Following a genuine exploratory spirit Californian desert rock trio Yawning Man embarks on a super trippy journey through the sunny & hazy soundscapes of the fifth studio album “Pavement Ends”.
Wandering through the desert “Burrito Power” keeps you company with the right combo of peaceful slow burning melodies and monolithic guitar riffs marching fiercely through a warm atmospheric maze.
The dreamy pathway of “Gestapo Pop” makes you space out instantly with the bleakness of the airy melodic guitars surrounded by a captivating psychedelic aura.
“Bomba Negra” symbolizes another crucial chapter in this rewarding spiritual trip as the languid melodic progressions flow gently under a pale sun well supported by the solid rhythmic section.
The title track is the perfect soundtrack for a nostalgic daydream filled with spacious atmospheric patterns that must hold a mystifying power, once again guitars seem to improvise freely to deliver ethereal melodies and immersive crescendos.
As founders of the glorious desert rock movement Yawning Man construct “Pavement Ends”
as an authentic jam session and a memorable spacey sonic experience making their signature sound resonates through the landscapes of the Coachella Valley.
Author: Alexiel Divine
Vrîmuot – Lupus Viridis
German dark folk act Vrîmuot chooses an attentive DIY composition to explore diverse musical territories and develop innovative ideas to create the arcane soundscapes of the sophomore full-length “Lupus Viridis”.
As a proper album opener “Die Mar vom steinernen Mann” holds the mystical force of dark folk that takes you straight to the fabled Teutoburg Forest with a traditional acoustic approach.
As tempo drastically slows down “Nimm dich in Acht…” amplifies a sense of longing through the somber vocal delivery and the minimalist acoustic progressions enriched by epic atmospheric accents.
“…rauh ist die Nacht!” intensifies the acoustic crescendos with galloping guitars and a remarkable mix of solemn vocals and malevolent undertones.
The title track presents an elegant acoustic composition filled with profoundly melancholic melodic phrases that belong to an otherworldly dimension and later guitars will enhance a primitive rhythmic energy.
The lengthy track “Vom Traum zur Pflicht” reveals a charming melodic intricacy and the consequent dramatic flair gradually builds intensity with graceful arpeggios and enchanting classical strings.
Listening to “Lupus Viridis” can trigger your imagination and you might feel like traveling through magical landscapes in ancient times where Vrîmuot acts as a wise medieval storyteller.
Giöbia – X-ÆON
Italian psychedelic rockers Giöbia return in great shape experimenting wildly to overcome any musical boundary and promising an ambitious lysergic voyage on the sixth album “X-ÆON”.
“Voodoo Experience” instantly unleashes pure energy through the loud gritty guitar riffs marching fiercely through colorful atmospheric waves that become an ideal soundtrack for intergalactic travels.
“The Death of The Crows” draws inspiration from the glorious days of heavy rock choosing an authentic classic sound complemented by a moody vocal performance and super shiny synths to deliver an accessible groovy hit.
Stuck inside a psychedelic vortex “1976” shimmers with a delicious vintage rock flair as majestic guitars meticulously craft sophisticated melodic leads surrounded by wide cinematic atmospheric arrangements that can genuinely express uplifting feelings.
Like an operetta “La Mort de la Terre” features four chapters that naturally unfold like a comforting daydream. On “Vers les Terres-Rouges” synths create an ethereal atmosphere and gradually add kaleidoscopic psychedelic layers to build a surreal sonic realm enriched by the excellent lead guitar work.
On “Les Ferromagnétaux” you might get lost inside a convoluted atmospheric maze that reveals mystical melodic passages amplified by the accomplished retro style and the luminous energy of the hypnotizing rhythmic crescendos.
Giöbia fully embrace a cathartic exploration of music and emotions consequently since the very first listening “X-ÆON” makes you space out and who knows where you will end up wandering through acidic corridors and expansive grooves.
Inhuman – GLORIÆ
Portuguese gothic metal veterans Inhuman embark on a fascinating journey of self-discovery through the shadowy soundscapes of the fourth studio album “GLORIÆ”.
Exploring the duality between glory and defeat “Absent Glory” presents an epic atmosphere enhanced by the belligerent galloping riffs and the defiant growls yet you can always perceive a contemplative melodic soul.
“Seed Of Ancient Hate” reveals an introspective nature highlighting the presence of opulent atmospheric layers and the theatrical vocal delivery while guitars can shift from old school harsh riffs to the pleasantly convoluted soloing.
“To Reign In Captivity” revolves around the expression of contrasting emotions, the rhythmic section invokes dark forces to build groovy crescendos and guitars & keyboards masterfully create sophisticated melodic progressions naturally reaching the acme with the passionate memorable chorus.
Keeping a classic gothic metal flair “Illuminate the Pain” features a combo of soothing clean vocals and ravenous growls that evidently matches the instrumental blend of inflamed riffage and attractive guitar leads.
“Overgone” doesn’t waste any time as guitars unleash an overdose of menacing faster riffs and a thrilling solo easily amplified by the relentless drumming and the potent growls.
“The Dreariest One” will become a favorite as the deeply melancholic melodic themes shine through the elegant guitar work and the solemn keyboards arrangements maintain bleak atmospheric tapestries focusing on dramatic tonalities.
As a symbol of glory “GLORIÆ” certainly manifests a darkened allure that would please gothic metal acolytes as Inhuman confidently deliver the right mix of melodic gloom and big guitar driven grooves.
Glasya – Fear
Portuguese metallers Glasya present a flamboyant symphonic metal tale with the theatrical grandeur of the third album “Fear”.
Through relentless rhythmic crescendos and resonant classical keyboards arrangements the title track immediately puts the spotlight on the empowering performance by extraordinaire vocalist Eduarda Soeiro perfectly complemented by the merciless growls courtesy of Fernando Ribeiro of the mighty Moonspell.
On “Hunt Of The Haunted” guitars diligently follow a frantic tempo as darker feelings become dominant within the harsh rhythmic section well supported by majestic gelid orchestrations and lovely vocal harmonies.
On “In Debris” Fernando RIbeiro once again provides the perfect dosage of malevolent growls and consequently increases the inner darkness of the cinematic composition and Eduarda impresses with sumptuous operatic vocals.
“Stuck In A Cobweb” relies on the bombastic guitar work to build a palpable rhythmic tension with loads of gritty riffs while the big chorus displays a mellow catchiness.
Featuring guest vocalist Michele Guaitoli of Vision Of Atlantis “Glimpse Of Memory” obviously focuses on the resulting impeccable vocal duet and guitars enhance crestfallen tonalities with crispy melodic leads.
“The Cold Of Dark” offers an efficient mixture of sweeping polished guitar phrases and forlorn piano melodies yet there are plenty of significantly heavier and faster passages to maintain a groovy attitude.
“The Confrontation” holds a wicked force leading to a monumental rhythmic assault constantly fueled by relentless guitar riffs and drum blasts embellished by the flawless vocal harmonies.
On “Fear” Glasya doesn’t try to shock you with special effects but rather stays true to a beloved symphonic metal formula fully showcasing musical abilities, a tasteful songwriting approach and an impressive production.
Stoned Jesus – Songs To Sun
With a refreshed lineup and a blazing creative approach, heavy rock veterans Stoned Jesus look forward to building a brighter future with the release of “Songs To Sun”, the first album in an ambitious forthcoming trilogy.
The trippy ride properly begins with the massive guitar driven grooves of “New Dawn” executed in perfect stoner fashion and faithful to the band’s trademark heaviness, therefore monolithic riffs are at the center of an energetic rhythmic core in contrast with the magical slow burning melodic progressions.
A perennial melancholia surrounds “Lost In The Rain” as the rhythmic section slows down to emphasize the contemplative mood and guitars carefully create intricate melodies ultimately leading to an impressive solo.
The hazy wild distortion embedded in “Low” demands a tighter aggressive rhythmic ensemble so guitars focus on gelid tonalities and a series of wicked grooves that can even acquire extra speed guided by a shadowy extreme metal force.
Due to a moody catchiness the chorus of “Quicksand” gets stuck in your mind while the attentive acoustic guitars evoke a gloomy peacefulness yet the hypnotizing rhythmic crescendos eventually follow a more chaotic sonic pathway complemented by the frantic vocals.
Overall “Songs To Sun” shows a genuine fuzzed-out rock quintessence and has the necessary strength to truly celebrate the beginning of an inspiring new artistic chapter for Stoned Jesus.
Igorrr – Amen
Under the name Igorrr French multi-instrumentalist and producer Gautier Serre has chosen an avant-garde artistic pathway and his extensive experimental research now leads to the ominous sonic realm of the new album “Amen”.
“Daemoni” begins a ritualistic experience as monolithic guitars march fearlessly through a dense chaotic atmosphere adorned by flamboyant operatic vocals and graceful arpeggios.
“Headbutt” dares to combine the baroque operetta vibes of bittersweet piano melodies and the gritty distortion of the rhythmic section inspired by old school extreme metal.
The blackened machinery of “Limbo” produces massive raw groovy rhythmic blasts embellished by the theatrical grandeur of solemn keyboards and potent operatic choirs.
As darkness descends completely “Infestis” manifests an industrial attitude that revolves around the primordial force of the visceral guitar riffs surrounded by malevolent atmospheric waves.
On “Pure Disproportionate Black and White Nihilism” obscure chants lead the way to a mystifying atmospheric maze where the hammering drum blasts and menacing guitar riffs acquire extra brutality and speed evidently amplified by venomous screams.
The classical elegance of “Silence” bids you farewell with a decadent mix of sweeping piano melodies, dramatic orchestrations and impeccable vocal harmonies but scattered dystopian sounds seem to contaminate such a soothing composition.
You simply can’t shake off the uneasy feelings constantly expressed by “Amen” which also becomes the symbol of artistic freedom and uniqueness as after twenty years Igorrr continues to challenge the metal scene operating without restrictions.
Behemoth & Dimmu Borgir Announce Co-Headline Tour “In League With Satan” for October 2026 – With Special Guests Dark Funeral
In October 2026, two of the most influential forces in extreme metal join together for a monumental live assault: Behemoth and Dimmu Borgir will embark on the “In League With Satan” Co-Headline Tour, storming across Europe and the UK. As special guests, the Swedish black metal icons Dark Funeral will add even more ferocity to an already devastating lineup.
This unholy trinity represents some of the darkest, most powerful, and most visionary acts the genre has ever produced. Fans can expect colossal stage productions, blistering performances, and an atmosphere steeped in occult grandeur and sonic extremity.
The “In League With Satan” tour promises to be one of the most anticipated extreme metal events of the decade.
Dimmu Borgir says:
“It’s been a few years since we’ve done a proper European tour, and what a great way to get back out there—teaming up with our brothers in Behemoth for this massive European run. We’ll be bringing a brand-new show with us, and we can’t wait to share our next chapter with both new and familiar faces.”
Nergal commented: “Legions of Europe! We decided to outdo ourselves and bring the biggest black metal package ever assembled. Behemoth, Dimmu Borgir and Dark Funeral…historic…biblical! Let’s get evil as fuck!”
Tickets go on sale on Wednesday 3rd December.
Confirmed tour dates
09 Oct 2026 – Zurich, Switzerland – Halle 622
10 Oct 2026 – Zwickau, Germany – Sparkassen-Arena Zwickau
11 Oct 2026 – Esch-sur-Alzette, Luxembourg – Rockhal
13 Oct 2026 – Milan, Italy – Alcatraz
14 Oct 2026 – Munich, Germany – Zenith
16 Oct 2026 – Paris, France – Zenith
18 Oct 2026 – Den Bosch, Netherlands – Mainstage
20 Oct 2026 – Cologne, Germany – Palladium
22 Oct 2026 – Hamburg, Germany – Inselpark Arena
23 Oct 2026 – Berlin, Germany – Columbiahalle
24 Oct 2026 – Brno, Czech Republic – Hala Vodova
27 Oct 2026 – Helsinki, Finland – Ice Hall
29 Oct 2026 – Stockholm, Sweden – B-K
30 Oct 2026 – Copenhagen, Denmark – K.B. Hallen
The Mon – Songs Of Abandon
Known as vocalist/bassist of the long-running Italian heavy-psychedelic trio Ufomammut, Urlo shares his personal introspective sonic vision with his project The Mon and the release of “Songs Of Abandon” marks the beginning of a new artistic journey.
The atmospheric intro “Smiling Dog” reveals an airy ambiance composition swiftly followed by the raw acoustic piece “Two Stones” that naturally revolves around warm arpeggios and mellow vocals to express genuine emotions.
“The Hidden Ghost” amplifies intrinsic darker feelings with loads of spacey synths layers while the peaceful acoustic phrases effortlessly build eloquent melodic crescendos.
“Mayhem” manifests a dark folk essence as the minimalist guitars have the strength to create a wild rhythmic urgency enhanced by dramatic screams.
Exploring inside our soul “Beautiful Star” still maintains a stripped-down acoustic formula but the atmospheric arrangements have an additional cinematic flair that might lean towards a dystopian vision.
The last track “Your Eyes” has the emotive quality of a lovely nostalgic dream with slow burning acoustic melodies floating freely through delicate atmospheric waves.
Being the product of Urlo’s intimate experiences and distinct musical identity, The Mon aims to reach the listener with a ritualistic and emotional approach and “Songs Of Abandon” marks a fascinating first chapter of an uncompromising opus.
Frayle – Heretics & Lullabies
In the world of the damned the enigmatic band Frayle shines brightly embarking on a new promising musical journey that gives life to the haunting third full length “Heretics & Lullabies”.
Darkness descends upon us all as “Walking Wounded” presents a modern approach blending theatrical atmospheric waves and vitriolic guitar lines while the catchy chorus relies on the mystifying vocal delivery.
“Boo” sounds macabre and playful as guitars diligently mix gritty obscure riffs and murky melodies complemented by the contrasting vocal duet of eerie whispers and guttural growls.
The doomed soul of “Demons” constantly emerges through the hypnotic atmospheric maze and the somber rhythmic crescendos emphasized by the raw guitar sound.
Throughout “Souvenirs Of Your Betrayal” the band focuses on dense atmospheric arrangements channeling dreamy shoegaze influences while guitars remain in the background providing additional ghastly vibes.
“Glass Blown Heart” could have been a little romantic song but here everything is pitch black, ultimately only the shimmering synths and the fragile vocal harmonies are meant to evoke luminous sentiments.
“Heretic” is a live show hit song relying on the super radio friendly chorus and a series of moody melodic progressions surrounded by a perennial atmospheric gloom.
While Frayle clearly draw inspiration from the ominous aspects of classic doom metal they always enhance the inner decadent catchiness of “Heretics & Lullabies” with multilayered sultry atmospheric themes and an accessible melodic composition.
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