Weeping Silence interview

We had the opprtunity to interview with Sean Pollacco, bass player from the Maltese Band Weeping Silence.

-Hey Sean, how are you doing?
Hey Cristina, all’s well on my end. Thank you for this interview. Hello to the readers of The Offering Webzine too.
-Weeping silence is a gothic doom metal band formed in 1998, would you mind to introduce the band and give us some biographical hints?
Sure. The band was formed around 1998. Two members from that line-up are still around: Mario Ellul and Angelo Zammit. Now, with nearly twenty years on our back, we’ve seen several line-up changes. I entered the band in 2000. Diane and Dario, our vocalists, entered the folds in 2013.
-Your music is defined as gothic-doom but where Weeping Silence has its musical roots?
Seven people means that we have a lot of roots to refer to … but I’d say that the broader Doom Metal and Gothic Metal scenes is where we come from. So, bands like early/mid Therion, Draconian, My Dying Bride, and early Within Temptation is where we got our inspiration. By time, I think it’s fair to say we evolved to do our own thing, which although not very innovative, has something distinctly Weeping Silence.

Sean live

-You 4th album ‘Opus IV Oblivion’ has been released last October by Massacre Records, can you tell more about its genesis and lyrics? And what are the main differences compared to the previews ones?
‘Opus IV Oblivion’ is our most accomplished work to-date. It is where we see Weeping Silence at its most mature stage of song-writing and lyric-writing. The album is definitely heavier and doomier than any of our previous three releases. The death-doom parts are stronger, aided also by our new tuning on drop-A. We use the male vocals more than before and also introduced several spoken parts. Then our slower sections take on the doom elements without fear. In previous releases I think we approached these with caution. On ‘Opus IV Oblivion’ we went for them with more conviction.
-Talking about the cover of  ‘Opus IV Oblivion` , I read it’s inspired by the tomb art at the St John’s Co-Cathedral of Malta, why did you choose this element?
The works of art at St John’s Co-cathedral are some of the best in the world of that period. The funerary art there is a masterpiece, in my opinion. When we discussed the lyrical concept of the album, most of which I wrote myself, we saw a real connection between what we had and what exists at the co-cathedral. People with a keen eye for graphical/pictorial and lyrical connections will see how the music speaks of embodied death, very much like the front cover artwork. The concept of life, time, afterlife, and hope are characteristic of the ‘Opus IV Oblivion’ theme, and this goes so well with what we did with the artwork. Jan of Darkgrove did a great job of transforming what we had in mind into the final product.

weepingsilence_opus4oblivion_cover

-You are confirmed for some summer festivals like Metal over Malta, Gothoom Open Air Fest and Metaldays; Do you plan also to do a tour around Europe and why not in U.S.?
We just played Metal over Malta Festival, which we host. It was a blast to be honest. We really draw a lot of positive vibe from our festival. In summer we’ll play Metaldays and Gothoom Open Air, and we’re excited about them. It will be our first time in Slovakia, so that will be great also. We first left our small island for the first shows overseas in 2010 – six years ago. We played three shows in the UK, and even though we had a good time, we were disappointed with the attendance. Time teaches you many things, and we worked a lot on promotion, management and our stage show since then. Going out of Malta was a big step for us, and since then we’ve played several countries in Europe already. Next is doing shows outside Europe. I don’t think it’s impossible and I will look back someday to see that we did that too. So, we’re working on it.

-You are from Malta, actually I don’t know other bands from there, how is the metal scene in Malta?
Malta has a vibrant metal scene. We have just over 420k people living on this small island, and last week there were over 400 people who attended Metal over Malta Festival. So, I’d say we have a great metalhead to population ratio haha. There are a few local festivals happening every year, and the Malta Doom Metal Festival which like Metal over Malta Festival is an international event. Among other cool bands doing things outside Malta I can mention Beheaded, Victims of Creation and Forsaken. There are more, however.

-What’s on plan for the future?
We’re working on a management deal and on playing many more festivals. We’re also working on our live show. These things are happening right now. So, we should be announcing more live dates soon.
-We have done with this interview, thank you so much for your time! Would you like to say something to ours readers?
Many thanks for this interview Cristina, which I enjoyed and hope the readers did too. You can follow Weeping Silence on fb, website (and our webstore), and Spotify. Post a fb message if you’ll be seeing us at any of our upcoming shows – we always like to hear from you guys/gals. Lastly, thanks for the support!! Be safe and take care!!

WeepingSilence_credit_StevenMuliett

http://www.weepingsilence.com/
https://www.facebook.com/weepingsilence

Weeping Silence-Opus IV Oblivion

Weeping Silence is a gothic doom metal band from Malta, their fourth album “Opus IV Oblivion” has been released last October via Massacre Records, recorded and mixed by David Depasquale at Spine Splitter Studio and mastered by Andy Horn at The Red Room Studio.
The enchanting voice of Diane introduce the first track, “Oblivion – Darkness In My Heart Anno XV”, the sound is amazing and the contrast with the growl voice of Dario makes it unique.
I can define “Ivy Thorns Upon The Barrow” catchy even keeping the symphonic-doom line. The emotional song ” Transcending Destiny” goes straight to the soul and the guitar solo is impeccable. The album fades out with the dramatic and theatrical “Gothic Epitaph”.
Listening to “Opus IV Oblivion” is a continuous shiver, the amazing clean singing and growls complement each other and fit perfectly on the instrumental section.
We have also to mention the album artwork by Jan Yrlund, inspired by and based on the tomb art at the St. John’s Cathedral in Malta.
Weeping Silence is a brilliant band and with this full-length they demonstrate to be high in the symphonic-doom scene.

http://www.weepingsilence.com/
https://www.facebook.com/weepingsilence

Eartheria- Throes of Time

Eartheria is a young band from Pori, Finland, their music is a mix of fast and melodic metal, inspired by thrash and modern metal.
The band’s first EP called “Throes of Time” has been released on December 2015 and it’s producted by the band itself.
Eartheria to be a fledgling band demonstrates a musical maturity worthy of a successful band and this EP is the proof.
The EP contains 6 tracks, the sound is clean and they did a great job with the recording and mastering. The listening to each song is addictive, the rhythm part is heavy, guitar solos are executed well and the mutable voice runs from growl to scream.
There is nothing to reproach to this EP, we have to keep an eye on Eartheria because I’m sure we will hear more from this band.

 
https://www.facebook.com/eartheriaband

Vorna- Ei valo minua seuraa

Vorna is a pagan metal band from Tampere, Finland. The band’s music has various influences from black metal to folk and rock. Lyrics are written in Finnish and often deal with themes like nature, myths and struggles of mind.
Their second full length, “Ei valo minua seuraa”, has been released on December 2015 via Inverse Records and it’s been a great surprise for me.
This album transports to another dimension, a journey into the deep immersed in the Finnish nature.
The first track “Harmaudesta” with its melancholy sound and the stunning contrast between musical base and voice catches you, and you want to listen it again and again.
One of the best songs from the album is “Jälkemme”,the particular intro remind of a whiff in glass bottles, the rhythm changes with a wild blastbeat and the guitar solo is sublime.
“Vaipunut” is a waterfall of peace and relax, the feeling to be in the middle of the forest is incredible. From the track “Yksin” has been released also a video-clip.
Keyboards create that magic atmosphere, the bass line is interesting, the guitars are just perfect, the drums runs wild with its blastbeat and the voice gives something of unique, the growl mixed with the the clean voice and the female choir, this is a must have album.
46 minutes of inspirational music, if you like bands like Amorphis and Norther you will love this band.

Santa Cruz interview

“Never mind that they are young, ‘cuz the matter of the fact is, that Santa Cruz definitely sticks out from all these retro hair metal bands running around nowadays. Not only do they have the attitude and the looks, but most importantly they sure as hell know how to play and the songs along with the awesome guitar playing pretty much makes me wanna bang my head in two pieces when I see them play live. And after all that’s what it’s all about. End of fucking story!!!”

-Alexi Laiho/ Children of Bodom

http://santacruzbandofficial.com/

https://www.facebook.com/santacruzband

https://www.youtube.com/user/SantaCruzVEVO