Leaving behind a troubled situation the glorious artistic rebirth of reverend Marilyn Manson is embodied by the intoxicating new opus “One Assassination Under God – Chapter 1”.
As an invitation to a mysterious ritual the title track dwells within a distorted dreamy soundscape where vocals unleash pure passion and guitars acquire a sinister flare inducing a profound self-reflection.
“No Funeral Without Applause” showcases a mellow heart yet we inevitably feel lost within a dark fairytale where Manson freely shifts from fragile vocals to wild screams well supported by the 90’s alt-rock vibes of the attractive guitar work.
It would be natural to start obsessing over “As Sick As The Secrets Within” as this track feels intimate and deliciously wicked at the same time focusing on an elegant melodic composition and the perfect dosage of gritty rhythmic dynamics.
“Death Is Not A Costume” relies on an addictive chorus but mainly reveals lugubrious tonalities through dismal guitar harmonies and hazy atmospheric arrangements that allow Manson’s voice to express moody emotions.
“Sacrifice Of The Mass” slows down to fully showcase an introspective side as Manson’s tormented vocal delivery skillfully complemented by bittersweet arpeggios seem to float within an opulent obscure atmospheric realm.
Like a full blown rockstar and irreverent icon Marilyn Manson successfully reshapes his mischievous artistry and satisfies his faithful acolytes with the intellectual force of the darkened grooves of “One Assassination Under God – Chapter 1” and we eagerly await the next chapter of this tumultuous musical endeavor.

In the crowded metal scene French blackgaze pioneers Alcest will always stand out for innovative composition and fascinating spiritualism, as a result the highly anticipated record “Les Chants De L’Aurore” clearly manifests striking creative abilities.
“Komorebi” is certainly the legit product of the band’s well tested formula putting in the center uplifting shoegaze motives without forgetting the inner darker side embodied by faster intense rhythmic dynamics.
Throughout “Améthyste” guitars choose delicate tonalities to meticulously weave dreamy melodies and magnetic crescendos leaving space to the genuine expression of emotional themes while the harsh vocals obviously reminisce of cryptic black metal influences.
It feels like sleeping on the cold grass under a starry night as the airy arpeggios of “L’Enfant de la Lune” flow gently around you and Neige’s soothing vocal style perfectly complements the intricate guitar phrases and the delightful atmospheric arrangements.
“L’adieu” moves sinuously representing a truly haunting finale focusing on poetic minimalist harmonies and evocative chants that belong to a distant dimension or maybe a limbo between life and death but certainly not the real world here and now.
On the 7th opus “Les Chants De L’Aurore” Alcest bravely open a gateway to the spiritual world with an elegant sonic vision bound to move the audience.

Occult heavy rockers Lucifer descend upon us with the blazing force of the unholy new release “Lucifer V”.
“At The Mortuary” instantly takes you back to the golden age of 70’s heavy rock as the infectious guitar riffs run wildly through an inflamed rhythmic ensemble while an eerie doom inspiration inevitably leads to dramatic atmospheric textures.
The seductive decadence of “Slow Dance in A Crypt” leads to slow burning melodic waves and you can appreciate how the darker guitar tones are easily adorned by the bittersweet vocal harmonies and the catchy chorus.
With a morbid playful title “A Coffin Has No Silver Lining” focuses on the unrestrained sizzling guitar riffs that spontaneously build groovy dynamics enhanced by a perfect vintage sound.
“The Dead Don’t Speak” is another entertaining tune revolving around monumental guitar riffs destined to grab your attention and while you’re having fun the overall ghastly mood reminds you that something creepy might be lurking in the darkness.
With the final track “Nothing Left To Lose But My Life” we enter a captivating melancholic realm where Johanna’s eloquent vocals enrich the warm melodic themes while the guitar work can still acquire an energetic momentum leading to an excellent solo.
As Lucifer proudly conjure the darkened & groovy essence of classic doom/heavy rock the strength of “Lucifer V” evidently comes from the bewitching guitar driven grooves and Johanna’s charismatic vocal performance.

British death-doom indisputable masters My Dying Bride give new life to a timeless genre that defies time and space creating the unforgettable gloomy grandeur of the 15th studio album “A Mortal Binding”.
“Her Dominion” drags you through a desolate sonic dimension where weeping violins comfort your weakened heart in contrast with the heavy hitting guitar riffs that carry the torch for majestic doom metal cutting through the oppressive atmospheric layers
The epic single “The 2nd of Three Bells” is a gothic splendor affair as decadent atmospheric layers surround Aaron’s hypnotizing clean vocals before mournful guitars deliver an overdose of powerful doomed riffs leading to a palpable ominous rhythmic tension and violent grooves.
You will inevitably succumb to the eternal darkness of “The Apocalyptist” manifesting a colossal rhythmic backbone focused on heavy guitar tones executed in perfect doom fashion and adorned by recurring heart-wrenching harmonious violins.
The album’s dramatic closure is perfectly symbolized by “Crushed Embers” which celebrates eternal solitude & grief presenting convoluted atmospheric textures where violins flow gently carrying a touch of classical elegance and a pale light becomes visible despite the asphyxiating heavy weight of the towering guitar riffs and the tragically poetic vocal performance.
The band’s faithful acolytes will instantly fall under the spell of “A Mortal Binding” as My Dying Bride carefully weave melodic threads and crushing dynamics to celebrate once again the overwhelming misery and the perennial melancholia of their signature doom sonic vision.