Finnish metal band Segmentia’s new single “Nuclear Sun” pays homage to the power metal era of the 2000s

Ambassador of melancholic metal, Segmentia releases “Nuclear Sun”, the second single from its upcoming debut album. The song plays with contrasts: delicate guitars give way to epic soundscapes while moods of hope and despair alternate. Almost cinematic and built on power metal foundations, the song is a tribute to songwriter Jere Luokkamäki’s years with Celesty.

For me as a composer, Nuclear Sun was the moment I stopped being cautious about my power metal background”, says Luokkamäki.

I laid the foundation for the song on a work trip to Kajaani. The wintry surroundings of the small town and the soldiers on the streets once again got me thinking about the state of the world and how we treat this planet. At times humanity seems determined to bring disaster upon itself, and that is the feeling I wanted to bring into the song”, Luokkamäki continues.

The band’s trademark melancholy strongly colours the universal message of Nuclear Sun.

Jere’s song was clearly an ode to nature, and it fell to me to finish the unfinished lyrics. The melody is at times almost cheerful, but it is above all the lyrics that underline the deep despair that so often consumes me as well”, says the band’s vocalist Kansana, who took part in writing the lyrics.

The performance video for the song is the band’s first of its kind and, at the same time, the second part of an audiovisual trilogy. Visually understated yet striking, the video successfully captures the band’s look and presence on stage.

The setting of the video continues to root the band in the atmosphere of Southern Ostrobothnia. In Before the Dawn, the first music video of the trilogy, dawn was only just breaking. Now the core of the sun blazes in the sky at full force in the Nuclear Sun video, leaving no one untouched”, comments Tomi Salminen / Tojusa Media Oy, producer of the music video

With this release, Segmentia showcases another side of its musical identity. The song is now available on all streaming platforms, and the music video can be watched on the band’s YouTube channel.

LISTEN to Nuclear Sun on streaming services: https://push.fm/fl/segmentia-nuclear-sun

Line-up:

Drums – Jere Luokkamäki

Bass – Stefan Laine

Guitar – Manu Lenkkeri

Vocals – Kansana

Links: 

https://segmentia.info

https://www.facebook.com/8egmenti4

https://www.instagram.com/segmentia

Bay Area thrashers Forbidden announce self-titled album set for release on October 23rd via BLKIIBLK

Thrash metal pioneers FORBIDDEN are proud to announce their new self-titled album, set for release on October 23rd via BLKIIBLK, marking the band’s first full-length release since 2010. To celebrate the announcement and offer fans a taste of what to expect, FORBIDDEN unleashed their new single, “Psyclops,” alongside an official video, available below.

About the new single, guitarist Craig Locicero shares:

“‘Psyclops’ was the final song completed for our newest self-titled offering. It was part of the last batch of music completed with Jeremy Von Epp & myself on the home stretch of our writing sessions & it came together quickly. The song itself is a hypnotizing stomper. Heavy footed like millions of people marching against how things stand in the status quo. Norman’s lyrics for ‘Psyclops’ should be left to the interpretation of the listeners. The chorus paints a vivid picture…’Forsaken, fast asleep and trapped inside a maze, Complacent eyes securely locked in an obscure gaze.’”

Watch the Official Video for “Psyclops” HERE

FORBIDDEN’s legacy is one of being the youngest, hungriest and most ambitious of the Bay Area brethren that has launched metal paradigm-shifters from Metallica to Machine Head. With a reconstituted lineup, guitarist Craig Locicero and bassist Matt Camacho, have crafted an hour-plus masterpiece of thrashy predilection, emotive musical movements, and prog-scraping sonic ambitions. From the intensity of opening track, “Single Point Failure” to the philosophical shades of the 9-minute closer, “Flower of Life,” this is FORBIDDEN not merely stretching beyond the steely foundations of 1988’s classic ‘Forbidden Evil’ or the quantum leap of 1990’s ‘Twisted Into Form,’ but the sound of a band with a new sense of scope and purpose. Produced by Locicero, Kontos& Zach Ohren (Machine Head), ‘Forbidden’ isn’t merely a revival for quintet, but full-blown reinvigoration and purgative endpoint for this Bay Area metal institution.

Locicero comments on the album:

“Making ‘Forbidden’ felt more like an odyssey than a typical recording process. We set out to create a record that reminds people why they fell in love with thrash and heavy metal in the first place, embracing raw energy, melody, and the imperfections that give heavy music its character. Every member brought their best, and having Brann Dailor (Mastodon) join us on ‘Sycophantasy’ was an incredible addition. ‘Forbidden’ is five lifetimes of experience forged into one piece of metallic art.”

Pre-Order ‘Forbidden’ HERE

‘Forbidden’ Track List:

1. Single Point Failure
2. Burning The Lungs of Earth
3. Divided By Zero
4. DCLXVI
5. Psyclops
6. Jisei
7. Mutually Assured Dysfunction
8. Sycophantasy
9. The Burden
10. Sol Grave
11. Flower of Life (Chaos By Design)

FORBIDDEN is excited to be hitting the road in support of their upcoming self-titled album on a run of headlining tour dates supported by Heathen and Void.

FORBIDDEN Live:

10/23 – Las Vegas, NV @ The Usual Place
10/25 – Salt Lake City, UT @ Urban Lounge
10/26 – Denver, CO @ Federal Theatre
10/28 – Iowa City, IA @ Gabes
10/29 – Minneapolis, MN @ Turf Club
10/30 – Chicago, IL @ Reggies
10/31 – Lakewood, OH @ Mercury Music Lounge
11/01 – Pittsburgh, PA @ Preserving Underground
11/02 – Leesburg, VA @ Tally Ho Theater
11/04 – Worcester, MA @ The Palladium (Upstairs)
11/05 – Brooklyn, NY @ TBD
11/07 – Albany, NY @ Empire Underground
11/08 – Lititz, PA @ Mickey’s Black Box
11/09 – Greensboro, NC @ Hangar 1819
11/10 – Greenville, SC @ Radio Room
11/12 – Orlando, FL @ Conduit
11/13 – Atlanta, GA @ Masquerade (Altar)
11/15 – Destin, FL @ Club LA
11/17 – Austin, TX @ Come And Take It Live
11/18 – Dallas, TX @ Trees
11/20 – Albuquerque, NM @ Launchpad
11/21 – Tucson, AZ @ Club Congress
11/22 – Los Angeles, CA @ Teragram Ballroom

Tickets and more information can be found HERE

About FORBIDDEN:
Formed in 1985 in Fremont, California as Forbidden Evil, FORBIDDEN quickly became one of the defining bands of the Bay Area thrash metal movement alongside the genre’s biggest names. Following lineup changes that solidified the classic lineup featuring vocalist Russ Anderson, guitarists Craig Locicero and Glen Alvelais, bassist Matt Camacho and drummer Paul Bostaph, the band released their landmark 1988 debut ‘Forbidden Evil’ before shortening their name to FORBIDDEN. Acclaimed follow-up albums ‘Twisted Into Form’ (1990), ‘Distortion’ (1994), and ‘Green’ (1997) showcased the band’s technical precision, melodic songwriting, and Anderson’s unmistakable vocals, while extensive tours with acts including Sacred Reich, Exodus, Death Angel, Testament, and Malevolent Creation helped cement their reputation as one of thrash’s most respected acts. After disbanding in 1997, FORBIDDEN reunited in 2008, released the acclaimed comeback album ‘Omega Wave’ in 2010, and toured internationally before going on hiatus once again in 2012.

FORBIDDEN returned in 2023 with founding guitarist Craig Locicero joined by longtime members Matt Camacho and Steve Smyth, alongside vocalist Norman Skinner and drummer Chris Kontos. The revitalized lineup made its live debut at Belgium’s Alcatraz Metal Festival before returning home for sold-out Bay Area performances supporting Death Angel’s annual Christmas shows. Focused on creating new music, the band entered a new creative era in 2025 with the release of its first new song in 15 years, “Divided By Zero,” with more new material set to follow in 2026 as FORBIDDENcontinues writing the next chapter of its legendary career.

FORBIDDEN are:
Norman Skinner – Vocals
Craig Locicero – Guitar
Matt Camacho – Bass
Chris Kontos – Drums
Jeremy Von Epp – Guitar

FOLLOW FORBIDDEN:
Website
Instagram
Facebook
YouTube
TikTok

Finnish progressive folk/black metal band Jotungrav released the first and only single ‘Återfödd’ from their upcoming debut album

The Finnish progressive folk/black metal band Jotungrav are set to release their debut album ‘Elegi’ on August 20th 2026 via Inverse Records. The only single ‘Återfödd’ is unleashed now and it’s available here: https://push.fm/fl/jotungrav-aterfodd 

The band comments:

” Återfödd” (Swedish for “reborn”) sees Jotungrav embrace its folk metal roots more than on any other song from the band’s forthcoming album. It is largely inspired by Finnish folk music and waltzes, with time signatures that are less common in metal. As a fast and energetic song it features both uplifting melodies and majestic passages, some of which can be surprisingly danceable. The song is a rather noticeable departure from Jotungrav’s usual style, as on “Återfödd” all black metal inspiration has been stripped down and replaced by elements found in progressive melodic death metal. During its eight minute runtime the listener can hear hints of Wilderun, early Ensiferum and Finsterforst, as well as 2000’s and 2010’s folk metal in general. For the band this has struck a balance between respecting the origins of Jotungrav and progressing as a band. The song focuses on one theme alone: the indomitable human spirit. It is a reminder that the cruelty of the universe cannot break one that is filled with purpose and remains unyielding. The cover art for the single reflects the flipside of this, where the death of someone beloved isn’t just a one–sided rebirth, but a turning point for both parties. Here change happens through tragedy; one lives on in memories, while the other is changed for life.” 

BIOGRAPHY:

Jotungrav is the brainchild of singer-songwriter Matias Stenman, which incorporates elements of black metal and folk metal within a progressive metal framework. The project got its initial start in 2015, but most of the material composed back then ended up being discarded. It was in the summer of 2022 when the single Drängen was finished when Jotungrav finally materialized, with the help of fellow Sargassus members Matias Rokio, who provided percussive arrangements to the song, as well as Teemu Leskinen, who took on the mixing and mastering duties. Initially Jotungrav was a slowly progressing musical effort, but with time the project managed to accumulate enough material for a second single, Ulven, while working on more material for future releases. Both musically and thematically Jotungrav draws inspiration from early 2000s–2010s viking/pagan metal scene and mythology. The lyrics have a philosophical and symbolic focus on humanity. The songs evolve into vast soundscapes while maintaining a raw and genuine feel to them, paying homage to the early days of folk metal. As Jotungravi has developed, the band has moved closer to progressive, melodic folk metal, with the black metal influences familiar to the band playing a smaller role in the music. On the latest album “Elegi,” the songs stretch into even longer and more dynamic epics that take the listener through wartorn landscapes of the ancient world.

Line-up:

Vocals, guitars, bass, melodica, banjo, harmonica, orchestrations, composition: Matias Stenman

Drums, drum arrangements: Matias Rokio

Mixing and mastering, guitar solo on the track “Segern”: Teemu Leskinen

Links: 

https://www.facebook.com/jotungrav

https://www.instagram.com/jotungravofficial

https://jotungrav.bandcamp.com

Grammy-nominated hardcore legends Hatebreed announce new album “Fatal Paradox” out November 6 via BLKIIBLK

Studied, imitated, but never replicated, the Grammy-nominated hardcore legends HATEBREED have remained a fixture of the hardcore and metal scenes for the better part of three decades. After writing the playbook with their genre-defining releases Under The Knife (1996) and Satisfaction Is The Death Of Desire (1997), HATEBREED continued to carry the banner for metallic hardcore with albums like Perseverance (2002), The Rise of Brutality (2003), and Supremacy (2006) dominating charts globally.

In recent years, the band’s undisputed offensive continues with modern records The Concrete Confessional (2016) and Weight of the False Self (2020), remaining fixtures on charts globally. The band’s core values of self actualization, perseverance, and honest living have carried them from backyard and basement shows to festival dominators, selling out shows consistently across the world, effectively practicing what they’ve preached.

Now, the band announces its long-awaited studio return with FATAL PARADOX, arriving November 6 via new label BLKIIBLK. Pre-order it here.

Hatebreed also offer the first taste of new music with the video for “KILL COUNT INCREASE“. Watch it here.

Enlisting long-time collaborator Zeuss (Rob Zombie, Accept, Shadows Fall), “Kill Count Increase” is crossover excellence with accelerating speeds, crushing riffage, and frontman Jamey Jasta’s venomous bark inciting crimson flashes of carnage.

“‘Kill Count Increase’ is the lead track on Fatal Paradox and a perfect way of summing up our first album in six years from the start,” Jasta states. “It’s straightforward, in-your-face Hatebreed. Fast. Hard. It gets down to business and comes up for air two-and-a-half minutes later. The room and everyone in it gets wrecked and comes back wanting more.”

Holding no punches, and taking no prisoners Fatal Paradox see the Connecticut-born juggernaut operating at full tilt, bludgeoning listeners with a barbarous blend of breakdowns, d-beats, and dogpiles. Whether it’s the thrash stylings of “Kill Count Increase” or “Total Invincible,” capital H hardcore excellence of “The Carrion Choir” and “Truth Is A Lion,” rage remains the unifying spark to blow the keg in glorious flashes of violence.

FATAL PARADOX TRACK LISTING:
“Kill Count Increase”
“The Carrion Choir”
“Decisions Become Destinies”
“Total Invincible”
“Fatal Paradox”
“Still A Threat”
“Sacrifice Season” (Feat. John Tardy)
“Truth Is A Lion”
“Make The Demons Obey”
“None Left To Save”
“Poison Planet”

Hatebreed will spend the summer doing what they do best — touring and bringing venues across the U.S. to their knees. All upcoming dates are below. Get tickets here.

HATEBREED ON TOUR:
8/19 — Mack’s Creek, MO — Gathering of the Juggalos*
8/20 — Albuquerque, NM — El Rey
8/21 — Tucson, AZ — Rialto Theatre
8/22 — Las Vegas, NV — House of Blues
8/23 — Anaheim, CA — House of Blues
8/24 — Sacramento, CA — Ace of Spades
8/25 — Boise, ID — Treefort Music Hall
8/26 — Spokane, WA — Knitting Factory
8/28 — Edmonton, AB —  Pawn Shop Live*
8/29 — Calgary, AB — The Arrowhead
8/30 — Regina, SK — Casino Regina Show Lounge
8/31 — Winnipeg, MB — Burton Cummings Theatre
9/2 — Sioux Falls, SD — The District
9/3 — Kansas City, MO — Warehouse on Broadway
9/4 — Shakopee, MN — Mystic Lake Amphitheater (Supporting Slayer)
9/5 — Davenport, IA — Capitol Theatre
9/6 — Milwaukee, WI — The Rave
9/8 — Pittsburgh, PA — Roxian Theatre
9/9 — Silver Spring, MD — The Fillmore
9/10 — Albany, NY — Empire Live
9/11 — Quebec, QC — Envol et Macadam*
9/12 — Ottawa, ON — The Bronson
9/13 — Norwalk, CT — District Music Hall
9/19 — Pinellas Park, FL — England Brothers Park (Supporting Turnstile)
10/10 — Birmingham, AL — Furnace Fest*
*Festival Date

HATEBREED ARE:
Jamey Jasta — Vocals
Wayne Lozinak — Guitar
Frank Novinec — Guitar
Matt Byrne — Drums
Carl Schwartz — Bass

ABOUT HATEBREED:
Described by Forbes as “more relevant than ever in the metal and hardcore community,” the quintet remains one of the most definitive live acts in music today and recently celebrated a milestone with their track “Looking Down The Barrel Of Today,” which is nearing 130 million global streams, making it their single biggest career streaming track of the modern era. To date, Hatebreed have sold over 1.5 million albums in North America alone.

Hatebreed’s most recent album, 2020’s Weight of the False Self, was praised as a “return to their hardcore roots” by Brooklyn Vegan. The album was deemed “one of their most aggressive to date” by Consequence and “pummeling” by Revolver, while Psychology Today called it “a blazing combination of extreme metal and hardcore punk.” Hatebreed remain one of the most vital bands in the hard rock scene.

Their signing with BLKIIBLK and forthcoming ninth studio album find the band harder than ever, stronger than ever.

HATEBREED ONLINE:
Facebook
X
Website
Instagram
Spotify
YouTube

Solus Released New EP 4

Finnish dark‑minded heavy music gains a powerful new chapter as Solus, the Rauma‑based melodic dark/death metal outfit, unveiled their latest EP, 4. Since forming in 2020, Solus has carved out a distinctive space within Finland’s extreme music landscape, blending brooding atmospheres with sharp modern influences.

“4” is a melancholic, timeline-driven work that follows the arc from birth to the end of
everything. The songs guide the listener with delicate metaphors, yet in an easily relatable way, through the winds of life, darkness, and dangers — moving from a state of ignorance toward trials and ultimately toward accepting the end of all things. Both the lyrics and the music create a constantly shifting mental landscape, and the way of thinking evolves as the songs progress — perhaps even toward reincarnation, as suggested by the album’s cover art.
The work carries several artistically layered themes and thought patterns around which the story unfolds:
– A person and life are like a painting — everyone strives to create their own version
– A person and life are like a plant, continuously tested and shaped by the environment, and not everything can be controlled
– The work can be compared to life, a phase of life, or even relationships — from which some lyrical elements are also drawn. Each of these begins and eventually comes to an end.
Key themes of the album include carefreeness, ignorance, disappointment, dependence, letting go, surrendering and loneliness.
The EP’s title comes from several factors. Firstly, this is Solus’s fourth release, excluding singles. It is also the first release on which all four members of the band contributed to the composition and final polishing of the songs — and it shows in the result. Most importantly, the EP contains four tracks, each portraying slightly different stages of life that together form the story. Nothing more complicated than that.
“4” is an excellent showcase of what Solus is capable of after all these years. This time, the stylistic direction leans heavier and more melancholic in line with the theme, but given the band’s versatility, Solus will surely be heard in different forms in the future as well.

Tracklist:
1: First Breath (03:29)
2: Sapling (03:27)
3: Black Roses (05:55)
4: Morior Solus (03:12)

Solus (Est. 2020, Rauma, Finland):
Toni Mäkynen – vocals, guitar
Toni Nurmi – guitar
Kristian Saine – bass
Eetu Valtanen – drums
(Juuso Itänen – backing vocals)

Composing: Toni Mäkynen, Toni Nurmi, Kristian Saine, Eetu Valtanen
Lyrics: Toni Mäkynen
Production, mixing and mastering: Kristian Saine
Recording: Taboo Music
Drum recording: V.R. Studio
Cover art: Toni Mäkynen (alkup. akryylimaalaus)
Label: Taboo Music
Music video production: Jami Määttänen

www.wearesolus.com
www.taboomusic.fi

Northern Krig released new single

Norwegian Black Metal band Northern Krig released their new single Return of the Elfking. The single was recorded/mixed at “Icelandic Fire Records” by Jan Reichel, and mastered at “Totenklang Studios”.
Formed in Oslo in 2021 by Morfran, Erik Lund, Mikkel Stein, and Jonar Gunnarson, Norwegian black metal force Northern Krig emerged from the ashes of “Skyrsdag”. Now fronted by Morfran (vocals/guitar), Miasma (bass/guitar), and Maikon Q. (drums), the band established their raw sound on the 2022 demo “Myrk Blóðfórn”. Key milestones include their 2024 debut “Concept of a Suicidal Journey” and the February 2026 release of their devastating full-length album “Worship Files for Anthropophagolagnia Predators” via Icelandic Fire Records, promoted by GlobMetal Promotions.

French heavy-metal outfit Parallel Minds unveiled new music video “Sekigahara”

‘French modern heavy metal outfit Parallel Minds unveil a brand new music video for their latest single “Sekigahara” — a powerful and cinematic new chapter in the band’s evolving universe.

Fusing razor-sharp precision, progressive structures, and sheer intensity, “Sekigahara” stands as one of the most striking pieces taken from their recently released album ‘Cairn’.

The track channels both violence and introspection, echoing the historical weight of its name while delivering a deeply immersive sonic experience.

With ‘Cairn’, Parallel Minds deliver their most ambitious work to date — a modern heavy metal statement driven by emotional depth, technical mastery, and a strong conceptual backbone.The album explores the human condition through themes of suffering, resilience, and reconstruction, moving seamlessly between progressive complexity, thrash aggression, and epic orchestration.

Parallel Minds is a French modern heavy metal project driven by a clear artistic direction: combining technical precision with strong emotional and conceptual depth.

Their music navigates across genres, drawing influence from the progressive structures of Symphony X, the aggressive edge of Testament, and the epic dimension of Blind Guardian — while maintaining a distinct and cohesive identity.

With Cairn, Parallel Minds expands its scope through international collaborations, reinforcing the album’s thematic focus on shared human experiences.

French cosmic death-metallers Breeding Chaos released digital exclusive new single “Legion Of The Dead”

Following the renewed international push around their debut album ‘Distant Planets‘, French modern death metal band BREEDING CHAOS are bringing one of their most overlooked tracks back into the spotlight.

Released as a stand-alone single in Spring 2025, “Legion of the Dead” largely flew under the radar.

It deserved better.

While ‘Distant Planets’ established the band’s identity through massive riffs, controlled dynamics and a sonic concept rooted in astrophysics and interstellar phenomena, “Legion of the Dead” pushes that formula beyond the album.

Dense. Groove-heavy. Atmospheric. Purposeful.

No speed saturation. No genre clichés. No unnecessary excess.

Just modern death metal built around weight, memorable structures and impact.

“Legion of the Dead” stayed under the radar the first time around. It shouldn’t stay there.

Breeding Chaos has forged a sound that sits between the melodic discipline of Dark Tranquillity and In Flames, and the rhythmic precision of Textures — with a darker, more atmospheric backbone drawn from the ambition of Blood Incantation. 

Progressive in structure, uncompromising in heaviness.

With a second album in development and the band actively building its live presence across France and Europe, now is the right moment to get ahead of what they’re becoming.

 

LA Symphonic Metal LEVINIA Confronts Creative Silence with New Music Video “The Blank Page”

Levinia returns with “The Blank Page,” the fourth and final single in their ambitious 2026 release cycle, a year defined by evolution, sharpened identity, and a darker cinematic edge. Following the momentum of “Bite,” “Silver Tongues,” and “The Thorn,” this new single arrives as the band’s most emotionally vulnerable and haunting offering yet, paired with a striking music video that visually amplifies its themes of isolation, creative paralysis, and inner conflict.

Produced by Brandon Friesen, whose credits include Halestorm, Nickelback, The Hu, Papa Roach, “The Blank Page” represents one of the most dramatic transformations in Levinia’s catalog. While vocalist Kourt Henson had already crafted the lyrical and melodic core, Friesen helped expand the track into a sweeping, cinematic experience, heightening its tension, atmosphere, and emotional payoff. The result is a single that begins in fragile stillness before erupting into one of the band’s most crushing choruses to date.

With all four singles released, Levinia closes their 2026 cycle with a powerful statement: the band is entering its most confident and defined era yet. And with new material already in development, “The Blank Page” is not an ending; it’s the beginning of what comes next.

The video for “The Blank Page” mirrors the song’s emotional weight through stark, unsettling imagery. A lone house sits in a desolate landscape, symbolizing mental confinement and the suffocating silence of creative paralysis. A burnt, ruined page becomes the central metaphor, representing ideas destroyed before they ever had the chance to exist. The visuals echo the song’s haunting atmosphere, creating a unified emotional experience between audio and imagery.

“The Blank Page may be the biggest shock. It opens in a slower, more vulnerable, and almost haunting space, which is not what some listeners may expect at first, but once the chorus hits, it erupts into something crushing. We think that contrast will make it one of the more memorable tracks emotionally,” adds vocalist Kourt Henson.

Recommended for fans of Within Temptation, Amaranthe, Nightwish, Lacuna Coil, and Delain, listen to “Blank Page” at the following links:

Music Videohttps://www.youtube.com/watch?v=dnWntWSKHR0

Spotify https://hypeddit.com/levinia/theblankpage

Levinia blends symphonic atmosphere, modern metal aggression, and cinematic storytelling into a sound influenced by Epica, Lacuna Coil, Sabaton, Disturbed, and Evanescence. Formed from the ashes of Los Angeles power‑metal band Aerius, the group has spent nearly a decade refining its identity into something bold, emotional, and unmistakably its own.

Across their 2026 singles, Levinia showcases a wide emotional and stylistic range. “The Blank Page” is a haunting exploration of writer’s block, pressure, and emotional paralysis. “Bite” is a Dracula‑inspired anthem of resilience and transformation. “Silver Tongues” is a groove‑driven warning against idol worship and blind influence. “The Thorn” is a sharp, modern metal strike at internal conflict. Each single reveals a different facet of the band’s identity, pushing their sound into heavier, more deliberate territory while preserving the cinematic drama fans have come to expect.

Levinia’s writing process has evolved into a deeply collaborative effort. Guitarist Alon Mei‑Tal and vocalist Kourt Henson typically build the foundation, instrumentals, melodies, and lyrical direction before drummer Dylan Suierveld and bassist Liam Alexander shape the rhythmic and dynamic backbone. This approach has led to a more cohesive, vocal‑driven sound that balances aggression with emotional depth.

Working with Brandon Friesen has marked a turning point for the band. His guidance helped refine the strongest tracks from an initial pool of developing ideas, shaping them into a four‑part release that feels intentional, cinematic, and emotionally charged. Each single serves a distinct purpose, forming a cohesive narrative of Levinia’s ongoing evolution.

Previous Singles:

Bite – https://www.youtube.com/watch?v=55Uw9l0cmAA

Silver Tongues – https://www.youtube.com/watch?v=Vqhk6j6wzKs

The Thorn – https://www.youtube.com/watch?v=30EmGiQL7ug

Levinia:
Vocals – Kourt Henson
Guitar – Alon Mei-Tal
Bass – Liam Alexander
Drums- Dylan Suierveld

More info:

https://www.leviniaofficial.com/

https://instagram.com/leviniaofficial

https://www.facebook.com/LeviniaOfficial/

ARTEMISIA Unveil New Single ‘Eroi Di Plastica’ – an Act of Resistance Against the Power That Crushes & Erases

“Eroi di plastica”, the new single by ArtemisiA, is available on all major digital platforms from Friday, July 17 via Volcano Records.

Direct, dark and deeply personal, the song draws from real-life experiences, but develops into a broader reflection on the power dynamics that still affect many women in oppressive workplaces ruled by arrogant, incompetent authorities unable to recognise the value of the people around them. “Eroi di plastica” explores the systematic attempt to erase individual identity, suppress independent thought and make those subjected to abuse believe they are not worthy enough. Personal experience thus becomes collective material, taking the form of a denunciation of mechanisms sustained by fear, control and constant devaluation.

Musically, the single reinforces ArtemisiA’s heavy rock and progressive metal identity through songwriting that combines energy, narrative tension and dark atmospheres. The heavier side of the band’s sound supports a highly evocative lyric in which anger, memory and the desire for redemption coexist within an intense and uncompromising narrative. In this context, the choice to sing in Italian carries particular significance. For a band released by Volcano Records, a label long recognised for its international activities and global promotional work, the Italian language is neither a limitation nor a form of geographical isolation. On the contrary, it becomes a vehicle for poetry, beauty, identity and powerful ideas, capable of conveying emotional and narrative nuances that do not need to be translated in order to feel universal.
With “Eroi di plastica”, ArtemisiA show how a song can remain firmly rooted in a specific cultural identity while still speaking to a much wider audience. The language of music, protest and dignity ultimately transcends linguistic boundaries, especially when it emerges from authentic experience.

Listen to “Eroi di plastica” on all major streaming platforms and watch the official video on YouTube: https://www.youtube.com/watch?v=3itWP5ImteM

Also check out the previous single ‘Ciò che l’acqua mi ha dato’: https://www.youtube.com/watch?v=lEFnLMeXCI4

Further info at
www.volcanopromotion.com
www.artemisiaband.it