Swedish duo Jordfäst invites you to join an immersive sonic journey through the frostbitten blackened soundscapes and the spiritual melodic essence of the debut album “Hädanefter”.
A spellbinding melancholia lingers through “Buren av loppor” as minimalist guitar harmonies and crestfallen atmospheric arrangements seem to celebrate the barren beauty of a wintry landscape yet such contemplative ensemble will eventually evolve into a full blown blackened world where anguished growls, tremolo picking and cryptic rhythmic patterns are destined to thrive.
“Hädanförd” unfolds like a tragic tale as the icy tonalities and the monumental drums constantly express an inner torment creating a groovy yet ominous rhythmic rampage naturally enriched by a compelling series of charismatic guitar progressions while the slower moments embrace a mournful melodic flair and the solemn choirs evoke a fascinating Nordic soul.
You can always perceive a perennial darkness throughout “Hädanefter” as Jordfäst confidently blends obscure black metal dynamics and eloquent melodies drawing inspiration from Scandinavia’s historical heritage.
Category: Album Reviews
Per Wiberg – All Is Well In The Land Of The Living, But For The Rest Of Us… Lights Out
Known for his work with Opeth and Spiritual Beggars, Swedish multi-instrumentalist Per Wiberg this time has crafted the new solo EP “All Is Well In The Land Of The Living, But For The Rest Of Us… Lights Out” showcasing a bright and eclectic creative approach.
The journey begins with the cinematic soundscapes of “All Is Well” which relies on intricate atmospheric arrangements and soulful vocals that can evoke somber feelings amplified by the gloomy melodic accents.
On “In The Land Of The Living” the complex keyboard layers easily create a surreal mood spiced up by the catchy rhythmic patterns and the smooth chorus in contrast with the enigmatic instrumental passages which can acquire darker nuances.
“But For The Rest Of Us…” feels like a nocturnal soundtrack creating a distant dreamy sonic realm as haunting piano melodies flow gently through a darkened ambient maze carefully built by elaborate multilayered arrangements.
“Lights Out” focuses on an eloquent vocal performance and a poignant melodic & atmospheric ensemble emphasizing an inner darkness that will ultimately reach the acme with a sophisticated guitar solo.
Undoubtedly “All Is Well In The Land Of The Living, But For The Rest Of Us… Lights Out” will appeal to music connoisseurs as Per Wiberg embraces a dazzling avant-garde style to create a unique work of music.
Red Fang – Arrows
Portland based stoner/sludge rockers Red Fang are eager to unleash the long awaited new full length “Arrows” offering massive groovy dynamics yet exploring diverse musical territories.
The raw energy of “Unreal Estate” is evident as the gritty riffage and the bold bass lines can easily build robust grooves while the slower lead guitar work tends to channel darkened vibes and tormented feelings.
The title track relies on the fuzzy power of the monumental guitar driven grooves and the excellent leads enhancing a no frills sludge style that will lead to memorable hooks but also to softer atmospheric moments.
In the midst of crazy feedback and cryptic tonalities “Two High” ultimately generates relentless sludgy rhythmic patterns constantly fueled by the super heavy guitar riffs and the colossal drum blasts.
“Anodyne” sounds particularly intriguing combining moody vocals, lugubrious atmospheric nuances and slow burning progressions yet this darker ensemble will lead to a catchy and significantly heavier chorus.
“Fonzi Scheme” instantly evokes a swampy sludge mood as the bold guitar riffs take the center stage to create a solid stomping rampage embellished by sophisticated atmospheric arrangements.
“Days Collide” embraces a mellow feel beginning with bittersweet melodic phrases emphasizing the darker tones of the cathartic guitar work while the monochromatic rhythmic ensemble still holds a groovy sludge flair.
The monolithic riffage and the consequent groovy momentum are certainly at the center of “Arrows” as Red Fang successfully follow a sonic evolution without sacrificing a familiar & successful darkened sludge approach.
Hippie Death Cult – Circle Of Days
Portland based rockers Hippie Death Cult aim to garner interest presenting a soulful blend of fuzzy doom and classic rock elements on the sophomore release “Circle Of Days”.
On “Red Meat Tricks” the robust rhythmic section constantly manifests darkened doom nuances while the guitar work focuses on charismatic soloing and haunting melodic accents amplified by the delicious vintage tonalities and the smooth vocal delivery.
There is a nostalgic feel lingering though the title track as the passionate vocals and the vibrant melodic phrases flourish within a mystifying atmospheric ensemble following a slower almost dreamy tempo yet you can still perceive an obscure doom aura.
“Eye In The Sky” brings closure with massive trippy vibes carefully crafted by hazy guitar melodies and brooding atmospheric arrangements while the gritty guitar riffs can easily generate heavier & lugubrious monolithic grooves.
Throughout “Circle Of Days” colossal doom & heavy rock influences naturally thrive within a groovy sonic maze and undoubtedly Hippie Death Cult are developing a quite interesting sonic vision.
Jess And The Ancient Ones – Vertigo
Finnish occult rockers Jess And The Ancient Ones embark on a spellbinding sonic journey channeling an irresistible retro flair on the brand new record “Vertigo”.
As ominous feelings linger through “Burning Of The Velvet Fires” the darkened guitar sound will trigger a massive groovy momentum skillfully embellished by spooky keyboards harmonies and fascinating vocals.
The ‘70s rock style flourishes within the melodic maze of “Talking Board” fueled by the witchy organ tonalities, the paranormal atmospheric vibes and the raw energy of the guitar work while Jess delivers an eclectic vocal performance.
“Born To Kill” showcases a heavier approach as the gritty guitar riffs successfully create addictive grooves around Jess’s powerful vocal delivery while the slower passages highlight an arcane melodic spirit.
“What’s On Your Mind” might often favor the presence of soulful melodies and moody atmospheric layers yet the faster infectious rhythmic rampage emphasized by the impressive vocals and the inflamed guitar riffs demands your attention.
The intricate sonic realm of “Strange Earth Illusion” leads to a grand finale as the hallucinogenic mixture of surreal atmospheric arrangements, intoxicating vintage organ harmonies and slow burning melodic phrases is destined to put a spell on you while the otherworldly vocals can evoke a strong spiritual essence.
Throughout “Vertigo” Jess And The Ancient Ones constantly manifest a magnetic creative force blending lysergic doom tonalities and trippy heavy rock elements to craft an absolutely bewitching collection of songs.
Alluvial – Sarcoma
Atlanta based technical death metal band Alluvial raises the bar with a new line up on the blistering sophomore album “Sarcoma” which aims to surprise the listeners with a complex blend of aggression and progressive flair.
The strength of “Ulysses” comes from the band’s instrumental prowess that generates interesting rhythmic twists manifesting the absolute fury of death metal through a vicious combo of relentless riffage and fast drumming while the lead guitar work focuses on cathartic phrases.
The title track can sound insanely hostile due to the breakneck speed and the savage screams while the technical proggy approach becomes evident through the sharp guitar riffs and the convoluted soloing.
On “40 Stories” a calmer melodic mood emphasizes the role of the surreal atmospheric accents and the smooth guitar harmonies reaching the acme with an eclectic solo yet a visceral rhythmic rampage will take over leading to unrestrained grooves.
“Exponent” doesn’t waste any time as the ruthless rhythmic section dwells within a chaotic realm channeling the brutal element of modern death metal but you can easily appreciate the unexpected technical aspects of the guitar work.
“Sleepers Become Giants” emphasizes a mystifying atmospheric ensemble and the darkened guitar tonalities craft shimmering melodic crescendos while the faster rhythmic segments maintain a tormented mood.
The instrumental track “Sugar Paper” perfectly embodies an elaborate composition that inevitably generates a high degree of diversity as guitars masterfully create a series of alluring melodies and spellbinding leads evoking sheer melancholia in contrast with the meticulous technical progressions and the frantic riffage.
Certainly Alluvial are eager to showcase an intense creative force that on “Sarcoma” skillfully leads to intricate rhythmic dynamics and captivating instrumental patterns shaping a unique sonic identity without sacrificing the extreme metal roots.
Silver Talon – Decadence And Decay
Dark power metal band Silver Talon is ready to impress the audience with the majestic guitar-driven virtuosity and the refined melodies that characterize the debut full length “Decadence And Decay”.
“Deceiver, I Am” marks an incendiary beginning as the band embraces a rather heavy pathway unleashing massive sharp riffs and thunderous drums enriched by a series of charismatic guitar solos.
Featuring legendary guitarist Andy La Rocque “Resistance 2029” as expected stands out for the extraordinary guitar work effortlessly shifting from technical acrobatics to theatrical melodic licks well supported by the robust rhythmic section.
Somber feelings linger throughout “Next To The Sun” as the emotive vocal delivery is surrounded by a series of elegant arpeggios yet the bold rhythmic section will still have a chance to craft significantly heavier dynamics.
“What Will Be” shifts the focus on luminous melodic phrases enriched by an impressive vocal performance expressing poignant feelings while the guitar solo shines for the eclectic twists and the glowing harmonies.
“Touch The Void” closes the album offering solemn atmospheric arrangements and intricate rhythmic patterns that highlight the dominant role of the brilliant guitar work confidently delivering an interesting blend of aggressive riffs, technical accents and melodic grandeur.
Undoubtedly the strength of “Decadence And Decay” comes from the excellent musicianship and the dazzling triple-guitar attack proving that Silver Talon have the necessary passion and enthusiasm to garner interest in the current metal scene.
Silver Lake by Esa Holopainen – Silver Lake by Esa Holopainen
We all know Esa Holopanein as lead guitarist of iconic Finnish band Amorphis but now he is ready to begin a new exciting sonic endeavor releasing a debut solo album under the moniker Silver Lake joined by amazing vocalists.
Jonas Renkse of Katatonia delivers a poignant vocal performance on “Sentiment” which follows a mellow rhythm focusing on alluring guitar melodies and refined atmospheric arrangements to emphasize a perennial sense of melancholia.
“Alkusointu” takes a different direction focusing on a darkened epic flair through slower yet intricate guitar progressions surrounded by a solemn atmospheric grandeur that also highlights the dramatic spoken words by Finnish artist Vesa-Matti Loiri.
Listening to “In Her Solitude” you can instantly perceive fiery Nordic elements as the guitar work effortlessly shifts from enticing melodic phrases to cold heavier dynamics unfolding around the majestic vocal performance by Tomi Joutsen of Amorphis.
In the beginning “Promising Sun” evokes a fascinating melancholia with soft piano harmonies and sophisticated atmospheric layers embellished by the passionate vocals courtesy of Björn ‘Speed’ Strid of Soilwork & The Night Flight Orchestra yet the robust rhythmic section will acquire heavier tonalities to build inflamed grooves.
“Fading Moon” will certainly become a favorite as the eloquent vocals by Anneke Van Giersbergen and the memorable chorus flourish within the gorgeous melodic ensemble carefully crafted by a perfect mix of dreamy tonalites and intense rhythmic crescendos.
With Silver Lake Esa embraces an eclectic songwriting approach leading to an intriguing blend of heavy dynamics, dazzling prog elements and captivating melodic splendor destined to conquer your heart.
Vulture – Dealin’ Death
German thrash metal band Vulture is ready to unleash incendiary grooves and horror vibes throughout the brand new album “Dealin’ Death”.
“Malicious Souls” relies on unstoppable aggressive riffage triggering familiar thrash rhythmic blasts amplified by the ravenous screams and the wild shredding of the guitar solos.
“Gorgon” still revolves around robust rhythmic patterns and killer guitar leads yet the addition of classical piano and dismal melodic phrases is bound to grab your attention.
The furious guitar driven grooves and the thunderous drumming of “Star-Crossed City” stay true to a successful thrash metal formula enriched by a series of compelling melodic licks.
On “Below The Mausoleum” a nightmarish atmosphere surrounds the fierce rhythmic rampage while the lead guitar work shifts the focus on an elaborate melodic approach.
The title track is fueled by an uncompromising thrash/speed metal force as the rhythmic section follows a faster tempo enhancing the presence of belligerent riffage and angered screams.
“The Court Of Caligula” stands out for the charismatic guitar work skillfully shifting from bold riffs that demand instant headbanging to refined melodies accompanied by epic atmospheric accents and an anthemic chorus.
On “Dealin’ Death” Vulture aim to develop a fresh sonic vision confidently channeling the high-speed energy of old school thrash metal and drawing inspiration from classic horror stories & movies.
Monster Magnet – A Better Dystopia
Legendary rockers Monster Magnet will surprise their loyal acolytes with an obscure selection of proto-metal and psych-rock covers on the new album aptly entitled “A Better Dystopia”.
Hawkwind’s “Born To Go” doesn’t waste any time and delivers mighty guitar driven grooves rightfully enriched by surreal psychedelic vibes and wild soloing that ultimately generate a trippy sonic experience.
“Solid Gold Hell” by The Scientists drags you through a hallucinogenic maze filled with fuzzy guitar tones and psych rock dynamics while Dave Wyndorf’s inimitable voice becomes your spiritual guide.
Pentagram’s “Be Forewarned” manifests a slower nostalgia infused approach and darker melodic nuances that highlight a glorious vocal performance by Wyndorf while guitars can still channel a powerful stoner rock energy.
Poobah’’s 1972 anthem “Mr. Destroyer” is destined to become a favorite due to the irresistible fuzzed-out heaviness of the guitar work, Wyndorf’s fiery vocals and the intense psychedelic breakdown that will inevitably induce a trancelike state.
Jerusalem’s “When The Wolf Sits” marks another memorable moment as the band successfully combines an overdose of magnetic guitar leads and strong riffage unfolding around Wyndorf’s true rocker style vocals.
The cover of “Death” by The Pretty Things follows a dramatically slower tempo and creates a bittersweet dreamy mood favoring moody vocals and hazy guitar melodies embellished by organ and sitar accents.
“Welcome To The Void” by Morgen stands out for the bewitching psychedelic atmosphere that definitely emphasizes the groovy rhythmic twists and the incendiary guitar work while Wyndorf delivers majestic & spacey vocals.
With a captivating psychedelic groovy mood “A Better Dystopia” is a simply addictive collection of timeless songs that makes you space out instantly and gives you the opportunity to take a wild trip inside the mind of Dave Wyndorf.
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