Unfortunately, this year’s Pori extreme metal festival MonoMassive was canceled, but the Warm-Up evening was held on Saturday, August 23rd at Winston Live. The bands featured were Sacrilegious Impalement and Kuusuo.
To open the evening Kuusuo, an atmospheric black metal band formed in 2016 by Korvus Luna. Kuusuo’s sound consists of cruel vocals, melancholic melodies, dark lyrical themes and effective synth usage with crunchy guitar sounds. The band released their new EP last January. Band’s guitar player Diaemus Turso / Paavo Laapotti is known for being the frontman in a legendary melodeath band Before The Dawn.
Sacrilegious Impalement is a black metal band from Lahti, Finland, known for their destructive, misanthropic, and satanic themes. Formed in the early 2000s, they have released several albums and EPs and are known for their dynamic, atmospheric, and underground Finnish black metal.
Both bands brought darkness and atmosphere to the stage with their music, and the audience appreciated quality black metal.
Numento, a progressive melodic death metal band from the Helsinki, has been confirmed as part of the Sandstorm Metal Festival lineup to be held on February 7, 2026. The event, which will be held at the P7 Arena in Dubai, United Arab Emirates, will be headlined by Italian Lacuna Coil.
Numento is the first Finnish band in the festival’s history. Previous performers at the festival include for example Brazilian Nervosa.
Progressive, melodic death metal band Numento made their way to the stage of the world’s largest metal festival in the summer of 2025 through the Wacken Metal Battle. The band placed second in the international final, which was attended by over 12,000 bands globally, 30 of which were seen on the Wacken stage. This speaks volumes about the current level of the lineup. The band has been described as one of Finland’s most potential bands, and their explosive live energy has earned the band the nickname “prog bomb”. Numento’s trademarks include the phenomenally versatile vocalist Katri, and the sparkling electric kantele in her hands, the sound of which has become an inseparable part of the band’s music.
Numento has had two record years in a row in terms of gig numbers, and through hard gigging, this lineup from the capital region has grown to be a pretty tough live band in different parts of Finland. Those who saw Numento for the first time described the experience as “jaw-dropping”. The band’s third album “The Antimatter Fantasy”, which received 5/5 reviews, was released in June 2024, and the vinyl version of the album was released in December of the same year. 2024 was Numento’s 20th anniversary. The previous full-length album “The Vile Entity” was released in October 2022.
The band’s active YouTube channel offers plenty to watch, including music videos and concert recordings. In addition, Numento’s song Opilion can be found on the popular Osu! beatmap platform.
In addition to Nummirock and Wacken, Numento has been seen on the Tuska stage as well as supporting Smackbound and Aephanemer at club gigs. Numento has played more and more extensively as part of the Death Agency roster than ever before.
Members:
Katri Hiovain-Asikainen – lead vocalist, kantele
Atte Asikainen – guitar, vocals
Aleksi Vehmassalo – guitar
Mikko Virtanen – drums
Generation Prog Records is proud to announce the release of “please,” the emotionally searing new album from progressive metal act The Reticent. Led by Grammy-nominated music educator and multi-instrumentalist Chris Hathcock, “please” is a concept album that plunges listeners into the harrowing realities of mental illness, suicide, and survival. The album will be available on November 13th, 2025.
The first single, “The Concealment (Those Who Don’t Want To Wake),” is accompanied by a haunting music video that captures the anguish of hiding one’s suffering in plain sight.
“The Concealment could be thought of as the thesis statement of the new album. It tries to capture what it is to attempt to carry on with your life while struggling with the crushing weight of mental illness. At work, with family, at school, wherever, we have to don masks and pretend we are ‘just fine’ when inside we may wish to go to sleep and never wake up again. 1 in 4 adults will have a mental health crisis this year, and there are 1.5 million suicide attempts per year in this country. It’s all around us, yet most will not talk about it, most will not get help, and most will suffer in silence. We are not alone, yet we feel intensely lonely because of that disconnection. For me, I have to pretend to be someone else every day as a teacher – confident, smart, strong – whilst inside I often wish fervently for oblivion to end my near constant pain. When the despair and the grief and the hopelessness come, the isolation and hollowness of all things can rob life of any color. For those who know what it is like to live with these disorders, it is indeed lonely here,” says Hathcock.
Watch the music video premiere on MetalAddicts HERE.
Featuring ten emotionally driven tracks, the album was written in just six months. Drums were recorded in a single day, all other instruments in two, but vocals took two weeks, leaving Hathcock with a laryngeal injury so severe he couldn’t speak for six weeks. During the filming of “The Concealment” video, Hathcock broke two toes, sprained three others, and tore his rotator cuff. He performed at ProgStorm Festival in Montreal, Canada, just six days later, concealing his injuries behind the band’s emotionally intense stagecraft.
“please” is also The Reticent‘s first album, engineered almost entirely by Hathcock at his Silent Muse Studio. Only the drums were tracked at The Basement Studios with longtime producer Jamie King (BTBAM, The Contortionist), who also took care of mixing and mastering for the record.
This fifth studio album includes subtle nods to clinical psychologist Kay Redfield Jamison, with lyrical references to her books “Night Falls Fast” and “An Unquiet Mind,” and samples of her voice appearing in “Discharge.”
Hailed as “prog’s most emotionally gut-wrenching” band, The Reticent began as Hathcock’s solo outlet for personal trauma. Over time, it evolved into a full-fledged progressive metal force, known for concept albums like “On The Eve Of A Goodbye” and “The Oubliette.” Joined by guitarist James Nelson (Nospūn) and bassist Paul McBride (Voraath), The Reticent delivers live performances that are more performance art than concert, intensely immersive and emotionally devastating.
The band has performed at prestigious festivals, including ProgPower USA, where Metal Injection called their set “one of the most heart-wrenching performances in ProgPower history.”
For those who seek truth in music, The Reticent offers a mirror to the soul and a plea for understanding.
Recommended for fans of Opeth, Cynic, The Contortionist, Wilderun, and Devin Townsend.
“please” will be available via Generation Prog Records on November 13, 2025. A sixth album is also complete, as it was recorded simultaneously with “please” and will follow for release in 2026.
Track Listing:
1. Intake – 1:45
2. The Concealment (Those Who Don’t Want To Wake) – 6:06
3. The Night River (Those Who Can’t Rest) – 6:55
4. Diagnosis 1 – 2:18
5. The Bed of Wasps (Those Consumed With Panic) – 5:47
6. The Scorn (Those Who Don’t Understand) – 8:12
7. Diagnosis 2 – 2:39
8. The Riptide (Those Without Hope) – 6:09
9. The Chance (Those Who Let Go) – 6:52
10. Discharge – 2:56
Album Length: 49:45
Album Recording Credits:
All instruments and vocals performed by Chris Hathcock except
– Lead Guitar and Additional Acoustic Guitar by James Nelson
– Guest Vocals on “The Bed of Wasps” by Brian Kingsland
– Narration by Vienna Gloom
All songs written by Chris Hathcock
Produced by Chris Hathcock
Engineered by Chris Hathcock
Drums engineered by Jamie King
Mixed and Mastered by Jamie King
Album Artwork by Joscelyne Hauserman
Band Line Up:
Chris Hathcock – Vocals, Guitar
James Nelson – Lead Guitar, Backing Vocals
Paul McBride – Bass, Backing Vocals
Bloodred Hourglass have already received rave reviews for their seventh full-length, and now We Should Be Buried Like This has been released. Released on the German label Out of Line, the album combines explosive aggression with melodic beauty and is, according to the band, the most honest and uncompromising album of their career, without questioning or embellishing, without consoling, explaining or proving – it only says what had to be said.
“For us, this album is a collection of end-time songs – not just about the end of the world, but also about certain emotions, beliefs and illusions. In the songs, love is just an echo, sacrifices feel empty and every feeling is an open wound. We deal with the decay of humanity, mistakes repeated from generation to generation, the spirit of the times that feeds indifference, hatred and detachment, as well as self-centeredness and individualism that has grown to unhealthy proportions. The future looks black, and unfortunately it no longer scares us, but feels inevitable,” the band describes.
Musically, Bloodred Hourglass also combines its recognizable sounds on the album with new elements, as guest soloists are heard on the album for the first time.
“The album exudes raw, intense energy and a melodic beauty and power that is guaranteed to be contagious. We’ve also included a last-gasp amount of new elements: guest voices and moments where we reach outside the box. It feels especially good to stand on our own strong foundations without having to prove anything to anyone. This is an album that was born from a compelling need to tear open and say things as they are. Perhaps that’s why this became the most aggressive and straightforward album we’ve ever made – and perhaps that’s why it looks the most like us.”
The top song of the ten-track album is the last song written on the album, Shun the Limelight, whose music video production swelled to a massive size with 80 fans participating in the filming.
“We wanted something special for the last video song. Usually the fans – the ones who make this whole journey meaningful and possible – are left out of the spotlight. However, we have an incredibly loyal and passionate fan base that has followed and supported the band year after year. With this video, we wanted to give them the opportunity to be a concrete part of the making and step into the spotlight themselves by playing a central role in the video’s creation. The atmosphere on the day of the shoot was exceptionally communal and meaningful – an experience that will surely go down in history as one of the most important music video projects of the band’s career. We are the ones!”
Track listing for We Should Be Buried Like This:
The Crown Is Permanent
We Should Be Buried Like This
Royally Done
Chasing Shadows
Dance Of The Dandelions
God Has Favourites
Mirage
Frail
Shun The Limelight
Vividus
loodred Hourglass live 2025+2026
”We Should Be Buried Like This” European-Tour (+ support LUNA KILLS)
09.10.2025 DE Berlin, Cassiopeia
10.10.2025 CZ Zlin, Masters Of Rock Café
11.10.2025 HU Budapest, Analog Music Hall
13.10.2025 AT Vienna, Chelsea
14.10.2025 DE Leipzig, Hellraiser
15.10.2025 DE Hamburg, Bahnhof Pauli
16.10.2025 DK Esbjerg, Tobakken
18.10.2025 DE Frankfurt, Nachtleben
19.10.2025 DE Cologne, Helios 37
20.10.2025 FR Paris, Backstage by the Mill
22.10.2025 DE Dortmund, FZW
23.10.2025 NL Leiden, Nobel
24.10.2025 DE Lindau, Club Vaudeville
25.10.2025 CH Winterthur, Gaswerk
26.10.2025 DE Munich, Backstage
27.10.2025 DE Stuttgart, Im Wizemann
”We Should Be Buried Like This” Finnish-tour
31.10.2025 FI Jyväskylä, Lutakko (with Enemies Everywhere)
01.11.2025 FI Lahti, Finlandia-klubi (with LUNA KILLS & Where’s My Bible)
06.11.2025 FI Helsinki, Tavastia (with Enemies Everywhere)
07.11.2025 FI Oulu, Tullisali (with LUNA KILLS & Slow Fall)
08.11.2025 FI Kuopio, Sawohouse (with Enemies Everywhere)
13.11.2025 FI Tampere, Tavara-asema (with LUNA KILLS & Shereign)
14.11.2025 FI Rauma, Brummi (with LUNA KILLS)
15.11.2025 FI Seinäjoki, Rytmikorjaamo (with LUNA KILLS & What Lies Beneath)
21.11.2025 FI Kouvola, House of Rock (with Enemies Everywhere)
22.11.2025 FI Turku, Logomo Teatro (with Enemies Everywhere)
29.1.-2.2.2026 US Miami, 70000 Tons of Metal
26.-28.6.2026 FI Helsinki, Tuska Festival
Bloodred Hourglass is:
Jaredi Koukonen – vocals
Jarkko Hyvönen – drums
Jose Moilanen – bass
Lauri Silvonen – guitar
Joni Lahdenkauppi – guitar
Eero Silvonen – guitar
Earlier this year Kosto released their debut EP, “Kiitos.” The band is releasing even more powerful material. The newly released single “Miehet ei itke” is the first single from a new EP to be released next year, and the game is opened without fear of the opinions of potential detractors – the topic is important:
Miehet ei itke is an ironic statement on the prevailing perception of masculinity and manhood. Can a man cry? What have we been raised to be like, and is this male model going around in an eternal circle? Are coldness and screaming the only alternatives to feelings?
“The biggest questioners of masculinity are other men. We expect that there is a certain mold that we should fit into – or we are made to fit through violence,” singer and lyricist Jarno Hyökyvaara reflects and continues:
“I myself have been hypersensitive and prone to anxiety and depression since childhood. I suffered from anxiety disorder and I have learned to live with it. The only way to accept myself as I am is to admit that my strengths are sensitivity, empathy and striving for honesty in terms of emotions.”
Kosto, who hails from Valkeakoski, Helsinki, Järvenpää and Jyväskylä, wants to spark a discussion about young men’s coping and well-being and upbringing with their new single. The band will be collaborating with the Väestöliitto Poikien Puhelimi during the autumn. For example, on Men’s Day 19.11. Kosto will visit Poikien Puhelimi’s TikTok live to discuss the topic.
“I became a father to a son in 2019. After this, I have had to think about my own home upbringing and the environment in which I grew up as a man. What kind of educator do I want to be? Do I strive to do my part to ensure that the world is more open to the emotional upbringing of men as well. It is our job as men to highlight shortcomings, for example, the marginalization of boys, and to show by our own example that yes: men are allowed to cry!”, Jarno says.
“As a student of East Helsinki and a music therapist, I feel that music can be a saving resource for dealing with emotions and experiences for young people who do not necessarily have the tools to verbalize them. That is why we also want to do concrete work for young people, for example now with Poikien Puhelimi,” guitarist Sami Selei explains the background to the collaboration.
Kosto encourages everyone to support Poikien Puhelimi’s activities and make a donation. You can donate the desired amount using MobilePay to 19600 (fundraising permit: RA/2020/1558). Poikien Puhelin is a telephone and chat service intended for all boys and young men under the age of 20. The free phone number is available to callers on weekdays from 13:00 to 18:00 and from 13:00 to 16:00 on 0800 94884. The chat is open from 13:00 to 16:00. You can talk anonymously with an adult male person at Poikien Puhelin or an employee of the Finnish Population Association. All conversations are confidential.
Kosto is:
Jarno Hyökyvaara (vocals)
Sami Selei (guitar)
Ville Marttila (guitar)
Visu Uimonen (bass)
Tino Jäntti (drums)
One of the most enduring names in Swedish metal, Sparzanza returns with a new album for the first time in almost a decade. The band’s ninth album, From Dust to Darkness, is wrapped in the band’s signature blend of crushing riffs, dark melodies and choruses that hit the listener straight in the gut. The album is being released by Despotz Records.
“Our sound has evolved into something heavier and more brutal. With From Dust to Darkness we’ve tried new things and pushed the boundaries. Our guitarist Calle has written a ton of inspiring riffs, with plenty of challenging tempos. The album sounds really good and we’re excited to be back in full swing,” says vocalist Fredrik Weileby.
“We wanted to push ourselves out of our comfort zone so we could create something really crushing. I’m sure our fans will love this album,” continues bassist Johan Carlsson.
The album also features more different vocal techniques.
“For example, The Great Noise has all the possible vocal styles – raw aggression and delicate tones – as you should when you’re singing about witch hunts and being born in blood,” Weileby laughs.
With the new album, Weileby proves that he’s at the best of his career, and bassist Johan Carlsson gives credit to the band’s guitarist for this:
“Our guitarist Magnus Eronen also worked as a recorder this time, and he has developed the whole band, especially when it comes to the songs. He knows exactly when and how to push the best possible performance out of Fredrik,” says Carlsson.
From Dust to Darkness tracklist:
1. Fear the Night
2. This is not a Love Song
3. The Accuser
4. Bloodborne
5. Bad Motherfucker
6. Twitch of the Death Nerve
7. The Blinding Absence of a Light
8. The Great Noise
Sparzanza is:
Calle Johannesson – Guitar
Anders Åberg – Drums
Johan Carlsson – Bass
Fredrik Weileby – Vocals
Magnus Eronen – Guitar
Avatar, the metal circus that is striving to reach the top of the metal world from Sweden, will release their highly anticipated new album Don’t Go in the Forest on October 31st – just in time for Halloween! The band is serving up the last taste of their upcoming album today in the form of the single Death And Glitz, which have released accompanied by a visualizer.
“Death and Glitz is a song about perversion and indifference. A homeless young runaway falls and dies on the dance floor. The flashes of a crime scene investigator’s camera turn into paparazzi flashes on the red carpet. We love him because he died. Now he’s perfect. Death is sold as entertainment, and that’s what makes it so sick,” says singer Johannes Eckerström.
The upcoming album has so far released the singles Captain Goat, In the Airwaves and the previous single Tonight We Must Be Warriors, which was released accompanied by a music video.
“We still feel like we’re just getting started, and that’s our secret ingredient. Don’t Go In The Forest is full of things we’ve never done before. It has songs and concepts we’ve never even approached before. We’ve lost ourselves in dark forests, memories and fantasies. Forbidden thoughts that we have to say out loud. This record could never have been made at any other time than now. And I think you’ll find that it’s exactly what you’ve always wanted,” says Eckerström.
Don’t Go In The Forest track listing: 1. Tonight We Must Be Warriors
2. In The Airwaves
3. Captain Goat
4. Don’t Go In The Forest
5. Death And Glitz
6. Abduction Song
7. Howling At The Waves
8. Dead And Gone And Back Again
9. Take This Heart And Burn
10. Magic Lantern
On the tour front, Avatar is as usual in full swing – the band recently returned from a tour with Iron Maiden. The band announced a month-long headline tour in North America for the rest of the year. In February, the band will embark on their own European tour. Next year, Avatar will also perform at four Metallica shows in Germany, Hungary, Ireland and the UK. See all the gig dates here.
2026 EUROPEAN HEADLINE TOUR:
Thu, Feb 5, 26 — Stockholm, SE — Fållan
Sat, Feb 7, 26 — Helsinki, FI — Kulttuuritalo
Mon, Feb 9, 26 — Oslo, NO — Sentrum Scene
Tue, Feb 10, 26 — Copenhagen, DK — Vega
Wed, Feb 11, 26 — Osnabrück, DE — Die Botschaft
Thu, Feb 12, 26 — Brussels, BE — A.B.
Sat, Feb 14, 26 — London, UK — Exhibition
Sun, Feb 15, 26 — Manchester, UK — Academy
Mon, Feb 16, 26 — Glasgow, UK — Barrowland
Tue, Feb 17, 26 — Nottingham, UK — Rock City
Wed, Feb 18, 26 — Bristol, UK — O2 Academy
Fri, Feb 20, 26 — Amsterdam, NL — AFAS Live
Sat, Feb 21, 26 — Esch-Sur-Alzette, LU — Rockhal
Sun, Feb 22, 26 — Zürich, CH — Komplex
Tue, Feb 24, 26 — Barcelona, ES — Razzmatazz
Wed, Feb 25, 26 — Madrid, ES — La Riviera
Fri, Feb 27, 26 — Lisbon, PT — LAV
Sat, Feb 28, 26 — Bilbao, ES — Santana 27
Mon, Mar 2, 26 — Lyon, FR — Le Cube
Tue, Mar 3, 26 — Milan, IT — Alcatraz
Wed, Mar 4, 26 — Vienna, AT — Gasometer
Thu, Mar 5, 26 — Munich, DE — Tonhalle
Fri, Mar 6, 26 — Cologne, DE — E-Werk
Sat, Mar 7, 26 — Paris, FR — Le Zenith
Mon, Mar 9, 26 — Wiesbaden, DE — Schlachthof
Tue, Mar 10, 26 — Zlin, CZ — Sports Hall Datart
Wed, Mar 11, 26 — Warsaw, PL — Stodola
Thu, Mar 12, 26 — Berlin, DE — Columbiahalle
Fri, Mar 13, 26 — Hamburg, DE — Docks
Avatar is:
Johannes Eckerström — vocals
Jonas Jarlsby — guitar
Tim Öhrström — guitar
Henrik Sandelin — bass
John Alfredsson — drums
Boneyard Lily continues its series of single releases leading up to the Tear Grinder EP with a new track, Friends After Dark, following their debut single You Never Died. The first release has garnered significant streams, especially in Australia, New Zealand, the UK, Germany, and Italy, exceeding the band’s expectations.
The new song is darker and more intimate in tone. It draws inspiration from 1990s indie and alternative rock, particularly the melancholic and cinematic sound of Suede. The lyrics were inspired by the film Let Me In, a quiet and visually intense vampire drama based on John Ajvide Lindqvist’s acclaimed novel Let the Right One In (Låt den rätte komma in). The film’s haunting atmosphere played a key role in shaping the song’s emotional and sonic landscape.
The track features rising artist pinjasofia as a guest vocalist, adding a honeyed sense of comfort and sensuality to the song’s raw emotional core. Friends After Dark feels like a soundtrack piece made for the inevitably darkening autumn.
Italian/Swedish hard rock/heavy metal band Hell in the Club have released their new single and accompanying lyric video, “Robert the Doll”, ahead of the release of their new studio album, “Joker In The Pack”, out on November 7, 2025, via Frontiers Music Srl.
Vocalist Tezzi Persson revealed the story behind the track: “The story of Robert the Doll originates from the early 1900s, when a young boy received a seemingly innocent handmade doll as a gift. Soon after, strange things began happening in the house. The doll was said to move on its own, its expression changing when no one was looking… Watching… Waiting”.
“Whenever something went wrong, the boy had only one explanation: “Robert did it”. Over time, fear took hold. The doll was locked away but never forgotten”, she continued. “Today, the doll resides in a museum in Key West, Florida. Yet, many claim his spirit still lingers. Visitors who mock or disrespect him report accidents, misfortune, and strange occurrences shortly after. So, be on your best behavior… and beware of Robert the Doll”.
Hell in the Club, a killer hard rock band with a style rooted in the classic ‘80s sound and its own modern identity, return with their seventh studio album, the first with Swedish singer Tezzi Persson.
The band stated: “This album marks a new era for us, the first chapter of a new beginning.
Nine hard rock gems, plus a moving ballad, for an album that’s anything but boring. Intense, exciting, fun… in one word: rock! The wonderful cover artwork is by Alessandro Conti Mix and the master by the always excellent Simone Mularoni of Domination Studio”.
Founded by Andrea “Andy” Buratto (Secret Sphere), Dave “Damna” Moras (Elvenking) and Andrea “Picco” Piccardi, the band has carved out a solid reputation through six acclaimed studio albums, extensive European touring with acts like Crashdïet, Jettblack, and Crucified Barbara, and appearances at major festivals including Sonisphere, Basin Fire Fest, and Heineken Jammin’ Festival.
After signing to Frontiers Records in 2017, Hell in the Club released “Hell Of Fame” (2020), the “Kamikaze” EP (2020, celebrating their 10th anniversary), and their sixth album “F.U.B.A.R.” (2022), a straight-up hard rock record hailed as one of their strongest to date.
Following the departure of founding vocalist Dave Moras, the band faced a turning point. Instead of replacing him with a similar voice, bassist Andy proposed a bold shift: introducing a female singer. Enter Terese “Tezzi” Persson (Infinite & Divine, Venus 5), a powerhouse vocalist from Sweden with a voice perfectly suited to the band’s raw, high-energy style. After a single rehearsal, the choice was clear.
In April 2024, Tezzi officially joined the band, debuting with the single Carolina Reaper. Momentum quickly built toward the creation of their seventh album: “Joker In The Pack”.
This new album is the first with Tezzi fronting the band – and it captures Hell in the Club at their fiercest. Ten tracks of pure adrenaline, from the fiery opener “The Devil Won’t Forget Me” to the emotional closer “When The Veil Of Night Falls”.
With powerful vocals, gritty guitars, and driving rhythms, “Joker In The Pack” doesn’t reinvent Hell in the Club, it reinvigorates them – launching a bold new era while staying true to their roots.
“Joker In The Pack” Tracklist:
1. The Devil Won’t Forget Me
2. New Desire
3. Dirty Love
4. Robert The Doll
5. Fairytale
6. The Ocean
7. Magnetars
8. Pretty Little Freak Show
9. Out In The Distance
10. When The Veil Of Night Falls
Line Up:
Andrea “Andy” Buratto – Bass
Terese “Tezzi” Persson – Voice
Andrea “Picco” Piccardi – Guitar
Marco “Mark” Lazzarini – Drums
The band comments: “The idea for the lyrics for the single “The Blood On Their Hands” came from the Netflix series “The Fall of the House of Usher”, which gave us the idea to make a fictional lyrical story about questionable medicine. The story is fiction, but there is certainly questionable medicine in this world, unfortunately.”
BIOGRAPHY:
Gates Open is a Finnish blackened death/thrash metal band. Gates Open is a band founded in early 2023 by two men, the band includes Jere Neejärvi, in the role of guitarist/composer, and Tommi Manninen as singer.
The members’ united history began already in 2007 during the previous band’s time. Our band moved to the distribution of the Inverse Records label in June 2023. The first official single “The Awakening” under Inverse Records was released in June 2023. The second official single “Let The Night Become Your Guide” was released in October 2023. Our third single, by the band name “Gates Open” was released in December 2023. Our full-length debut album “Voice After Silence” was released on February 9th 2024 via Inverse Records. Black Clouds Over The World EP saw the daylight on October 2024.
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