Author: Alexiel Divine

Carnifex – World War X

California-based metal outfit Carnifex worked hard for three years to create the 7th studio album “World War X” which aims to raise the bar in terms of sonic diversity experimenting with multiple extreme metal elements besides classic deathcore.  

The title track is a blistering album opener where vicious screams and hostile rhythmic patterns drag the listeners into an apocalyptic scenario and while the relentless guitar riffs easily lead to sheer brutality there are also interesting symphonic arrangements.  

“This Infernal Darkness” can truly channel unrestrained rage through the precise thunderous rhythmic ensemble yet a moment of ethereal peace takes over the song’s finale with a pleasantly soft piano melody. 

Featuring guest vocalist Alissa White Gluz of Arch Enemy “No Light Shall Save Us” will eventually put the spotlight on the contrast between tormented growls and introspective cleans flourishing through a modern mixture of abrasive guitar riffs and satisfying melodic phrases particularly enhanced by the somber tonalities of the guitar solo. 

“All Roads Lead To Hell” features the talented guitarist Angel Vivaldi so it makes sense to focus on the shredding overdose of the extraordinary guitar solo marching through the extremely wrathful rhythmic segments. 

On “By Shadows Thine Held” the merciless fast drumming dictates a rather savage momentum that is also clearly expressed by the borderline dissonant rhythmic variations while lead guitars have the task to brighten the mood with the elaborate soloing. 

With “World War X” Carnifex often choose to step out from the comfort zone of deathcore certainly without sacrificing the main massive angered themes but showing their ability and desire to push genre boundaries. 

Monolord – No Comfort

Swedish stoner rock/doom trio Monolord is already highly praised in the underground music scene and the thrilling brand new album “No Comfort” will ultimately confirm them as true leaders of the genre. 

The monolithic guitar riffs and the consequent dense rhythmic patterns on “The Bastard Son” will make you space out immediately as Monolord successfully channel the primal elements of doom with an irresistible vintage flair, loads of bewitching mournful tonalities and an authentic passion that can easily charm the listeners. 

“The Last Leaf” revolves around major heavy guitar riffs and a raw energy that constantly maintain a groovy feel accompanied by utterly somber vocals while the slower dismal atmosphere evokes understated emotions and the memorable spellbinding melodic guitar work naturally increases the song’s introspective depth. 

On “Alone Together Forever Divided” the haunting mood can feel overwhelming as melancholic vocals flow through hazy atmospheres and the desolate tones of the slow burning guitar melodies inevitably trigger a profoundly darkened emotive crescendo.   

The title track evokes cathartic feelings through deeply nostalgic guitar melodies and warm arpeggios that will often evolve into a proper monumental doom laden ensemble when the heavier rhythmic segments emerge with renewed strength without sacrificing the perennial gloomy vibes. 

Undoubtedly “No Comfort” offers massive doom oriented crushing moments but the inspiring sonic vision of Monolord allows them to also convey intense emotions through the multifaceted  melodic textures that lead to a unique music journey destined to stand out in the current chaotic music scene. 

Turilli / Lione Rhapsody – Zero Gravity (Rebirth and Evolution)

Original Rhapsody members Luca Turilli and Fabio Lione reunited to finally release their debut album “Zero Gravity (Rebirth And Evolution)” which marks the triumphant beginning of a new band and the development of an exciting musical vision. 

“Phoenix Rising” is a bombastic album opener creating a suspenseful mood with a combo of electro layers and nostalgic piano melodies that will evolve into an inflamed symphonic metal ensemble with massive operative choirs and flawless theatrical vocals surrounded by the sophisticated guitar work that shines for the luminous tonalities as well as the cohesive heavier riffs. 

“D.N.A. (Demon And Angel)” features guest vocalist Elize Ryd of Amaranthe leading to an intense duet with Fabio Lione while the instrumental passages tend to favor catchy bright guitar melodies, magnificent multilayered symphonic arrangements and solemn choirs. 

The title track is characterized by a major theatrical momentum emphasized by the complex vocal harmonies & choirs and the dazzling details of the sumptuous symphonic tapestries flourishing through the main guitar driven rhythmic core. 

“Decoding The Multiverse” offers another elaborate mixture of lavish operatic elements and elegant symphonic arrangements that constantly embellish the crunchy rhythmic sections plus the lead guitar work showcases an irresistible neoclassical flair .

With lyrics in Italian and poignant vocals “Amata Immortale” feels like a classical opera that reaches an incredibly dramatic pathos through the elegant piano melodies and the tragic melancholia expressed by the lavish vocals. 

“Arcanum (Da Vinci’s Enigma)” surprises with the initial futuristic quasi dystopian atmosphere but later the grand symphonic themes return with the radiant orchestrations and the flawless guitar leads while at times vocals and piano manage to convey calmer nostalgic vibes. 

With “Zero Gravity (Rebirth And Evolution)” this new incarnation of Rhapsody clearly aims to represent a modern symphonic metal opus that certainly benefits from the excellent musicianship and impeccable production.

Nemesea – White Flag

Dutch alternative rock band Nemesea put together a tasteful blend of catchy rock melodies and electro beats on the latest album “White Flag” which seems to be carefully designed to conquer the heart of a wide audience. 

“The Storm” opens the album with modern cinematic vibes skillfully relying on luminous atmospheric nuances later enriched by accessible guitar driven grooves and electro twists and it seems clear that all the instrumental passages put the focus on Sanne Mieloo’s bright vocals. 

On the title track the band is ready to channel positive energy with smooth guitar melodies but always add a generous dosage of graceful atmospheric arrangements and vocals diligently follow such framework shifting from a soft emotional delivery to a more energetic momentum.

“Don’t Tell Me Your Name” begins with sultry dancey beats and throughout the whole song moody synths arrangements will maintain an entertaining electro mood that tends to prevail over the melodic rock themes. 

“Fools Gold” revolves around colorful rhythmic patterns with energetic guitar riffs and exciting drumming but will eventually showcase a glowing melodic essence through dreamy atmospheres and melancholic vocals. 

“Ratata” is another enjoyable track that favors the electronic themes of the album mixing darkened atmospheric layers, fiery dancey beats and crunchy guitar riffs that add major groovy vibes in the chorus. 

“Heavyweight Champion” can sound like a classic soulful ballad where Sanne’s vocal performance feels particularly alluring and easily steals the spotlight yet the band manages to render such formula more interesting with some darker futuristic electro arrangements. 

“Dance In The Fire” packs a solid rock punch with robust guitar riffs and bass lines cutting through the sentimental melodic phrases and Sanne effortlessly delivers a strong vocal chorus as well as introspective harmonies. 

In the end even if “White Flag” might not be remembered for some otherworldly innovations or surprising creativity it is certainly filled with profound emotions as Nemesea never miss a chance to emphasize their passionate approach.

Kobra And The Lotus Live at Brauer House in Lombard

Hard rock quintet Kobra And The Lotus is currently touring across U.S. supporting the legendary Sebastian Bach and also celebrating the release of the brand new full-length “Evolution”, available via Napalm Records. At the sold out show at Brauer House in Lombard, Illinois, frontwoman Kobra Paige welcomed the crowd with a warm smile and a charismatic stage presence as Kobra And The Lotus definitely conquered new fans with a highly energetic live performance that also included the new tracks “Burn!”, “Liar” and “Get The Fuck Out Of Here”.

Sebastian Bach Live at Brauer House in Lombard

Back in 1989 Skid Row released their self-titled breakout debut album that quickly garnered great success worldwide and to celebrate the 30th anniversary iconic vocalist Sebastian Bach embarked on a massive U.S. tour performing the entire album accompanied by his talented band consisting of Brent Woods on guitar, Rob De Luca on bass and Bobby Jarzombek on drums. Like many dates on this awesome tour, the show at Brauer House in Lombard, Illinois, was completely sold out as true fans could not have missed this rare performance. Sebastian is still an authentic rocker with such a distinctive voice and from beginning to end he performed all these timeless beloved songs channeling an incredible positive energy straight from the heart and he often actively interacted with the crowd reminiscing memories from his stellar career. During the iconic songs “18 and Life”, “Youth Gone Wild” and “I Remember You” all the fans were singing along having a great time and for the encore Sebastian performed also the unforgettable ballad “In A Darkened Room” and the groovy “Monkey Business”. Sebastian will be on the road for a long time so don’t miss the chance to experience this unique live show!

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The 69 Eyes – West End

We all know The 69 Eyes as the Helsinki Vampires that conquered our cold hearts with their unforgettable goth ‘n’ roll and the new album “West End” sounds like the best way to celebrate the band’s 30th anniversary. 

The album opener “Two Horns Up” might surprise some fans with the signature growls of guest vocalist Dani Filth of Cradle Of Filth that actually fit perfectly the ghastly mood of the song which also offers plenty of classic goth dynamics embodied by Jyrki’s baritone delivery and decadent atmospheric layers through the dense rock rhythmic sections filled with extra catchy guitar riffs & sultry melodies. 

“27 & Done” was released as the first single probably due to the darkly addictive chorus and it’s certainly a track that incarnates the band’s rock soul with the highly entertaining guitar work flourishing under a shroud of authentic nostalgia enhanced by the somber keyboards arrangements. 

The glorious spirit of goth ‘n’ roll is glowing on “Black Orchid” through an exciting blend of melancholic atmospheric nuances, cool guitar driven grooves and glamorous melodic licks always enriched by Jyrki’s irresistible vocals. 

“Burn Witch Burn” is a gloomy fairytale that relies on a shimmering melodic core and a memorable chorus surrounded by the enjoyable guitar riffs that ensure a constant fun groove in proper classic rock fashion. 

Featuring guest vocalists Wednesday 13 and Calico Cooper from Beastö Blancö “The Last House On The Left” pays homage to a cult horror movie in fact this would be the perfect soundtrack for a Halloween party as everything gets rather spooky with a groovy mix of horrorpunk rhythmic bursts, bouncy guitar riffs and creepy atmospheric accents. 

“Death & Desire” has a ravishing darkly romantic mood so the rhythm slows down allowing the bittersweet guitar tonalities to create intensely nostalgic waves emphasized by the poignant emotions expressed by the poetic vocal delivery. 

Conveying an immense melancholic depth “Hell Has No Mercy” will impress the listeners for the alluring bluesy tonalities as once again guitars successfully craft absolutely catchy & heartfelt melodies around Jyrki’s haunting vocal performance. 

Once again The 69 Eyes prove to be one of the most passionate bands out there, staying true to their unconditional love for goth ‘n’ roll that has nothing to do with any given trendy subgenres and right now in the chaotic music scene “West End” symbolizes a deliciously darkened work of music that easily defies time and space. 

Tyler Bryant And The Shakedown – Truth And Lies

Tyler Bryant & The Shakedown might still be a new name for some but those who already caught them on tour will tell you that they are on fire and the third studio effort “Truth And Lies” focuses on the band’s love for bluesy & heavy rock. 

With a charismatic rocker attitude “Shock And Awe” is certainly an entertaining album opener that balances smooth guitar melodies and a gritty riffs galore channeling intense positive energy. 

“On To The Next” sounds extremely groovy inspired by classic rock dynamics enriched by the seasoned rocker vocal style and full of thrilling guitar licks that naturally lead to a particularly addictive chorus. 

“Ride” offers loads of warm bluesy elements emphasized by strong southern rock vibes creating an exciting ensemble fully expressed by the flamboyant guitar work, the slow burning melodies and the laid back vocals.

On “Judgement Day” the mood shifts to a profound melancholia through the soulful vocal delivery accompanied by comforting acoustic phrases and occasional vibrant guitar licks in the midst of a significantly darker atmosphere. 

“Drive Me Mad” has a rebellious vibe that demands faster rhythmic patterns to create a dirty rock flair that calls for a late night party with an impressive heavier guitar work and a bold vocal delivery. 

“Cry Wolf” still holds a vivid classic rock rhythmic core but crunchy guitar riffs add cohesive heavy dynamics in contrast with the accessible & memorable chorus while vocals can also convey somber nuances. 

On “Couldn’t See The Fire” evocative melodic guitars and soothing vocals constantly channel authentic emotions and the perfect dosage of nostalgia while the skillful thrilling guitar soloing spices up the main mellow rhythm.

Tyler Bryant is already considered a guitar prodigy but accompanied by a solid band he’s ready to conquer a wider audience as this seems to be the right time to raise the bar with the raw energy and the melodic storytelling vibes of “Truth And Lies”. 

Silence In The Snow – Levitation Chamber

Silence In The Snow is the joint effort of guitarist/vocalist Cyn M. and drummer Trevor DeSchryver (Wolves in the Throne Room, Lycus, Dispirit, ex-Deafheaven) and the result of this collaboration comes to life through the dreamy sonic experience of the sophomore release “Levitation Chamber”. 

“Time Will Tell You Nothing” puts a spell on you with a darkened cinematic soundscape featuring otherworldly vocals that gently guide you through monochromatic atmospheric waves filled with dreamy vibes and intense melancholia. 

On “Smoke Signals” a mix of gothic tinged guitar tonalities and catchy drumming creates a more energetic rhythm surrounded by understated atmospheric arrangements and the vulnerable emotions expressed by the spellbinding vocals. 

“In The Dark” once again puts the spotlight on the cathartic vocal delivery accompanied by the fragile atmospheric layers and the minimalist darkened melodic tapestries so everything flows like a lovely midsummer daydream. 

“Dread The Low” welcomes you to an ethereal sonic realm where blurry instrumental crescendos and scattered luminous harmonies emphasize the minimalist approach and the emotional drive of Cyn’s passionate vocals will captivate the listeners. 

With its inner emotional turmoil and the evocative melodies “Levitation Chamber” has the power to relax the listeners and Silence In The Snow are confidently evolving into a unique sonic entity within the current music scene. 

3TEETH – Metawar

Iconoclast industrial metal band 3TEETH has put together the ambitious new album “Metawar” that with its palpable raw energy and confrontational lyrical themes has the potential to ignite a certain musical activism that aims to inspire the audience.  

On “Affluenza” gritty guitar riffs and pulsating synths create a series of abrasive grooves rightfully enhanced by the filtered furious vocal delivery but also surrounded by elegantly somber atmospheric nuances.  

“Exxxit” has a post apocalyptic mood with loads of nightmarish vibes crafted by the intricate synths layers and matched by the bold scratchy vocals yet the mixture of chaotic guitar riffs and dancey beats feel absolutely catchy. 

The sonic manifesto of “American Landfill” can sound deliciously vicious with plenty of stomping quasi robotic grooves filled with blistering guitar riffs marching anxiously through obscure electro layers and vitriolic screams. 

There is a perceptible melodic serenity flowing through “ALTÆR” as the electronic arrangements acquire dreamy tonalities and clean vocals evoke sheer melancholy yet the main inflamed grooves tend to express unrelenting rage. 

On “Bornless” dizzy distortions and massive throbbing electro accents become the main focus ensuring a constant infectious groovy ensemble with familiar industrial dynamics and spiteful harsh screams.  

“Surrender” mainly dwells within a less belligerent sonic realm with slower rhythmic patterns and hazy atmospheric textures but occasionally picks up speed as the corrosive guitar riffs take over amplifying the darkened aspects of the song. 

On “The Fall” hypnotizing gloomy synths naturally create a decadent dystopian soundscape leading to haunting melodic moments and an irresistible catchy chorus spiced up by malicious electro twists and scattered heavier guitar riffs. 

Certainly you could say that “Metawar” is a solid industrial effort sometimes clearly angered yet quite entertaining but there is more under the surface as 3TEETH are delivering a wake up call and sharing their views on this decaying society through music & words.