Category: Press Releases

GRIM PROPHECY Unleash New Self-Titled Album with Official Music Video for ‘A Grim Prophecy’

“Grim Prophecy”, the new album by Sardinian thrash/death metal outfit GRIM PROPHECY, is available now on all digital platforms through Volcano Records & Promotion. Accompanying the release is the official music video for ‘A Grim Prophecy’, the track chosen by the band as the manifesto of a work deeply rooted in the darkest corners of the human imagination.

Across nine aggressive and uncompromising tracks of extreme metal, Grim Prophecy unfolds through a narrative journey that intertwines reality and nightmare, dark fantasy visions and reflections on the most disturbing aspects of contemporary society. The lyrics explore themes such as mass manipulation, conspiracies orchestrated by those in power, dark rituals, and the control of the individual, descending into the abyss of madness, murderous instinct, and the self-destructive impulses that dwell within human nature.

Within this framework comes A Grim Prophecy, the single selected to accompany the album’s release. “A cruel destiny, a grim prophecy” stands as the conceptual core of the entire record: a fierce tale exposing what happens behind the scenes of power, where sacrifices, rituals, manipulation, and slavery are used as instruments of control, transforming anger and discomfort into a devastating burst of direct and relentless thrash/death metal. From a musical standpoint, Grim Prophecy forge their identity through an instinctive fusion of technical death metal and high-speed thrash, enriched by a classic heavy metal vein that recalls the legacy of masters such as King Diamond and Black Sabbath while maintaining a modern and distinctive approach. The result is a cohesive and compact album capable of balancing sonic violence, dark atmospheres, and a strong narrative dimension. With Grim Prophecy, the Sardinian band confirms its determination to explore the darkest corners of both the human mind and society, delivering a debut album destined to appeal to old-school thrash and death metal devotees while remaining engaging for listeners seeking more layered and contemporary sounds.

Also watch their earlier video ‘Licantropia’: https://youtu.be/ERQCPzvHtbk

www.volcanopromotion.com
www.facebook.com/grimprophecy.metal

ORDER, the New Promise of Electronic Heavy Gothic Rock, Releases Its Thought-Provoking New Single “Digital Tear”

After releasing their impressive debut single “Terminal Phase“ earlier this year, ORDER now unveils their powerful second single, “Digital Tear“. Infused with futuristic electronic elements and the dark atmosphere of heavy gothic rock, the track was produced by the band’s trusted producer, Lauri Hämäläinen, who also worked on the debut release.

ORDER is a duo formed by two familiar names from the Finnish metal scene: Saku Solin (Turmion Kätilöt, Fear of Domination) and Daniel Tähkä, whose long-hidden musical talents have previously been seen mainly through the lens of a camera.

The message behind Digital Tear is dark, but challenging people to think critically is more important now than ever.

“‘Digital Tear’ is a powerful journey into ORDER’s dystopian world and state of mind. At the same time, I found myself wondering how far removed it really is from the world we live in. The boundaries are already becoming blurred, morality increasingly appears to be little more than an objective guideline, and humanity itself is questionable in many ways,” says Solin, continuing:

“It inevitably raises the question of whether an apocalyptic scenario, humanity becoming machine-like, or the rise of artificial intelligence would necessarily be such a bad thing. What if, in the end, we are the villains of the story while some other force watches our journey toward the inevitable and sheds a single digital tear?”

Daniel takes the thought even further.

“Humanity loves inventing new ways to destroy itself, and some of the things described in this song
may already have happened without us even noticing. Maybe one day an advanced AI will dig our bones out of the sand and wonder about them the same way we wonder about fossils.”

A music video for the song, illustrated by Milla Rissanen and animated by Lotta Ruutiainen, has also been created for “Digital Tear”. The video will be released through the band’s channels as well as those of Blood Blast Distribution, which distributes ORDER’s music worldwide.

Also check out the band’s debut music video for “Terminal Phase”, available to watch here.

weareorder.net

Groovy metal export hope Bloody Falls released their IV album

Bloody Falls, who have been releasing new songs throughout the spring, have just released their new IV album through Art Gates Records. The band, which has achieved excellent streaming figures, has become one of the most interesting Finnish newcomers in the course of their career, with three studio albums already released. Bloody Falls also has a colorful history – after all, the band’s primus motor Stavros Mathios arrived in Finland at the age of 21 solely to found a metal band.

The IV studio album, which is now being released, is very classic metal in its themes, from the riders of the Book of Revelation to the rise of the devil and the darker sides of humanity. The band states that the album has clearly taken Bloody Falls forward, and the final sounds were honed by, among others, Max Morton, who gained inspiration as the producer of Jinjer. Jesus Lhysta (The Rotted Artist) is responsible for the band’s cover art, and the band feels that working with this team has helped them find their own style and identity.

Although Bloody Falls has not really tried to reinvent the wheel with this album but has focused on what they know, they have also selected elements of thrash among the groove metal and melodic death and black metal. Musically, the whole thing takes Bloody Falls in a slightly heavier, but at the same time more interesting direction.

“We had great confidence in the material already during the demo phase, and yet the reception has been at times even speechless. The feedback has been positive throughout and the number of streams is increasing at such a pace that we haven’t really internalized the whole thing properly yet. I have never been so excited about the reactions on the release day!”, says Marko Mäkinen.

Bloody Falls celebrated their new album live by performing at Bar Kotelo in Tampere together with Torchia on Saturday, June 13th. The band will be seen next summer, among other things, as the headliner of the MasisRock festival on August 29th.

The summer gigs announced so far are:

29.8. MasisRock Festival, Espoo – headliner
14.11. Fuusio, Turku – King Satan’s record labels with Black Totem

Bloody Falls is:
Antero Hakala: Vocals
Stavros Mathios: Guitar and backing vocals
Marko Mäkinen: Guitar
Mika Lehtinen: Bass
Rami Vartiainen: Drums

Instagram | TikTok | YouTube | Facebook |

Texas Death Metal Force Creeping Death Officially Signs to BLKIIBLK

Texas’ blazing death metal fivesome CREEPING DEATH are proud to announce they have officially signed to BLKIIBLK. The signing follows the recent announcement that CREEPING DEATH will be featured on The Summer Slaughter Tour 2026 Part IIalongside Hatebreed, Terror, Incantation, Gates to Hell, and Torture. For a full list of tour dates, please see below.

On their signing to BLKIIBLK, vocalist Reese Alavi shares:

“We’re beyond stoked to join forces with BLKIIBLK. It took very little time to see how hard the label’s camp works for their artists & it couldn’t have come at a better time. We’ve been working hard on LP3 all year, and we can guarantee you – it’s the most CREEPING DEATH record to date. We can’t wait to see what the future holds being a part of the BLKIIBLK team.”

Mike Gitter, Global Head of A&R for Frontiers Label Group and BLKIIBLK Label Head, expresses:

“BLKIIBLK is proud to be working with the legends of Texan death metal, CREEPING DEATH. They were a band that signaled a shift in the metal landscape as they toured tirelessly alongside the likes of Power Trip, Carcass, and the list goes on. They’ve got the riffs, the heaviness, and a work ethic that’s second to none.”

CREEPING DEATH Live:

The Summer Slaughter Tour 2026 Part II
w/ Hatebreed, Terror, Incantation, Gates to Hell, and Torture

August 20 – Albuquerque, NM @ El Rey Theater
August 21 – Tucson, AZ @ Rialto Theatre
August 22 – Las Vegas, NV @ House of Blues
August 23 – Anaheim, CA @ House of Blues
August 24 – Sacramento, CA @ Ace of Spades
August 25 – Boise, ID @ Treefort Music Hall
August 26 – Spokane, WA @ Knitting Factory
August 29 – Calgary, AB @ The Ranchroad
August 30 – Regina, SK @ Casino Regina Show Lounge
August 31 – Winnipeg, MB @ Burton Cummings Theatre
September 2 – Sioux Falls, SD @ The District
September 3 – Kansas City, MO @ Warehouse on Broadway
September 5 – Davenport, IA @ Capitol Theatre
September 6 – Milwaukee, WI @ The Rave
September 8 – McKees Rocks, PA @ Roxian Theatre
September 9 – Silver Spring, MD @ The Fillmore
September 10 – Albany, NY @ Empire Live
September 12 – Ottawa, ON @ The Bronson
September 13 – Norwalk, CT @ District Music Hall

CREEPING DEATH is the past, present, and ugly future of Texas Death Metal. The Lone Star State fivesome have built a legacy of brutality, gruesome riffage, and Southern grooves with an improbable cathartic glee. As Revolver Magazine observed, CREEPING DEATH “assemble hulking riffs, screaming guitar solos, and ghastly vocal lows, and play them with the urgent momentum of a sterling hardcore band.”

Bursting from an underground that not only has given the world metallic mainstays like Pantera, but also the likes of Power Trip, Iron Age, Devourment and modern-day metallurgists including Frozen Soul, CREEPING DEATH is the band that defines the sound and sweaty ethos of Texas Metal. For founding members, vocalist Reese Alavi and guitarists A.J. Ross III, and Trey Pemberton, the journey is still a scorched earth affair as they nestle into their new label home, BLKIIBLK.

Since the release of 2016’s ‘Sacrament of Death’ three-song demo, CREEPING DEATHhas been a force in its own right. By the time they unleashed 2019’s ‘Wretched Illusions’ album, CREEPING DEATH was touring exhaustively with the likes of High on Fire, Carcass, and Municipal Waste and traversing Europe with Goatwhore and Revocation. 2021’s ‘The Edge of Existence’ EP further strengthened CREEPING DEATH’s resolve, winning over crowds at festivals including Psycho Las Vegas and South by Southwestas well as the vaunted Sound and Fury and This Is Hardcore festivals.

With 2023’s ‘Boundless Domain’ album, which saw the band collaborate with Killswitch Engage guitarist and producer, Adam Dutkiewicz, CREEPING DEATH had truly arrived as a force both onstage and on record. “We’ve freely admitted that we are a selfish band, in so much as we really only wrote music for us,” explains Pemberton. “We make music that’s fun for us to play. The music that we want to hear. After all, we’re the ones who’re going to hear these songs the most, night after night.” ‘Boundless Domain’ saw them sharpening songwriting blades with songs like “Vitrified Earth” and the groove-laden “Intestinal Wrap,” which also featured the trademark roar of Cannibal Corpse vocalist, George “Corpsegrinder” Fisher.

With their lineup rounded out by bassist Addrian Bijan Jafaritabar (of Texas grinders, Saintpeeler) and drummer Robert Dominguez, CREEPING DEATH looks toward a brutal horizon. “We’re digging into the writing for LP number three,” says Alavi. “It really is CREEPING DEATH at our most intense. We’ve had a couple of member changes and a label change, and it feels like that sense of chaos and the determination we’ve always had is not only coming out in the music but is redefining who and what CREEPING DEATH is.”

CREEPING DEATH are:
Reese Alavi – Vocals
A.J. Ross III – Guitar
Trey Pemberton – Guitar
Addrian Bijan Jafaritabar – Bass
Robert Dominguez – Drums

FOLLOW CREEPING DEATH:
Website
Instagram
Facebook

NYHC crossover pioneers Cro-Mags unleash new single “Wired for Chaos”

CRO-MAGS, the iconic New York hardcore outfit fronted by Harley Flanagan, proudly make their BLKIIBLK debut with the new single, “Wired for Chaos.” The new track marks CRO-MAGS’ first new music in six years, giving fans a taste of what’s to come.

“Wired for Chaos,” which shares its name with last year’s documentary about Harley, was recorded, mixed, and mastered by Arthur Rizk (Power Trip, Code Orange, Cavalera Conspiracy). It was produced by Harley and Arthur and features drum phenom Greyson Nekrutman. The new single arrives alongside an official music video, available below.

Watch the Music Video for “Wired for Chaos” HERE

On the new single “Wired for Chaos,” Harley Flanagan comments:

“The new video for ‘Wired for Chaos’ reminds me of our first video, ‘We Gotta Know,’ which came out 40 years ago, except that it shows where the band is at now. I am proud to say that we are one of those few bands that have a multigenerational audience and bridge the gap between hard-core kids, metalheads, punks, skinheads, and more, as seen in the audience of this video, which was filmed at our shows on the past few tours. Not many bands have such a blended fan base besides Motörhead, and I am proud to say that we are following in that tradition.”

Harley continues, “The song title ‘Wired for Chaos’ was taken directly from the recent documentary of the same name. It comes in with an aggressive metal intro befitting a UFC walk-in or a video game, then bursts into a more traditional HC thrash vibe before returning to a heavy beatdown at the end in an unmistakable CRO-MAGS style. The song is literally about being programmed and wired for chaos from birth, not just by environment, but by parents, trauma, childhood experiences, and the resulting PTSD that I personally struggle with as a result.”

Stream / Listen to “Wired for Chaos” HERE

CRO-MAGS Live:

Europe:
June 6 — Emmen, Netherlands @ Pitfest
June 7 — Hamburg, Germany @ Hafenklang
June 8 — Copenhagen, Denmark @ Beta
June 9 — Berlin, Germany @ Neue Zukunft
June 10 — Schwerin, Germany @ Club Zenit
June 12 — Venlo, Netherlands @ Grenswerk
June 13 — Bergen Op Zoom, Netherlands @ Gebouw-T
June 14 — Hoofddorp, Netherlands @ C-Punt
June 15 — Heidelberg, Germany @ Halle02
June 16 — Essen, Germany @ Turock
June 17 — Saabrucken, Germany with Sepultura @ Garage
June 18 — Luzern, Switzerland @ Sedel
June 20 — Clisson, France @ Hellfest
July 20 — Gdansk, Poland with Biohazard @ B90
July 21, 2026 — Warsaw, Poland with Biohazard @ Progresja
July 22, 2026 — Wroclaw, Poland with Biohazard @ Zaklete Rewiry
July 24 — Debrecen, Hungary @ Campus Festival
July 25 — Martinska, Croatia @ Punk + Zestoka Festa
August 5 — Vagos, Portugal @ Vagos Metalfest 2026
August 7 — London, UK @ United and Strong Fest
August 8 — Newport, UK @ Corn Exchange
August 9 — Blackpool, UK @ Rebellion Festival

USA:
September 26 — Daytona Beach, FL @ Party Weekend
October 4 — Sacramento, CA @ Aftershock Festival

More Dates TBA!

The history of Harley Flanagan and his band CRO-MAGS is integral not just to the history of hardcore, but to modern metal, rock, and punk itself. With roots stretching from the shadow of Warhol and the Velvets to CBGB’s hardcore matinees and L’Amour Brooklyn thrash-a-thons, all the way through current generations of punk and extreme metal, CRO-MAGS are the connective tissue. Just ask the likes of Dave Grohl, Green Day, and Turnstile. CRO-MAGS stand side by side with Black Sabbath, Motörhead, and Metallica as both an influence and a gamechanger.

The brainchild of a 14-year-old Harley Flanagan, CRO-MAGS began in 1981 while Flanagan was playing drums for The Stimulators. By 1982/83, he had recorded the primal CRO-MAGS demos — four songs that would become the blueprint for the seminal 1986 release, ‘Age of Quarrel.’ Initially a solo vision, Flanagan wrote and played all of the music himself. In 1985, alongside guitarist Parris Mayhew, vocalist John Joseph McGowan, and drummer Mackie Jayson, the genre-defining ‘Age of Quarrel’ demo was recorded. The full-length album followed in 1986, with Doug Holland of Kraut joining on second guitar.

Explosive both on and offstage, CRO-MAGS have had a tumultuous history, to put it mildly. Through multiple lineups, six studio albums beyond the original demos, and more than four decades of worldwide touring, CRO-MAGS remain one of the most iconic bands in American hardcore and metal. Today, the band is led by Flanagan on bass and vocals — a role he has held since ‘Best Wishes’ (1989). He remains the only member to appear on every CRO-MAGS release since the band’s founding.

FOLLOW CRO-MAGS:
Website
Instagram
Facebook

THE MOURNING Unveils New Chapter w/ Dual‑Vocal Lineup and New Video “If I Die I Die”

Progressive metal band The Mourning returns with “If I Die I Die,” a powerful new single and cinematic music video that launches the next chapter of the band’s evolution, one defined by heavier sonics, deeper emotional intensity, and the introduction of new co‑vocalist Nanda Hayek.
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Built on the band’s signature blend of cinematic songwriting, dual vocals, and progressive metal precision, the track confronts the fear of death, existential dread, and the psychological exhaustion of living under fear’s control. As the band states in the source document, the song’s core declaration, “I’m tired of all this fear, I’m done living in fear”, captures its central theme of surrendering fear and stepping into freedom.
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Following the acclaim of their full‑length album “Hush”, praised as “a complex, engaging prog metal album” and “a very pleasant surprise” by metal media, the band sought a deliberate creative shift.
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In October 2025, The Mourning quietly welcomed Brazilian vocalist Nanda Hayek into the lineup, known for her work with OverAlive and her background in psychotherapy and existential studies. Rather than announcing the change immediately, the band spent months crafting new material and building a complete visual identity around the single.
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​“If I Die I Die” is the first release to showcase the renewed dual‑vocal dynamic between Hayek and founding vocalist Johnny Ray, expanding the band’s emotional range and intensifying its modern metal edge.
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Written by Francesco Pinter and Johnny Ray, and produced, mixed, and mastered by Alex Nasla, the single blends progressive metal intricacy with a darker, more direct heaviness. The band describes the track as “a psychological and spiritual battle,” moving from dread into cathartic release.
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Lyrically, the song is framed as a dialogue between fear and faith, one voice clinging to control, the other fighting to break free. The refrain “If I die I die” is not nihilistic, but a moment of liberation: the refusal to let fear dictate one’s life.
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The accompanying music video visualizes the song’s emotional arc through a symbolic narrative. A woman is hunted by a mysterious figure of death, terrified at first, then increasingly resolute. She rides her motorcycle toward the confrontation she has avoided, only to discover that death was never the true enemy. Fear was.
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​“By facing it directly, she conquers the thing that had been ruling her,” adds Johnny Ray.
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The release also follows a breakthrough year for the band. In 2025, The Mourning made their live debut aboard 70000 Tons of Metal, where Kerrang! hailed them as an “outrageously talented new prog collective” and praised their 3 a.m. debut as “one of the sets of the weekend.” They later performed at Prog on the Ranch 2025, further solidifying their presence in the progressive metal scene.
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Recommended for fans of Lacuna Coil, Amaranthe, Flyleaf, Disturbed, and Evanescence, watch and listen to the video for “If I Die I Die” at https://www.youtube.com/watch?v=Pbms_iiHgAM​

Add to your Spotify playlist – https://distrokid.com/hyperfollow/themourning/if-i-die-i-die​

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​For more info:

​https://www.themourningmusic.com​

​https://www.facebook.com/themourningmusic​

​https://www.instagram.com/themourningmusic​

​https://www.tiktok.com/@themourningmusic​

About: Formed by vocalist and songwriter Johnny Ray, The Mourning was created to transform personal struggle, spiritual searching, and existential weight into emotionally immediate progressive metal. Their music blends soaring dual vocals, intricate musicianship, atmospheric tension, and deeply human lyrical themes. The band’s previous album, “Hush,” established them as a rising force in modern progressive metal, exploring anxiety, trauma, meaning, and inner transformation across its acclaimed tracklist.

Finnish prog metallers Oddland announce new studio album “Unilluminate To Illuminate” out August 21

Finnish progressive metal band Oddland are thrilled to announce the release of their new studio album, “Unilluminate To Illuminate”, out on August 21, 2026, via Frontiers Music Srl.

Having previously released two tracks from the album, “Eternal Erode” and “Freefall”, the band now unleash the new single “Soar”, along with an official video, available below.

They commented: “’Soar’ is a song that tells a story of what happens when there is an absence of a father in your life and, more importantly, how that empty space in your life is filled with images that rise from stories that are told, from images within, and from the needs one experiences growing up. It is a song touching deeply on longing and wanting to hide from the world in shame but also about finding your strength and light within. The video follows the theme of the album, reflecting the interplay of light and shadow.”

Oddland are also set to embark on a handful of tour dates across Europe, the full list of shows can be found below.

Watch the official video for “Soar” HERE

Pre-Order “Unilluminate To Illuminate” HERE

Oddland return with their highly anticipated new album “Unilluminate To Illuminate”, reaffirming their status as one of the most innovative and compelling forces in modern progressive metal.

Talking about the record, the band stated: “Unilluminate To Illuminate” reflects the need for polarity in life, the need for darkness in order to find joy in light, and the dance of these qualities that deepen the human experience. In the modern age there is a constant chase for dopamine rushes and shortcuts to euphoria. A constant state of happiness is not only impossible but an unfulfilling and untruthful way to live. There is darkness in all of us like there is light in all of us. And, in order to find your light, you must sometimes deeply explore your darkness. This is what the album aims to reflect in the songs and atmospheres we have created.”

Known for their intricate compositions and fearless approach to songwriting, the band continues to push boundaries while refining their already distinctive sonic identity.

The experience gained while supporting Soen on tour has clearly elevated the band to an even higher level, sharpening their performance edge and strengthening their sense of dynamics and impact. That growth is fully reflected in this new record, which feels more focused, confident, and mature than ever before.

This new album expands Oddland’s complex musical universe with heightened intensity, atmospheric depth, and razor-sharp precision. Shifting seamlessly between crushing heaviness and cinematic expanses, “Unilluminate To Illuminate” showcases a band operating at the peak of their creative powers, delivering a listening experience that is both technically impressive and emotionally resonant.

With a bold sense of dynamics and a strong conceptual undercurrent, the album captures the essence of a band that refuses to stand still. Each track reveals new layers upon repeated listens, blending progressive complexity with memorable themes and a powerful sense of direction.

“Unilluminate To Illuminate” stands as a striking statement from one of the finest names in modern progressive metal – a record that challenges, captivates, and ultimately elevates the listener.

“Unilluminate To Illuminate” Tracklist:

1.    Amokinus
2.    Eternal Erode
3.    Soar
4.    Ascent
5.    Freefall
6.    Unilluminate
7.    Illuminate
8.    Act Of Solace
9.    Red Canvas
10.    Unbound In Time
11.    Waterdrops

Line Up:
Sakari Ojanen – Vocals, guitars
Joni Palmroth – Bass
Ville Viitanen – Drums
Jussi Poikonen – guitars

Follow ODDLAND:
Website
Facebook
YouTube

UPCOMING TOUR DATES:

29.08: DK – Næstved @ Næstved Metalfest
04.09: FI – Turku @ Logomo

Split headliner EU tour with Mother Of Millions:
17.09: DE – München @ Feierwerk
18.09: DE – Stuttgart @ Klub Zentral
19.09: NL – Zoetermeer @ Boerderij
20.09: BE – Diest @ Hell
22.09: Tba
23.09: HU – Budapest @ A38
24.09: SK – Bratislava @ Randal Club
25.09: RO – Cluj @ Machines Venue
26.09: RO – Bucharest @ Quantic

Tropic Gold return with new single ‘Witch House’ featuring Harpy

Ahead of their Download Festival appearance this month, hotly-tipped Essex trio, Tropic Gold, return with brand new single, ‘WITCH HOUSE’, featuring Harpy, their first for new label partner, BLKIIBLK.

“Witch House explores the all encompassing parasite of an external force consuming and trapping its victim,” share the band. “This force is experienced in many forms, Witch House addresses the relationship and connection between two people, one being the trapped, feeling they’re within a hex they cannot break.”

Watch the official video for ‘Witch House’ HERE

Tropic Gold pull from metalcore, industrial noise, electronic production and modern alternative culture without ever sitting comfortably in one lane. Self-produced and creatively self-driven, the South East trio have built early momentum through a mix of huge hooks, abrasive electronics and the kind of volatility that makes their songs feel like they could completely fall apart at any second.

Support from BBC Radio 1, Kerrang! and Rock Sound has helped push the band well beyond underground buzz, while tours alongside WARGASM, Resolve, Windwaker and Normandie have quickly established them as a genuinely impressive live band rather than just another internet-heavy project.

The material following last year’s ‘SICK TO DEATH OF EVERYTHING’ EP feels sharper, heavier and more immediate, leaning harder into contrast without losing the hooks underneath it all.

With appearances at Download Festival and a stage headline slot at 2000trees Festival this summer, Tropic Gold are starting to feel less like a promising new act and more like a band properly breaking through.

FORTHCOMING LIVE SHOWS

JUNE

13: DONINGTON Download Festival
30: NEWCASTLE Think Tank *

JULY

01: LEEDS Hyde Park Book Club *
02: SOUTHAMPTON 1865 *
03: BEDFORD Esquires *
04: NORWICH The Waterfront *
05: BRIGHTON Patterns *
10: CHELTENHAM 2000 Trees Festival

NOVEMBER

28: SHEFFIELD Novocaine Festival

* co-headline w/ Banks Arcade

Listen to ‘WITCH HOUSE’: https://ffm.to/witchhouse

Colorado Power‑Metal Force SIEGE PERILOUS Unleash Battle‑Driven Lyric Video “Chieftain” From New Concept Album “Becoming The Dragon” ft. guests Fabio Lione (Rhapsody, Angra), Kristin Starkey (Twilight Force, Temperance)

Colorado power‑metal storytellers Siege Perilous have released the brand‑new lyric video for “Chieftain”, one of the most ferocious and battle‑driven tracks from their 2026 full‑length concept album “Becoming the Dragon.”
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​“Chieftain” marks one of the album’s most explosive narrative chapters, chronicling the protagonist’s rise to power on the Infinite Steppe. As described in the album’s storyline, “Having survived the Crystalline dunes, our hero finds his way to the Infinite Steppe… There he follows a mighty Chieftain to victory. When the Chieftain perishes, our hero seizes control and cuts a bloody swath through his enemies.”
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Driven by a fast, pounding rhythm, complex arrangement, and a chant‑ready chorus, “Chieftain” captures the raw adrenaline of conquest and the intoxicating pull of power that will have the fans’ blood pumping.
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​“Chieftain” is part of the sweeping ten‑track narrative that forms “Becoming the Dragon,” the band’s most ambitious project to date. The album follows the Child of Prophecy through destiny, denial, tragedy, and transformation, culminating in the hero’s ascension into the dragon itself.
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The band describes the album as “a cinematic journey following the Child of Prophecy as he follows his path, then denies his destiny, and then slowly comes to realize that only by embracing it can he truly overcome it.”​
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The record features guest appearances from two giants of the symphonic and power‑metal world: Fabio Lione (Rhapsody, Angra) and Kristin Starkey (Twilight Force, Temperance). Their contributions elevate the album’s emotional and narrative scope, fulfilling a long‑held dream for the band.

“Getting to sing alongside one of the voices that got me into metal as a teenager is an indescribable blessing… This album represents our collective experience, skill, hopes, and dreams,” adds vocalist Shaughnessy McDaniel.

Watch the lyric video for “Chieftain” at https://www.youtube.com/watch?v=a3m4tDcXq4o​

Siege Perilous was forged from the camaraderie of live‑action roleplay and a shared love of cooperative storytelling. Their music blends epic riffs, soaring vocals, and cinematic arrangements into immersive narratives inspired by myth, legend, and tabletop adventures. Every track is a chapter; every performance, an adventure.

Recommended for fans of Manowar, Iron Maiden, Sabaton, Blind Guardian, Rhapsody, and Avantasia, “Becoming the Dragon” (released March 27th) is available via Crunchtronic Records on all digital platforms, along with physical CD and Vinyl, plus merch at the following links:

CD + Vinyl (Limited Edition 12″ Vinyl in Draconic Red) – https://siegemetal.bandcamp.com/album/becoming-the-dragon​

Add to your Spotify playlist – https://open.spotify.com/album/2ij7lZIEXDFMn4I65Slc87​

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Track Listing:​
1. Overture (Instrumental) – (2:37)
2. Ancient Rite – (4:37)
3. As the Dragon Falls (feat. Fabio Lione) – (4:33)
4. Child of Prophecy – (4:05)
5. Shattered Mirage – (4:07)
6. Chieftain – (4:03)
7. Cut Down – (3:01)
8. Echoes of Home (feat. Kristin Starkey) – (4:48)
9. Becoming the Dragon – (5:09)
10. Eschaton – (7:50)
Album Length: 44:54

More info: Siegemetal.com | Facebook.com/siegeband | Instagram.com/siegeperilousmetal | Tiktok.com/@siegemetal​

Brazilian Metal Titans EMINENCE Returns w/ Crushing New Single “Silent March” ft. SEPULTURA’s ANDREAS KISSER

Brazilian metal veterans Eminence return with “Silent March,” the crushing new single and music video that introduce the band’s heaviest and most uncompromising era to date. The track serves as the title song for their upcoming EP, arriving later this year, and features a special guest performance from Andreas Kisser of Sepultura, whose unmistakable guitar work elevates the band’s already explosive sound.

Recorded at Denmark’s legendary AntFarm Studios with world‑renowned producer Tue Madsen, “Silent March” marks a defining moment in Eminence’s nearly three‑decade career, a fusion of Brazilian metal identity, modern heaviness, and global production excellence.

The creation of the new EP began in late 2024, sparked by bassist Davidson Mainart, whose early riffs for “Silent March” allowed the band to complete the track in just two weeks. By early 2025, Eminence entered pre‑production at Audio One Studios in Belo Horizonte, collaborating remotely with Madsen in Denmark to shape the EP’s sonic direction.

Guitarist and founding member Alan Wallace describes the release as the band’s most intense work yet:

“I feel like we’ve captured the essence of Eminence while bringing in a heavier, more modern vibe. The guitars are especially intense on this one. The theme of the EP itself exposes structures, questions symbols, and confronts the idea that faith, power, and truth walk hand in hand. Here, there are no kings. There are no gods. Only the constant sound of humanity marching, in silence, through its own ruin.”

Lyrically and thematically, the single and title track “Silent March” is a brutal portrait of corrupted faith, blind obedience, and violence transformed into a system. The song depicts a voiceless procession marching under power structures built on lies, gold, and suffering, a world where martyrdom becomes industrial, and pain is mass‑produced.

Musically, it blends industrial metal, thrash, metalcore, and death metal, delivering a modern, groove‑driven assault shaped by Wallace’s songwriting and the band’s collaborative approach.

The single includes a standout guest appearance from Andreas Kisser, whose contribution adds a layer of legacy and intensity to the track. His involvement reflects Eminence’s long‑standing connection to the Brazilian metal lineage and its ongoing role in shaping its future.

The “Silent March” music video expands the EP’s themes through stark, symbolic imagery, a world where identity dissolves, faith becomes a weapon, and humanity marches toward its own collapse. The visuals mirror the EP’s narrative arc: the system collapses into mutation, a cycle with no clear beginning or end.

The single’s artwork, created by Brazilian designer Rafael Moco, continues the band’s tradition of powerful visual storytelling. Known for his work on Dark Echoes, Moco delivers another striking concept that reflects the EP’s themes of corruption, dehumanization, and transformation.

Recommended for fans of Machine Head, Slipknot, Gojira, Sepultura, and Architects, watch and listen to the music video for “Silent March” featuring Sepultura’s Andrea Kisser at https://www.youtube.com/watch?v=vy_uNvGff3o​

Add to your Spotify Playlist – https://open.spotify.com/track/6WHCXUjFFbAhaiNwzJlfMO​

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More info:

​https://www.eminence.com.br/​

​https://www.instagram.com/eminenceband​

​https://www.facebook.com/eminenceband​

​https://www.tiktok.com/@eminenceband​

About: Formed in Belo Horizonte, Minas Gerais, Eminence has spent nearly 30 years forging a sound that blends extreme heaviness, technical nuance, and modern aggression while honoring the legacy of the Brazilian metal scene. Led by guitarist Alan Wallace, the band has completed over 30 international tours, performing across Europe, Asia, Oceania, the Middle East, and the Americas.
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Their resume includes appearances at Rock in Rio, Woodstock Festival (Poland), SXSW, CMJ, Summer Breeze Brazil, Knotfest Brazil, Rock Al Parque, and a historic invitation to join Sepultura’s farewell tour.
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Eminence has shared stages with Motörhead, Sepultura, Amon Amarth, Mercyful Fate, Immolation, Krisiun, Nervosa, and many more.

Lineup:​
Alan Wallace — Guitars & Synths
Bruno Paraguay — Vocals
Davidson Mainart — Bass
Thiago Caeiro — Drums