Depressive Black Metal band SYSI Released Debut EP

Finnish Depressive Black Metal band SYSI from Joensuu, North Karelia, released their debut EP on September 16th. Three track release was mixed and mastered by Finnish producer Hiili Hiilesmaa (Sentenced, HIM, Moonspell etc.).

The musical roots of this four-piece band lie in 1990s melodic black metal, spiced with ambient elements and spoken-word vocals.

“We haven’t really heard much DSBM-style music sung in Finnish. When sung in one’s native language, the lyrics carry a unique weight and emotional connection.”

Guitarist/composer Lauri Kivikoski wanted to start making slow, melodic black metal in Finnish and found singer Arttu Ignatius on the Muusikoiden.net website. Lauri’s attention was drawn to Arttu’s clear articulation and distorted vocals which conveyed a range of emotions. Their collaboration quickly became very natural and open. While writing songs, it felt as though they were pushing each other to new heights.

“Arttu’s expression was full of emotion and variety, it was moving. Not that kind of flat, generic performance where people just pretend their aggression. Despite the raw delivery, the lyrics came across clearly, and as a listener, I could feel the song resonating throughout my entire body. It really moved me.” Lauri says.

Lauri asked bassist Heikki Majoinen and drummer Sami Kettunen to join the band. Their chemistry had already been tested on previous projects. In addition, Heikki and Sami had played together for years and had honed a tight rhythm section between the two of them.

“Black metal is often viewed as music that promotes darkness, death, misanthropy, division, and destruction. For us, black metal is about acknowledging, confronting, and processing the darkest aspects of life. This includes the hatred one may feel toward oneself and others. These feelings are not unnatural, and we certainly cannot move forward by suppressing them or avoiding confronting them.

SYSI’s music is on the side of life and peace, but we don’t want to shy away from acknowledging that depression, anxiety, anger, and even suicidal thoughts are part of being human. Everyone experiences suffering, and everyone experiences mental health symptoms at some point, whether they admit it or not. Through our music, we want to convey what some people experience firsthand and what others are unaware of.

When someone writes lyrics about something you’ve experienced yourself, you get the feeling that you’re not alone. Someone else knows what this feels like, too. It connects people across languages and borders, offers comfort, and helps you keep going. Maybe you’ll even find ways to resolve the situation. At least for us, metal music has worked this way,” the band says.

Lauri’s guiding principle when composing was that if a melody doesn’t even bring tears to the composer’s eyes or give him chills, it’s unlikely to move anyone else either. Furthermore, the songs had to be interesting even without vocals, using only MIDI sounds. That way, the texture would likely be rich enough to serve as a foundation for the vocalist’s expression.

The album was made with DIY spirit, from building the recording studio to designing the cover art and creating the videos.

“We experimented with different setups and signal paths through trial and error, searching for our own organic sound. The distinctive guitar sound on the album came about by accident when a load box was inadvertently plugged into a tube amp the wrong way around.”

The drums, bass, and rhythm guitars were recorded in full takes to preserve the natural groove. The vocals were also recorded in one take, and the first vocal takes were left on the album. They had that fresh feeling that the band wanted to capture and convey to the listener. No pitch correction was used in the music; instead, the band wanted to leave just the right amount of human imperfection on the album.

“We wanted to sound like ourselves. Hiili understood what we were going for and helped us make it happen. We’re truly grateful for this collaboration.”

The cover was literally made by hand. The abstract artwork was painted on a piece of wood left over from a house project, using fingers and a knife instead of brushes. It was then digitized by photographing it. Everyone is free to interpret it as they wish.

“Good metal brings people together around the world when it springs from a deep sense of shared humanity. That’s why we wanted to create lyric videos on YouTube where you can follow the Finnish lyrics, line by line, with their English translations.”

A CD version of the EP is also in the works. Janne Saksa produced the master for it.

SYSI was founded in North Karelia, Finland, in 2025. Rooted in melancholic black metal, its songs reach towards the one in anguish and reveal the darkness to the unknowing. It is a vision of a distorted diary, where agony and hope are inseparable.
Lauri Kivikoski – Songwriting, guitars, poetry, backing screams, ambients
Arttu Ignatius – Lead vocals, lyrics
Heikki Majoinen – Bass, backing vocals
Sami Kettunen – Drums, backing vocals

Tracklist:
01. Kunnes hajoan
02. Päästän irti
03. Minkä tähden

https://www.instagram.com/sysi.metal/

https://sysi.bandcamp.com/

Finnish-Mexican melodic death metal band Ulthima releases new music video and the final single before their sophomore album

Finnish-Mexican melodeath ambassadors Ulthima releases their sophomore album “Midnight’s Call” on November 27th. Now they put out the album’s title track as the final single before the full length’s release. The single is accompanied with a music video directed by Héctor Estrada and Ricardo Escobar.

Watch the music video: https://youtu.be/SSDs-FiY-T0

The guitarist and composer Ric tells about the song:“‘Midnight’s call’ is the last song composed for this album and as soon as it was finished we knew we had our main single for this second album. The song exemplifies perfectly the sound of the band with heavy but melodic intros, hard hitting verses and catchy choruses to create a good balance between the heavy and melodic sounds that characterize melodeath.

Lyrics wise the song is written as a metaphor for us about how we achieve success, power, fame and what are we willing to sacrifice for it, whether is losing our principles or even morals to get where we want to be or who we want to become. It is about getting lost just to achieve something but also to wonder if it is worth to loose yourself or not.“

Listen to the single on music services (Spotify, Apple Music, Deezer, Tidal, Amazon Music etc.): https://push.fm/fl/ulthima-mdngthscll

Ulthima is a band that originated back in 2010 in Monterrey Mexico, the band went on hiatus until 2018 in Helsinki Finland. Where the band finally consolidated its members and finished their first full length album Symphony of the Night. In mid 2024 the band started the recording of their second full length album Midnight’s Call.

Ulthima:

Ricardo Escobar: Guitar

Luca Guagneli: Guitar

Antonio Valdés: Bass

Niko Sutinen: Keyboards

Ville Nummisalo: Drums

Tuomas Antila: Vocals

https://ulthima.bandcamp.com/

 

EMBRACE OF SOULS Unleashes “The Plague” A New Live Video For Concept Album “Battle of the Dead” Out Now

Italian epic/power metal band EMBRACE OF SOULS returns with a new official live video for “The Plague”, taken from their latest album “The Battle Of The Dead”, released on May 22nd, 2026, via Rockshots Records.

Watch “The Plague” here: https://www.youtube.com/watch?v=Oi7U2DgUh1g​
​Filmed and edited by: Simone “Morksar” D’Addazio

As the third track on the album, “The Plague” plays a central role in the story behind “The Battle Of The Dead“. Set in a medieval world divided into several kingdoms, the fantasy concept follows the spread of a mysterious plague that affects people’s souls, gradually pushing the continent towards a conflict between the living and the dead.

Captured during a live performance, the new video shows EMBRACE OF SOULS performing “The Plague” on stage, reflecting the direct and energetic approach of the band’s live shows, with keyboards played by Simone Fornasini.

Drawing from classic heavy and power metal of the ’80s and ’90s, as well as the epic and symphonic metal tradition of the early 2000s, “The Battle Of The Dead” combines melodic and theatrical elements with the contrast between Giacomo Rossi’s vocals and the operatic voice of Martina Mazzeo, playing a key role in the band’s sound.

“The Battle Of The Dead” was mixed and mastered by Alessio Garavello at Rogue Studios in London and features Morby (Domine) as a special guest vocalist on “The War”.

EMBRACE OF SOULS will return to the stage on October 24th, 2026, at Dedolor, performing alongside HEAVENFALL for the next Rockshots Night.

October 24th, 2026
ROCKSHOTS NIGHT
EMBRACE OF SOULS + HEAVENFALL
@ Dedolor

Event info: https://www.facebook.com/events/2290473428370267/​

The band is expected to play live at these 2 shows:
​
​Saturday 14th November @Revolver Club in S.Donà di Piave with special guest: Arcana Opera – A.W. and opening act Lenity Lake

Sunday 29th November @Druso Bergamo at the Malpaga Winter Night

Recommended for fans of Rhapsody of Fire, Stratovarius, Sonata Arctica, Nightwish, “The Battle Of The Dead” was released on May 22nd, 2026, in digital format and digipak CD edition, and it’s available to be ordered at the following links:
​
​CD DIGIPAK: https://rockshots.eu/products/embrace-of-souls-the-battle-of-the-dead-cd​
​
​Listen to the entire album “The Battle Of The Dead” here: https://lnk.to/O3GJCQ​
​
​OFFICIAL MERCH: https://embraceofsoulsband.bigcartel.com/​

​

Track Listing:​
1. The Battle Of The Dead
2. Eversun
3. The Plague
4. The Gathering
5. Spine
6. Who Can Save Us
7. Betrayal
8. The Dark Lord
9. The War (feat. Morby)
10. Sacrifice
11. Desolate Lands
​
​Line-up:​
Giacomo Rossi – Vocals
Martina Mazzeo – Vocals
Edward De Rosa – Guitars
Xavier Rota – Bass
Davide Baldelli – Keyboards
Michele Olmi – Drums

Embrace Of Souls is an Italian power metal band founded by drummer and composer Michele Olmi, conceived with the aim of bringing together talented musicians around a shared vision rooted in collaboration, brotherhood, and a deep passion for classic metal. Initially born as a studio project, the band took shape with the release of their debut album “The Number Of Destiny” in 2021, receiving positive feedback on an international level and notable acclaim in Japan.

Drawing inspiration from ’80s and ’90s heavy and power metal, as well as the epic and symphonic metal of the early 2000s, Embrace Of Souls developed a sound characterized by powerful riffs, epic atmospheres, and strong melodic sensibility. Over time, the project evolved into a full live band, allowing the group to further consolidate its artistic identity and deepen its expressive range.

In 2024, Embrace Of Souls returned with their second full-length album, “Forever Part Of Me,” marking a significant step forward in terms of maturity and songwriting. This phase also introduced important changes within the line-up, bringing renewed energy and a broader musical perspective to the band’s sound.

A key element of this evolution is the current vocal pairing. Giacomo Rossi, already involved in previous releases, now takes on a central role as lead vocalist while Martina Mazzeo, an accomplished soprano vocalist, adds a symphonic and operatic dimension to the band’s music. Together, their voices embody the duality that defines Embrace Of Souls: light and darkness, power and elegance, intensity and emotion.

Having shared the stage with renowned acts such as Domine, Vision Divine, Stratovarius, Sonata Arctica, and Rhapsody Of Fire, Embrace Of Souls continue to refine their identity while looking toward the future. The band is now working on new material, further developing their epic and narrative-driven approach to solidify their presence on the international power metal scene.

​​https://www.rockshots.eu​

​https://www.instagram.com/embraceofsouls/​

​https://www.facebook.com/embraceofsoulsofficial/​

Phoenix Death Metal Force Eternal Officially Signs to BLKIIBLK

BLKIIBLK is proud to announce the signing of Phoenix, Arizona death metal force ETERNAL.

With 2024’s highly touted ‘Cryptic Lust’ (Carbonized Records), the four-piece drew an avalanche of praise from the death metal underground. The Resident Sound called ‘Cryptic Lust’ “incredible,” singling out its combination of old-school death metal vocals and thrash-metal crunch and recommending the album to fans of Cannibal Corpse, Testament and Gorement.

The album also caught the ear of Spirit Adrift/Neon Nightmare frontman Nate Garrett, who praised ETERNAL’s “memorable songwriting” and the band’s razor-sharp intersection of the classic early-’90s Scott Burns-era sounds of Obituary and Deicide with the thrashier old-school fire of early Entombed, Sepultura and Testament.

Spearheaded by frontman/guitarist Emilio Ortega and drummer Xander Bridge, ETERNAL have been doing things very much on their own terms since forming in 2021, self-producing and mixing their releases including 2022’s ‘Forsaken Memories’ EP, 2023’s ‘Faceless Evil’ EP and ‘Cryptic Lust.’ Still in their 20s, ETERNAL have already carved out a serious footprint for themselves and, more importantly, have the songs to distinguish them from an increasingly crowded old-school death metal underground.

They’ve backed it up live as well, touring the U.S. with fellow Arizonans Gatecreeper and sharing stages with the likes of Possessed, Vader and now-labelmates Nunslaughter.

Ortega comments on what’s to expect of ETERNAL’s newly forged alliance withBLKIIBLK:

“We looked beyond our direct influences, tracing things backwards to what inspired the bands that inspired us and finding ways to make those ideas our own. We’re pushing ourselves further than we have before. We’re incredibly proud of where it’s going. We’re excited to be sharing this with a new label partner but most importantly, our fans.”

“’Cryptic Lust’ was an undeniable record, and the band backed it up live, no question,”says BLKIIBLK and Frontiers Label Group Head of A&R Mike Gitter. “They’re worshippers of the classic Morrisound sound that is part of the foundation of death metal itself, but that’s just the beginning. ETERNAL understand riffs, they understand songs and, most importantly, they know how to write the classics like very few of their contemporaries can even approach.”

ETERNAL are currently putting the final touches on their second full-length and BLKIIBLK debut, due in 2027, but before that they’ll take another major step forward with their first European tour this October, joining New York death metal legends Suffocation alongside UK slam overlords Ingested and Undeath.

For ETERNAL, one statement is and shall always be: “Life is temporary. Death is Eternal.” Expect nothing less.

ETERNAL Live:

October 8 — Košice, Slovakia @ Collosseum
October 9 — Brașov, Romania @ Rockstadt
October 10 — Sofia, Bulgaria @ Mixtape 5
October 11 — Athens, Greece @ Gagarin
October 13 — Bucharest, Romania @ Quantic
October 14 — Belgrade, Serbia @ Zappa Barka
October 15 — Zagreb, Croatia @ Boogaloo
October 16 — Kranj, Slovenia @ Trainstation SubArt
October 18 — Audincourt, France @ Le Moloco
October 19 — Nantes, France @ Le Ferrailleur
October 20 — Biarritz, France @ Atabal
October 21 — Bilbao, Spain @ Santana 27
October 22 — Madrid, Spain @ Revi Live
October 23 — Lisbon, Portugal @ Music Station
October 24 — San Vicente del Raspeig, Spain @ Sala The One
October 25 — Barcelona, Spain @ Razzmatazz 2
October 26 — Toulouse, France @ Le Rex
October 27 — Geneva, Switzerland @ PTR/L’Usi

FOLLOW ETERNAL:
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Norwegian stoner-punk pride Bokassa to release their album ‘Anomalies’ on March 12 – New hard-hitting track “Cop Out” arrives alongside tour news

Stoner-punk band Bokassa, who kicked off a new era earlier this year with the single “Doesn’t Matter If You Love It Here,” is starting the autumn with a bang. Now, they have announced the release date for their upcoming album, Anomalies, along with a tour that kicks off on the very same day—plus a new single, “Cop Out,” as a taste of what’s to come!

The hard-hitting, straightforward track “Cop Out” is sure to please fans of the band’s heavier material; it sees Bokassa returning to their metallic hardcore roots, seasoned with a dash of thrash metal. The song draws inspiration from sources such as protest songs with vague, “one-size-fits-all” lyrics, as well as bands that should have called it quits years ago but continue to squeeze money out of their fans.

“It’s about knowing when to quit while you’re still on top—before you turn into something you actually despise. Before you start charging for expensive VIP Meet & Greets, before you write lyrics that are nothing but empty buzzwords, and before you start making TikTok dance videos just to sell more tickets. I don’t want to spend my time dreaming up new ways to get more social media views when I know there are still different kinds of pizza out there that I haven’t tried yet,” says vocalist Jørn Kaarstad.

This may be one of the many reasons why the power trio will release music in 2026 through their own label, Kings of Stonerpunk Records. The album Anomalies, set for release on March 12th, will also be available in limited-edition vinyl and CD formats. Serving as the follow-up to their critically acclaimed 2024 album All Out Of Dreams, the new record is produced by two-time Grammy winner Adrian Bushby (Foo Fighters, Muse, The Darkness), with mastering handled by George Perks (Enter Shikari, Skindred).

Anomalies is a fitting title for a band that has never quite fit into any single box. Their signature “stonerpunk” style—which seamlessly blends various subgenres of punk, metal, and rock—has taken them on tours alongside acts such as Metallica, Clutch, Lagwagon, Therapy?, Zebrahead, and Mastodon. This very tendency to break down genre boundaries has made the band difficult to categorize. In a world where listeners often gravitate toward artists who sound similar to their other favorites, Bokassa sounds, above all else, like Bokassa.

On this upcoming fifth studio album, the power trio moves fluidly between groove metal, desert rock, Scandi-rock, death metal, hardcore punk, hard rock, and even power pop—all while maintaining the band’s distinctive sound and knack for infectious melodies.

“I don’t want to be a fast-food version of some older, better band. I see other bands that get a lot of credit for doing that—and from a commercial standpoint, it’s probably a smart move—but then again, we’ve never really been known for making particularly smart decisions. So, we just stick to what we personally find interesting,” Kaarstad says, adding:

“We’ve never really fit in with any particular scene, so we’ve sort of evolved into our own little entity. It’s become a bit of an ‘if you get it, you get it’ kind of thing; I’ve even seen fans at our shows connecting with one another simply because they share a love for the band. That’s really cool,” Kaarstad explains.

The album’s title also reflects the band’s origin story, which is anything but traditional.

“We didn’t have a booking agency, a record label, a manager, or any connections whatsoever—yet suddenly, we were playing on the world’s biggest stages. Given how the music industry operates in Norway—or, for that matter, anywhere in the world—we shouldn’t have stood a chance.” “So, in my opinion, we have always been an exception,” Kaarstad states.

With the release of their new album, the band is embarking on a tour covering Europe, the UK, and their home country of Norway:
March 12 – Kulturhuset, Bergen (NO)
March 13 – Blårock, Tromsø (NO)
March 20 – Rockefeller, Oslo (NO)
April 2 – Kafé Krank, Kristiansand (NO)
April 3 – Folken, Stavanger (NO)
April 9 – Byscenen, Trondheim (NO)
April 16 – The Cobblestones, Bridgewater (UK)
April 17 – The Black Heart, London (UK)
April 18 – The Old Salutation, Nottingham (UK)
April 19 – The Lodge, Manchester (UK)
April 20 – The Joiners, Southampton (UK)
May 6 – Monument 013, Gothenburg (SE)
May 7 – Stengade, Copenhagen (DK)
May 8 – Betty, Hamburg (DE)
May 9 – FRANNZ CLUB, Berlin (DE)
May 11 – Nachtleben, Frankfurt (DE)
May 12 – Luxor Live, Arnhem (NL)
May 13 – DB’s, Utrecht (NL)
May 15 – Antwerp Metal Fest, Antwerp (BE)

WEBSITE

Swiss Heavy Metal Discovery Wörmdigger Sign With Wormholedeath

Wormholedeath is proud to announce the signing of Swiss alternative metal band Wörmdigger for the reissue of their EP “We Shall Remain”, due for release on November 13, 2026. To mark the announcement, the band has released the first single and accompanying video, “Imagine.“

Wörmdigger was founded by brothers Sandro and Jerome Häni together with Rico Vaterlaus. Sandro and Jerome discovered heavy music in childhood through their father and have written together since 2011, building their sound around dense riffing, raw energy, and detailed studio production.

The brothers met Rico during their school years, when he was playing in a punk band while they pursued their own metal project; the three supported one another’s music long before formally joining forces. In 2017, Sandro and Jerome opened their own recording studio and began working with artists across Switzerland. When Rico’s band split in 2018, he joined the brothers, bringing melodic ideas from his punk background that merged with their heavier influences — sessions that became the foundation of Wörmdigger.

Drummer Nicolas Borner joined in 2021 after meeting the brothers through studio work, completing the group musically and personally. The band’s name traces back to a joke: Rico used to call the brothers “Würmligrübbler,” Swiss German for “worm diggers,” a nickname that eventually became Wörmdigger. Second guitarist Felix Straub, previously known to Sandro and Jerome through an earlier studio production, later joined to help realize songs that had originally been written for two guitars, rounding out the band’s current lineup and sound.

The songs on We Shall Remain were written between 2018 and 2020, while Sandro and Jerome were based at New Sound Studio in Switzerland, where regular work with established artists gave them close insight into the production standards shaping the scene. Recording, mixing, and mastering took place after the COVID-19 pandemic, giving the band the chance to revisit the material with additional years of experience and refine it into the sound that represents Wörmdigger today.

www.youtube.com/@Wörmdigger-h3t

soundfactory-studios.ch

www.instagram.com/woermdigger.official

Death metal disco powerhouse King Satan and Saku Solin of Turmion Kätilöt have joined forces on the single “Abraxas Rising,” accompanied by a music video featuring surreal masked antics

King Satan, set to release their album Black Magick Abraxas on November 6th, is stoking the flames further by unveiling a powerhouse track from the upcoming record: the single “Abraxas Rising” features a guest appearance by Saku Solin—aka Shag-U—from fellow scene stalwarts Turmion Kätilöt and Fear of Domination.

“This track was chosen as the final single before the album’s release because ‘Abraxas Rising’ is perhaps one of the clearest examples of what we mean by ‘death metal disco’—a blend of electronic dance music, melodic death metal, and rock ‘n’ roll. We were also greatly honored to have Saku Solin (of Turmion Kätilöt and Fear of Domination) join us as a guest vocalist; he brought a wonderful sense of scale and epic grandeur to the song!” comments King Aleister Satan.

A music video, directed by King Aleister Satan, was also filmed for the track. It transports the viewer into a surreal masquerade, while simultaneously opening a door into the symbolic realm of the ancient mythological deity, Abraxas.

“Abraxas plays a central role throughout the entire album. In my music videos and songs, I have often explored the mysticism of bygone eras through the symbolism and imagery of the modern world. The myth of Abraxas speaks of an ancient deity in whom God and the Devil are one; these opposing archetypes can be seen as battling not for dominion over the universe, but for the human psyche. Opposites merge into one, only for new pairs of opposites to emerge. Thesis, antithesis, and synthesis,” explains King Aleister Satan.

With the release of the album, King Satan will also be hitting the stage; the following shows have been announced:

14/11/2026 – Turku, Fuusio (Support: Bloody Falls, Black Totem)
20–21/11/2026 – Helsinki, Hellsinki Industrial Festival 2026 (King Satan feat. Erja Lyytinen Special Show)
28/11/2026 – Kouvola, Haitaritehdas (Support: Deathropy, Kollectivist)
19/12/2026 – Mikkeli, Dinosaurock Club / Kulttuuritalo Tempo (Support: Deathropy)

The upcoming album, Black Magick Abraxas, features the following tracks:
1. Black Magick Rock ‘N ‘ Roll (feat. Erja Lyytinen)
2. Light of Darkness
3. Fire in the Hole
4. Hate Me Baby
5. Abraxas Rising
6. Far Beyond Good and Evil
7. The Devil Made Me Do It
8. Down by the Sins
9. Ride the Lion

Pre-order the album here.

Previously, “Black Magick Rock ‘N’ Roll” (featuring Erja Lyytinen), “Fire in the Hole,” and “Light of Darkness” have been released as singles from the album.

King Satan consists of:
King Aleister Satan (a.k.a. Seth Aleister de King Satan) – Vocals, keyboards, programming
Hekate “Kate” Boss – Keyboards, vocals, programming
EF-13 – Guitars
Jerry Rock ‘N’ Roll – Bass
Pete Hellraiser – Drums

www.kingsatan.net

Wooden Shadow releases new single “Blackened Roses Fall” featuring Jaana Juntunen

The Finnish one-man melodic death/black/folk metal band Wooden Shadow is set to release the second album ‘Silverlake’ on November 19th 2026 via Inverse Records. The second single which features Jaana Juntunen on guest vocals is released and it’s available on all essential streaming services: https://push.fm/fl/wooden-shadow-blackened

The man behind Wooden Shadow, Jeremia Ponto comments:
“This is a song that echoes the longing and despair of missing someone who isn’t coming back. A sentiment conveyed through both the lyrics and the melody. It is like a tear making its way through the forest. Guest vocalist (and good of mine friend) Jaana Juntunen brings out the best in this track; the nuances of her vocals capture exactly what the song needs. I believe, or at least hope, that ‘Blackened Roses Fall’ will make listeners pause for a moment. In any case, it has been a great honor to work on this.”

“It was fun making the song, lovely lyrics, and it was fun to sing. It was also fun working on it together, and I hope others like it too!” Says Jaana Juntunen

Biography: 

Wooden Shadow is a one-man solo project from Ylöjärvi playing melodic metal, which combine genres in places, especially in the case of new material between folk metal and melodic death metal. From 2020 still running Wooden Shadow and Jeremia Ponto, who leads the solo project, plays the instrumentation and sings in his own music. The lyrical theme is about nature, the darkness of the human mind and life/death – thoughts.

Line-up:

Jeremia Ponto – All instruments

Links:
https://www.facebook.com/Tormentius
https://www.instagram.com/woodenshadowofficial
https://woodenshadow.bandcamp.com

Progressive metallers Maestrick return with new single “Zion” out now via Frontiers Music Srl

Brazilian progressive metallers Maestrick return with their new single and official video “Zion”, out now via Frontiers Music Srl.

The band said: “’Zion’ marks the beginning of a new chapter for Maestrick. We have a new lineup, renewed energy, and a real sense of excitement about what lies ahead. We’re grateful for everything we’ve created so far, but this song takes us into new territory – and we can’t wait to explore it”.

“‘Zion’ brings Maestrick’s symphonic side to the forefront, drawing on the cinematic scale of composers like Hans Zimmer and Gustav Holst. At the same time, we’re exploring modern sounds in both the instrumentation and vocals, with electronic and atmospheric elements inspired by artists such as Muse, VOLA, Spiritbox, and Bad Omens”, they added.

Watch the official video for “Zion” HERE

Stream “Zion” HERE 

Founded in São José do Rio Preto/SP by three friends, Maestrick have been active since 2006 and bring in their sound elements of rock and progressive heavy metal, Brazilian regional music, world music and classical music.

The band have released two albums in Brazil, Europe, United States and Japan, and are recognized for drinking from different artistic aspects – cinema, plastic arts, visual arts and literature – for their compositions, which results in a unique and, according to specialized critics, innovative style.

Not surprisingly, Maestrick captivates movie fans, notably those of Tim Burton, George Méliès, Guillermo del Toro, and Christopher Nolan. In music, it attracts listeners of both modern rock/metal, such as Muse, and also of more niche styles within metal, such as Dream Theater, Haken, Jinjer, Spirit Box, and classics like Queen, Yes, and Gentle Giant.

Their songs address everyday complex themes of human nature. The album “Espresso Della Vita: Solare”, from 2018, was rated by BURRN!, one of the most respected music publications in the world, with a score of 86/100 – quite high for the publication’s standard. Solare’s success led to a tour of Europe with nine shows in Switzerland, Italy, Poland and the Czech Republic.

Their latest album “Espresso Della Vita: Lunare”, was released in 2025, showcasing the ability of the band to push the Progressive metal boundaries.

“Zion” now opens a new chapter for Maestrick, with a new album coming in 2027 and the band ready to take their distinctive and adventurous sound to an even wider international audience.

Line Up:
Fabio Caldeira – Vocals
Renato “Montanha” Somera Jr – Bass
Chris Oliveira – Drums
Charles Soulz – Keyboards
Gabriel Velloso – Guitars

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1THIRTY8 Signs With Wormholedeath and Unveils First Single & Video “In Vain”

Wormholedeath is proud to announce the signing of 1THIRTY8, the hard rock/metal project of Australian guitarist and songwriter Karl Szulik, for the release of the debut album A Reckless Game, due on November 13, 2026

To mark the signing and offer a first taste of the album, 1THIRTY8 has released the first single, “In Vain,” accompanied by an official music video.

1THIRTY8 started as a side project created to combine hard-hitting metal with sweet melodies that can both energise and soothe. The project gave 1THIRTY8 the opportunity to experiment with songwriting ideas that did not fit with Karl Szulik’s other bands and projects, including Divine Ascension, Living Through Mirrors and UNKNWN. The aim was to create songs that are accessible and relatable while still offering interesting melodies, lyrics, time signatures and layers that reward repeated listens.

Recording from studios on opposite sides of the world initially presented a significant challenge, particularly when it came to conveying ideas and capturing the essence of each track while maintaining consistency across the album. With the professionalism and expertise of Emo and James, however, 1THIRTY8 was able to bring the original vision to life.

Each song on A Reckless Game tells its own story, with lyrics built around common situations and experiences that people encounter in their everyday lives. The songs explore feelings of frustration, relief and sadness, while Simone of Domination Studio’s production brings these ideas together into a polished, cohesive listening experience. Having long admired Simone’s work with DGM, 1THIRTY8 found that his vision and creative expertise transformed the initial ideas into the finished sound heard on the album.

As an old-school music fan, 1THIRTY8 also places great importance on the complete album experience, including its visual presentation. Quality artwork was therefore an essential part of the release. The goal was to create something unique yet simple, centred around the idea of someone doing something reckless. Jonathan brought this concept to life through a series of images spanning the album cover, booklet and CD, creating a visual identity that complements the music.

Although A Reckless Game can be heavy, soft, hard-hitting, soaring or occasionally a little strange, 1THIRTY8 hopes the album maintains a groove that gets under the listener’s skin, moves the body and rocks the mind.

1THIRTY8 on signing with Wormholedeath:
“I am excited to announce the signing of 1THIRTY8’s debut album ‘A Reckless Game’ with Wormholedeath. Carlo and the team were extremely supportive and showed a genuine interest in the music I had written and produced on A Reckless Game when I sent it to them for review. It was quite humbling to read the kind words they sent back to me after listening to the album. I am eager to work with them on this release and hope we can give all the fans of progressive music something to rock out to and enjoy.”

1THIRTY8 is

Karl Szulik – Guitars, Bass & Keys

Guest musicians:
Vocals – Emo Alaeddin
Drums – James Knoerl

www.1thirty8.com
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instagram.com/_1thirty8
www.youtube.com/@1thirty8band
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