Born from the remnants of Hollowearth in the early 2000s, Italy’s Lunarsea built their reputation on ambitious studio work long before stepping onto a stage. Their debut Hydrodynamic Wave (2006) became Burning Star Records’ best‑selling release, followed by Route Code Selector (2009), Hundred Light Years (2013), and the acclaimed Earthling‑Terrestre (2019). Their latest offering, ELEMENTI – Live in Tokyo (2025), showcases a band fully matured and live‑driven.
Ahead of their first ever Finnish show at Tuska, Lunarsea spoke with us about their musical evolution, the energy behind their live performances, and the mindset required before beginning work on a new album. The ideas are already flowing, now they are waiting for the right moment to ignite.
Category: Interviews 2026
Bloody Falls Video Interview
Bloody Falls, the metal quintet formed in 2017 in Valkeakoski, Finland, just released their fourth studio album, “IV,” via Art Gates Records. The album delves into classic metal territory, drawing on themes ranging from the horsemen of the Apocalypse to the rise of the devil and the darker sides of humanity. The band considers “IV” a decisive step in their evolution, with the final sound shaped by producer Max Morton, known for his work with Jinjer, and evocative cover art by Jesus Lhysta (The Rotted Artist). Collaborating with this creative team has helped Bloody Falls hone their identity and perfect their style.
We at The Offering had the opportunity to sit down with guitarist and founding member Stavros Mathios to discuss the making of “IV.” In this interview, we explore the album’s writing and recording process, relive their releaseshow at Bar Kotelo in Tampere on June 13, and take a look at the band’s upcoming shows around Finland.
Folkrim Video Interview
After igniting the scene with Embers in 2024, Folkrim reemerge from the Finnish coast with a new offering steeped in myth and malice. Their latest EP, Näkki, named after a haunting creature from Finnish folklore, was born almost by accident: a spontaneous spark that blossomed into something powerful. Since forming in Rauma in 2020, the band has captivated the metal community with their tempestuous blend of folk melodies and uncompromising heaviness. We had the opportunity to delve into their world, retracing the band’s origins, learning more about their music and writing process, and what led to this unexpected new chapter.
Katatonia Video Interview
Before their performance at the Ankea Festival in Finland, we had the opportunity to meet Niklas Sandin, Sebastian Svalland, and Nico Elgstrand of Katatonia. What was supposed to be a chat about the band’s history turned into an engaging conversation, full of insights, humor, and reflections. From pre-show tension to career milestones, from the stress of touring to celebrating the twentieth anniversary of “The Great Cold Distance,” the band opened up about everything, including their latest album, “Nightmares as Extension of the Waking State,” and the exciting projects that await them after the festival season and their fall tour of Japan, New Zealand, and Australia.
Rioghan Video Interview
Fresh off the release of their EP Frozen last spring, Finnish band Rioghan, a genre-bending band constantly shifting between alternative metal, progressive rock, and dark pop, delivered one of the most intense and emotionally charged performances at the Ankea festival. On stage, Rioghan Darcy was joined by a dancer who embodied her dark side, a physical manifestation of the darker undercurrent that pervades her music. The result was an intimate and evocative dialogue between light and shadow, which deeply moved those who witnessed the performance.
In our interview, Rioghan Darcy spoke to us about how the Frozen EP marked a turning point in her approach to songwriting, pushing her toward new creative horizons compared to previous releases. She also shared a funny anecdote from behind the scenes of a recent music video. And perhaps the most exciting news of all is that Rioghan revealed that new music is already in the works, hinting at further evolution on the horizon.
Kælan Mikla Video interview
Shortly before their performance at the Ankea Festival in Finland, we met Kælan Mikla, the Icelandic trio whose music seamlessly transitions between genres and moods, defying any attempt at easy classification. Emerging from Reykjavik’s underground poetry scene and establishing themselves as one of the most exciting forces in modern darkwave, the band has constructed an entire sonic universe: evocative, atmospheric, and charged with emotion.
In this interview, we retraced their evolution, from their experimental beginnings to the ever-changing identity that defines their work today. They gave us a sneak peek at their upcoming album, reflected on their tour with Ville Valo, and opened up about the realities of life on tour; from caring for their well-being to the rituals that help them find balance before going on stage.
We also talked about what happens once they are on stage and what happens after the show is over.
A rare and intimate glimpse into Kælan Mikla, captured moments before they enchanted the festival crowd.
https://www.instagram.com/kaelanmikla
https://www.facebook.com/Kaelanmikla/
https://open.spotify.com/artist/28meEMqGpDrolyQ9OVoDAH
Themata Interview
The Finnish heavy metal scene is no stranger to slow-developing projects, taking years to form, hone their sound, and finally emerge with something unmistakably their own. Themata is one such rare example. What began as a distant idea among old friends in the early 2000s has gradually evolved into a fully realized creative force. With their debut EP, Riven, released last year and their first-ever concert in Pori on May 23rd, the timing couldn’t have been better to catch up with singer Juuso and guitarist Ville-Veikko.
We had the opportunity to discuss the band’s long journey to its founding, the creative process behind their music, and what the future holds for them.
Hey guys, how are you doing?
Juuso: We are doing well. Today we are playing our first show ever here in Pori, so it is a big day for us.
How did the band originally come about? What were the early stages of its founding?
Ville‑Veikko: The roots of Themata actually go back to the early 2000s. I was playing in a stoner‑influenced band with our drummer Ville back when he still lived and studied in Pori. After he graduated and moved to Helsinki, that band ended, but we stayed in close contact and always had the idea that one day we would start another project together. Eventually Ville joined Dö, and I became involved with Atlases. In 2018, Atlases and Dö played a joint show, and that’s when the idea resurfaced. I had written a bunch of songs, and we started discussing who could join. Early on, we had members from Besra and Callisto, but everyone’s main bands kept taking priority.
I wrote more songs and we tried again, this time looking for musicians closer to us, from Dö and Black Royal but again, schedules got in the way. Eventually, Ville and I decided to record the EP ourselves and then find the right vocalist afterward. A couple of people were involved briefly, but they disappeared from the picture.
Finally, Ville asked Juuso from Grave With A View if he would be interested in handling vocals. He liked the material and joined. That is how the debut EP Riven was created recorded by the three of us: Juuso on vocals, me on guitar and bass, and Ville on drums.
How did the band approach you, Juuso, to join?
Juuso: I have known Ville for a while. He came to see a show of another band I was singing in, and afterward he sent me the material and asked if I’d be interested in making a demo. Things just spiraled from there.
And you felt the music spoke to you right away?
Juuso: Yeah. There are a lot of elements in it that resonate with me. The material speaks to me in its own way.
What inspired the name Themata? Does it have a specific meaning or story?
Ville‑Veikko: Coming up with a band name is always tricky. Karnivool’s album Themata caught my eye back in 2005, and the name stuck with me because of its mystery. For us, Themata means theme or subject, something open, something that does not confine us. It gives us the freedom to create without limits. So while the name is taken from Karnivool, to us it represents artistic freedom and the ability to explore visions we couldn’t realize in our other projects.
How would you describe the musical and lyrical themes of your EP Riven?
Ville‑Veikko: Musically, we wanted to keep things simple and give space to the production. The goal was to create something heavy, dynamic, and appealing to a wide audience. People have told us that Themata feels like something new in the metal scene. We call our style modern sludge, which fits the sound well.
Lyrically, we wander through gloom, where even the smallest glimmers of light feel like the last ashes of an extinguished ember.

Where did the EP recording process take place, and how did the environment affect the final sound?
Ville‑Veikko: The EP was recorded in three different locations across Southern and Western Finland. Each of us worked in our own environment, and that shaped the final result. The energy we got from each other’s contributions was strong. We were able to work entirely on our own terms and schedules, and the sound world emerged naturally heavy, crushing, and exactly what we aimed for.
What can you tell us about your latest single “Monochrome”?
Ville‑Veikko: Monochrome was written in the aftermath of Riven, but it expands on the EP’s atmosphere. It was recorded in different locations, and mixed and mastered by a different team. It is a step toward an even rawer sound, but still part of a natural continuum. There is no specific message, Juuso interprets the curse of being thrown into endless darkness, where death is born in perfect symbiosis with oneself. The cover art is by Niilas Nissilä of Sepulchral Curse. Mixing was done by Oskari Hakala‑Rahko from Themata live collective, and mastering by Miro Kiiski.
Juuso, were you able to write anything for this single?
Juuso: No, Ville‑Veikko wrote everything. That is how the band works, that is how we split the tasks. I arranged the lyrics and the vocals.
Where did you record the vocals?
Juuso: At home. I have a small studio setup, so I do everything there.
So it is easier without studio pressure?
Juuso: Exactly. And I live in the middle of a forest, in the middle of nowhere, so it works perfectly.
You all play in different bands. How do you find time to rehearse and coordinate?
Juuso: It is difficult, there are a lot of moving parts. For this show, we rehearsed maybe three times. But we’ve all been playing for a long time, so everyone knows what they’re doing. We practice individually and then make sure it works together. Time management is tough.
If you had to describe Themata’s music to someone who has never heard it, what would you say?
Juuso: To me, it is both beautiful and absolutely horrific at the same time. It has a heavy, oppressive quality, and that is what drew me to it.
Are you working on new music now?
Juuso: Yes. Ville‑Veikko is writing new material, and we have talked about doing a full‑length album. We already have a lot of material ready, and some tracks recorded in the same session as Monochrome. We will release those this year.
Ville‑Veikko: More new music is coming to support our autumn gigs.
How was the reception to the EP last year?
Juuso: I think it was received well. I did not hear any negative feedback. Overall, the response was positive.
How did it feel doing soundcheck today for your first gig? How was the synergy?
Juuso: Normal in a good way. I have played with our bassist Oskari for a long time, and Iha ve known Ville‑Veikko for years. We are all friends, so it is easy. No stress. Everyone trusts each other.
How do you prepare before a gig?
Juuso: Vocal warm‑ups, lots of water, and getting into the right headspace. It depends on the band I am performing with, each one has a different ritual. Honestly, it is pretty boring. Just the basics every singer needs.

How did you learn the vocal techniques you use?
Juuso: I can not even really remember. I did backup vocals for a while, then ended up in a band where the vocalist quit, so I had to take over. It was trial and error, losing my voice a million times and getting it back. But I have been doing it for a long time now.
So you learned how to manage it over time?
Juuso: Yes. And if you are playing a lot of back‑to‑back shows, you have to take care of yourself. Otherwise you won’t last.
So a full‑length album and more gigs are coming. Anything else? Any music videos planned?
Juuso: We do not have any videos planned at the moment. Maybe we will do one, you kind of have to, but I am not a big fan of music videos myself. Right now we are focusing on gigs, writing, and recording. We will probably record early next year once the writing is finished.
We’re at the end of the interview. Anything you’d like to say to your fans and the people reading this?
Both: Thank you for listening to Themata.
Heimwerker Video Interview
Austrian chaos‑collective Heimwerker is not just another punk band, they are a full‑blown incursion from an evil parallel universe lurking somewhere beyond the chairs, the furniture, and every horrible planet you would rather not visit. Founded in 2021, the quartet of Aki Streeter, Kami Kaze, Redlight Alley, and FLOP forged their own genre in the debris: Post‑Apocalyptic Province‑Punk, a sound as unhinged and combustible as the world they claim to come from.
By 2023 the line‑up was locked, the mission was clear, and their debut album In Danger Of Collapse detonated into the scene; raw, abrasive, and impossible to ignore. Their live shows have already become the stuff of local legend: energetic, chaotic, and just the right amount of unhinged, like a party thrown at the end of the world with no intention of cleaning up afterward.
With new gigs lined up for summer and fall, Heimwerker’s invasion is far from over. In this interview, founder Aki Streeter opens the portal into their universe, their sound, and the strange forces that keep this PAPP‑band roaring forward.
https://heimwerker.bandcamp.com/
https://www.instagram.com/heimwerkerband/
https://open.spotify.com/artist/3hHiyrtYcM9YXcqmqeXEjS?si=a-67dfikSb2Pc5LkKzaLEA
Maneaters Interview
Pure energy, emotional depth, and a strong sense of identity: these are the elements that define the Maneaters, the all-female rock band revolutionizing the Italian alternative scene. Blending the grit of ’90s heavy rock with punk attitude and contemporary metal sounds, the quartet has created a sound that feels both instinctive and deeply personal.
With their latest EP, Crave, released last December, the Maneaters delve deeply into themes of desire, loss, and internal conflict, delivering songs that pulse with vulnerability and strength in equal measure. As they prepare to take their music on tour and expand beyond Italy, the band sat down with us to discuss their creative process, their influences, and what it means to navigate the world of rock as an all-female band today.
Hi girls, how are you doing?
We’re doing great, thank you! Super excited about everything that’s happening lately.
Would you mind introducing yourself and giving us some biographical hints?
We are Maneaters, an all-female rock band based in Italy. We started playing together out of a shared need to create something honest and intense, blending different influences into a sound that feels both raw and emotional. Each of us comes from slightly different musical backgrounds, which is something that really shapes our identity as a band.
Your EP “Crave” was released last December, what can you tell about its genesis and recording process?
“Crave” was born during a very intense period for all of us, both personally and creatively. Most of the songs came together quite organically, starting from riffs or emotional ideas that we developed as a band.
The recording process was very immersive—we wanted to keep the energy as real and alive as possible, so we focused on capturing the feeling of playing together rather than over-polishing everything.

At the same time, being an all-female band is a strong part of our identity—we don’t see it as a limitation, but as something powerful that we fully embrace.

VOV Video Interview
VOV is a Finnish symphonic metal band known for their ability to blend classical influences with melodic metal and narrative writing. Their music explores themes of identity, loss, dignity, and existential conflict, often through cinematic and mythical imagery. On the day of the release of their new single “Drunk At The Opera,” they performed at Nakkila, where our reporter Cristina interviewed them after the show to learn more about the band and their creative world.
You must be logged in to post a comment.