Heavy progressive trailblazers Stoned Jesus present to the world “Songs to Moon”, the second chapter of a truly ambitious trilogy that symbolizes a thoughtful exploration of music and emotions.
The unrestrained album opener “Under The Skin” drags you through shadowy soundscapes where the monolithic rhythmic section can showcase a fiery heavier side without any hesitation unleashing empowering riffage and pummeling drums.
On “ZYX” you can appreciate a softer side with recurring somber acoustic lines accompanied by laid back sentimental vocals but there is space for some monumental grooves easily fueled by a lovable gritty guitar sound and embellished by brighter catchy leads.
The instrumental track “Syzgy” chooses a cathartic atmospheric pathway as luminous keyboards naturally embrace an intriguing blend of understated arpeggios and exquisite guitar phrases expressing pure melancholia.
“Jackal” favors hypnotic darkened nuances and downcast feelings to emphasize the slow burning power of the guitar melodies that inevitably evolve into a rather aggressive syncopated rhythmic ensemble with a remarkable cerebral prog metal approach.
Stoned Jesus reveal a sophisticated introspective songwriting with a subtle touch of magnetic stoner rock following a distinct inspiration that depicts a gripping emotive palette throughout “Songs to Moon”.

International super group Temic shapes a personal contemporary progressive metal style on the brand new album “Ceiba” focusing on glowing melodic motifs and majestic instrumental acrobatics.
On “Ashes” sumptuous keyboards evoke major epic vibes around the energetic riffage and the extremely catchy chorus adds uplifting feelings while the exceptional technique that characterizes the opulent guitar leads certainty steals the spotlight.
“Ceased To Be” acquires dramatic nuances offering enthralling harmonies perfectly matched by the solemn vocals while guitars masterfully keep an engaging rhythmic momentum often increasing heaviness and speed.
The elaborate structure of “Casting Stone” generates an unstoppable series of belligerent rhythmic blasts fueled by faster angered drumming and razor sharp riffing naturally leading to an insane guitar solo.
Since the beginning “Parting the Waves Inside” reaches a palpable emotional depth with eloquent vocals accompanied by a soothing piano piece swiftly followed by a monolithic rhythmic core as guitars fully embrace fierce tones and a glorious technical approach.
Throughout “Alone” Temic show their vulnerable side focusing on the contemplative beauty of the charming melodic phrases and the sentimental vocal delivery following a softer rhythmic pathway that still holds a stylish progressive flair reaching the acme with a dazzling guitar solo.
“As Long As We Last” immediately stands out for the dreamy atmospheric arrangements that emphasize the emotive essence of the shimmering guitar melodies and the dramatic vocal performance yet the precise rhythmic section delivers some complex thunderous grooves.
Excellent technical skills and a refined composition are at the center of “Ceiba” but Temic also chooses to explore themes of loss and grief aiming to express sincere emotions.

Drawing inspiration from magical Nordic folk traditions Norwegian band Gåte is ready to conquer a solid status in the international music scene with the ancestral power and the eclectic narrative of the new riveting full-length “Sigil”.
The folk essence of “Bergteken” shines bright as the engaging tribal rhythm and the otherworldly vocals take you straight to magical landscapes where you can easily connect with nature guided by graceful melodic waves that will evolve into an intense ritualistic grand finale.
“Oskorsreia” doesn’t waste any time unleashing a solid series of harsh guitar riffs that certainly amplify a modern rock approach while the soothing vocal harmonies and the elegant strings continue to spellbind the listeners.
The album’s lead single “Sannsiger” immediately stands out for the crucial role of the multilayered hypnotic synths creating mystifying atmospheric tapestries that unfold around the mesmerizing chants featuring guest vocalist Maria Franz of Heilung.
In the mystical realm of “Nokon” we search for a sense of renewal following diligently the syncopated percussion and the cryptic chanting while in the distance enchanting strings maintain a deeply melancholic melodic flow.
“Strandvaskar” presents a glowing folk flair focusing on bewitching vocals and evocative electro textures yet significantly heavier guitars ultimately lead to monolithic rhythmic crescendos.
On “Aude” the band’s Nordic folk roots constantly emerge through the cathartic melodies enhanced by the addition of the hardanger fiddle yet guitars gradually gain intensity and darker tonalities to build impactful rhythmic dynamics.
Depicting a world of ancient legends and myths, Gåte are destined to impress the audience with untamed devotion and a unique songwriting style combining fascinating traditional instruments and surreal programmed electronics to reach remarkable artistic heights.

Norwegian prog metal veterans Green Carnation reach their artistic acme with the final chapter of a monumental trilogy entitled “A Dark Poem, Part III: The Messiah Complex” which from beginning to end definitely incarnates their remarkable and influential sonic vision.
“Unconditional Artificial Chemistry” immediately spreads overwhelming melancholia through a thoughtful composition highlighting the crucial role of detailed cinematic keyboards and the excellent guitar work delivering wistful melodies and sharp riffing.
*Broken Souls, Common Enemies” is bound to spellbind you with the cathartic approach of impeccable luminous guitar leads, graceful acoustic passages and opulent atmospheric arrangements yet the ravenous rhythmic section can effortlessly achieve energizing peaks of heaviness complemented by fiery growls.
Green Carnation make a bold statement choosing a full orchestra for the grand finale “A Dark Poem – Orchestral Suite” which takes you straight to an ancient theatrical stage with an exquisite melodic ensemble featuring epic crescendos and sublime strings.
More than 25 years ago, Green Carnation began an adventurous musical journey that today naturally generates the eclectic soundscapes of “A Dark Poem, Part III: The Messiah Complex” completing a complex ambitious opus that demands your utmost attention.

Holissstik emerges as a new force from mastermind Tor-Helge Skei of Trondheim’s experimental black metal band Manes and the debut album “Chapter I: This Endless Solitude” aims to push boundaries featuring more than 20 different collaborators.
In the beginning “The Rhythm of Silence” gradually crafts enigmatic atmospheric tapestries around ethereal vocals and the gloomy guitar sound enhances crucial dreamy melodic motifs that can also express uplifting sentiments.
“Reoccurring Dreams” implements electronics to create a surreal sonic realm where elaborate dystopian synths depict a darker gelid dimension and convoluted guitars deliberately evoke primal sonic elements.
Anna Murphy delivers gorgeous vocal harmonies on “Obsession Six” which reveals darkly alluring textures with a remarkable cryptic metal flair and the tragic atmospheric crescendos channel an ancestral ritualistic aura.
Throughout “Would You Take This Heart” expansive atmospheric arrangements surround the otherworldly vocal performance by Martyna Halas and the elegant melodic ensemble emphasizes a soothing emotional depth.
The cinematic title track flows gracefully like a nostalgic daydream spellbinding the audience with multilayered whimsical synths and hypnotizing vocals while the addition of raw guitars leads to an intense crescendo.
Holissstik’s hallucinatory soundscapes naturally come to life throughout “Chapter I: This Endless Solitude” as joined by a collective of exceptional artists Skei masterfully composes a cohesive opus characterized by transformation and creativity.

Since 1998 Emptiness have been expanding their enigmatic music style and exploring diverse extreme metal territories, now the new album “Nowhere Speaks” is the rightful result of years of experimentation and transformation.
“The Threat” conveys a claustrophobic mood as aggressive guitars channel a sinister blackened force and hypnotic vocals guide you safely through the shadowy atmospheric maze.
Drenched in darkness the title track combines dense atmospheric synths and dismal melodic phrases while the monumental rhythmic section relies on savage extreme metal dynamics.
“Words To Wind” becomes a dreamlike experience with appealing moody guitar melodies flourishing in the midst of a mysterious atmosphere destined to evolve into a faster chaotic structure.
“When The Whole Arrives” symbolizes a visionary post-blackened death metal essence as murky atmospheric tapestries surround edgy guitars and vitriolic blast beats just seem unstoppable.
The gelid structure of “All For Nothing” unfolds spontaneously through introvert guitar progressions and fierce drumming demanding ruthless speed within a dystopian atmospheric realm.
Emptiness proudly disregards genres and categories following a personal avant-garde darkened sonic pathway that leads straight to the surreal soundscapes of “Nowhere Speaks” shielded by the external dreadful world.

Wailin Storms are ready to present to the world their own Southern gothic rock style with the enigmatic fifth album “The Arsonist”.
A darkened dense atmosphere surrounds “Dead End” and echoes of distorted guitars become dangerously heavier ultimately leading to massive & loud rhythmic patterns amplified by rebellious screams in glorious post-punk fashion.
On “Heart of Mine” the charismatic vocals reach a contemplative depth well supported by the mellow guitar progressions while the eclectic rhythmic section can still impress the audience with increasing inflamed energy.
The title track aptly expresses ardent passion through warm bluesy melodic phrases and tormented rhythmic crescendos perfectly complemented by a rather dramatic vocal performance.
“The Wind” is filled with gritty guitar riffs which spontaneously generate a cohesive series of monolithic grooves until everything slows down to highlight a tragic melodic essence.
“It’s All Dark Now Where Your Eyes Used to Be” immediately reveals a stunning poetic melancholia with the gothic romance of melodic guitars, minimalist piano and calm vocals.
Attracted to fire and danger Wailin Storms confidently move forward solidifying their musical identity in the cryptic world of “The Arsonist”.

Founded by veteran multi-instrumentalists Christopher B. Wildman and Javier Fernández Milla, Todomal meticulously shape their own doom creative pathway on the refined new album “Graveyards of Joy”.
The stylish first track “Mare Ignis” is characterized by an evocative atmospheric approach as sophisticated arrangements surround gloomy guitars and immersive melodic crescendos.
“Lucid Nightmare” focuses on groovy doomy dynamics to instantly grab your attention as soaring guitars deliver robust riffs and recurring elegant harmonies further amplified by multilayered dreamy keyboards and impeccable melancholic vocals.
The slow burning doom progressions of “Point of Coalescence” highlight the somber presence of crushing riffs and striking leads while the decadent atmospheric tapestries convey a significantly darker mood.
The Hammond takes the center stage on “Deliverance” enhancing an irresistible vintage flair and a deeply contemplative mood around the sentimental vocal delivery and the opulent guitar melodies.
The title track relies on an ideal mix of grave doom riffs and heart wrenching arpeggios that maintain a captivating melodic flow once again perfectly complemented by intricate atmospheric textures.
“Graveyards of Joy” closes a deeply personal trilogy reaching a fascinating emotional depth as Todomal confidently craft a collection of dark songs with enthralling cinematic motifs and poignant melodies.

Lithuanian extreme metallers Erdve courageously defy standard music categories and fully embrace an experimental often unpredictable approach on the elaborate brand new album “Epigrama”.
“Nyra” reveals a gelid melancholic spirit and spontaneously combines glowing melodic passages and vitriolic rhythmic blasts that symbolize the belligerent extreme side of the band’s musical pathway.
The impactful rhythmic momentum of “Ydos” showcases the dominant role of menacing metalcore influences as ferocious drums acquire extra speed and guitars deliver galloping obscure riffs.
The dystopian atmosphere of “Trukmė” clearly embodies Erdve’s futuristic vision focusing on massive dismal guitar progressions with a tasteful modern sound, uneasy melodies and violent screams.
Listening to “Svertas” we enter a darkened dimension conveying tormented feelings as murky atmospheric waves surround the oppressive rhythmic patterns fueled by the unstoppable crusty riffage.
“Skleistis” brings a somber closure highlighting the lugubrious presence of a dramatic melodic flow through the savage rhythmic framework.
Throughout the meticulously structured enigmatic soundscapes of “Epigrama” Erdve can certainly challenge the audience successfully reaching a higher level of experimentation and raw expression.

Rising from Switzerland’s thriving alternative music scene, Impure Wilhelmina presents a stylish and passionate songwriting approach naturally leading to the enthralling soundscapes of the new full-length “Le sanglot”.
“Électricité Noire” shines for the electrifying rhythmic variations and the delightful melodic passages highlighting a perfectly crispy guitar sound complemented by a poetic vocal delivery.
Throughout the darkened realm of “Abîme” guitars carefully craft enchanting convoluted melodic progressions enhancing gloomy tonalities and evoking a perennial melancholia within a dense atmospheric realm.
On “Train mort” the band reveals ominous influences as the towering drums, the vitriolic guitar riffs and the sinister growls spontaneously build robust extreme metal dynamics later evolving into a harmonious introspective momentum.
The contemplative composition behind “Dévoreur d’étoiles” would certainly move the listeners as extensive sweeping guitars create captivating melodic ttxtures emphasizing the excellent musicianship.
“Blanche réalité” dwells in a limbo in between light and darkness as guitars effortlessly shift from alluring dreamy harmonies to intense prog dynamics revealing harsh tonalities.
Following a bittersweet post-rock inspiration “À jamais radieuse” offers intricate melodic tapestries once again putting the spotlight on the mesmerizing guitar work and the charming vocals naturally conveying grim sentiments.
Infused with sincere emotions “Le sanglot” will certainly satisfy the loyal fans and Impure Wilhelmina clearly demonstrate the necessary fiery creative force to confidently develop a unique artistic identity.