The Vantages, the number one newcomer in modern rock, release their EP, inspired by the sparkling Automata single

The Vantages, who have been making the music business and fans around the world buzz since their first releases, released their eponymous second EP on September 5th, The Vantages II. The band’s frontman Tim Mikkola’s tunes were finalized at the legendary Abbey Road with Stefan Brown, who has already become a friend of the band. The mixing was done by Mauri Syrjälä and Patrik Tuominen at Suomenlinna Studio.

Tim ended up working with the Abbey Road gang after Stefan spotted The Vantages on Instagram.

“I happened to be in London with my girlfriend at the time, so we ended up visiting the studio and discussing the mastering of the upcoming EP. Stefan did a really great job, we will continue to collaborate in the future,” says Mikkola.

The band, who opened the mood of the new EP with the single Darker released earlier this year, continues the themes of the band’s debut EP, and the now released album also serves as a conclusion to a certain period.

“The Vantages II is a transitional piece that continues the theme of the previous EP, but instead of passively self-destructive, it rejects it. I struggled with severe depression while making the EP, and I feel that some of that was definitely reflected in the lyrics. It was a bit of a letdown, because I ended up writing some of the most hopeful lyrics I’ve ever written, for example in the song Love/Loss, which I dedicated to my girlfriend,” Tim recalls.

The single Automata, released from the EP, has drawn inspiration from 90s cyberpunk anime, and the band has also experimented with a variety of other things along the way, some of which will certainly live on into the future.

“Vocaloid is a central element in the chorus of Automata, and the fourth track Vanishing Point is again an instrumental over five minutes long, with dialogue in Japanese and English, and instrumentally, the whole range is covered, from drum n’ bass to Arctic Monkeys.”

“We were chasing something brighter and more modern. Tape machines changed to bitcrushers and vox continentals to the digital sins of the past. I wanted a certain kind of anime for the EP’s soundscape, I listened to a lot of Japanese bands like L’Arc~En~Ciel and the soundtracks of old Japanese Playstation 1 games,” Mikkola adds.

The Vantages are:
Tim Mikkola, vocals
Anton Froloff, guitar
Aleksi Larkovuo, bass
Henri Schröter, drums

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The Vantages Video Interview

The Vantages is a Helsinki-based rock band formed in early 2020. Since then, they’ve firmly established themselves in the Finnish underground rock scene, performing at the renowned Tuska Festival, Ruisrock Festival, and Helldone Festival.
Their sound and lyrics combine contrasting elements, between raw and delicate, in what can best be described as decadent love songs. Following their debut EP released in November 2023, they will release their second EP, “The Vantages II,” this September. To celebrate the new EP, the band will play an intimate show at On The Rocks in Helsinki on September 5th. Tickets are on sale here.
We had the opportunity to meet Tim and Anton before their show at Tuska Festival and learn more about the band and their music.

https://thevantages.com/

Tuska Festival, Helsinki (Finland) 27-28-29/06/2025

This year, The Offering was once again present at Finland’s largest metal festival, the legendary Tuska Festival.
The festival, held in Helsinki’s Suvilahti district over the last weekend of June, drew a staggering 60,000 people.
There were four stages featuring both well-known and lesser-known bands, numerous food outlets, side shows for every taste, live interviews at the Tuska Forum in collaboration with the Bleeding Metal Podcast, and this year, it was even possible to plan your own funeral.
The festival was also partially broadcast live on Finland’s main television network, and some shows can be watched for free here.
Below is the report and photos provided by our reporter Cristina Gregori.

Day 1

The first day of the festival, characterized by mixed weather with periods of rain, drew a record 22,000 attendees.
Among the most anticipated bands were In Flames, Electric Callboy, Dragonforce, Knocked Loose, and Imminence.
Unfortunately, it was not possible to see all the bands at the festival because many overlaped, playing on different stages.

Finnish melodic death metal band Horizon Ignited opened the festival with a strong show on the main stage.

Norwegians Blood Command proved on the Nordic Energy Stage that they rock with their captivating and versatile mix of punk rock and metal and plenty of irreverent energy.

Knocked Loose, hailing from the United States, were one of the most anticipated bands of the festival. They delivered an intense and energetic show on the main stage, unleashing hardcore and metalcore fans in a mosh pit.

DragonForce is a band that needs no introduction. With over 20 years of career and known for their turbo-charged power metal, they brought a show to the Nordic Energy Stage that could only be described as a flood of energy and color. Dragons and video games graced the stage, and speed and technical prowess were the watchwords describing what was seen and heard. Even the flying plush chicken had its moment of glory.

The legendary Cradle of Filth took to the main stage bringing their symphonic black metal and the stage presence they are known for.

Bambie Thug, the artist who achieved great success representing Ireland at the Eurovision Song Contest 2024 with the song “Doomsday Blue,” had the opportunity to bring her Ouija-pop style to the Radio City stage. Two dancers accompanied Bambie Thug onstage, and the show was a real eye-catcher; the mix of musical genres and the captivating, sensual choreography certainly made an impression.

Electric Callboy were perhaps the most anticipated band of the day. This band, which boldly leaps from genre to genre, combining schlager and deathcore, hardstyle and industrial metalcore, and everything in between, made its entrance onto the main stage with a bang and confetti. There are many words to describe the show, but none would truly be enough to capture what you can hear and see at their shows. If we could define the band, we would say millennial, because it embodies everything millennials love.

Swedish metalcore band Imminence was among the most anticipated bands of the day. Their performance on the Radio City Stage brought a well-balanced combination of darkness, elegance and passion. There is something enchanting about the way the band approaches the stage and plays.

Closing out the first day of the festival were In Flames, pioneers of the Gothenburg sound. A band capable of reinventing themselves album after album, they are one of the most beloved by metal fans, and their ability to balance new songs with classics live is one of their strengths. The show, despite the rain, was incredible.

Day 2

On the second day of the festival, the most acclaimed bands included Powerwolf, Slaughter To Prevail, Orbit Culture, Wind Rose, and The Halo Effect.
This day was marked by controversy regarding the Russian band Slaughter To Prevail, who had waved the Russian flag at a show in the United States a few weeks earlier. Fortunately, the day went off without a hitch, maintaining the spirit of metal.

The first band to perform on the Nordic Energy Stage was Arion, who have made an impressive and steady ascent to the absolute elite of Finnish melodic metal. Energy and melody are the words to describe their captivating show.

Italian power/folk band Wind Rose threw a party on the Nordic Energy Stage. Their stage presence and infectious energy won over the Tuska crowd.

On the main stage, Mokoma, one of Finland’s best-known and most beloved bands, did not disappoint, getting the Suvilahti Arena spinning and creating a pleasant atmosphere.

Gothic rock supergroup Cemetery Skyline, which includes members of Amorphis, Sentenced, Insomnium, Dark Tranquillity, and Dimmu Borgir, performed on the Nordic Energy stage. The contrast between the sunny day and their gothic music was interesting. It was an extraordinary performance.

Orbit Culture is one of the most promising emerging bands on the international metal scene in recent years. The band played their modern melodic groovy death metal on the main stage, leaving no doubt that their future shines brighter than ever.

Countless Goodbyes is not a new name to us at The Offering, as we’ve watched them grow over the years. The band brought a passionate and energetic show to Kvalt Stage, and the audience loved every minutes.

Alcest, pioneers of French post-black metal and black gaze, performed on the Radio City stage as one of the most anticipated bands, and they didn’t disappoint. Their atmospheric, delicate, and raw performance offered an intense and magnetic experience.

From one French band to another, Eihwar have transformed the Kvalt stage into a ritual, transporting the audience to a parallel universe, where they dance to the rhythm of brutal pagan dancefloor music, combining Nordic folk tradition, ritual chants, shamanic drums and surprising electronic rhythms.

Slaughter to Prevail were eagerly awaited by fans, as this was an exclusive show at a European festival and their first ever in Finland. The band is one of the hottest names in extreme metal and left no doubt about their talent on the main stage; the show was something fans will hardly forget.

Progressive rock band Royal Sorrow made their live debut on the Kvalt Stage, and there’s no doubt the band will soon have a huge following.

For fans of melodic death metal, one of the most anticipated bands was definitely The Halo Effect. The band, comprised of former members of In Flames and led by Dark Tranquillity frontman Mikael Stanne, impressed the audience with their performance on the Nordic Energy Stage.

Powerwolf were undoubtedly the most anticipated band of the day. Their theatricality and generous use of impressive stage props transformed the main stage into something unique. Corpse paint and flawless power metal made the show unforgettable.

Day 3

A storm was forecast for the third and final day of the festival, and to make the area safe, the organizers decided to remove anything that might pose a risk, such as the screens on the sides of the main stage. Fortunately, the day turned out to be excellent, with sunshine and a bit of wind. This day also opened the doors to younger metal fans, with minors able to enjoy the festival and see their favorite artists until 6 p.m. Among the most anticipated bands were Lorna Shore, Motionless in White, Nothing More, Whitechapel, Kim Dracula, and Apocalyptica.

Cyan Kicks brought their catchy radio hits to Tuska for the first time. The band rocked the Radio City Stage audience with their infectious energy, delivering a flawless show.

Finnish industrial metal gems and presenters of sick disco, Turmion Kätilöt, brought the party to the festival’s main stage. The band did not disappoint their fans, putting on a show like only they know how.

Lights to Remain bring together the best parts of 90’s melodic death metal mixed with 00’s metalcore. The band performed on the Kvalt stage and did not leave anyone cold with their energetic performance.

Kim Dracula emerged from TikTok, creating metal covers of non-metal songs, and is now one of the most anticipated artists. What was seen and heard on the Radio City stage was something unusual, a mix of diverse influences, moments of jazz and death metal. An unforgettable and unusual show.

Apocalyptica need no introduction: they took to the main stage to promote the follow-up to their legendary debut album, where cellists from Helsinki’s renowned Sibelius Academy played a symphonic tribute to the greatest of the Big Four: heavy metal titans Metallica. Even those who are less familiar with the band were able to join in and sing along to Metallica classics. The show was a veritable explosion of energy.

Whitechapel have always been among the absolute pinnacles of deathcore, and they finally made their mark at Tuska. The band performed on the Radio City stage, perhaps a little too small for the audience due to the tent. The show was intense, giving fans an unforgettable experience.

The Vantages, a young Finnish band, enchanted the audience on the Kvalt stage with their irresistible mix of vintage guitar rock and gothic nostalgia from the turn of the millennium.

The last band to grace the Kvalt stage was Noiduin, a dark folk band from the west coast of Finland. The band, which builds all its instruments by hand, enchanted the Tuska audience with the rhythm of their shamanic drums and the dark echoes of folk that filled the air. It was a show that will go down in history.

Closing out the festival was the most anticipated band: Lorna Shore. The band needs no introduction, having made waves in recent years thanks to their exceptional results and an album that many considered groundbreaking. The show showcased the talent of the musicians, particularly singer Will Ramos and guitarist Adam De Micco, all accompanied by pyros. During their performance there were at least three circle pits, this show how loved this band is.

Tuska is considered a safe festival by those who attend, where people can be themselves, free from preconceptions and prejudices. The audience is a mix of black and brightly colored outfits, giving free rein to their imagination and making the festival even more unique and unforgettable. Being a unicorn, a fairy, or a demon is possible during the three days, and there’s nothing more beautiful than seeing all these beautiful people express themselves and be part of an incredible community.

https://tuska.fi/

The Vantages, who have emerged as one of the most interesting dark rock acts, release Darker from their upcoming EP

The Vantages, who last year made the music industry and fans alike giddy with their eponymous EP, are heading towards their second EP release. Thursday, we got a sneak peek of the package to be released later this year with the single Darker.

“Darker is a fast-paced, pounding banger inspired by Japanese indie. A 2-step beat and a surf vibe in front of a tsunami,” says the band’s vocalist and primus motor, Tim Mikkola, describing the end result.

After The Vantages’ trusted mixer Mauri Syrjälä (Suomenlinnan Studio), the whole thing was finalized at Abbey Road Studios in London, operated by Stefan Brown.

“Stefan is a funny and talented guy, I went to say hello to him at Abbey Road when I was in London at the end of the year. It restored my faith in mastering, we will continue to work closely together in the future,” Mikkola continues.

The highly visual band will also release a music video for the song Darker, which is a joint creation of Tim Mikkola and Kari Westerlund, who made the band’s previous Dramatique video, for example. The video was mainly shot in the premises of a restaurant that was under renovation.

“This was one of those ‘viva la process’ type progs, where you let the cat drop and trust that it will land on its paws. Kari and I, as fans of Wong Kar-Wai, first set out to chase the ‘Fallen Angels’ aesthetic, but on the cutting table we ended up preferring the sizzle instead of melancholic cinema”, says Tim.

The Vantages are:
Anton Froloff, rhythm guitar and keyboards
Henri Schröter, drums
Tim Mikkola, vocals
Mikko Janatuinen, lead guitar
Aleksi Larkovuo, bass

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