Crowen’s new single “I Live on Darkness and Sorrow” from the band’s upcoming album combines melancholy and strength

Finnish melodic death metal band Crowen are set to release their debut album later in 2027. The first single and music video from the track ‘I Live On Darkness And Sorrow’ is now available here: https://push.fm/fl/crowen-sorrow 

Esa Uusimaa:

“I Live on Darkness and Sorrow is built around a dark and melancholic atmosphere, where sorrow is not merely a heavy emotion, but also a source of strength. Darkness is not portrayed as fear or hopelessness, but as beauty, a place where a person finds meaning, strength, and ultimately themselves.

The song’s chord progression moves in a continuous cycle, reinforcing its sense of sorrow and melancholy. Oppressive background guitars maintain a hypnotic, repetitive atmosphere while adding even more weight and intensity to the song.

Anni Dohlen, Dark Fusion Bellydancer, brought her own artistic vision to the music video. Her dance blended naturally into the video’s atmosphere and visual style.

The first time I saw one of Anni’s dance clips, I was instantly excited. I remember thinking how beautiful it was, and somehow I immediately pictured her as part of this song’s world. I’m really glad she decided to join the project. She’s an incredibly talented dancer with a style that’s entirely her own.

The only person I could truly imagine filming this video was Elsa Wellamo. We previously worked together on the Where The Darkness Falls music video, and from the very beginning I knew I wanted her to direct this one as well. Elsa is simply exceptional at what she does.”

Anni Dohlen:

“The dance was mainly improvised, although I had created a choreography for the song. While filming, the movements were adjusted to the location and to the instructions given by the videographer. Yet, the choreography served as a good base from which to modify the movements. Elsa has a perfect eye for filming and Crowen’s music fit to my taste of music well, so the project was a very pleasant collaboration.”

Elsa Wellamo:

“I have to say, I was genuinely happy when I was invited once again to film Crowen’s new music video. Working with Esa is always a hell of a lot of fun. He’s one of those people who makes collaboration feel effortless, even when the subject matter is at its darkest.

He’s an outstanding musician, a gifted songwriter, and above all, someone with whom it’s natural to create something beautiful.

The song’s theme resonated with me immediately. It exists on the boundary between this world and the next — where time comes to an end, but love carries on.

At first, it felt almost contradictory to shoot such a dark music video in bright, blazing sunshine. But in the end, it turned out to be a perfect reflection of the song’s spirit. Maybe it’s those of us who remain here who are left in the darkness. And perhaps those who have passed beyond time into eternity are the ones who walk in the light.

That’s why the bright sunlight never felt out of place, even though a darker setting might have seemed like the obvious choice at first.

And Anni… what an incredible person to film. And her attitude! We both spent five hours barefoot in a swamp. Five hours. Yet the cold, the wet, and every other discomfort simply never showed in her.

Anni’s dancing had exactly the sensitivity and presence this song needed. More often than not, she understood what I was looking for from just half a sentence. That kind of trust between a director and a performer is incredibly valuable.

Thank you, Esa, for your trust. And thank you to the entire team. Once again, it was a privilege to spend a moment in that place where light and shadow meet.”

Crowen is a Finnish melodic death metal band consisting of Esa Uusimaa and guitarist Sami Sandberg. Drums on this track are performed by Tuomas Saukkonen.

Line-up:

Esa Uusimaa – vocals, guitars, keyboards

Sami Sandberg – guitars, lead guitar

Tuomas Saukkonen – drums

Links:
http://crowenofficial.net
https://www.facebook.com/CrowenOfficial
https://www.instagram.com/crowenofficial
https://crowen.bandcamp.com

Snot Signs With BLKIIBLK Ahead Of New Studio Album In Summer 2027

BLKIIBLK is proud to announce the signing of legendary California punk-metal pioneers SNOT to a worldwide recording deal. One of the most influential cult bands to emerge from the late-’90s heavy music explosion, SNOT is currently writing and recording its long-awaited new studio album – the band’s first collection of new material in nearly three decades – set for release in summer 2027, with new music set to arrive early 2027, coinciding with the 30th anniversary of their landmark debut, “Get Some”.

Mikey Doling, founder and guitarist of SNOT, commented: “I am beyond thrilled to announce SNOT’s signing with BLKIIBLK Records! From my very first conversation with Mike Gitter, it was clear that the team at BLKIIBLK and SNOT were a perfect fit. They truly believe in what we’re doing, and we couldn’t be more excited for what’s ahead. We’re proud to be joining the Frontiers/BLKIIBLK family. I’ve got my sunglasses on because the future is so bright! We’re fired up to bring the new SNOT songs we’ve been working on to our fans around the world. This is just the beginning!”  

Mike Gitter, Head of A&R, Frontiers Label Group, added: “BLKIIBLK isn’t merely just proud to be working with SNOT but more importantly to be part of fulfilling a legacy that has only intensified as time has gone by. SNOT is really the high-octane stopgap between fellow Santa Barbara punk miscreants, RKL and Generation Nu-Metal. Mikey, John, Jamie and Andy are on fire and not only celebrating their history but making it much more than a classic-album-and-then-we’re-out proposition. F- that! SNOT lives!”

SNOT never played by anyone else’s rules. Originally formed in Santa Barbara, California, in 1995, they featured the charismatic Lynn Strait on vocals, guitarist Mikey Doling, bassist John Fahnestock, drummer Jamie Miller. The band forged a sound that blurred the lines between hardcore, punk, funk, groove, and metal with an attitude that refused to fit neatly into any scene. Built around the unforgettable presence of frontman Lynn Strait, the unmistakable guitar work of Mikey Doling, and a rhythm section that balanced precision with swagger, SNOT created music that was as infectious as it was uncompromising.

Released in 1997 through Geffen Records, “Get Some” has become one of heavy music’s defining cult classics. Its explosive combination of crushing riffs, undeniable groove, raw humor, and fearless individuality helped shape the emerging nu-metal movement while standing apart from it entirely. Decades later, the album continues to inspire generations of musicians across metal, hardcore, punk, and hard rock, earning its reputation as one of the era’s most distinctive and enduring releases.

Although Lynn Strait’s tragic passing in 1998 brought the band’s original run to an abrupt end, SNOT’s legacy only continued to grow. In 2000, the surviving members honored Strait with the acclaimed tribute album “Strait Up”, featuring an extraordinary roster of guest vocalists including Jonathan Davis, Corey Taylor, Fred Durst, Serj Tankian, and many others. Meanwhile, SNOT’s members went on to help shape bands including Soulfly, Bad Religion, Amen, Lo-Pro, and Channel Zero, extending the band’s influence across multiple generations of heavy music.

In 2025, SNOT returned with powerhouse vocalist Andy Knapp, ushering in a new era while honoring the spirit that made the band a cult favorite.

Since returning to the stage, SNOT has experienced an overwhelming resurgence, fueled by passionate fans and acclaimed performances at major festivals including Welcome To Rockville, Sonic Temple, Inkcarceration, Louder Than Life, Aftershock, Download, Graspop, Alcatraz, and Motocultor, alongside sold-out headline club shows throughout North America and Europe. The response has firmly established SNOT as one of heavy music’s most celebrated comeback stories.

The current SNOT lineup features Mikey Doling (guitar), John Fahnestock (bass), Jamie Miller (drums), and Andy Knapp (vocals), with Doc Coyle joining the band as touring support guitarist for live performances.

Now signed to BLKIIBLK, SNOT is preparing to release its first new music in nearly thirty years, opening an exciting new chapter while staying true to the spirit that made the band legendary.

GET SOME. SNOT IS BACK.

Current SNOT lineup:
Mikey Doling – Guitar
John Fahnestock – Bass
Jamie Miller – Drums
Andy Knapp – Vocals

Touring Support:
Doc Coyle – Guitar

Anga released new single

German Modern Metal band ANGA released their new single «Demons». The song was recorded at three studios run by members of the band: Thomas Höflein’s studio, SFR Recordings by guitarist Marvin Schäfer, and Helios Studio by drummer Gabriel Illert. The song was mixed and mastered by guitarist Thomas Höflein.
Hailing from Stuttgart and Aschaffenburg, Germany, ANGA is a modern metal act combining heavy riffs, driving breakdowns, and electronic elements with soaring vocal melodies and dark metalcore intensity. Fronted by vocalist Anne Zeides alongside guitarists Thomas Höflein and Marvin Schäfer, bassist Fabian Streich, and drummer Gabriel Illert, the band has steadily evolved toward a darker, heavier sound since their 2021 debut album “Shadows” and the “Straight to Hell” EP. Their single “Demons” encapsulates their current era: modern, heavy, and fearlessly genre-defying.

Progressive rock band Kuumet’s new single “Narcosis” is a song about modern day dopamine addiction

New Finnish progressive rock band Kuumet has released the second single from their upcoming album to be released later this year. “Narcosis” speaks to a distinctly modern dopamine addiction that we encounter daily all around us. Various screens, work tasks, or even food function as first-aid kits. It seems neurons must perpetually supply the brain with an endless flow of pleasure and information, constant stimulation. Narcosis is thus a drug-induced stupor in which we perpetually live.

Listen to the single on music services (Spotify, Apple Music, Deezer, Tidal, Bandcamp etc.): https://push.fm/fl/kuumet-narcosis

Lyricist Jussi Moilanen‘s thoughts about the song:

1984 and Brave New World have come true: someone watches our work from behind screens, much like food delivery workers. We cannot endure even a moment of boredom—which would actually be beneficial to us—so we reach for something, whether immaterial or material remedy, that drags us into a dreamlike state.

I hope Kuumet’s music brings listeners to serenity state of mind. One can listen jazz influenced melodies, cinematic layers or massive walls of guitar. For a moment, one can be alive and free—at least within one’s own mind.

Kuumet started in 2019 in the aftermath of a tribute gig for a Finnish prog legend. The band, which was put together at the initiative of Vesa Ranta (ex-Sentenced, The Abbey, Cemetery Skyline), who had once hung up his drum sticks at the time, ended up with players from Oulu, including The Aeon, THJKB and Hietaketu. Musically, Kuumet operates on the more prog side of rock, the songs may be rambling, but avoiding the pitfalls of indulgent gimmickry. The influences are most found in the legacy of the sprawling rock bands of the 1970s and the more melodic side of heavy rock that rose to prominence in the 1990s.

The songs also reveal the band’s fascination with cinematic expression.

Kuumet’s debut album Nova depicts the struggle of modern man in time: it contains dystopian images, addictions and death, but also glimpses of hope here and there, whether in the form of a bright exploding supernova or the belief that life continues after man.

https://www.instagram.com/kuumet.band/

https://www.facebook.com/Kuumet/

https://www.youtube.com/@KuumetBand

Finnish metal band Withered Petunia has released a new two-part single “Torn Pages” that explores the impact of drugs on individuals and society

Finnish modern death metal metal band Withered Petunia has released a new double single ‘Torn Pages’. The band likes to stretch their musical expression by experimenting a lot with death metal, melodic metal & hardcore. The new single is a two-part piece that explores the impact of drugs on individuals and society. The first part, “Page 1: The Craving,” addresses the topic from an outsider’s perspective, criticizing the user personally, while the second part, “Page 2: The Needle,” explores the user’s perspective on their own situation — namely, society’s reluctance to help individuals suffering from drug problems. The instrumental parts are designed to paint a picture of the topics discussed. The first part is aggressive and chaotic and reflects the way the topic is discussed on a societal level. The second part is darker and more melancholic and describes the user’s personal feelings.

Listen to the single on music services (Spotify, Apple Music, Deezer, Tidal, AmazonMusic etc.): https://push.fm/fl/witheredpetunia-tornpages

Withered Petunia released their debut EP ‘Withered Petunia’ in January of 2025 and the single ‘Fragility of a Mind’ in September 2025. ‘Torn Pages’ is their third release.

Withered Petunia:

Leevi Raatikainen: Vocals

Juuso Hytönen: Lead Guitar & Vocals

Mikael Kalkku: Drums

Joel Eskelinen: Rhythm Guitar

Tuure Honkonen: Bass

https://www.instagram.com/witheredpetuniaband/

https://www.facebook.com/WitheredPetuniaBand

https://www.tiktok.com/@witheredpetuniaband

The Finnish modern metal band Volucrine released the last single and music video Borderline from the forthcoming fifth album

Finnish modern metal band Volucrine are set to release their fifth album ‘Chapter V: Renewal’ via Inverse Records on September 25th 2026. The fourth single and music video ‘Borderline’ is out today and it’s available here: https://push.fm/fl/volucrine-borderline

The band’s mastermind Jupe Velin comments:

“I originally started Volucrine as a therapeutic project so I could channel my negative feelings into music. It’s been almost eighteen years since then, and when you realize that the emotional gloom hasn’t really gone anywhere over the years, the mood can feel pretty bleak at times. When I was diagnosed with ADHD a few years ago, I was at least able to understand, in a certain way, why school, work, romantic relationships, and friendships have always been so difficult for me. For one reason or another, I’ve always had to pay a heavy price for being different and resort to wearing “masks.” It was from this perspective that I wrote “Borderline.” What is it like when you feel compelled to hide your true self and your psychological symptoms in order to be accepted by others?

This weighty theme provided a whole new opportunity to explore the power of low-tuning and mid-tempo. The song undeniably features subtle influences from Sleep Token and Deftones, which we wanted to highlight through heavy, grinding riffs rather than utilizing the melodic structures typical to Volucrine. We wanted to emphasize feelings of loneliness and alienation by recording the countdown to the launch of an imaginary space shuttle as the song’s intro. We are now heading toward infinite emptiness.

The music video ties together the story begun by the “Golem” single, in which masks are once again a central theme. Eetu Lindgren, a member of our band’s crew and a close friend, plays a man who gets lost in a winter forest while following the call of the masks. If you love “Lynchian” visual storytelling set in the twilight zones, this is for you!”

Watch music video ‘Golem’:  https://youtu.be/bb9rVOdwLwo
Watch music video: ‘Volucrine’: https://youtu.be/h9jyzmngfVk
Watch music video: ‘Borderline’: https://youtu.be/5jdZQdQTIZ4

VOLUCRINE are a Finnish alternative metal collective, who released their debut album in 2011. Four albums, two EP’s and countless live shows later, the band’s personal style has been honed to its peak, still emphasizing bold testing of boundaries within their genre. The band has a strong focus on their lyrics, which, due to their deeply personal nature, give Volucrine’s music a human voice.

After the ETNA LP (Inverse Records 2024), which garnered a lot of positive attention worldwide, the band is finally ready to present new material from their upcoming album, which will be released in the fall. With the theme of rebirth, we can expect the unexpected from this album as a great circle is closed.

50 Years of ACCEPT: 50 A-List Musicians Join Celebratory Manifesto of Metal

German heavy metal legends ACCEPT celebrate 50 years of pure power, bringing together the scene’s A-list musicians for a landmark release. Teutonic Titans 1976-2026 is a definitive statement of the band’s legacy, forged in steel and driven by unmistakable riffs. Arriving September 4, 2026, via Napalm Records, the album delivers some of the most iconic songs ever written in heavy music. At the helm,
guitarist Wolf Hoffmann, the longtime architect of ACCEPT’s sound, is joined by a staggering 50 guests across 19 reimagined versions of the band’s biggest tracks. With it, ACCEPT deliver one of their most ambitious and star-studded releases to date.

Progressing through albums from their formative years, from I’m a Rebel (1980) to Eat the Heat (1989), ACCEPT present their songs with an all-new, all-star lineup, alongside the signature voice of Mark Tornillo and Wolf Hoffmann’s unmistakable riffs. By enlisting a Who’s Who of metal, no two songs onTeutonic Titans 1976-2026 are the same. Every track features a different combination of vocals,
guitars, bass, and drums, giving each classic a fresh edge. Tobias Forge delivers a commanding performance on “Save Us” (I’m a Rebel, 1980), joined by Ray Luzier on drums. Phil Anselmo, Kirk Hammett, and Mikkey Dee tear through the speed metal classic “Fast As A Shark” (Restless and Wild,1982). “Balls to the Wall” surges with the powerful range of Metal God Rob Halford, alongside the guitar work of Matthias Jabs. The reimagined “Love Child” is elevated by Billy Corgan and David Ellefson
(both songs from Balls to the Wall, 1983). Other guest stars on ACCEPT’s extraordinary release include K. K. Downing, Bobby Blitz, Hansi Kürsch, Chris Jericho, Ralf Scheepers, Billy Sheehan, Ola Englund, and Jeff Loomis. Topping it off is a re-recording of “Hellhammer” (Eat the Heat, 1989), performed by ACCEPT’s current lineup: Wolf Hoffmann, bassist Martin Motnik, guitarist Philip Shouse and drummer
Christopher Williams, joined by Jason McMaster on vocals.

Teutonic Titans 1976-2026 reaches far beyond the borders of ACCEPT’s country of origin. Packed with the biggest names in heavy music paying tribute to the German icons, the record cements the band’sstanding on the global stage. This is more than an album. It is a manifesto of metal!

Heezer Take Fuzz Rock in Unexpected Directions on New Album Stereolith

Finnish fuzz rock quartet Heezer have released their highly anticipated sophomore album Stereolith. Hailing from Imatra, the four-piece delivers an impressive and versatile collection that brings together the traditions of stoner rock with infectious choruses and memorable melodies. Thick, fuzz-laden tones and driving riffs keep the record firmly rooted in organic rock, while its unexpected melodic elements give the album plenty of character.

On Stereolith, Heezer seamlessly combine the raw energy of desert rock and stoner with the melodic traditions of classic rock. The band’s vocal arrangements are enhanced by backing vocals from Heikki Pöyhiä, while the album closing track “Desert” features soulful saxophone by Aino Heikkonen. Stereolith is available on both CD and vinyl here.

The band approached their second full-length with a considerably more meticulous process than their 2022 debut Sungrinder. Songwriting began immediately after the release of the first album, with a series of singles and the Mushroomhill Boogie Tapes EP (2023) serving as an important stepping stone towards the new record.

“We approached the second album from a completely different starting point than the debut,” explains drummer Ville Häsä. “The band had only been together for a short time when we made the first album, and the songs were mostly composed by jamming together. We even arranged some of them in the studio. We didn’t use a click track, and that sense of freedom and excitement is still very audible on the record.”

With Stereolith, it was time to take things up a few notches, and focus on professional production:

“This time, we wanted to do things properly, with a solid production at a top-level studio and plenty of attention given to pre-production. In fact, we recorded the songs three times: first with Sami and me in my home studio, then with the whole band alongside Kimmo Koskinen, and finally at Petrax Studios with Miitri Aaltonen. By then, the songs were deeply ingrained in us and the arrangements were solid. We had also played dozens of shows together, so the chemistry between us had developed considerably. Still, we wanted to preserve the approach that made the debut feel authentic and energetic, so all the basic tracks were recorded live.”

On Stereolith, Heezer manages to appeal both to underground rock enthusiasts and listeners drawn to strong melodies and memorable hooks. “Stone I Am”, chosen as the album’s lead single, is a prime example of Heezer’s ability to bring seemingly different musical worlds together.

“The riffing in ‘Stone I Am’ was inspired by Down, and the song sat in the vault for quite some time before all the pieces finally fell into place,” says guitarist Ville Räsänen. “Once they did, it became pure Heezer. We made the arrangement more direct in the studio, and Miitri Aaltonen came up with the pulse in the verses, which turbocharged the groove even more!”

Singer-guitarist Sami Kääriäinen says the lyrics grew out of the twists and turns of the human mind:

“The spark for the lyrics came when a friend asked me if I know that feeling when you’re so pissed off that you’re past the point of even raging about it. When the frustration gets so massive that you simply stop caring. And yeah, I’ve been there. There’s a bit of dark humour in it – the idea of being so numb to pain that you can only laugh at it.”

“Stereolith” tracklist:
1.  Horse
2.  This Town
3.  Stone I Am
4.  Let It Burn
5.  Moonshine
6.  Mountain
7.  Crazy
8.  The Van
9.  Desert

With Stereolith, Heezer take the sound and songwriting of their earlier work several steps forward without sacrificing the raw grit that defines the band. The result is an album where fuzz-drenched heaviness, memorable melodies and an unmistakable DIY spirit come together in a surprisingly diverse package.

The band has enjoyed an active summer of live shows, winning over rock audiences both on streaming platforms and on stage.

Heezer line-up:
Sami Kääriäinen – vocals, guitar
Ville Räsänen – guitar
Antti Vesikko – bass
Ville Häsä – drums

WEBSITE | INSTAGRAM | FACEBOOK | SPOTIFY | YOUTUBE

Blackened Thrashers ETERNAL DRAK Announces Quebec Tour Dates For Sixth Album “The Violence of Time” Out Now

Blackened thrash metal entity Eternal Drak will storm stages across the province of Quebec this fall, announcing a run of regional tour dates in support of their sixth full‑length album, “The Violence of Time,” available now. The tour marks the band’s return to the province with their most aggressive and concept‑driven material to date, bringing their varied‑rhythm, catchy sound and uncompromising intensity directly to Quebec fans.

Across its ten tracks, the album dismantles the human understanding of past, present, and future. Each song is a violent thesis, a sonic and lyrical strike against the idea that time can be explained, contained, or understood. Instead of offering conclusions, the album explores fragments of realization, exposing how time pressures identity, warps memory, and rewrites causality.

Musically, the album is built for true old‑school metal devotees: those drawn to the raw spirit of thrash, the darkness of black metal, and the severity of death metal. Eternal Drak merge analog aggression with digital density, resulting in a sound that is varied in rhythm and catchy in impact, sharpened into their most cohesive identity yet.

Every track begins with a central written idea. Once the concept is defined, Eternal Drak builds the music to reflect the emotion and message of the text. Riffs, rhythms, and structures are crafted to echo the same intention, ensuring that even listeners who perceive the voice as an instrument still feel the weight of the lyrics.

Long‑time listeners can expect emotional continuity, thematic depth, and a sound that finally consolidates the band’s identity after years of evolution.

Over the years, Eternal Drak have evolved from raw thrash‑and‑black foundations into a dynamic force shaped by death metal, groove, and even Latin folk influences. Their sound has grown alongside the metal scene itself, adapting to new tools and technologies while preserving the intensity and character that define the band.

Recommended for fans of Dimmu Borgir, Watain, Kreator, Motörhead, and Desaster, experience “The Violence of Time” in its entirety at the following links

“The Violence of Time” (released July 17th, 2026) is available at the following links:

Band website – https://eternaldrak.com/the-violence-of-time

Bandcamp – https://eternaldrak.bandcamp.com/

Spotify – https://open.spotify.com/album/5wq0pSkPFNlU7BtqE0R5J2

YouTube – https://www.youtube.com/watch?v=DS3ueL-cETg

Tour Dates – Eternal Drak
Sept 4 – Quebec City, QC – Sonum
Oct 17 – Saint-Marie, QC – Bar Café Notre-Dame
Oct 31 – Montreal, QC – Piranha Bar

Track Listing:
1. We Force It To Speak – 5:15
2. The Unborn Paths Rot – 3:51
3. Me Hice Simultaneo – 3:30
4. The Blasphemy of Time – 3:35
5. Chaos Is the Law – 3:34
6. Where Cause Is Buried – 3:55
7. Across the Watching Veils – 3:53
8. Breathing Once Again – 3:45
9. The Cosmos Rejects You – 4:09
10. No Direction Total War – 2:57
Album Length: 38:24

Album Band Line-up:
Andres Martinez Torres (Drakar) – Vocals, Lead Guitar, Bass
Michel Amyot – Rhythm Guitar

More info: https://www.eternaldrak.com | https://www.facebook.com/EternalDrak | https://www.instagram.com/eternaldrak

About:

Eternal Drak is an extreme metal band based in Quebec City, Canada, originally founded in Latin America in the late ’90s. Rooted in a fierce blend of thrash and black metal, the band has continually expanded its sound with elements of death metal, groove, and melodic experimentation. Lyrically, Eternal Drak explores human and cosmic darkness, a theme present across all seven of its official releases. The band is currently signed to the Canadian label FirstWave.

Formed in 1997 by brothers Drakar and Warhammer, later joined by guitarist Reijav, Eternal Drak quickly gained recognition, winning a City TV award for Best Metal Video in the early 2000s. After releasing early EPs and their first full-length, the band went on hiatus in 2007.

In 2020, the members reunited in Quebec to create The Past Is Gone, A New One Is Coming, honoring co‑founder and drummer Eduardo “Warhammer” Martínez. This revival led to a prolific new era, including the albums Drak Metal (2021), Shadow Storm (2022), Imprisoned Souls (2024), and multiple EPs. The lineup later expanded with guitarist Mike Amyot and drummer Patrick Auger.

Today, Eternal Drak (featuring Andres Martinez Torres (Drakar) – Vocals, Lead Guitar, Bass, and Michel Amyot – Rhythm Guitar) continues to evolve while staying true to its extreme metal roots, driven by intensity, melody, and a commitment to pushing its sound across continents.

Lugubre Cenacle released new single

Canadian Black Metal/Dark Ambient band Lugubre Cenacle released a new single «Sealed Shell of Existence». The release was recorded by Mickael Goyec and mixed/mastered by Mobo at Conkrete Studio.
Founded in 2006 by French musician Mickael Goyec, Lugubre Cenacle is a solo progressive black metal project now based in Quebec, Canada. Following the 2011 release of debut full-length “Désillusion”, the project entered a refined new era defined by intricate songwriting, atmospheric textures, and emotional depth. Through singles like “Flesh Disguise” and “Sealed Shell of Existence”, Lugubre Cenacle explores existence, perception, and human complexity. Substituting pure aggression for haunting melodies and evolving structures, the music crafts an immersive conceptual journey heading toward a full-length album.