BOUM PATAT Toasts Mortality with New Music Video “Mort Subite”

Wormholedeath is thrilled to present the latest video from Belgium’s electro-fun-metal mischief-makers BOUM PATAT. The track, “Mort Subite,” is taken from the band’s upcoming debut album Ma Belgitude, due for release 31 October 2025.

Blending heavy riffs, pounding rhythms, and tongue-in-cheek lyrics, “Mort Subite” is a darkly humorous anthem about living fast and embracing the inevitable. With its ironic church-mass setting, the video raises an eyebrow (and a glass) at life’s most certain outcome. The result? A track that’s equal parts existential reflection and chaotic party fuel. Because let’s face it—if the end is coming, you might as well headbang your way there.

Pre-save “Ma Belgitude”: https://orcd.co/mabelgitude

Previous videos:

Boum Patat: Watch

Je Suis Zat (Music Video): Watch

Line up:
Olivier Wittenberg – vocals, songwriter, composer, producer, instruments
Jérémie Vasile – guitar

BOUM PATAT is the new electro fun metal project by Belgian musician Olivier Wittenberg, former drummer-composer of Manic Movement. In the 2000s, he toured Europe with bands like Kreator, Moonspell, and Psychotic Waltz, and played major festivals such as Graspop Metal Meeting.

After a long break, he returns with Ma Belgitude, a self-produced solo debut that blends heavy metal, Belgian humor, and old-school electronic sounds. BOUM PATAT breaks metal’s usual codes—serious and absurd at once, mixing groove, industrial, and electronic punch with offbeat themes and playful visuals.

Live, the project becomes a trio with Laurent Soulasse (bass) and Maxime Demulder (drums).

www.facebook.com/BOUMPATAT
www.instagram.com/boumpatatofficial
www.tiktok.com/@boumpatat

Rock The Waves cruise headlined by Norwegian JORN – also featuring three fierce Finnish acts

The Rock The Waves cruise, which was organized for the first time last year, is back! On January 17th, a fair load of good vibes and rock attitude will be loaded onto the ship from the Port of Turku. Four strong bands will be delivering; the Finnish reinforcements are the old-school Finnish rock band Kotiteollisuus, the energetic heavy metal band Tyrantti, and the musician-writer Kauko Röyhkä.

The headliner has been secured by Norwegian JORN. The band is led by vocalist Jørn Landen, who has been described as one of the best rock singers in the world. Jørn, who has sung on over 50 releases, is not only known for his voice, but his writing skills have also garnered international acclaim for a long time. Listeners should prepare for a world-class heavy metal show!

Founded in 2000, JORN has released 15 studio albums, as well as live albums, compilation albums and cover albums. Since 2008, he has toured the world as a guest vocalist for the metal band Avantasia. Jørn Landen can also be found in the gaming world, as he has lent his voice to the character Karthus of the official metal band Pentakill in the League Of Legends game.

ROCK THE WAVES 2026
17–18.1.2026 – M/S Viking Glory
Turku–Stockholm–Turku
Book your place on the rockiest cruise in the Baltic Sea here.

ROCK THE WAVES

CITOWICZ AND THE FIREFLIES OF FEBRUARY Release Title Track of New Album “Living Room Rockstar, Part 2” on Worlds Mental Health Day!

On World Mental Health Day, Citowicz and the Fireflies of February releases “Living Room Rockstar”, the title track from the album “Living Room Rockstar, Part 2”. Available now on all major streaming platforms including Spotify, Apple Music, YouTube Music, and Amazon Music, the single represents both a deeply personal reflection on unfulfilled dreams and a celebration of the enduring power of music to heal and sustain.

SINGLE STREAMING LINKS: Youtube Lyric Video: https://www.youtube.com/watch?v=sGuqjft-iAE

FROM WAŁBRZYCH TO THE WORLD: A ROCKSTAR’S JOURNEY
The single’s artwork features a photograph from 1997—a young Andrzej Citowicz in his childhood bedroom in Wałbrzych, Poland, surrounded by Bon Jovi posters, clutching a white guitar with dreams bigger than the small town that held him. Nearly three decades later, that image has become the perfect visual metaphor for “Living Room Rockstar”: a song about the dreams we chase, the reality we live, and the music we make regardless of whether anyone is listening.
“That photo is me at the beginning of everything,” Citowicz reflects. “I’m standing in my mother’s home, in my room, with Bon Jovi posters covering every inch of the walls. Back then, Bon Jovi was writing the soundtrack to my youth. They made me want to pick up a guitar. They made me believe I could be a rockstar. Well… that never happened in the way I imagined. But I became something else—a living room rockstar who still plays guitar, still writes, still dreams, and still releases music and visions.”

He continues with striking honesty: “The song is about understanding that your dreams might not look like you thought they would, but they still matter. I never played stadiums. I never had screaming crowds. But every night, in whatever room I’m in, the stage is mine. And I still play like it means something—because it does.”

DREAMS TOO BIG TO STAY TOO SMALL
“Living Room Rockstar” captures the bittersweet reality of artistic dreams deferred but never abandoned. The track explores themes of perseverance, the passage of time, and the quiet dignity of continuing to create even when the spotlight never arrives.

“The song talks about faded posters on the wall, about dreams that were too big to stay small,” Citowicz explains. “It’s about singing loud before the moment’s gone, even if no one’s out there listening. It’s about playing in a dim-lit room but strumming those six strings like you own the moon. That’s what being a living room rockstar means—you keep going because the music itself is the reward, not the fame.”

The anthem resonates with anyone who has held onto a dream despite the odds, who has continued creating art in obscurity, who has played for an audience of none and still given it everything.
“There’s a line in the song about how it might all be a lie—this idea that you’re on a stage, that you’re going somewhere,” Citowicz shares. “But here’s the truth: it’s not a lie. The stage is real because you make it real. The audience might be imaginary, but the music isn’t. The passion isn’t. The meaning isn’t. I still play like it means something because it means everything.”

WORLD MENTAL HEALTH DAY: MUSIC AS THERAPY
The decision to release “Living Room Rockstar” on World Mental Health Day (October 10) is deeply intentional. As someone on the autism spectrum, Citowicz understands intimately the importance of mental health care and the role that creative expression plays in emotional survival.

“Being on the autism spectrum means I process the world differently,” Citowicz explains. “Things that are already difficult become even harder. Communication, emotions, social connections—they all require more effort. But music? Music speaks a language that bypasses all that confusion. When I’m writing, when I’m playing guitar, when I’m singing—that’s when everything makes sense.”

He continues: “Writing and playing guitar is part of my therapy. It’s how I process emotions I can’t articulate in regular conversation. It’s how I deal with pain, with loss, with the overwhelming nature of existence. Music doesn’t judge. It doesn’t require me to be anything other than honest. For anyone struggling with mental health—whether you’re on the spectrum like me or dealing with grief, depression, anxiety, whatever it is—I want you to know that finding your own form of expression, your own ‘living room’ where you can be yourself, is vital. No matter what. Take care of your mental health. Find what makes you feel whole, even if it’s just for those few minutes.”
The release on World Mental Health Day serves as both a personal statement and a call to action: “Mental health matters. Creative expression matters. Your dreams matter, even if they look different than you expected. This song is for everyone who plays in empty rooms but still plays like someone’s listening. Because you are listening. And that’s enough.”

THE POWER OF PERSEVERANCE
“Living Room Rockstar” embodies the spirit of never giving up, even when success looks nothing like the poster-covered walls of teenage dreams promised.
“The song acknowledges the emptiness—the empty echoes in the night, the absent roaring crowds, the locked-away dreams,” Citowicz notes. “But it also celebrates the act of continuing anyway. There are no ticket lines, no velvet ropes, no tour buses waiting down the road. Just a melody and the person brave enough to keep playing it. That’s not failure. That’s heroism.”

The track’s soaring guitar solo—described in the composition as “emotional, filled with longing”—captures the tension between aspiration and reality, between the dream of who you wanted to be and the acceptance of who you are.
“That solo says everything I can’t put into words,” Citowicz explains. “It’s longing, yes. It’s disappointment, maybe. But it’s also defiance. It’s also joy. It’s also freedom. Because when you accept that you’re a living room rockstar and you embrace it, you realize that you’ve been free all along. You’re not chasing someone else’s definition of success anymore. You’re creating on your own terms.”

CLASSIC ROCK SPIRIT, PERSONAL TRUTH
Musically, “Living Room Rockstar” channels the anthemic spirit of the bands that inspired young Citowicz in that Wałbrzych bedroom—particularly Bon Jovi, whose influence permeates both the song’s structure and its emotional core.
“Bon Jovi taught me that rock music could be both huge and intimate,” Citowicz shares. “Their songs had these massive choruses that made you want to sing along, but the lyrics were personal, real, relatable. That’s what I wanted to capture here—that same sense of ‘this is my story, but it could be your story too.’ The big ‘woah-oh’ moments, the sing-along quality, the guitar-driven energy—that’s all from those bands that made me fall in love with rock and roll.”
The production, handled by longtime collaborator Patryk Szymański, balances the song’s stadium-rock aspirations with an intimate, honest production that reflects the “living room” reality of its creation.

“Patryk understood what I was trying to do immediately,” Citowicz notes. “The song needed to sound big—like an arena anthem—but it also needed to feel personal, almost vulnerable. He achieved that balance perfectly. His bass work grounds the song while letting the guitars soar. His production gives it that classic rock feel while keeping it contemporary and raw.”

COLLABORATION AND FRIENDSHIP
The partnership between Citowicz and Patryk Szymański continues to be the backbone of the Living Room Rockstar project.
“Patryk has been there through every stage of this journey,” Citowicz reflects. “He’s not just a musician I work with—he’s a friend who understands the vision, who believes in these songs even when they’re just rough ideas at 3 AM. His contributions to ‘Living Room Rockstar’ go beyond bass and production. He helped shape the entire sound, the entire feeling of what this project is about.”

Credits: Music, Guitars, Lyrics: Andrzej Citowicz
Bass and Production: Patryk Szymański

FROM THEN TO NOW: THE JOURNEY CONTINUES
The 1997 photograph that graces the single artwork serves as both a time capsule and a bridge—connecting the dreaming teenager to the artist he would become.
“When I look at that photo now, I see so much hope,” Citowicz says. “I see a kid who genuinely believed he would conquer the world with a guitar. Part of me wants to tell that kid, ‘It won’t happen the way you think.’ But another part of me wants to say, ‘You’ll still be playing that guitar nearly 30 years later, and you’ll still love it just as much. You’ll still be chasing something. You’ll still be creating. And you’ll realize that was the dream all along—not the stadiums, not the fame, but the music itself.'”

He adds: “That room in Wałbrzych, those Bon Jovi posters, that white guitar—they represented possibility. And you know what? I’m still living in that possibility. My living room might be in a different country now, the posters might be faded, but I’m still that kid at heart. Still playing. Still dreaming. Still believing that this song, this next song, means something.”

THE LIVING ROOM ROCKSTAR PHILOSOPHY
Beyond the personal story, “Living Room Rockstar” has become a philosophy—a way of approaching creativity and life that celebrates persistence over perfection, passion over fame, and meaning over metrics.
“Being a living room rockstar means you create for the love of creating,” Citowicz explains. “It means you don’t need validation from the industry or massive streaming numbers to know your music has value. It means you play like people are listening even when they’re not, because you’re listening. You matter. Your art matters. Your dreams matter.”

This philosophy extends beyond music: “Whatever your ‘living room’ is—whether it’s music, writing, painting, whatever—the point is to keep doing it. Keep creating. Keep dreaming. Even if the world never notices, you notice. And sometimes, that has to be enough. Actually, sometimes that’s more than enough. That’s everything.”

MENTAL HEALTH, MUSIC, AND MEANING
Returning to the significance of releasing on World Mental Health Day, Citowicz emphasizes the connection between creative expression and mental wellbeing.
“For anyone struggling—and I mean really struggling, the way I have—please find your living room,” he urges. “Find your safe space where you can express yourself without judgment. For me, it’s music. For you, it might be something else. But find it and protect it. Your mental health depends on having that outlet, that place where you can be authentically you.”

He continues: “On the autism spectrum, socializing can be exhausting, overwhelming, sometimes impossible. But in my living room, with my guitar, I don’t have to perform for anyone but myself. I don’t have to mask or pretend or struggle to communicate in ways that don’t come naturally. I just play. And in those moments, I’m free. That’s what I want people to understand on World Mental Health Day—creative expression isn’t a luxury. It’s survival.”

ABOUT THE ALBUM:
“Living Room Rockstar” is the title track from Living Room Rockstar Part 2, released with Patryk Szymański. The album explores themes of dreams, perseverance, love, loss, and the enduring power of music to provide meaning in uncertain times. Part 2 of the album series, dedicated to Citowicz’s late son Jonasz, will follow in autumn 2025.

ABOUT CITOWICZ AND THE FIREFLIES OF FEBRUARY:
Andrzej Citowicz, performing as Citowicz and the Fireflies of February, is a songwriter, composer, and guitarist known for deeply personal rock compositions that blend classic influences with contemporary honesty. His work explores themes of dreams deferred but never abandoned, the healing power of music, and the importance of creating art on your own terms.
Based in Cairo and originally from Wałbrzych, Poland, Citowicz has spent decades creating music that serves as both artistic expression and therapeutic practice. As someone on the autism spectrum, he advocates for mental health awareness and the vital role of creative outlets in emotional wellbeing.

RELEASE INFORMATION:
Single: “Living Room Rockstar”
Artist: Citowicz and the Fireflies of February
Album: Living Room Rockstar Part 2
Release Date: October 10, 2025 (World Mental Health Day)
Music, Guitars, Lyrics: Andrzej Citowicz
Bass and Production: Patryk Szymański
Platforms: Spotify, Apple Music, Amazon Music, YouTube Music

Andrzej on the single and cover:
“I never became the rockstar on those posters. But I became something better—someone who still plays, still creates, still believes. That’s what a living room rockstar is. And on World Mental Health Day, I want everyone to know: your living room, your creative space, your safe place where you can be yourself—that matters. Protect it. Honor it. Keep playing like it means something. Because it does.” — Andrzej Citowicz

Just recently CITOWICZ AND THE FIREFLIES OF FEBRUARY released the first single “Serpents of Tomorrow” from the album, in case you missed, stream it here: https://youtu.be/Mlwy6guwlK0
Also check out “Hole in My Soul” (Radio Edit – Demo): https://www.youtube.com/watch?v=8pNo86jILX0

ARTIST CONTACTS & LINKS:
Spotify: https://open.spotify.com/artist/7aIeg5DyI7xwkYLsBgJNWf
YouTube: https://www.youtube.com/@AndrzejCitowicz
Instagram: https://instagram.com/citovitz
Facebook: https://www.facebook.com/citovitz/

In case you missed, watch the videos from the recent Whiskey Gospels EP:
“Fly or Die Trying” – https://www.youtube.com/watch?v=ciLdy06bvGU
“Whiskey Gospel” – https://www.youtube.com/watch?v=XOh71kpdL0M
“Ruler of the Crossroads” – https://www.youtube.com/watch?v=y1qK2zw–KQ

Also check out ANDRZEJ’s earlier released videos:
‘Tattooed on the Wind’ – https://youtu.be/Hhnj59zSKxE?si=fXAit58jHmICE2fU
‘You Are The Magic’ – https://youtu.be/1XZ3vVtAAmA?si=hhEBt_udWl57XCS-

Finnish melodic death metal band Obscure Fate to release debut album later in 2026 – Age of Delusion single now streaming

Finnish melodic death metal act Obscure Fate is about to release their debut album ‘Shades of a Dying World’. The release date is announce later by Inverse Records. The first single ‘Age of Delusion’ is now available here: https://push.fm/fl/obscure-fate-age-of-delusion

The band comments:
” “Age of Delusion” is a dystopian and cynical view of the modern world. It criticizes those in power (politicians, the media, religion) who manipulate the masses with lies, fear, and illusions. The truth is lost, and freedom is just an illusion. The song is both a warning and an accusation. Who benefits from all this, and why are people blind to it?”

BIOGRAPHY:

Obscure Fate was originally formed in 2008 in Paltamo, Finland, as the solo project of guitarist and songwriter Kaleva Kovalainen. In 2009, drummer Jari Keränen and bassist Petri Möttönen joined, giving the songs their first real band form. Shortly after, guitarist Joni Moisanen and vocalist Tapio Möttönen became official members, and together the group arranged dozens of tracks for full band performances. From the very beginning, Tapio handled the lyrics, with Petri contributing to the song Spectral Exile.

The current lineup was completed in 2019 when bassist Antti Möttönen replaced Petri. Musically, Obscure Fate is rooted in traditional melodic death metal, though elements of thrash and classic heavy metal also find their way into the band’s sound. Kaleva’s prolific songwriting provided a strong foundation for the band, while the lyrics explore themes of social criticism, fictional storytelling, and inner struggles.

In 2021, Obscure Fate released their first EP. Recording sessions for their debut full-length album began soon after, but due to various setbacks the process turned into a long and seemingly endless project. Finally, in April 2025, the band reached the final stages of completing the album, marking an important milestone in their journey. The debut album ‘Shades of a Dying World’ is set to be released later in 2026 via Inverse Records.

Line-up:
Kaleva Kovalainen, Guitars
Tapio Möttönen, Vocals
Jari Keränen, Drums
Joni Moisanen, Guitars, Backing Vocals
Antti Möttönen, Bass

Links:
https://obscurefate.net
https://www.facebook.com/ObscureFateBand
https://www.instagram.com/obscurefateband
https://obscurefate.bandcamp.com

THE FIXER Unleashes New Single “Ugly Knots” For “The Ugly Knots Tour” Across Canada w/ TEKNOSIS

The Fixer has dropped their new single “Ugly Knots”, a sonic and emotional powerhouse that sets the tone as they kick off their “The Ugly Knots Tour” this October with fellow hometown band Teknosis.
​
​“Ugly Knots” is a raw, genre-defying track that fuses industrial metal with hardcore grit and ambient textures. It opens with abrasive riffs and harsh electronics before evolving into a sweeping, melodic climax, mirroring the emotional journey the band intends for listeners.
​
​“This song is for the kind people we’ve seen be hated, harassed, and threatened. It’s written from the first-person perspective, but the spoken word section—contributed by our friend John Forget—comes directly from someone who lived that experience. It’s a message of strength in the face of cruelty,” says the band.
​
Lyrically and musically, “Ugly Knots” is one of The Fixer’s heaviest and most artful releases to date. Eschewing formulaic conventions, the band leans hard into their industrial roots while exploring themes of anger, sadness, and resilience. Fans of their heavier material will find plenty to latch onto, while new listeners will be drawn into its emotional depth.
​
The single marks the beginning of a new chapter for The Fixer, as they prepare to hit the road with Teknosis for a tour of Quebec, Ontario, Manitoba, Saskatchewan, and Alberta (dates listed below) that promises catharsis, chaos, and connection. “Ugly Knots” is more than a song; it’s a statement.

Listen to “Ugly Knots” at the following links:

YouTube – https://youtu.be/n3WZWMESNn8​

Add to your Spotify playlist – ​https://open.spotify.com/track/3hvFHi6mVgqRlmDWHlAo8f​

​

L to R – Andrew Wojciechowski – Vocals | Craig Kainulainen – Guitar | Ian – Drums | Travis Doggett – Bass

Photo Credit – Incompass Photography​

Formed out of pure love for metal. Teknosis has quickly evolved into a tight, aggressive unit with a shared vision: to make heavy music that hits hard and leaves no room to breathe. Set to ignite stages across the country this October, Teknosis is bringing their relentless live energy to fans in support of their acclaimed 2024 EP “Return to Civilization”, a five-track barrage of groove-laced hardcore and death metal influences. It’s a compact, violent sonic explosion that lyrically channels frustration and isolation from lockdowns, with themes ranging from societal collapse to personal survival.

With ambient samples bridging each track, Teknosis will be a visceral live experience as they deliver a seamless, high-impact set that’s organic, heavy, and hypnotic.

“We still believe in live amps and drums straight to the cochlea. It’s all about maximum intensity. A sonic experience that’s as brutal as it is addictive,” says bassist Travis Doggett.
​
Fans can expect new singles starting in Fall 2025, leading up to a full-length album in late 2025 or early 2026. The October tour will feature tracks from “Return to Civilization” alongside unreleased material, giving audiences a taste of what’s to come.

Lyric Video – Teknosis – Shapeshifter – https://youtu.be/dWfqfwHSbQY​

Add to your Spotify playlist – https://open.spotify.com/artist/5Cu2jRvDUKvEZdqJd5QjwJ​

​

Ugly Knots Tour 2025 – The Fixer, Teknosis
​
Oct 2 – La Sarre, QC – La Brute du Coin *
Oct 3 – Montreal, QC – Piranha Bar *
Oct 4 – Levis, QC – Taverne La Barricade *
Oct 9 – Fort Frances, ON – Pink Parasol Tea Room
Oct 10 – Brandon, MB – The 40
Oct 11 – Prince Albert, SK – Studio Q
Oct 12 – Edmonton, AB – The Rendezvous
Oct 13 – Calgary, AB – Pin Bar
Oct 14 – Lethbridge, AB – The Slice
Oct 15 – Moose Jaw, SK – Chillers
Oct 16 – Saskatoon, SK – Green Room
Oct 17 – Regina, SK – The Exchange
Oct 18 – The Pas, MB – The Wescana Inn
Oct 19 – Winnipeg, MB – Osborne Taphouse
Oct 31 – Thunder Bay, ON – The Hunger 18 (Downtown-wide Hallowe’en Festival)
* = without Teknosis
​
​More Info:

​https://www.facebook.com/TheFixerBand | https://www.instagram.com/thefixercanada | https://www.tiktok.com/@thefixercanada​

​https://www.facebook.com/teknosismetal | https://www.instagram.com/teknosis.metal/​

ANGELIC FOE Returns With Their New Official Video “Discordia”

Veiled in mystery and ancient ritual, Angelic Foe invites listeners and viewers into a world where darkness and divinity intertwine with their new music video “Discordia”.

Step into a mystic realm of ancient power and forgotten rites, among the haunting ruins of centuries-old churches and the scattered stones of a lost castle, Discordia envisions a ritualistic journey through darkness and divinity, through sacred symbolism, raw nature, and the invocation of a dark lunar goddess. Move through elemental landscapes and mythic ruins, embodying a timeless cycle of strife, war, and cosmic rebirth.

The track is taken from Angelic Foe’s full-length album “Amulets and Charms”, released December 7th, 2024, via WormHoleDeath Records.

Stream Amulets and Charms on All Platforms:  orcd.co/amuletscharms

Get your CD copy here: Aural Webstore CD Link

Led by Annmari Thim and composer Fredrik Hermansson, Angelic Foe blends symphonic darkwave, neoclassical, and esoteric soundscapes, creating music that transcends time and space. With haunting melodies and deeply symbolic lyricism, the project crafts sonic rituals steeped in myth, spirituality, and the unseen forces that shape existence.

angelicfoe.com
www.facebook.com/AngelicFoe
instagram.com/angelicfoe
www.youtube.com/@angelicfoe
angelicfoe.bandcamp.com

Fiddle Meets Fire THUNDEROR’s Celtic Rock Anthem “Cape Breton Home” Celebrates Maritime Heritage

Canadian rock powerhouse THUNDEROR returns with a stirring new single and music video, “Cape Breton Home,” a Celtic Rock anthem that pays homage to the island roots of frontman JJ Tartaglia. Known for their electrifying blend of heavy metal, pop punk, and rock opera, the band takes a reflective turn with this release, weaving nostalgia and tradition into their signature sound.

“I wanted to write a song inspired by back home, maybe it’s the time passing by, I felt a bit nostalgic and needed something to reconnect me to the island. What better way than with music! And I think in return, Cape Breton also needs a song like this,” says Tartaglia.

The track features a guest performance by acclaimed fiddler Colin Grant, whose work with Rum Ragged earned a 2021 JUNO nomination for Traditional Roots Album of the Year. Grant’s authentic Cape Breton fiddle style adds a rich layer of heritage to the song, grounding it in the island’s musical legacy.

The accompanying video, filmed on location in Cape Breton, captures the rugged beauty and emotional resonance of the place that inspired the song.

“I had a great trip back to shoot the video. It was a full-circle moment,” Tartaglia adds.

Formed in 2020 by multi-JUNO-nominated musicians JJ Tartaglia and Jonny Nesta (Skull Fist), THUNDEROR has quickly carved out a global following. Their debut album “Fire It Up” topped Earshot’s National Loud Chart, and their theatrical rock opera “Thunderor the Musical” premiered at the Toronto Fringe Festival in 2025 to rave reviews.

With “Cape Breton Home,” THUNDEROR continues to evolve, proving that even the loudest bands have a quiet place in their hearts.

Music Video – https://www.youtube.com/watch?v=DfmVtc8HU1k​

Add to your Spotify playlist – https://open.spotify.com/album/3UTjzJzo4teUElvWLgEyjY​

​

Appreciated by fans of Judas Priest, Van Halen, and Saxon, Thunderor‘s releases are available via Boonsdale Records.

CD – https://thunderor.bigcartel.com​

For more info: Boonsdalerecords.com/thunderor | Facebook.com/ThunderorOfficial | Instagram.com/thunderor_official | Musicnovascotia.ca/artist/thunderor/​

Numento to Sandstorm Metal Festival in Dubai, United Arab Emirates in February 2026

Numento, a progressive melodic death metal band from the Helsinki, has been confirmed as part of the Sandstorm Metal Festival lineup to be held on February 7, 2026. The event, which will be held at the P7 Arena in Dubai, United Arab Emirates, will be headlined by Italian Lacuna Coil.
Numento is the first Finnish band in the festival’s history. Previous performers at the festival include for example Brazilian Nervosa.

https://www.instagram.com/sandstorm.metal.festival/

Progressive, melodic death metal band Numento made their way to the stage of the world’s largest metal festival in the summer of 2025 through the Wacken Metal Battle. The band placed second in the international final, which was attended by over 12,000 bands globally, 30 of which were seen on the Wacken stage. This speaks volumes about the current level of the lineup. The band has been described as one of Finland’s most potential bands, and their explosive live energy has earned the band the nickname “prog bomb”. Numento’s trademarks include the phenomenally versatile vocalist Katri, and the sparkling electric kantele in her hands, the sound of which has become an inseparable part of the band’s music.

Numento has had two record years in a row in terms of gig numbers, and through hard gigging, this lineup from the capital region has grown to be a pretty tough live band in different parts of Finland. Those who saw Numento for the first time described the experience as “jaw-dropping”. The band’s third album “The Antimatter Fantasy”, which received 5/5 reviews, was released in June 2024, and the vinyl version of the album was released in December of the same year. 2024 was Numento’s 20th anniversary. The previous full-length album “The Vile Entity” was released in October 2022.

The band’s active YouTube channel offers plenty to watch, including music videos and concert recordings. In addition, Numento’s song Opilion can be found on the popular Osu! beatmap platform.

In addition to Nummirock and Wacken, Numento has been seen on the Tuska stage as well as supporting Smackbound and Aephanemer at club gigs. Numento has played more and more extensively as part of the Death Agency roster than ever before.

Members:
Katri Hiovain-Asikainen – lead vocalist, kantele
Atte Asikainen – guitar, vocals
Aleksi Vehmassalo – guitar
Mikko Virtanen – drums

THE RETICENT’s Fifth Studio Album “please” Explores The Struggles of Mental Illness; Unveil Music Video For Single “The Concealment”

Generation Prog Records is proud to announce the release of “please,” the emotionally searing new album from progressive metal act The Reticent. Led by Grammy-nominated music educator and multi-instrumentalist Chris Hathcock, “please” is a concept album that plunges listeners into the harrowing realities of mental illness, suicide, and survival. The album will be available on November 13th, 2025.
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The first single, “The Concealment (Those Who Don’t Want To Wake),” is accompanied by a haunting music video that captures the anguish of hiding one’s suffering in plain sight.

“The Concealment could be thought of as the thesis statement of the new album. It tries to capture what it is to attempt to carry on with your life while struggling with the crushing weight of mental illness. At work, with family, at school, wherever, we have to don masks and pretend we are ‘just fine’ when inside we may wish to go to sleep and never wake up again. 1 in 4 adults will have a mental health crisis this year, and there are 1.5 million suicide attempts per year in this country. It’s all around us, yet most will not talk about it, most will not get help, and most will suffer in silence. We are not alone, yet we feel intensely lonely because of that disconnection. For me, I have to pretend to be someone else every day as a teacher – confident, smart, strong – whilst inside I often wish fervently for oblivion to end my near constant pain. When the despair and the grief and the hopelessness come, the isolation and hollowness of all things can rob life of any color. For those who know what it is like to live with these disorders, it is indeed lonely here,” says Hathcock.

Watch the music video premiere on MetalAddicts HERE.

Featuring ten emotionally driven tracks, the album was written in just six months. Drums were recorded in a single day, all other instruments in two, but vocals took two weeks, leaving Hathcock with a laryngeal injury so severe he couldn’t speak for six weeks. During the filming of “The Concealment” video, Hathcock broke two toes, sprained three others, and tore his rotator cuff. He performed at ProgStorm Festival in Montreal, Canada, just six days later, concealing his injuries behind the band’s emotionally intense stagecraft.
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​“please” is also The Reticent‘s first album, engineered almost entirely by Hathcock at his Silent Muse Studio. Only the drums were tracked at The Basement Studios with longtime producer Jamie King (BTBAM, The Contortionist), who also took care of mixing and mastering for the record.
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This fifth studio album includes subtle nods to clinical psychologist Kay Redfield Jamison, with lyrical references to her books “Night Falls Fast” and “An Unquiet Mind,” and samples of her voice appearing in “Discharge.”
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Hailed as “prog’s most emotionally gut-wrenching” band, The Reticent began as Hathcock’s solo outlet for personal trauma. Over time, it evolved into a full-fledged progressive metal force, known for concept albums like “On The Eve Of A Goodbye” and “The Oubliette.” Joined by guitarist James Nelson (Nospūn) and bassist Paul McBride (Voraath), The Reticent delivers live performances that are more performance art than concert, intensely immersive and emotionally devastating.
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The band has performed at prestigious festivals, including ProgPower USA, where Metal Injection called their set “one of the most heart-wrenching performances in ProgPower history.”
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For those who seek truth in music, The Reticent offers a mirror to the soul and a plea for understanding.

Recommended for fans of Opeth, Cynic, The Contortionist, Wilderun, and Devin Townsend.

“please” will be available via Generation Prog Records on November 13, 2025. A sixth album is also complete, as it was recorded simultaneously with “please” and will follow for release in 2026.

CD pre-order (North America) – https://thereticent.net/please-pre-order​

CD pre-order (EU) – http://www.generation-prog.com/shop/​

Digital Album pre-save – https://show.co/MoPdl8W​

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Track Listing:​
1. Intake – 1:45
2. The Concealment (Those Who Don’t Want To Wake) – 6:06
3. The Night River (Those Who Can’t Rest) – 6:55
4. Diagnosis 1 – 2:18
5. The Bed of Wasps (Those Consumed With Panic) – 5:47
6. The Scorn (Those Who Don’t Understand) – 8:12
7. Diagnosis 2 – 2:39
8. The Riptide (Those Without Hope) – 6:09
9. The Chance (Those Who Let Go) – 6:52
10. Discharge – 2:56
Album Length: 49:45

Album Recording Credits:​
All instruments and vocals performed by Chris Hathcock except
– Lead Guitar and Additional Acoustic Guitar by James Nelson
– Guest Vocals on “The Bed of Wasps” by Brian Kingsland
– Narration by Vienna Gloom
All songs written by Chris Hathcock
Produced by Chris Hathcock
Engineered by Chris Hathcock
Drums engineered by Jamie King
Mixed and Mastered by Jamie King
Album Artwork by Joscelyne Hauserman

Band Line Up:​
Chris Hathcock – Vocals, Guitar
James Nelson – Lead Guitar, Backing Vocals
Paul McBride – Bass, Backing Vocals

For more info: Thereticent.net | Facebook.com/thereticentmusic | Instagram.com/The.reticent.band​

Bloodred Hourglass’ long-awaited full-length We Should Be Buried Like This released

Bloodred Hourglass have already received rave reviews for their seventh full-length, and now We Should Be Buried Like This has been released. Released on the German label Out of Line, the album combines explosive aggression with melodic beauty and is, according to the band, the most honest and uncompromising album of their career, without questioning or embellishing, without consoling, explaining or proving – it only says what had to be said.

“For us, this album is a collection of end-time songs – not just about the end of the world, but also about certain emotions, beliefs and illusions. In the songs, love is just an echo, sacrifices feel empty and every feeling is an open wound. We deal with the decay of humanity, mistakes repeated from generation to generation, the spirit of the times that feeds indifference, hatred and detachment, as well as self-centeredness and individualism that has grown to unhealthy proportions. The future looks black, and unfortunately it no longer scares us, but feels inevitable,” the band describes.

Musically, Bloodred Hourglass also combines its recognizable sounds on the album with new elements, as guest soloists are heard on the album for the first time.

“The album exudes raw, intense energy and a melodic beauty and power that is guaranteed to be contagious. We’ve also included a last-gasp amount of new elements: guest voices and moments where we reach outside the box. It feels especially good to stand on our own strong foundations without having to prove anything to anyone. This is an album that was born from a compelling need to tear open and say things as they are. Perhaps that’s why this became the most aggressive and straightforward album we’ve ever made – and perhaps that’s why it looks the most like us.”

The top song of the ten-track album is the last song written on the album, Shun the Limelight, whose music video production swelled to a massive size with 80 fans participating in the filming.

“We wanted something special for the last video song. Usually the fans – the ones who make this whole journey meaningful and possible – are left out of the spotlight. However, we have an incredibly loyal and passionate fan base that has followed and supported the band year after year. With this video, we wanted to give them the opportunity to be a concrete part of the making and step into the spotlight themselves by playing a central role in the video’s creation. The atmosphere on the day of the shoot was exceptionally communal and meaningful – an experience that will surely go down in history as one of the most important music video projects of the band’s career. We are the ones!”

Track listing for We Should Be Buried Like This:

  1. The Crown Is Permanent
  2. We Should Be Buried Like This
  3. Royally Done
  4. Chasing Shadows
  5. Dance Of The Dandelions
  6. God Has Favourites
  7. Mirage
  8. Frail
  9. Shun The Limelight
  10. Vividus

loodred Hourglass live 2025+2026

”We Should Be Buried Like This” European-Tour (+ support LUNA KILLS)
09.10.2025 DE Berlin, Cassiopeia
10.10.2025 CZ Zlin, Masters Of Rock Café
11.10.2025 HU Budapest, Analog Music Hall
13.10.2025 AT Vienna, Chelsea
14.10.2025 DE Leipzig, Hellraiser
15.10.2025 DE Hamburg, Bahnhof Pauli
16.10.2025 DK Esbjerg, Tobakken
18.10.2025 DE Frankfurt, Nachtleben
19.10.2025 DE Cologne, Helios 37
20.10.2025 FR Paris, Backstage by the Mill
22.10.2025 DE Dortmund, FZW
23.10.2025 NL Leiden, Nobel
24.10.2025 DE Lindau, Club Vaudeville
25.10.2025 CH Winterthur, Gaswerk
26.10.2025 DE Munich, Backstage
27.10.2025 DE Stuttgart, Im Wizemann

”We Should Be Buried Like This” Finnish-tour
31.10.2025 FI Jyväskylä, Lutakko (with Enemies Everywhere)
01.11.2025 FI Lahti, Finlandia-klubi (with LUNA KILLS & Where’s My Bible)
06.11.2025 FI Helsinki, Tavastia (with Enemies Everywhere)
07.11.2025 FI Oulu, Tullisali (with LUNA KILLS & Slow Fall)
08.11.2025 FI Kuopio, Sawohouse (with Enemies Everywhere)
13.11.2025 FI Tampere, Tavara-asema (with LUNA KILLS & Shereign)
14.11.2025 FI Rauma, Brummi (with LUNA KILLS)
15.11.2025 FI Seinäjoki, Rytmikorjaamo (with LUNA KILLS & What Lies Beneath)
21.11.2025 FI Kouvola, House of Rock (with Enemies Everywhere)
22.11.2025 FI Turku, Logomo Teatro (with Enemies Everywhere)

29.1.-2.2.2026 US Miami, 70000 Tons of Metal
26.-28.6.2026 FI Helsinki, Tuska Festival

Bloodred Hourglass is:

Jaredi Koukonen – vocals
Jarkko Hyvönen – drums
Jose Moilanen – bass
Lauri Silvonen – guitar
Joni Lahdenkauppi – guitar
Eero Silvonen – guitar