Portuguese metallers Glasya present a flamboyant symphonic metal tale with the theatrical grandeur of the third album “Fear”.
Through relentless rhythmic crescendos and resonant classical keyboards arrangements the title track immediately puts the spotlight on the empowering performance by extraordinaire vocalist Eduarda Soeiro perfectly complemented by the merciless growls courtesy of Fernando Ribeiro of the mighty Moonspell.
On “Hunt Of The Haunted” guitars diligently follow a frantic tempo as darker feelings become dominant within the harsh rhythmic section well supported by majestic gelid orchestrations and lovely vocal harmonies.
On “In Debris” Fernando RIbeiro once again provides the perfect dosage of malevolent growls and consequently increases the inner darkness of the cinematic composition and Eduarda impresses with sumptuous operatic vocals.
“Stuck In A Cobweb” relies on the bombastic guitar work to build a palpable rhythmic tension with loads of gritty riffs while the big chorus displays a mellow catchiness.
Featuring guest vocalist Michele Guaitoli of Vision Of Atlantis “Glimpse Of Memory” obviously focuses on the resulting impeccable vocal duet and guitars enhance crestfallen tonalities with crispy melodic leads.
“The Cold Of Dark” offers an efficient mixture of sweeping polished guitar phrases and forlorn piano melodies yet there are plenty of significantly heavier and faster passages to maintain a groovy attitude.
“The Confrontation” holds a wicked force leading to a monumental rhythmic assault constantly fueled by relentless guitar riffs and drum blasts embellished by the flawless vocal harmonies.
On “Fear” Glasya doesn’t try to shock you with special effects but rather stays true to a beloved symphonic metal formula fully showcasing musical abilities, a tasteful songwriting approach and an impressive production.
Author: Alexiel Divine
Stoned Jesus – Songs To Sun
With a refreshed lineup and a blazing creative approach, heavy rock veterans Stoned Jesus look forward to building a brighter future with the release of “Songs To Sun”, the first album in an ambitious forthcoming trilogy.
The trippy ride properly begins with the massive guitar driven grooves of “New Dawn” executed in perfect stoner fashion and faithful to the band’s trademark heaviness, therefore monolithic riffs are at the center of an energetic rhythmic core in contrast with the magical slow burning melodic progressions.
A perennial melancholia surrounds “Lost In The Rain” as the rhythmic section slows down to emphasize the contemplative mood and guitars carefully create intricate melodies ultimately leading to an impressive solo.
The hazy wild distortion embedded in “Low” demands a tighter aggressive rhythmic ensemble so guitars focus on gelid tonalities and a series of wicked grooves that can even acquire extra speed guided by a shadowy extreme metal force.
Due to a moody catchiness the chorus of “Quicksand” gets stuck in your mind while the attentive acoustic guitars evoke a gloomy peacefulness yet the hypnotizing rhythmic crescendos eventually follow a more chaotic sonic pathway complemented by the frantic vocals.
Overall “Songs To Sun” shows a genuine fuzzed-out rock quintessence and has the necessary strength to truly celebrate the beginning of an inspiring new artistic chapter for Stoned Jesus.
Igorrr – Amen
Under the name Igorrr French multi-instrumentalist and producer Gautier Serre has chosen an avant-garde artistic pathway and his extensive experimental research now leads to the ominous sonic realm of the new album “Amen”.
“Daemoni” begins a ritualistic experience as monolithic guitars march fearlessly through a dense chaotic atmosphere adorned by flamboyant operatic vocals and graceful arpeggios.
“Headbutt” dares to combine the baroque operetta vibes of bittersweet piano melodies and the gritty distortion of the rhythmic section inspired by old school extreme metal.
The blackened machinery of “Limbo” produces massive raw groovy rhythmic blasts embellished by the theatrical grandeur of solemn keyboards and potent operatic choirs.
As darkness descends completely “Infestis” manifests an industrial attitude that revolves around the primordial force of the visceral guitar riffs surrounded by malevolent atmospheric waves.
On “Pure Disproportionate Black and White Nihilism” obscure chants lead the way to a mystifying atmospheric maze where the hammering drum blasts and menacing guitar riffs acquire extra brutality and speed evidently amplified by venomous screams.
The classical elegance of “Silence” bids you farewell with a decadent mix of sweeping piano melodies, dramatic orchestrations and impeccable vocal harmonies but scattered dystopian sounds seem to contaminate such a soothing composition.
You simply can’t shake off the uneasy feelings constantly expressed by “Amen” which also becomes the symbol of artistic freedom and uniqueness as after twenty years Igorrr continues to challenge the metal scene operating without restrictions.
Behemoth & Dimmu Borgir Announce Co-Headline Tour “In League With Satan” for October 2026 – With Special Guests Dark Funeral
In October 2026, two of the most influential forces in extreme metal join together for a monumental live assault: Behemoth and Dimmu Borgir will embark on the “In League With Satan” Co-Headline Tour, storming across Europe and the UK. As special guests, the Swedish black metal icons Dark Funeral will add even more ferocity to an already devastating lineup.
This unholy trinity represents some of the darkest, most powerful, and most visionary acts the genre has ever produced. Fans can expect colossal stage productions, blistering performances, and an atmosphere steeped in occult grandeur and sonic extremity.
The “In League With Satan” tour promises to be one of the most anticipated extreme metal events of the decade.
Dimmu Borgir says:
“It’s been a few years since we’ve done a proper European tour, and what a great way to get back out there—teaming up with our brothers in Behemoth for this massive European run. We’ll be bringing a brand-new show with us, and we can’t wait to share our next chapter with both new and familiar faces.”
Nergal commented: “Legions of Europe! We decided to outdo ourselves and bring the biggest black metal package ever assembled. Behemoth, Dimmu Borgir and Dark Funeral…historic…biblical! Let’s get evil as fuck!”
Tickets go on sale on Wednesday 3rd December.
Confirmed tour dates
09 Oct 2026 – Zurich, Switzerland – Halle 622
10 Oct 2026 – Zwickau, Germany – Sparkassen-Arena Zwickau
11 Oct 2026 – Esch-sur-Alzette, Luxembourg – Rockhal
13 Oct 2026 – Milan, Italy – Alcatraz
14 Oct 2026 – Munich, Germany – Zenith
16 Oct 2026 – Paris, France – Zenith
18 Oct 2026 – Den Bosch, Netherlands – Mainstage
20 Oct 2026 – Cologne, Germany – Palladium
22 Oct 2026 – Hamburg, Germany – Inselpark Arena
23 Oct 2026 – Berlin, Germany – Columbiahalle
24 Oct 2026 – Brno, Czech Republic – Hala Vodova
27 Oct 2026 – Helsinki, Finland – Ice Hall
29 Oct 2026 – Stockholm, Sweden – B-K
30 Oct 2026 – Copenhagen, Denmark – K.B. Hallen
The Mon – Songs Of Abandon
Known as vocalist/bassist of the long-running Italian heavy-psychedelic trio Ufomammut, Urlo shares his personal introspective sonic vision with his project The Mon and the release of “Songs Of Abandon” marks the beginning of a new artistic journey.
The atmospheric intro “Smiling Dog” reveals an airy ambiance composition swiftly followed by the raw acoustic piece “Two Stones” that naturally revolves around warm arpeggios and mellow vocals to express genuine emotions.
“The Hidden Ghost” amplifies intrinsic darker feelings with loads of spacey synths layers while the peaceful acoustic phrases effortlessly build eloquent melodic crescendos.
“Mayhem” manifests a dark folk essence as the minimalist guitars have the strength to create a wild rhythmic urgency enhanced by dramatic screams.
Exploring inside our soul “Beautiful Star” still maintains a stripped-down acoustic formula but the atmospheric arrangements have an additional cinematic flair that might lean towards a dystopian vision.
The last track “Your Eyes” has the emotive quality of a lovely nostalgic dream with slow burning acoustic melodies floating freely through delicate atmospheric waves.
Being the product of Urlo’s intimate experiences and distinct musical identity, The Mon aims to reach the listener with a ritualistic and emotional approach and “Songs Of Abandon” marks a fascinating first chapter of an uncompromising opus.
Frayle – Heretics & Lullabies
In the world of the damned the enigmatic band Frayle shines brightly embarking on a new promising musical journey that gives life to the haunting third full length “Heretics & Lullabies”.
Darkness descends upon us all as “Walking Wounded” presents a modern approach blending theatrical atmospheric waves and vitriolic guitar lines while the catchy chorus relies on the mystifying vocal delivery.
“Boo” sounds macabre and playful as guitars diligently mix gritty obscure riffs and murky melodies complemented by the contrasting vocal duet of eerie whispers and guttural growls.
The doomed soul of “Demons” constantly emerges through the hypnotic atmospheric maze and the somber rhythmic crescendos emphasized by the raw guitar sound.
Throughout “Souvenirs Of Your Betrayal” the band focuses on dense atmospheric arrangements channeling dreamy shoegaze influences while guitars remain in the background providing additional ghastly vibes.
“Glass Blown Heart” could have been a little romantic song but here everything is pitch black, ultimately only the shimmering synths and the fragile vocal harmonies are meant to evoke luminous sentiments.
“Heretic” is a live show hit song relying on the super radio friendly chorus and a series of moody melodic progressions surrounded by a perennial atmospheric gloom.
While Frayle clearly draw inspiration from the ominous aspects of classic doom metal they always enhance the inner decadent catchiness of “Heretics & Lullabies” with multilayered sultry atmospheric themes and an accessible melodic composition.
Bell Witch & Aerial Ruin – Stygian Bough: Vol II
Arising from the darkest doomed depths of music Bell Witch & Aerial Ruin join forces to create the ambitious philosophical opus “Stygian Bough: Vol II”.
Wandering through the monochromatic sonic maze of “Waves Became The Sky” surely feels like a trippy voyage as vocals remain calm and distant while the dominant grave riffage becomes your only guide through a murky atmospheric realm where in the end you can feel a vibrant melodic soul.
The shadowy soundscapes of “From Dominion” emphasize a poetic mood through a series of emotional acoustic passages and reveal a magical dark folk essence that eventually evolve into a classic funeral doom composition to build an ominous heavier rhythmic ensemble.
The monolithic final track “Told and Leadened” that clocks at just over nineteen minutes is a hypnotizing doom affair as there is a recurring major lugubrious guitar riff that makes you space out while the soulful arpeggios and the mellow vocal harmonies could be the right soundtrack for your nostalgic daydreams, plus you will be dazzled by the extensive wild soloing.
Bell Witch & Aerial Ruin both dare to explore further musical territories and the convoluted human mind, such eloquent artistic journey is naturally embodied by the heavy weight and the endless gloom of “Stygian Bough: Vol II”.
Testament – Para Bellum
Legendary thrash metal masters Testament demonstrate to be simply unstoppable presenting a majestic sonic manifesto through the colossal guitar driven grooves of the latest addition to their extensive discography “Para Bellum”.
In the midst of the modern chaos “For The Love Of Pain” arises with a high octane rhythmic energy consequently relentless tight thrash progressions and insane speed leave you breathless and in the end guitars reach malevolent blackened heights amplified by the most ferocious growls.
“Shadow People” revolves around menacing anthemic thrash dynamics courtesy of the intense drumming plus you can appreciate the classic tones of the thrilling guitar work that easily delivers additional fancy licks to a renowned formula.
“Meant To Be” definitely sounds different and marks a moment of peaceful contemplation with warm guitar tonalities that compose delicate melancholic melodies enriched by solemn orchestrations and Chuck Billy has a chance to show a passionate & potent vocal delivery.
“Witch Hunt” is an instant crowd pleaser as Chuck’s vocal performance favors massive guttural roars and the rhythmic powerhouse knows no limits unleashing an overdose of inflamed grooves.
The following track “Nature Of The Beast” effortlessly maintains that same approachable and highly entertaining groovy attitude as the flawless sharp guitar riffs constantly build an ideal rhythmic tension leading to a particularly memorable chorus.
The title track ensures a triumphant closure as throughout the generous explosive grooves Alex Skolnick’s impeccably virtuoso guitar leads at the same time showcase elegance and brutality yet the finale allows a melodic elegiac momentum far from the dominant thrash wildest side.
A new studio album by Bay Area thrash metal giants Testament will always attract attention worldwide and in the case of “Para Bellum” the band does not refrain from scattered modern accents but proudly stays true to an immense legacy built with outstanding guitar work and chemistry.
Novembre – Words Of Indigo
After an extended period of inactivity Italian veterans Novembre fully embrace the autumnal gloom to deliver the new majestic album “Words Of Indigo”, an ideal soundtrack for cold solitary nights.
“Sun Magenta” perfectly embodies a moody & hazy essence as gelid atmospheric waves and sentimental harmonies surround the monolithic rhythmic section which can deliver harsh progressions acquiring an obscure flair.
Faithful to a timeless doom metal formula “Statua” stays on the dark side with ferocious growls and tempestuous guitar driven grooves yet the dazzling solo & leads convey uplifting feelings.
Following a mellow rhythm, guitars emphasize darkened tonalities on “House Of Rain” which expresses pure nostalgia through the refined melodic crescendos, the airy atmospheric arrangements and the theatrical vocal duet.
“Your Holocene” revolves around a bittersweet catchiness as guitars maintain a grave sound but choose a groovy pathway amplified by the blasting drums and the somber vocal performance.
On “Chiesa Dell’Alba” luminous melodies and eloquent clean vocals flow gently like a daydream until guitars unleash a darker power to build frenetic rhythmic progressions.
Throughout the surreal world of the instrumental track “Ipernotte” the band blends the quiet beauty of fragile arpeggios and classic doom style bold riffs, definitely enriched by the clarity and the intricacy of a compelling guitar solo.
Every track on “Words Of Indigo” can induce an overwhelming sense of longing and deep contemplation as Novembre meticulously compose heart wrenching melodies and call upon their strong doom roots to celebrate a proper rebirth.
Year Of The Goat – Trivia Goddess
Swedish occult rock collective Year Of The Goat invokes dark magic to concoct the epic soundscapes of the witchy fourth studio album “Trivia Goddess”.
“The Power of Eve” marks a straightforward beginning with the high energy of big guitar riffs and extensive bombastic solos while melodic somber tones and solemn choirs channel a medieval spirit.
On the title track the mood gradually becomes darker yet guitars maintain a playful approach with recurrent wild leads but the arcane chanting in the finale reveals an ancient ritualistic essence.
“Kiss of a Serpent” features a bewitching rocker style focusing on the memorable guitar driven grooves and the wicked chorus embellished by multilayered ghastly atmospheric arrangements.
“Mét Agwe” is the result of an elaborate composition that favors entertaining rhythmic patterns and slow burning darkened melodic progressions enhanced by the vintage guitar sound and the theatrical vocal delivery.
“Witch of the Woods” immediately showcases a thrilling groovy core putting the spotlight once again on the masterful guitar work effortlessly shifting from inflamed riffs to soothing harmonies but the atmospheric ending brings ghoulish vibes.
As self proclaimed torchbearers of occult rock Year Of The Goat keep their promises delivering the right dosage of retro moody catchiness and delicious sinister vibes throughout “Trivia Goddess”.
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