In the prolific underground metal scene Unverkalt are bound to impress proudly unveiling a gloomy cinematic vision on the new album “Héréditaire”.
The grim composition of “Die Auslöschung” crafts wistful melodies embellished by delicate vocal harmonies but the inner extreme metal attitude takes over with furious drumming and venomous growls.
“Oath Ov Prometheus” hits you in the face with monolithic black metal blasts fueled by a relentless infectious riffage but this hellish sonic realm ultimately reaches a dreamy atmospheric finale.
Throughout “Ænæ Lithi” we find a luminous sense of peacefulness as guitars acquire dreamy tonalities following a sorrowful rhythmic pathway later evolving into monumental crestfallen crescendos.
A mystical aura surrounds “I, The Deceit” consequently guitars can evoke an alluring melancholia yet gradually lead to a vicious rhythmic assault certainly enhanced by wrathful growls courtesy of Sakis Tolis of Greek giants Rotting Christ.
“Maladie de l’Esprit” reveals an introspective approach delivering decadently romantic arpeggios and whispered vocals while the shadowy atmospheric arrangements seamlessly blend with harsh guitar progressions.
Within the overwhelming darkness of “Héréditaire” Unverkalt move confidently invoking mysterious primal forces to successfully construct sultry soundscapes and merciless blackened grooves.
Category: Album Reviews 2026
Suplecs – Hymns Under A Blood Moon Sky
New Orleans heavy rock veterans Suplecs make a majestic comeback with their first album in fifteen years “Hymns Under A Blood Moon Sky” recommended to be played loud.
“Got Nothing” celebrates a renewed strength and channels pure heaviness with the raw energy of the galloping guitar riffs so the result is obviously a massive dosage of grooves.
With a resilient spirit “I See You” relies on monumental gritty riffage and charismatic guitar leads accompanied by a softer vocal delivery.
“Forest Of Fire” evokes gloomy doom influences as guitars acquire shadowy tonalities following a slower sorrowful rhythmic pathway that eventually gains a bold stoner rock attitude.
“Old Spanish Trail” is an intriguing instrumental track that unfolds an eclectic melodic essence through heartwarming bluesy guitar progressions.
The monochromatic track “Damn These Pills” begins with a quasi funereal march but the guitar driven grooves are certainly filled with adrenaline.
“No Apologies” might sound quite laid back in the beginning but soon the towering rhythmic section unleashes massive grooves further amplified by wild guitar leads.
Listening to “La Ti Da” you can perceive a darker mood due to the doom nuances of the solemn orchestrations surrounding the robust rhythmic core.
With the solid groovy dynamics and the distinct sound of “Hymns Under A Blood Moon Sky” Suplecs rebuild their sonic identity drawing inspiration from New Orleans history and personal narrative.
Slagmaur – Hulders Ritual
Norwegian black metal stalwarts Slagmaur confidently manifest an unapologetic approach invoking a primordial obscure force throughout the desolate soundscapes of the new release “Hulders Ritual”.
“Ritual Dogs” opens the album evoking perennial darkness with the necessary dosage of furious rhythmic blasts constantly fueled by galloping savage guitars, gelid atmospheric arrangements and dramatic screams.
The misanthropic attitude of “Wildkatze” inevitably demands fast belligerent drums and unstoppable harsh tremolo picking to emphasize the classic sinister sound.
Throughout “Huldergeist” an expansive lugubrious atmosphere ultimately leads to suffocating instrumental crescendos around a menacing vocal performance courtesy of guest vocalist Hoest of legendary Taake while the finale features a nostalgic folk essence with gentle melodies and haunting female vocals.
“Rathkings” showcases a ghastly mood through decadent melodic phrases while the oppressive rhythmic assault and the sardonic growls depict a ritualistic imagery adorned by solemn orchestrations.
Within the cryptic musical darkness of “Hulders Ritual” Slagmaur celebrate the ominous glory of Norwegian black metal and Nordic folklore focusing on unforgiving crushing dynamics and frostbitten tonalities.
Rob Zombie – The Great Satan
Legendary rock/metal icon and horror filmmaker Rob Zombie makes a grandiose musical comeback with the long awaited new album “The Great Satan” destined to become the wickedly perfect soundtrack for your recurring nightmares.
The distorted synths of “F.T.W. 84” drag you to a revolutionary parallel dimension where guitars freely unleash relentless wild riffage and Rob’s screams guide you through a darkened rhythmic maze embellished by cryptic harmonies.
“Tarantula” entertains you with a multitude of groovy dynamics inevitably fueled by vocal fury and aggressive guitars surrounded by the splattered gore aesthetics of the synths.
The horrific pathway takes you straight to the sinister grooves of “Black Rat Coffin” filled with impactful guitar riffs and flickering cinematic samples.
We feel quite comfortable inside the vengeful rhythmic rampage of “Punks And Demons” invoking obscure forces with extra acidic tonalities and unstoppable hellish drum blasts.
Something lurks in the dark as “The Devilman” showcases colossal catchy vibes with the malevolent guitar progressions and the theatrical attitude of the insidious screams.
Within the post-industrial chaos of “Out of Sight” the hypnotizing mixture of spaced out synths and abrasive guitar riffs is further emphasized by the particularly addictive chorus.
It’s time to party again when the anthemic “Revolution Motherfuckers” reveals a rebellious spirit through chunky guitar lines and obsessive drumbeats.
Proudly manifesting his unforgettable Hellbilly roots and keeping in mind all the best creepy movie scores Rob Zombie reveals a renewed infectious energy in authentic devilish rock n’ roller fashion throughout “The Great Satan”.
Hoaxed – Death Knocks
Portland based dark rock trio Hoaxed has been working hard for three years to create an alluring collection of gloomy tunes on the new full-length “Death Knocks”.
“Where the Seas Fall Silent” features captivating rhythmic crescendos with a flamboyant taste for darkness and a delightful retro rock sound easily embellished by bewitching vocals.
The impactful track “Kill Switch” showcases a massive dosage of raw energy embedded into the rather catchy chorus and into every vitriolic guitar riff bound to produce big & loud grooves.
“Promised to me” manifests a sentimental melodic nature with a wistful vocal performance while the guitar riffs constantly maintain darkly hypnotizing tonalities to build a towering groovy momentum.
The dark romance of “Dead Ringer” comes from the recurring sophisticated cello melodies that gracefully surround the heavy weight of the doomed rhythmic backbone.
Haunting bass lines introduce you to the mystifying realm of “Wretched” where evocative vocal harmonies and relentlessly wicked guitar riffs invite you to headbang & dance with a subtle ghastly goth flair.
With the release of “Death Knocks” Hoaxed can fully showcase a distinct sonic identity inspired by artistic passion and diverse vintage rock & classic heavy metal influences.
Nytt Land – Aba Khan
Ritualistic Nordic folk band Nytt Land embarks on a new mesmerizing spiritual journey through the frostbitten soundscapes of “Aba Khan”.
An arcane ritualistic chanting opens the extrasensorial door to “Taiga” which favors a meditative state with primordial melodic crescendos.
It feels like travelling through the vast territories of Siberia as the monochromatic rhythmic core and the arcane chants of “Totem” could instantly hypnotize the listeners.
On “Mansi” shamanic drums and mystifying atmospheric waves surround the epic chants and the throat singing certainly evokes enigmatic vibes.
“The Oath” belongs to an ancient remote land where spirits rule as the pulsating tribal percussion and the cryptic atmospheric arrangements prepare another mysterious ritual.
The mystical final chapter “Tygir Tayii (Heavenly Sacrifice)” reveals magical melodic themes filled with crestfallen flute tonalities inspired by native elements.
“Aba Khan” is the authentic expression of an empowering ancestral culture and Nytt Land becomes your only trustworthy guide on this immersive sonic experience.
Slaughterday – Dread Emperor
For heavy powerhouse Slaughterday is fundamental to stay true to uncompromising old school death metal so inevitably they prepared an absolutely brutal assault on the new release “Dread Emperor”.
Within a dreadful sonic realm the ruthless rhythmic section of “Obliteration Crusade” would instantly trigger a massive moshpit while the guitar leads elegantly unveil a somber melodic flair.
Inspired by ancient horror tales “Astral Carnage” highlights the darkened energy of the skillful melodic guitar progressions emerging from a quite chaotic rhythmic ensemble.
The title track borrows the ominous heavy weight of doom metal to emphasize the dramatic nature of the slower monochromatic guitar work that will ultimately unleash a majestic solo.
Throughout “The Forsaken Ones” everything moves fast and the visceral guitar riffs successfully maintain a ferocious rhythmic march complemented by angered guttural growls.
It becomes a no frills groovy affair as “Dethroned” evidently focuses on the grinding guitar riffs that just seem unstoppable well supported by the precise drum blasts and the monolithic bass.
With extra speed and violence Slaughterday reach another milestone on the sixth album “Dread Emperor” and proudly continue to carry the torch for authentic classic death metal.
Sleeping Giant – The Beauty of Obliteration
Icelandic heavy psychonauts Sleeping Giant begin a thrilling sonic endeavor with the heavy weight of the debut album “The Beauty Of Obliteration”.
“Conqueror” explores familiar doom metal territories as the brooding guitar work effortlessly shifts from visceral riffs to slower mournful harmonies.
“Mobilizer Of Evil” goes straight to the point focusing on a relentless monolithic riffage to efficiently build aggressive grooves emphasized by the menacing growls.
“The Monk” maintains a belligerent attitude diligently relying on a solid rhythmic backbone while the guitar leads hold a gloomy melodic essence enhancing lugubrious tonalities.
Immersed in pitch black darkness “Abysmal Flame” delivers a memorable triumphant groovy momentum with ominous growls, wicked rhythmic dynamics and extensive soloing once again highlighting the skillful guitar performance.
Throughout “The Beauty Of Obliteration” Sleeping Giant moves with self confidence and a taste for classic doom metal that naturally leads to a massive dosage of guitar driven grooves.
Ponte Del Diavolo – De Venom Natura
Emerging audaciously from the prolific underground metal scene Ponte Del Diavolo crafts the ritualistic, inevitably poisonous, sophomore opus “De Venom Natura”.
The macabre album opener “Every Tongue Has Its Thorns” leads to an arcane dimension through the esoteric vocal delivery and conjures primordial forces with a sinister rhythmic tension fueled by the extra fast drumming and the oppressive guitar riffs.
Darkness continues to descend upon our fragile hearts as “Spirit, Blood, Poison, Ferment!” begins a ruthless rhythmic march highlighting the raw energy of the guitar work and adding cryptic vibes with the ominous trombone and the seductive lyrical invocation.
Reminiscent of occult 70s rock “Il veleno della Natura” follows a mysterious sonic pathway with sultry harmonious passages and frenetic rhythmic crescendos embellished by the decadent romanticism of the Italian lyrics.
“Delta-9 (161)” invites you to join a profound spiritual trip dancing under the moonlight surrounded by hypnotizing guitar melodies, acidic tonalities and expansive doom laden grooves.
Indeed “De Venom Natura” holds a bewitching occult power that allows Ponte Del Diavolo to fully embrace eternal darkness and manifest their self proclaimed “blackened post‐punk” aesthetics.
Syberia – Quan tot s’apagui
Barcelona’s instrumental post-metal quartet Syberia embarks on a truly eloquent artistic journey crafting hypnotizing soundscapes throughout the brand new album “Quan tot s’apagui”.
The darkly cinematic first chapter “En la foscor una llum que brilla,” immediately manifests a fascinating post-metal inspiration as minimalist piano and languid melodic guitars evoke a profound sense of longing while the fierce rhythmic section is bound to unleash major aggressive dynamics.
The sonic narrative of “Dins la meva ànima la sang em bull…” showcases a sophisticated composition expressing an emotive turmoil as the fragile beauty of the harmonious guitars spontaneously evolve into heavier brooding rhythmic cascades.
Surrounded by a mysterious atmospheric aura “quan me’n vagi no em tanqueu els ulls.” gives way to contrasting emotions focusing on a well balanced mix of fragile melodic progressions and harsh rhythmic patterns fueled by the audacious speed of drums.
In the world of “Quan tot s’apagui” light and darkness become inextricably intertwined as Syberia meticulously blend detailed somber melodic tapestries and otherworldly atmospheric textures shaping a remarkable artistic and sentimental trajectory.
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