Category: Press Releases

A Refugee’s Tale DEREV’s New Video “Tides of Time” Speaks of A Yearning For Home – Debut Album “Troubled Mind” Out March 2025

Set to release their first full length “Troubled Mind” at the end of March 2025 along with hitting the road across Ontario and Quebec (dates listed below), Toronto prog Derev is sharing their next single “Tides of Time” accompanied by a music video. The track showcases the distress of “cognitive immobility”, a mental trap that leads to an effort to recreate past incidents that one lived in the past. By doing so, the person attempts to retrieve what was left behind, leaving them stuck in a place that no longer exists in reality.

Drummer Michel Karakach shares:

“Leaving my hometown in Syria at the age of 25, after having built so many wonderful friendships, memories, and experiences was a struggle I never knew I’d have to deal with until I did. Finding myself reminiscing over and over about my past life inspired me to write about it as a form of therapy. I never knew this was an actual mental diagnosis until I did some research on it.”

While “Tides of Time” may sound simple and straightforward for first-time listeners, the truth is far from it. This song is filled with hidden gems and rhythmic intricacies that can only be caught by well-trained ears. It features a 7/8 time signature layered over a pulsing 4/4 backbeat, creating a mesmerizing polyrhythmic loop throughout. As the song progresses from a mellow, slow vibe to an intense, epic crescendo, a standout guitar solo seamlessly ties all the elements together. It concludes with the same bass riff that opened the track, forming an endless loop that mirrors the song’s central theme.

Watch and listen to the music video for “Tides of Time” via its premiere on Prog-Sphere HERE.

“Troubled Mind” is Derev’s first full length and second release to follow their 2021 debut EP “Leap of Faith”. Derev was conceived after founding member, and drummer Michel Karakach, after fleeing the war in the Middle East and finding refuge in Toronto, Canada, reunited with his best friend, guitarist Armando Bablanian to turn what was once a mere childhood dream into now a powerful reality.

“Troubled Mind” builds on the foundation laid in Derev’s first release, offering a diverse range of sounds from mellow, calm tracks to adrenaline-pumping heavy headbangers, while maintaining their distinctive progressive rock sound, enriched with Middle Eastern influences. Incorporating more prominent keyboard parts, experimenting with various time signatures, and introducing new instruments such as the Cajon, Darbuka, and electronic elements. This evolution showcases the band’s innovative spirit and commitment to pushing musical boundaries.

“While our debut EP tackled broad themes like war, technology, and injustice in the world, Troubled Mind shifts focus to the personal realm. We wanted to explore and articulate various mental states, the subtle thoughts, and inner dialogues that when nurtured and fed over time, makes us who we are. And while we offer some kind of resolution in a few tracks, the purpose of the album is to explore and highlight these different states of mind, rather than try to resolve them.” adds the band.

Derev‘s dynamic lineup now includes bassist Stan Komarovsky, providing the backbone of Derev‘s sound, and keyboardist Ran Zehavi from the progressive rock band Scalar, adding depth and complexity. Leading the live charge is frontman and vocalist Mike Symons to replace previous singer Adel Saflou who is featured on “Troubled Mind”.

Set for release on March 26, 2025, Derev‘s debut album “Troubled Mind” promises to be an introspective journey, offering listeners a relatable experience with mental health and its struggles. It is recommended for fans of Opeth, Dream Theater, and Porcupine Tree.

Album pre-order at https://www.derevmusic.com/store (Vinyl, CD, Tour Pass)

Previous Singles:

Lyric Video – “Cyclone” – https://youtu.be/1il9zsnxl0U​

Animated Video – “Room 9” – https://youtu.be/ryl-vajc7-M​

Spotify – https://show.co/XRS9Tlm​

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DEREV – Troubled Mind ON/ QC Tour​
March 1 – London, ON – Richmond’s Tavern w/ Swearcrow
March 15 – Barrie, ON – The Queens w/ Kill/Death Radio & Cudbear
March 22 – Toronto, ON – The Supermarket w/ Magnavita & St. Doval, and Rod Rodrigues
March 28 – Waterloo, ON – Midnight Run Café w/ Local Goblin
March 29 – Guelph, ON – The Red Papaya w/ Jupiter Hollow, Crown For A King, and Exolithic
April 5 – Montreal, QC – Piranha Bar w/ World On Alert & Vinyl Hero
April 11 – Hamilton, QC – Club Absinthe w/ 8 Banger, Hollow Core, Bad Communication
April 12 – Brantford, ON – Brandi’s Kitchen & Bar w/ Jupiter Hollow & Guests
April 25 – Kingston, ON – The Mansion w/ Mad Wet Sea & Guests
​

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Track Listing:​
1. Buried Voice (7:23)
2. Cyclone (5:39)
3. Crawl Space (1:16)
4. Room 9 (6:15)
5. Paracusia (4:35)
6. Tides of Time (5:59)
7. Darker Self (5:44)
8. Trace Within (5:01)
​
​Album Band Line Up:​
Adel Saflou – Vocals
Armando Bablanian – Guitar
Michel Karakach – Drums
Stan Komarovsky – Bass
Ran Zehavi – Keys
​
​Live Band Line Up:​
Mike Symons – Vocals
Armando Bablanian – Guitar
Michel Karakach – Drums
Stan Komarovsky – Bass
Ran Zehavi – Keys

More info: Derevmusic.com | Facebook.com/derevmusic | Instagram.com/derevmusic | X.com/derevmusic​

About: “Divided by war, United by music”

Derev is a progressive rock band captivating global audiences with its innovative blend of progressive rock and traditional Middle Eastern music.

After fleeing the war in the Middle East and finding refuge in Toronto, Canada, founding member, and Drummer Michel Karakach reunited with his best friend, guitarist Armando Bablanian, to turn what was once a mere childhood dream into a powerful reality.

Derev’s debut release “Leap of Faith” melded the raw energy of hard rock with the rich textures of traditional Middle Eastern music they grew up with, offering a fresh perspective on topics often overlooked in modern music. This distinctive sound quickly caught the attention of both local and international audiences, propelling Derev into a series of successful shows across Canada.

The band’s dynamic lineup now includes bassist Stan Komarovsky, providing the backbone of Derev’s sound, and keyboardist Ran Zehavi from the progressive rock band Scalar, adding depth and complexity. Leading the live charge is frontman and vocalist Mike Symons to replace previous singer Adel Saflou who is featured on their forthcoming studio offering “Troubled Mind”. Symons’ compelling presence and vocal prowess complete the live ensemble.

As Derev gears up to release their anticipated second album “Troubled Mind” on March 26th, 2025, they continue to carve out a unique niche in the music world. Their innovative sound promises to captivate new listeners and industry veterans alike. Keep an eye on Derev as they redefine what rock music can be.

Discography:
2025 – Troubled Mind – LP
2021 – Leap of Faith – EP

Dosgamos to release ‘On Day Seven He Regretted’ on March 14th

‘On Day Seven He Regretted’ marks a bold evolution for Dosgamos, building on their 2022 release, ‘Wrapped Renaissance.’ The album sees Vinnie (guitars) and Elia (drums) take the creative lead, delivering a more cohesive, rhythmically intense, and harmonically rich sound. Influenced by Decapitated, Meshuggah, Animals as Leaders, and Destrage, alongside jazz-rock elements inspired by Miles Davis, the Elektric Band, and Snarky Puppy, the result is a distinctive sonic identity.

Michele’s (vocals) dynamic vocal lines and lyrics, inspired by Corey Taylor and Phil Anselmo, delve into the complexities of human existence, while Milarevan’s striking artwork visualizes the album’s themes of disillusionment and hidden truths. Alessandro (second guitar) collaborated closely with Elia, drawing from Gojira and Black Dahlia Murder to inject energy and movement into the tracks.

Recorded at Audiocore Studio and expertly mixed and mastered by Ronnie Björnström, ‘On Day Seven He Regretted’ showcases Dosgamos‘ artistic growth. Slated for release in 2025 via WormHoleDeath Records, it promises to leave a lasting impact on the metal scene.

Watch the lyric video for Slay the Mother of All Ignorance:

 

On Day Seven He Regretted (2025)

Track list:
1. Slay the Mother of All Ignorance
2. Categorical Reprisal
3. Death Obeys
4. Apple of My Eye
5. Raped Feelingly
6. I’ve Rehab
7. On day Seven He Regretted
8. Indulgence at Stake

Formed in 2018, Dosgamos has been carving out a unique niche in the metal landscape, blending powerful grooves with intricate melodies. The band features Michele Altavilla’s dynamic vocals, along with drummer Gorath (Stormcrow), bassist Giulio Garibaldi, and guitarist Vinnie (Injury). Following the pandemic, they completed their debut album, “Wrapped Renaissance,” which was recorded in late 2021 and released in 2022.

Since then, Dosgamos has been relentlessly promoting their debut with electrifying live performances across East Europe. This includes a successful tour through the Czech Republic, Romania, Hungary, England, Wales, and Albania. The addition of drummer Elia Dutto and guitarist Alessandro Parola has only strengthened their live presence, culminating in a powerful debut at a festival in Prague.

Their upcoming album, “On Day Seven He Regretted,” promises to be a game-changer. The legendary Ronnie Björnström (Meshuggah, Aeon) mixed and mastered it. This collaboration is set to elevate Dosgamos to new heights, showcasing their evolution as artists and their commitment to pushing the boundaries of groove metal.

Connect with Dosgamos:
www.dosgamos.com
www.instagram.com/dosgamosband
www.facebook.com/dosgamos
www.youtube.com/@dosgamos

SVNTH Unveils Its Blackgaze “Perfume” From New Album “Pink Noise Youth” Out April 2025

Italian experimental metal outfit SVNTH will be coronating their new album “Pink Noise Youth” on These Hands Melt Records this coming April 2025. Unveiling their first single “Cinnamon Moon” this past January, the quintet in offering its next scent of blackgaze with “Perfume”. The track is carried by catchy and emotional guitar melodies with captivating singing, classic song structure and lyrics about nostalgia and moments that will never come back. It mixes elements of alternative rock and post-metal for a sound reminiscent of Alcest, Nothing and Smashing Pumpkins.

Listen to “Perfume” via its premiere on Bravewords HERE.

Single Artwork for “Perfume”

“Pink Noise Youth” is SVNTH‘s fourth studio album to follow their 2020 “Spring in Blue”. This new full-length demonstrates SVNTH‘s continued evolution, deliberately transcending genre boundaries by combining elements of hardcore, metal, shoegaze, and post-rock with unexpected instrumental choices. The album promises to take listeners on a cohesive journey through its carefully crafted track sequence, maintaining the band’s tradition of creating conceptually unified works.

“This album is also full of new things, starting from a consistent line-up change of more than half of the band, the introduction of many new instruments such as electric Indian sitar, clean singing, classical and 12 strings guitars and in addition songwriting goes back to a more traditional song in opposition to the more suite-like approach of the previous album. People will surely welcome it with curiosity.” adds the band.

The music of SVNTH has always been aiming to give the listener emotional vibes. This record in particular is conceptually based on exploring late youth emotions and the music is created for reflecting such instability.

Recommended for fans of Deafheaven, Alcest, and Agalloch, “Pink Noise Youth” is due out on April 18, 2025, on Vinyl, CD, and Digital via These Hands Melt Records and is available for pre-order / pre-save at https://lnk.to/SVNTH​

First single “Cinnamon Moon” at the following links:

Lyric Video – https://youtu.be/0hpPr0mFxQs​

Spotify – https://spoti.fi/3PWfwMK​

Album Cover – Pink Noise Youth – Artwork by Tryfar

Track Listing:​
1. Inhale – 1:31
2. Cinnamon Moon – 5:18
3. Perfume – 4:19
4. Elephant – 6:49
5. Narrow, Narrow – 5:35
6. Exhale – 4:33
7. Winter Blues – 4:32
8. Nairobi Lullaby – 4:37
Album Length: 37:18

Album Credits:​
All music and lyrics written by Rodolfo Ciuffo
Performed by Rodolfo Ciuffo, Alessandro De Falco, Valerio Primo and Alessandro Canzoneri
Guitar solos on “Elephant”, “Exhale” and “Nairobi Lullaby” written by Alessandro De Falco
Recorded, mixed and produced by Alessandro De Falco
Mastered by Angel Marcloid at Angel Hair Studio
Photography by Alexandru Cozlan, modeling by alteaaetla_sg
Album Artwork by Tryfar

More info: https://linktr.ee/svnthband​

About:

With a various background of musical influences and artistic inspirations, SVNTH (written all caps and pronounced “Seventh”, formerly “Seventh Genocide”) from Rome, Italy has been shaping a unique equilibrium of sounds through the years moving across a huge variety of directions on the palette of contemporary alternative music to create a distinctive soundtrack for inner emotions, life scenarios, and existentialist questioning. Expanding the energy of black and post-metal over the mellow and contemplative boundaries of shoegaze, art pop, and cinematic post-rock.

From the vivid early black gaze melodies of the debut “Breeze of Memories” (2015) to the long song structures with acoustic overtures and Godspeed You! Black Emperor inspired sections of the monumental “Toward Akina” (2017); SVNTH confirms this more complex approach on the double LP “Spring in Blue” (2020), the childhood chapter of a trilogy of colors based on emotions in different phases of life.

The upcoming “Pink Noise Youth” (2025) gets back to a more traditional song format, introducing a unique use of Indian sitar, and an array of acoustic instruments and singing expressions, which develops SVNTH to a one-of-a-kind sound and personality.

As of today, the band has done several tours and single shows all over Europe and in the USA touching even non-frequently toured countries such as Albania and Turkey and performing at notable festivals like Rockstadt and Frantic Fest, bringing a defining cathartic live energy.

Headcat, Delta Bombers alumni announce Voodoo Tones’ “Livin’ Ain’t Easy”

Voodoo Tones, the red hot new rockabilly project featuring ex-Headcat alumni Danny B. Harvey, Slim Jim Phantom (Stray Cats) and Djordje Stijepovoc (Tiger Army), plus CM Wolf of The Delta Bombers, emerge today with a steaming new single, the tumultuous rockabilly stomp “Livin’ Ain’t Easy.”
Originally written by Wolf following his departure from the Deltas Bombers, the song was completed last year after Harvey got in touch, suggesting they work together.
Harvey explains, “I’ve been a fan of Chris Moinichen, aka CM Wolf, since I first heard his voice booming out of a stereo on a recording by his band the Delta Bombers. Chris sounded to me like a cross between Howling Wolf and Elvis Presley, one of the most soulful rockin’ voices I’d ever heard.
“First thing we did was finish ’Livin’ Ain’t Easy.’ Then we wrote a new song together, ‘Come On Let’s Dance’, and lastly worked out the arrangements for two iconic covers we both loved, ‘Sinister Purpose’ by CCR and ‘Break on Through’ by The Doors.
It was the perfect opportunity, too, for Harvey to reconvene Headcat, the shortlived but gloriously savage collaboration with Motörhead’s Lemmy that tore so many ears apart back in 2020. “Right away, I sent our demos to Slim Jim Phantom to ask him to play drums and to Djordje Stijepovoc to get him on the bass; they both loved what we were doing and the Voodoo Tones were born!
“I think you’ll agree that CM Wolf is a new, exciting voice in Rockabilly & Roots music,  and the Voodoo Tones are the perfect alchemy of blues, rock’n’roll & rockabilly. It’s an honor and a privilege to be part of this EP.”
“To paraphrase Lemmy:  ‘We are the Voodoo Tones and we play Rock’n’Roll!’”
Voodoo Tones hope to be on the road soon. In the meantime, however, Slim Jim will be touring this spring, including a number of shows sharing the bill with Belouis Some and Cleopatra labelmates Gene Loves Jezebel.

Kimmo Kuusniemi’s ASA Unveil “Collective Failure” Album + First Music Video for Title-Track

KIMMO KUUSNIEMI, pioneering musician and filmmaker, finally unveils the  long-overdue release of “Collective Failure”—an album that was never properly released but feels more relevant than ever. Published under Kuusniemi’s ASA (Ancient Streaming Assembly) collective, this work stands as a haunting reflection of cycles of societal collapse, technological illusions, and humanity’s inability to escape its own self-destruction.

Unlike ASA’s latest instrumental work, “Collective Failure” remains the only ASA release to feature lyrics—a final message from a time when words seemed to matter. After this, even language is stripped away.

ASA – A Long-Term Vision Realized

ASA (Ancient Streaming Assembly) is the culmination of Kimmo Kuusniemi’s lifelong artistic exploration in music and film, expanding on themes of societal manipulation, technology’s control, and the illusion of
progress. It is also deeply rooted in his long-standing environmental work, reflecting decades of activism and filmmaking that warned of humanity’s unsustainable trajectory.

While the music of Collective Failure was recorded long ago, its full audiovisual realization was not possible at the time. Now, with the tools finally available, Kuusniemi presents Collective Failure as a
complete art piece, with every song accompanied by its own visual counterpart.

To mark the release, the first music video for “Collective Failure” has been unveiled, setting the stage for a full audiovisual experience. Each video is created by Kuusniemi using AI as a tool to expand and visualize his vision, forming a multi-sensory deconstruction of reality itself.


A Soundtrack to a World Trapped in Repetition

ASA’s work is built around Ancient Simulation Theory—the idea that humanity exists within a pre-programmed system, endlessly repeating loops of progress and collapse, memory erased each time, never breaking free.

This concept resonates deeply with tracks like:

– “Collective Failure” – A warning about society’s amnesia, blindly repeating history.
– “Synthetic Illusions” – A critique of escapism, where people numb themselves instead of confronting reality.
– “Machine Faith” – A reflection on blind reliance on technology as a savior.

Critics noted that Collective Failure refuses to conform to any genre, mirroring the ethos of ASA: a project that challenges artistic and philosophical boundaries. In ASA, music and video are inseparable,
creating a multi-sensory experience designed to provoke thought and inspire reflection.

“For me, ASA is not just another project—it is the realization of ideas that have been present in my work for decades,” says Kuusniemi. “When Collective Failure was recorded, it wasn’t possible to create the visual world it needed. Now, I can finally release it as it was meant to be—a complete audiovisual experience.”

This press release also serves as a call to experience Collective Failure—an album that was lost in time but whose message has only grown more urgent.

Rediscover. Decode. Escape.

The cycle will continue unless we break it.
Are you ready to see the simulation for what it is?

More information on ASA: https://linktr.ee/AncientStreamingAssembly

Cult gothic metal band For My Pain… released their own version of the classic Tehosekoitin’s song

Founded in Oulu in 1999, For My Pain… is known as the messenger of dark gothic metal. The vision of the supergroup, which emerged from the metal scene at the turn of the millennium, was to create music that would merge heavy melodic metal with a dark gothic atmosphere. The band members were previously known from bands such as Eternal Tears of Sorrow, Nightwish, Embraze, Kalmah, Charon and Reflexion.

In December 2023, For My Pain… announced their return – exactly 20 years after the release of their debut album. The first singles of the new era, Recoil Into Darkness and WitchBitch Elite, were released in 2024. Although two whole decades had passed since the previous recording, the familiar strong atmosphere and melancholic melodies still captured the listener firmly in their shadows.

Now For My Pain… is offering its fans something completely new, with the band’s version of the Tehosekoitin‘s Hetken Tie On Kevyt classic in the works. Bassist Altti Veteläinen, one of the band’s founding members, says he had the vision to do a version of the song back in 2004.

“This is definitely one of the finest gems of Finnish rock, to which we have danced the last slow songs of the evening and watched the midnight sun hand in hand. Every time I heard the song, a heavier version of the verse would play in my head. The thought of our own version, which would still do honor to the original classic, haunted me,” Veteläinen recalls and continues:

“When we decided to return to the books of the living with the band, this vision also reawakened. Over the years, very few people have done their own version of this, so in that sense the idea still felt good and relevant. We decided to test how the song would work with a rehearsal, and it was clear from the first rehearsal that we couldn’t leave this one undone.”

For My Pain… recorded the song as usual at their singer Juha Kylmänen’s Whiteleaf Studio, which has become practically a second home for the members recently. The legendary Finnish metal duo Mikko Karmila and Mika Jussila (Finnvox studios) were responsible for mixing and mastering.

“In our opinion, the end result sounds completely like ourselves, but still very much like the original work. The starting point was not to try to remake the song or the original arrangement in a different mold, but to interpret a great composition in our own style and respecting the original sensitivity,” Veteläinen sums up.

Upcoming gigs:
24.5.2025, On The Rocks, Helsinki
30.5.2025, Rytmikorjaamo, Seinäjoki
27-28.6.2025, LankaFest, Puolanka
2.8.2025, Loisto-Festarit, Jonku, Pudasjärvi

For My Pain… current line-up:
Juha Kylmänen: vocals (Reflexion, Full Nothing)
Lauri Tuohimaa: guitar (Embraze, Tuohimaa, ex-Charon)
Olli-Pekka Törrö: guitar (ex-Eternal Tears of Sorrow)
Altti Veteläinen: bass (ex-Eternal Tears of Sorrow, ex-Kalmah, ex-The Man-Eating Tree)
Marco Sneck: keyboards (Poisonblack, Chamelion, Tuohimaa, ex-The Man-Eating Tree, ex-Kalmah)
Ari-Matti Pohjola: drums (Reflexion, ex-Soulrelic)

For My Pain…‘s debut album Fallen was released worldwide in 2003 by Spinefarm Records/Universal Music and received a very positive reception both in Finland and internationally. The album quickly became a classic of its genre, with some of the most famous songs being Autumn Harmony, Dancer in the Dark and Rapture of Lust. A year later, another 3-song EP, Killing Romance, was released, which was the last release of the then-lineup before the project fell into obscurity in 2005. Now the reborn band.

INSTAGRAM | FACEBOOK | YOUTUBE | TIKTOK | SPOTIFY

Rabbit Cult is back with new music with their single Pink Rifle

Today, the Finnish metal duo Rabbit Cult released their new single Pink Rifle, which blends playful irony with a world of dark menace. The captivating combination of electronic pop metal and kantele continues the soundscape familiar from the band’s first single Cute AF. The song’s lyrics explore themes of power, predation and innocence. The production was carried out in close collaboration with Markus Kaarlonen (Poets of the Fall).

“This song was the result of a long process of refining – it was rewritten about ten times before it found its final form. The arrangement was thoroughly thought out, and in the end the entire structure was renewed by increasing the tempo and adding new lyrics,” says the band’s multi-instrumentalist Marianne Heikkinen (drums, percussion, guitar, bass, keyboards, backing vocals).

“The original composition was really progressive and complex, and full of time signature changes. I was already sure it was ready, but then Markus, who we produced this with, suggested that we could even just keep the chorus to four. The next night I woke up playing a new guitar riff for this – even though I don’t even know how to play guitar. In the end, only a few lines of the chorus and half of the original riff in the intro remained,” recalls Salla-Marja Hätinen, who is responsible for lead vocals and kantele.

“I was also involved in writing the lyrics for the first time. We sought inspiration from texts written by men in the last millennium, which sound questionable at best in this day and age. An example of this is Bruce Springsteen’s I’m On Fire, originally written for Elvis, which directly talks about his desire for a little girl. Fortunately, times have changed a little!”, Marianne comments.

The pop metal duo formerly known as Saruru changed their name last year. At the same time, the band’s visual side was also updated. The band, which declared itself Rabbit Cult, weaves together the matriarchal roots of Kalevala mythology and the recognizable sound of the Finnish national instrument, the kantele.

Rabbit Cult is not just a band, but also a story. A story that began in a time when modern-day states were not was still there, and explorers wrote on their maps Terra Feminarum (=Land of Women), which centuries later became an independent country called Finland. The Rabbit Cult continues the tradition of this female-led, secret society.

RABBIT CULT | INSTAGRAM | TIKTOK | YOUTUBE | FACEBOOK | SPOTIFY

Ball Busting in Berlin: Finnish AC/DC fanboys HÄ/DA release a new raunchy Ball Buster single and music video

The hard rock -duo HÄ/DA has released a new single and music video, Ball Buster, which tells a true, cautionary tale about meeting a beautiful lady with superb pool playing skills in Berlin. Although it is possible to interpret the lyrics in a different way as well, depending on just how dirty an imagination the listener possesses. 

Strongly influenced by AC/DC, the Finnish duo HÄ/DA is a product of the guitarist Juho “Hässi” Hämäläinen and the vocalist Antti “DeeAa” Heikkinen.

“We’re definitely not aiming to reinvent the wheel here. The style of AC/DC is our guiding star here, no question about that”, the men explain.

Hässi also plays in the best Finnish AC/DC-tribute band Dirty Deeds Indeed as well as the hard rock band Rane Rautiainen & Paha Kaksonen. DeeAa sings and plays the guitar for the heavy rock -band Mosfite. Both have numerous other musical endeavors in their past, both together and with other groups.

Ball Buster is also featured on a five-song EP that will be released in March, “(Almost) 20 Minutes Of Love”.

Watch the music video: https://youtu.be/oYcharh2MxI

Listen to the single on music services (Spotify, Apple Music, Deezer, Tidal etc.): https://push.fm/fl/hada-ballbuster
For the fans of: AC/DC, The Darkness, Airbourne, Rhino Bucket.
https://www.facebook.com/hadabandofficial

https://www.youtube.com/@HADABAND

Prog rock edge and dreamy atmosphere – Luminous Mind released their The Reverie’s Lament EP

Luminous Mind is a quintet that conjures up atmospheric progressive rock. The band released a brand new EP, The Reverie’s Lament. The EP is a four-song story that explores the nuanced emotions and experiences of falling asleep and dreaming. The Reverie’s Lament presents the first songs featuring the band’s new soloist Topi Aalto. Finding a new singer took some time, but now the band’s lineup is in place, and Luminous Mind is ready to kick things into gear.

“This ensemble takes the listener on a journey where dreams and reality mix, and waking up is not a given. The songs combine elements of progressive rock and metal, creating a soundscape that reflects the chaos and beauty of being on the border between sleep and wakefulness,” the band says.

The EP was previewed with the ten-minute prog epic Waking Dreams and Borderline, which showcases Luminous Mind’s rockier edge. As the last track, the band presents the song Restless Serenity.

“Restless Serenity is a relatively more straightforward song than you usually hear from our band, and it represents more fast-paced rock. Despite this, it still strongly reflects our band’s style and essence. The song is, as the name suggests, energetic and hectic in its atmosphere, but at the end the song opens up and calms down into an atmospheric outro,” says singer Topi Aalto, who wrote the song’s lyrics.

Luminous Mind is:
Topi Aalto – vocals
Antti Soini – guitar
Aleksi Korkee – keyboards
Sami Kepsu – bass
Touko Lehto – drums & backing vocals

LUMINOUS MIND | INSTAGRAM | FACEBOOK | SPOTIFY

SHORES OF NULL First Leg of 2025 EU Tour Dates – Live Album “Beauty Over Europe” Out May 2025

Italian melancholic dark metal SHORES OF NULL announce their first leg of of 2025 tour dates across Europe that will feature a combination of festival appearances and indoor shows between Italy and Germany.

Shores of Null 2025 Tour Dates:​
01.03 • Journey Fest VI @ Spazio Webo – Pesaro
w/ Deadly Carnage, Ghostheart Nebula, Built-in Obsolescence Band, Lilinanna
14.03 • Alchemica Music Club – Bologna
w/ Deadly Carnage, Built-in Obsolescence Band, Eva Can’t
30.04 • Klubhaus – Saalfeld w/ Décembre Noir, Praise The Plague
01.05 • TBA
02.05 • Walpurgisnacht Vol. IV – Berlin w/ And Oceans, Heretoir, Décembre Noir
11.05 • Isola Rock – Verona w/ Dark Lunacy
15.06 • Arena Alpe Adria – Lignano Sabbiadoro w/ In Flames, Lacuna Coil

​

In additional news, Shores of Null will be unraveling a live album for May 2025. Entitled “Beauty Over Europe”, the live record features 10 tracks that were recorded during their monumental 2023 European tour with Swallow The Sun, Draconian, and Avatarium. Throughout that tour, Shores of Null performed 35 shows across 18 countries, including Norway, Denmark, Germany, the UK, Ireland, France, Italy, Switzerland, Netherlands, and Hungary, bringing their critically acclaimed album “The Loss Of Beauty” to the stage.

The live recordings, captured in the cities of Leipzig, Munich, Aschaffenburg, Budapest, and Belfast, preserve the raw and emotive energy of their performances. Each track reflects the band’s ability to blend melancholic melodies with crushing heaviness, offering fans a visceral live experience.

“Beauty Over Europe” is both a celebration of the tour and a gift to all fans of the band. Exactly two years after that unforgettable journey, this live album offers a chance to relive the emotional intensity and true essence of Shores Of Null’s live performances.

Guitarist Gabriele Giaccari comments:

“This tour was an incredible journey, the longest in our career, and a true milestone for Shores Of Null. As the promotional tour for The Loss Of Beauty, our latest and most acclaimed album to date, it was an honor to bring these songs to life across 35 shows in 18 countries. Sharing the stage with monumental bands like Swallow The Sun and Draconian—huge inspirations for our music—was unforgettable. Despite the melancholy of their sound, they’re some of the most fun and genuine people we’ve met, and by the end of this epic journey, we were proud to call them friends.

We owe special thanks to our incredible crew—Petri, Matti, Mikko, and Tero—who ensured everything ran seamlessly and made this experience unforgettable. To pay homage to this extraordinary chapter, we decided to produce a live album. Recorded during key moments of the tour, it captures the essence of these unforgettable performances and is dedicated to all the people who supported us live and shared these magical moments with us.”

Watch a live video clip from their tour stop in Aschaffenburg, Germany performing “The Last Flower” – https://youtu.be/w-Hq69KG2RM​

Spotify – https://spoti.fi/3BU584W​

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Setlist:​
1. Transitory (Live intro)
2. Destination Woe (Live in Leipzig)
3. Nothing Left To Burn (Live in Leipzig)
4. Quiescent (Live in Munich)
5. The Last Flower (Live in Aschaffenburg)
6. Black Drapes For Tomorrow (Live in Budapest)
7. A Nature in Disguise (Live in Munich)
8. Darkness Won’t Take Me (Live in Belfast)
9. My Darkest Years (Live in Aschaffenburg)
10. Blazing Sunlight (Live Outro)
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Live Recording: Matti Kynsijärvi
Mixing and Mastering: Marco Mastrobuono at Bloom Recording Studios
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​Band:​
Davide Straccione – Vocals
Gabriele Giaccari – Guitars, Backing Vocals
Raffaele Colace – Guitars, Backing Vocals
Lorenzo Carlini – Live Bass
Matteo Capozucca – Bass
Emiliano Cantiano – Drums

“The Loss of Beauty” is Shores Of Null’s fourth album and follows the acclaimed “Beyond The Shores (On Death And Dying)”, unanimously considered by fans and critics as one of the Doom Metal gems of recent years. The lyrics celebrate beauty in imperfection and transience and are meant to be an invitation to seek beauty in little things, especially those unexpected and ephemeral.

Stylistically, “The Loss of Beauty” continues along the sulcus set forth by “Quiescence” and “Black Drapes For Tomorrow”, its melancholic dark metal with a wide range of influences, from gothic metal to doom metal and melodic black/death metal, with frequent use of vocal harmonies and deep growls.

The album consists of 13 songs, while the LP version only contains 11, the two extra tracks are bonus tracks that can be found on the CD version as well as on the streaming platforms. Dark and heavy, tinged with feelings of despair and melancholy, “The Loss Of Beauty” was released on March 24th, 2023, and is recommended for fans of Swallow The Sun, Borknagar, and Paradise Lost.

Album Stream:

YouTube – https://youtu.be/vWOcwJYjhq8​

Spotify – https://spoti.fi/3ZckbMW​

Album order (Digital, CD, Vinyl) – https://linktr.ee/thelossofbeauty​

For more info: Spikerot.com | Shoresofnull.com

About:

Shores of Null stand out from their contemporaries with their ability to blend seemingly disparate elements into their sound, overwhelmingly heavy and soothing at the same time: blackened aggression stands alongside gothic-doom sections without either sounding out of place. Their music can be both melancholic yet majestic, made of chorale-like guitar textures across the instrument’s entire range, sustained by a powerful rhythmic section and punctuated by a refined mixture of clean and growled vocals, along with extensive use of pleasing vocal harmonies which have become the band’s trademark through the years.

The Rome-based metal band has been an unwavering presence within the metal underground since their musical outset in 2013, churning out a series of impressive records: the melodic and somber “Quiescence” (Candlelight, 2014), the darker and more complex “Black Drapes For Tomorrow” (Candlelight/Spinefarm, 2017), and the ambitious “Beyond The Shores (On Death And Dying)” (Spikerot Records, 2020), a 38-minute long doom manifesto that sees guest appearances of the doom-titans Mikko Kotamäki (Swallow The Sun) and Thomas A.G. Jensen (Saturnus), along with the angelic voice of Elisabetta Marchetti (Inno).

Shores Of Null’s fourth album, “The Loss Of Beauty”, released in March 2023, was hailed as one of the best albums of the year within the genre. The band supported the release with an extensive EU/UK tour alongside Swallow The Sun, Draconian, and Avatarium, followed by standout performances at major festivals like Hellfest, Rock Imperium, and 70000 Tons Of Metal among others, further solidifying their status as one of the rising forces in the metal scene.