yet the ravenous rhythmic section can effortlessly achieve energizing peaks of heaviness complemented by fiery growls.
Green Carnation make a bold statement choosing a full orchestra for the grand finale “A Dark Poem – Orchestral Suite” which takes you straight to an ancient theatrical stage with an exquisite melodic ensemble featuring epic crescendos and sublime strings.
More than 25 years ago, Green Carnation began an adventurous musical journey that today naturally generates the eclectic soundscapes of “A Dark Poem, Part III: The Messiah Complex” completing a complex ambitious opus that demands your utmost attention.
Taake – En Skog av Nidstang
For over three decades Taake has been devoted to an uncompromising blackened vision and once again manifests an independent expression on the new album “En Skog av Nidstang”.
“Einstoeingen og Eg” instantly showcases a reckless attitude through the relentless rhythmic patterns relying on the raw energy of the menacing guitar riffs while a final bleak melodic crescendo depicts a wintry desolate landscape inducing self reflection.
“Engler” challenges the listeners with technical rhythmic twists enriched by misanthropic growls and enigmatic guitar progressions that will seamlessly embrace a dreary slower approach conveying persistent uneasy feelings.
Through the shadowy soundscapes of “Av Guds ville Naade” mastermind Hoest confidently follows a cryptic pathway skillfully blending infectious black ‘n’ roll dynamics and ambitious progressive elements that highlight forlorn guitar melodies and epic atmospheric accents.
Isolated in the moss-covered forests around the island of Borgøy, Taake concocts “En Skog av Nidstang” choosing a traditional sound deprived of bombastic studio effects to fully focus on an authentic obscure creative force.
Marilyn Manson – One Assassination Under God – Chapter 2
Our favorite reverend Marilyn Manson continues to celebrate his artistic rebirth with an ex novo creativity and immense charisma on the brand new full length “One Assassination Under God – Chapter 2”.
“Unalive” opens the album with a palpable macabre mood, the fairytale is over as the solid rhythmic section effortlessly builds crucial aggressive blasts while moody guitar leads perfectly match the theatrical vocal performance.
“Don’t Answer The Door” is simply irresistible providing a generous dose of seductive gothic nuances as softer guitar phrases rightfully emphasize emotional depth and grim harmonies.
“All The Vilest Things” relies on the winning combo of wistful synths and hypnotizing acoustic passages flourishing around Manson’s eloquent voice and lyrical charm.
With an arcane sentimental aura “Lucifer’s Teardrop” focuses on shapeshifting vocals and showcases a magnetic alt-rock attitude perfectly blending darkened catchiness and shadowy cinematic arrangements.
On the vengeful track “The Arsonist” poetic metaphors flow free through decadent soundscapes filled with mystifying melodic progressions and tormented vocals while a dystopian industrial flair inevitably generates harsh rhythmic segments with accelerating distortion and increasing spite.
“Enantiomorph” marks a truly immersive grand finale as we hear a fuzzy recording, maybe a warning straight from hellish depths, while the tragic beauty of languid guitars guides you through an unsafe hazy nocturnal atmospheric maze.
Just two years after the first chapter “One Assassination Under God – Chapter 2” feels like the legit result of a longstanding career and also a deeply reflective momentum that allows Marilyn Manson to close a cathartic cycle with renewed strength and sublime inspiration.
Hulder – Verbolgen
Pacific Northwest’s dark black metal band Hulder embarks on a perilous voyage through the arcane soundscapes of the new ambitious full length “Verbolgen”.
Listening to “The Crowning” we enter a pitchblack dimension where savage guitars maintain a cold rhythmic structure yet the fast menacing drum blasts will slow down to highlight the ghastly presence of opulent orchestrations.
Darkness descends upon us inevitably as “Thy Binding Oath” channels classic black metal dynamics through the raging guitar riffs and the ravenous growls surrounded by mystifying atmospheric arrangements.
The title track constructs a punishing rhythmic assault fueled by the expected relentless riffage yet you can appreciate the exquisite melodic textures of the guitar leads and the sumptuous keyboards.
In the atmospheric abyss of “…And We Shall Sing” an orchestral gloom surrounds lugubrious guitar progressions that can easily lead to dramatically faster epic segments amplified by cavernous growls.
“In Blood And In Earth” follows a medieval pathway with the ancestral pagan folk vibes of the arpeggios and the frostbitten melodic accents while the monumental rhythmic section acquires speed and aggressiveness.
“Verbolgen” evidently embodies the detailed obscure blackened vision that Hulder is shaping meticulously to conquer the underground scene.
Temple of Dread – Dreadspawn Dominion
Brutal death metal veterans Temple of Dread return in excellent shape to deliver an overdose of colossal malevolent grooves throughout the new full length “Dreadspawn Dominion”.
The title track unleashes a ruthless rhythmic march and there’s no time to escape as vicious guitar riffs and angered screams seem unstoppable.
“Hybrid Horde Eternal” easily maintains a punishing rhythmic core bound to evolve into a dramatic slower momentum characterized by monolithic funereal guitar progressions.
“Death March” promises uncompromising rhythmic blasts fueled by monumental drums and venomous riffage but guitars also impress the audience with darkened acrobatics that express inner dismal feelings.
Within the haunting atmospheric ensemble of “Scorched by Cosmic Fire” guitars skillfully craft refined melodic leads but drums will ultimately dictate breakneck speed and chaotic dynamics.
“Artisan of Oblivion” provides another round of pure rhythmic fury focusing once again on the relentless guitar riffs and a satisfying classic extreme approach.
“Infernal Eternity” brings an obscure closure as ominous atmospheric textures surround the mighty doomed guitar work showcasing prowess through the extensive intricate soloing.
As their reputation grows Temple of Dread proudly carry the torch for old school death metal all the way through “Dreadspawn Dominion” with insane heaviness and genuine devotion.
Fen – Elemental Part One: Mourning Earth
UK atmospheric black metal pioneers Fen skillfully craft the elegantly convoluted new opus “Elemental Part One: Mourning Earth” focusing on grandiose atmospheric gloom and majestic crushing dynamics.
“Glacier” channels the band”s primordial extreme metal roots with a towering rhythmic section and unstoppable inflamed guitar riffs while otherworldly arpeggios bring a rather sentimental finale.
Within a dreamy atmospheric realm “Massif” celebrates a meditative melodic splendor focusing on sophisticated guitar progressions that seamlessly evolve into dramatic blackened crescendos amplified by merciless growls.
“Abyssal Plain” is filled with bleak emotions as graceful melodic guitars favor glowing post-metal nuances but inner dark forces ultimately unleash scorching faster rhythmic blasts.
“Moor” reaches a captivating gloomy acme as guitars naturally follow a forlorn melodic pathway enhancing a contemplative momentum with solemn clean vocals and opulent atmospheric waves yet a distinct blackened essence will inevitably lead to harsh rhythmic segments increasing speed and rage.
With the release of the enthralling artistic endeavor “Elemental Part One: Mourning Earth” Fen can fully manifest a visionary composition masterfully blending ominous heaviness and languid harmonious beauty.
Ddent – Feeding the Void’s Luster
French hybrid post-metallers Ddent defy standard music categories presenting their own blend of sophisticated atmospheric themes and darkened dynamics on the new album “Feeding the Void’s Luster” captured live in the studio in two takes to enhance a spontaneous approach.
“Longue, obscure et triste lune” evidently belongs to an obscure parallel dimension where intricate guitars fully embrace raw tonalities to build a harsh rhythmic structure yet maintain a murky melodic essence.
Within the cryptic sonic realm of “Arzel” dominant guitars follow a primal instinct to deliver intense riffage certainly amplified by the ruthless growls but also meticulously craft hypnotizing gloomy melodic progressions.
The lengthy final chapter “Noir taureau de douleur” perfectly embodies a visionary composition focused on an immersive melodic ensemble with intriguing post-metal nuances and occasional rhythmic fury that highlights precise drumming and visceral riffs.
Driven by a remarkable creative spark Ddent confidently deliver the darkly convoluted sonic experience “Feeding the Void’s Luster” reminiscent of bohemienne poetry and fierce extreme metal.
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