German progressive metal band Unprocessed aims to impress the audience with the eclectic tonalities and the crushing rhythms of the new concept album “Covenant” which lyrically explores the inner universe of a human being.
Constantly surrounded by surreal atmospheric arrangements “Haven” is definitely an intriguing track that immediately showcases meticulous attention for details and complexity as guitars are ready to surprise the listeners blending multiple melodic textures and heavy riffage following several tempo changes that with a palpable prog inspiration will lead to a wild solo.
“Ghilan” becomes darker channeling a futuristic chaos fueled by punishing riffing & drumming yet the melodic essence of this song still has a primary role as guitars sinuously craft enticing passages with an edgy technical approach and vocals effortlessly shift from primordial guttural screams to somber clean delivery.
With a passionately softer approach “The Mirror” shines for the contemplative momentum expressed by the melancholic piano melodies and heartfelt clean vocals while guitars will later add extra rich melodic flavors and technical twists.
“Meridian” clearly focuses on high impact rhythmic dynamics with slick technical segments featuring a powerful bass & guitars combo that are in constant evolution often favoring a fierce heavier approach while ambiance atmospheres evoke a distant sense of serenity.
“Exhale” features the heaviest and darkest moments on the album with extreme metal nuances embedded in the massive crunchy guitar riffing and thunderous drumming that simply create an impenetrable wall of sound leaving minimal space for hints of melodies and ethereal electronic vibes.
Certainly the strength of “Covenant” can be found in the often unexpected tempo & style variations as Unprocessed fearlessly march beyond standard song structures to create intense contrasts and excellent instrumental work.
Hailing from Denmark emerging band Cabal is ready to conquer acolytes with the incredibly crushing debut full length “Mark Of Rot”.
“False Light” could not sound more oppressive with a hostile approach executed in deathcore style as crunchy guitar riffs call for immediate moshpit amplified by intensely dark atmospheric layers and fierce screams.
Featuring guest-vocalists CJ McMahon of Thy Art Is Murder “Nothingness” begins with arcane synths nuances that will introduce a series of punishing rhythmic patterns keeping a steady sense of oppression and infinite despair further enhanced by utterly furious vocals
“Whispers” continues to channel a profound darkness that gains intensity due to the bold brutality fiercely embedded in the merciless growls and the rhythmic backbone which features modern djent progressions and blurry ambiance breakdowns.
Featuring Filip Danielsson of Humanity’s Last Breath “The Darkest Embrace” offers an enigmatic darkened beginning before fully embracing the expected rhythmic fury that might seem unstoppable focusing almost exclusively on harsh guitar riffs while subtly grandiose synths in the background maintain a creepy atmosphere.
The title track represents a less predictable sonic endeavor as the whole instrumentation is constantly surrounded by massive ominous synths that will efficiently spread haunting sounds and evocative obscurity among the vicious guitar driven grooves providing extra depth and diverse perspectives.
Undoubtedly Cabal successfully maintains an uneasy brutal sonic assault from beginning to end but “Mark Of Rot” also surprises the listeners with the creation of avant-garde atmospheric soundscapes.
German progressive band The Hirsch Effekt has released the rather complex new album “Eskapist” which is the result of a confident technical approach and a desire to explore multifaceted music styles.
“Lifnej” immediately challenges the average listener with an aggressive sonic rampage that bears dissonant tonalities in the complex guitar work which constantly follows rather chaotic rhythmic patterns borrowing hardcore style fury and prog metal technical variety but also features some surprisingly calmer introspective moments.
On “Xenophotopia” the band continues an experimental voyage where guitars tend to display eclectic prog metal dynamics that naturally shift from overwhelming complexity to soothing melodic textures surrounded by peaceful atmospheric arrangements leading to a flamboyant polished solo.
“Natans” reprises that sense of harmonious peace with subtle atmospheric layers and emotive vocal delivery swiftly followed by lovely guitar progressions, this time characterized by luminous crispy tones, which continue to demonstrate the band’s technical talent. Yet, staying true to a thirst for the unexpected, a change of scenario interrupts what was an apparent calm to give way to a series of tight harsh guitar riffing and faster rhythmic sections.
In the beginning “Berceuse” doesn’t necessarily try to surprise the audience as the band focuses on a catchy chorus and easier guitar melodies, still executed in prog metal fashion, that follow compelling tempo variations and syncopate rhythms.
With somber atmospheric nuances “Inukshuk” puts aside any major music experiment to focus on a softer often surreal melodic composition channeling an emotional sonic palette.
“Lysios” could be a stand-alone opus as it involves massive music variety and is also the darkest track on this album. The modern blend of obscure synths and crunchy guitar riffs & bass lines showcases a particularly heavy approach further enhanced by harsh vocals/screams and later hostile hardcore style rhythmic patterns are suddenly interrupted by an extravagant jazz intrusion that occasionally will continue to contaminate the whole aggressive metal momentum.
There is so much going on “Eskapist” in terms of both songwriting and style and undoubtedly The Hirsch Effekt showcases a high degree of creativity mixed to skilled musicianship resulting in a rather unique & edgy experimental music approach that fearlessly and deliberately pushes boundaries.