Featuring renowned musicians Tony Reed of Mos Generator, Bob Balch of Fu Manchu, Gary Arce and Bill Stinson of Yawning Man, Californian progressive heavy rock supergroup Big Scenic Nowhere makes a triumphant comeback with the striking sophomore album “The Long Morrow” which is the result of a three-day jam session tracked in Joshua Tree in the fall of 2019.
“Defector (of Future Days)” marks a memorable beginning as the big guitar riffs can effortlessly generate a magnetic groovy momentum embellished by charismatic soloing and soulful melodic accents.
The heavy rock spirit of “Murder Klipp” thrives within the groovy rhythmic patterns fueled by the steady crunchy riffs ultimately leading to a quite catchy chorus while during the melodic breakdown the glowing guitar phrases flow like a nostalgic daydream.
“Lavender Bleu” instantly evokes wistful feelings through the calmer vocal harmonies and the fascinating melodic guitar work yet at times the rhythmic section will fully embrace a desert rock mood with significantly heavier dynamics.
For almost twenty minutes the majestic title track takes you on an introspective journey focusing on intense groovy segments, intricate and often trippy synths arrangements courtesy of Per Wiberg and alluring melodic lines floating freely through a hazy atmospheric maze further enriched by the mesmerizing essence and the wild licks of the extensive guitar solos.
The veteran artists behind Big Scenic Nowhere are definitely able to channel a remarkable creative force throughout “The Long Morrow” leading to a kaleidoscopic progressive rock ensemble that demands your attention.