Blood Command is a Norwegian band known for their energetic and unconventional music, fusing elements of punk rock, hardcore, and pop into what they call deathpop. Their latest album, “World Domination,”was released in 2023 to widespread acclaim. In April, the band released a new single, “All I Ever Hate About You Is,” and is currently working on new music for future releases.
After an energetic show at the Tuska Festival in Helsinki, Finland, we had the opportunity to sit down with Nikki Brumen and Yngve Andersen to talk about their music, gigs, future plans, and much more.
Finnish heavy rock band I.F.A released the fourth and last single ‘Tiimalasi’ from their forthcoming eponymous second studio album which is set to be released on August 8th 2025 via Inverse Records.
The band comments: “The composition of the album’s title track has been a long-standing idea of a versatile slower piece, the different sections of which have found different chord progressions for the guitar strings while meditating. When the composition was completed, it began to sound suitable for lyrics like this.
People have often heard talk about the passing of the sands of life, and the theme of the song reflects this. It feels like in today’s world, perhaps even more people are trying to fight aging and gain more years of life at any cost, but the grim reaper will find even the best escapees.”
BIOGRAPHY:
I.F.A was founded in 1985 in Vihti. Aapo McMillan and Timo Supperi were the founding members, and Jouni Kaunisto was brought in as a singer. The band’s name was derived from the East German Industriverband Fahrzeugbau (IFA) car brand, whose cars were manufactured between 1948 and 1956.
The music of the early days of I.F.A was punk-influenced. Over the years, the sound took shape into the current heavier form without forgetting the band’s roots. The band’s activities took a break in 1989, until it was reactivated in 1999. The current line-up took shape when guitarist Tom Heskell joined in 2019 and drummer Herra Koivuniemi in 2023.
The band released their first album of their long career, which was named Ifandia, self-published for streaming in 2021. Albums 17 songs have been collected over the band’s long career.
Kumarra, Panssarimorsian, Pimeää and Taiteilija singles released in 2023 – 2024 gathered promising streaming numbers as a self-published artist and received airtime on Radio Rock, among others. In 2024, the band signed a recording contract with Inverse Records. The new album is scheduled to be released in 2025.
Best known as the drummer of hardcore titans FREYA (2004 – 2008, 2017-present), featuring EARTH CRISIS members Ian Edwards, Eric Edwards, and Karl Buechner, along with co-writing and performing on the THE LAST SEASON 2003 album “Called It Civilization”, Ethan D. Henry will be releasing his first solo effort, ASHES OF THE SUN, and its debut album “Gods With Machines” due out August 1st, 2025, via his label Ignorant Tourist Productions.
This past June, AOTS revealed the first single “A New Way To Die” and is now ready to share the next track in prelude to the album’s release. Entitled “Here To Stay”, the song is about the chosen one and his community accepting the reality that the gods are not what they appear, The Leaders are in league with these false gods. As a whole, they decide to take their lives, land, and religion back. It’s time to unite and stand up.
ASHES OF THE SUN was born out of a catalog of songs Henry had written over the years. Unsure what to do with them, he sat in his studio and started to record them. Not sure what would become of them. He had his friend Jason “Jocko” Randle at CAPTURE STUDIO (Syracuse, N.Y.) to take a listen and put his mixing and mastering touch on it. After those sessions, Ethan decided his eclectic song list was cohesive enough to make an album.
“After recording about a dozen songs, I developed solos and vocals for them. I felt the way I played the solos and sang would help bring the songs together and could make the collection work as a full-length album. I’m very happy with the way GODS WITH MACHINES came out. It’s simply the way I play and write, and shows some of my influences in the metal/rock/grunge/alternative scene and how they blend together. The vision for this album was to have a flow like some of my playlists, and I imagine most people’s playlists. I hope that fans will enjoy the mellow acoustic/ballad intros that transition into hard rock/ metal flows. I wanted these songs to reach rock fans and metal fans alike. I’ve been in metal bands for a long time and love the brutality Karl and Dan brought to Freya and The Last Season, but I wanted to reach a broader audience. So I chose to tone the heavy vocals back and sing the album. I think ultimately, whether it’s my metal, rock, or grunge influences coming through in these songs, it sounds like the era of music I grew up listening to. late 90s, early 2000s. I like that about this record,” adds Henry.
The nine tracks on “Gods With Machines” were written, performed (drums, guitar, bass, vocals), and produced, along with the album artwork, all by Ethan D. Henry. Overall, the album is ultimately about having faith in God and constantly questioning it. It expresses feelings of being misled by those you admire and trust. It’s about being yourself and finding your spiritual path and God.
“On this particular album, my lyrics are about an alien race that lands on a planet after destroying their world. Realizing the people are looking to the sky for heaven, they pretend they are gods and take advantage of the natives, steal their resources, and live in their paradise. Eventually, the people rebel against the gods after years of abuse and lies. They overthrow the gods and realize they aren’t what they claim to be,” says Henry.
Recommended for fans of Alice in Chains, Stone Temple Pilots, and Soundgarden, “Gods With Machines” is available for pre-order (out August 1, 2025) at https://ignoranttouristproductions.com/
Track Listing:
1. Sophisticated Clowns – 5:49
2. Save The World – 4:17
3. Forced To Kill – 5:51
4. The Elephant – 4:34
5. A New Way To Die – 4:26
6. Gods With Machines – 5:15
7. The Lost Ones – 4:07
8. Here To Stay – 6:11
9. They Bleed Just Like You 4:31
Album Length: 45:05
Canadian alt-rock powerhouse Doll is now streaming “Better Days, Different Times”, their first new collection of material since 2011’s “The Ragdoll Diaries”. The EP represents not just a return to form but a significant evolution for the Ottawa-based band that has expanded their sonic palette while maintaining their core identity. They share their excitement:
“With this album, we wanted to pull listeners in closer to what’s top of mind to us, our values, our experiences. It’s not just something to hear; it’s something to sit and listen to. It’s less about the volume this time, more about the weight behind the lyrics.”
Every track on this record was handpicked because it struck something deep in Doll. Some songs come in softer, quieter moments. But don’t let that fool you, the weight is still there. The message is still dark, still heavy.
The EP maintains the band’s commitment to authentic expression and therapeutic songwriting. Each track emerges from genuine experience and emotion, continuing the band’s tradition of using music as both personal processing and connection with listeners who share similar struggles.
“Better Days, Different Times” marks not just Doll’s return from the dead, but their emergence as a more complete artistic entity. The EP proves that time away has served to deepen rather than diminish their creative impact, offering both longtime fans and new listeners a compelling entry point into the band’s evolved sound. They are recommended for fans of Nobro, SoftCult, Amyl and the Sniffers, and The Pretty Reckless.
Listen to the EP’s full stream premiere on GhostCultMagazine HERE.
Track Listing:
1. Bleeding – 4:32
2. Shark Bait – 3:07
3. Smoke on the Water – 4:26
4. Scene Dream – 4:28
5. Ends Like This – 3:24
6. Goodbye – 3:27
Album Length: 23:29
Album Credits:
All songs performed by: Doll
All songs written by: Doll
Produced by: Josh Hart, Jason Jaknunas
Mixed by: Josh Hart
Mastered by: Josh Hart
Album Artwork by: Mark Kidd
Album Lineup
Guitar: Pete Kasper
Guitar, Vocals, Bass: Christina
Drums: Chris Zimmerman – Smoke on the Water,
Josh Hart – All the Rest
Cello: Raphael Weinroth-Browne
Keys: Phil Campbell
Extra Guitars : Athanasios Maravelis
Today, Brooklyn hardcore legends BIOHAZARD are excited to announce ‘Divided We Fall,’ their first studio album in over a decade, out October 17th via BLKIIBLK. Reuniting the original lineup, the album delivers a blistering statement of unity in chaos. To celebrate the announcement, BIOHAZARD has released a new single, “F**k the System,” which is accompanied by a music video available below.
Billy Graziadei (vocals/guitar) had the following to say about the single:
“‘F**k the System’ is BIOHAZARD calling it like it is. The powers that be have us at odds and beefin’ with each other while they sit back and cash in. It’s no accident the world’s burnin’ in front of our eyes. It’s all divide and control – while they keep us divided by politics, class, race, all of it, and have us out here fighting each other, they’re pulling the strings. ‘F**k the System’ is our war cry about the state of the world with no sugarcoated bullshit.”
Produced, mixed, and mastered by Matt Hyde (Slayer, Hatebreed, Deftones), ‘Divided We Fall’ captures BIOHAZARD at their most raw, relentless, and unifying. The album blends the band’s unmistakable fusion of hardcore, metal, and streetwise groove with a sharpened edge for a fractured modern world delivering a powerful reminder of why BIOHAZARD remains one of the most vital and influential bands in heavy music.
Bobby Hambel (guitars) on the album:
“We are really excited to finally have the classic BIOHAZARD lineup back together in the studio. This album has been a long time coming, and the record is straight from our hearts – we can’t wait for everybody to hear it, and to head out and play these new songs live. See you out there!”
Recording sessions took place at Shorefire Recording Studios (Long Branch, NJ) and The Hydeaway (Van Nuys, CA), with engineering by Joseph DeMaio and additional recording from Matt Hyde. Guitar and production tech duties were handled by Phil Caivano.
BIOHAZARD’s upcoming release via BLKIIBLK marks a new chapter in a storied career that began in the late ’80s, one defined by aggressive sound, socially conscious lyrics, and an unwavering commitment to their roots.
‘Divided We Fall’ Track List:
1. F**k the System
2. Forsaken
3. Eyes on Six
4. Death of Me
5. Word to the Wise
6. Fight to be Free
7. War Inside Me
8. S.I.T.F.O.A.
9. Tear Down the Walls
10. I Will Overcome
11. Warriors
BIOHAZARD will be on their “Divided We Fall Tour” this Fall with support from Onyx, Bayway, and Swollen Teeth, including a homecoming show at the Warsaw in Brooklyn on October 28th. A full list of dates is below.
About the tour, Evan Seinfeld (vocals/bass) comments:
“Judgement Night. The script writes itself. BIOHAZARD is excited to announce our first headlining tour of the U.S. in more than a decade, celebrating our 30-plus year history with Onyx, two of the most hardcore entities in our respective genres. Bayway are killing it, reminiscent of BIOHAZARD’s early rise, and Swollen Teeth bring an entirely different element of heaviness to captivate crowds and evolve our scene. This is going to be a tribal ceremony and a place to release your negative energy in a positive way – see you in the pit!”
BIOHAZARD Live:
10/3: Pittsburgh, PA @ Preserving
10/4: Indianapolis, IN @ Hi-Fi Annex
10/5: Birmingham, AL @ Furnace Fest
10/7: Dallas, TX @ Ferris Wheeler’s
10/8: San Antonio, TX @ Paper Tiger
10/10: Albuquerque, NM @ Sunshine Theater
10/11: Phoenix, AZ @ Van Buren
10/12: Los Angeles, CA @ The Bellwether
10/13: Berkeley, CA @ UC Theatre
10/15: Salt Lake City, UT @ The Complex
10/16: Denver, CO @ Gothic Theatre
10/18: Lawrence, KS @ Liberty Hall
10/19: Minneapolis, MN @ First Avenue
10/21: Chicago, IL @ Concord Music Hall
10/22: Madison, WI @ Majestic Theater
10/23: Pontiac, MI @ Crofoot
10/25: Montreal, QC @ Beanfield Theatre
10/26: Toronto, ON @ Mod Club
10/28: Brooklyn, NY @ Warsaw
10/29: Worcester, MA @ Palladium
10/31: Allentown, PA @ Archer Music Hall
11/1: Sayreville, NJ @ Starland Ballroom
11/3: New Haven, CT @ Toad’s
Musical pioneers in every sense of the word, BIOHAZARD were one of the first bands to seamlessly blend hardcore, heavy metal, punk, and hip hop into an intoxicating genre all their own. After more than a decade away, the Brooklyn, NY band’s OG lineup reunited in 2023 to both fan fervor and critical acclaim, headlining the opening night of the legendary Milwaukee Metal Fest for their first show back. Ghost Cult Magazine said they “explosively unleashed their fury with fortitude and force” with “a superhuman set and an awe-inspiring show.”
The band followed with two sold-out hometown shows in New York City, a late-summer festival run in the UK and Europe, and a fall direct support slot with Megadeth across North America. That was just the start. They returned to Europe and the UK in 2024 for the early summer festival season – including a headlining slot at Download – and made their triumphant return to South America in spring, then returned home to blow out America’s exploding festival circuit.
Their return did more than turn heads; it caused whiplash, and they partnered with BlkIIBlk Records to record and release new music. More incendiary and relentless than ever, the trailblazers have a fresh outlook and revitalized spirit. This is more than a reunion – for bassist/vocalist Evan Seinfeld, guitarist/vocalist Billy Graziadei, guitarist Bobby Hambel, and drummer Danny Schuler, it’s a revitalization and rebirth.
BIOHAZARD are:
Billy Graziadei – vocals/guitar
Bobby Hambel – lead guitar
Danny Schuler – drums
Evan Seinfeld – vocals/bass
Rising Steel are pleased to unveil their new single and official music video, “Black Martin”, taken from the upcoming new studio album “Legion Of The Grave”, set for release on August 29th, 2025, via Frontiers Music Srl.
The band said: “Black Martin” is a dark and emotional journey through the mind of a tormented soul. Caught between crime, poverty, and a cursed fate, the character battles inner demons, seeking redemption in a world that shows no mercy. It’s a haunting confession – part nightmare, part desperate prayer – from someone lost in the shadows, but still searching for a way out”.
“At its core, Black Martin tells the story of a professional killer who, despite his thirst for violence and the blood on his hands, longs to escape eternal damnation. Torn between his deadly instincts and a fading hope for salvation, he walks a doomed path where forgiveness feels forever out of reach”, they added. “Musically, the track is steeped in the spirit of doom metal legends like Candlemass and Black Sabbath – heavy, slow, and soaked in despair. Massive riffs, haunting melodies, and an atmosphere thick with dread carry this tale of a soul trapped in its own darkness”.
Talking about the album, the band commented: “Sharpened in both sound and spirit, we returned to a more old-school heavy metal approach – without losing the raw energy and intensity that have long defined our style. Every track hits with precision, driven by razor-sharp riffs, commanding vocals, and an organic production that channels the true passion of real metal.”
“The album explores darker and more introspective themes, focusing on lost identity, inner struggles, and the strength to rise again. With a mix of raw emotion and powerful imagery, we aim to take the listener on a journey through personal battles that reflect broader human experiences. It’s both a statement of resistance and a search for meaning”, they continued.
Rising Steel’s new album, “Legion Of The Grave” is their fourth full-length studio effort and it sees the French metallers playing as ferociously as ever, while continuing to evolve their heavy and aggressive sound.
The album was recorded in France by Mathieu Gaud and Steel Zard at Studio de la Plaine (KNT) and Lezard Studio. Mixing duties were handled by Staffan Karlsson and Rickard Bengtsson at Sweetspot Studio in Sweden, known for their work with bands like Meshuggah and Arch Enemy. It was mastered by the renowned Mika Jussila at Finnvox Studios in Finland, ensuring a production that’s as powerful and precise as the music itself.
Based in Grenoble, France, Rising Steel deliver a “not so” classical heavy metal experience, drawing strong influence from the ‘80s NWOBHM movement, as well as elements of hard rock and thrash. With nods to iconic bands like Judas Priest and Iron Maiden, their music also appeals to fans of Metallica, Accept, Saxon, Grand Magus, Nevermore, and Slayer.
Following the release of their debut EP “Warlord” (2014) and the full-length album “Return Of The Warlord” (2016), the band gained traction by sharing stages with acts such as Jaded Heart, Sister Sin, Nightmare, ADX, Nashville Pussy, and Annihilator. This helped increase their international visibility.
Their second and third albums, “Fight Them All” and “Beyond The Gates Of Hell”, both released via Frontiers Music Srl, further cemented their reputation in the European metal scene.
Now, with “Legion Of The Grave”, Rising Steel return with an explosive offering full of crushing riffs, high-speed rhythms, and no-compromise heavy metal power. It’s a must listen for headbangers seeking pure, unfiltered metal mayhem.
“Legion Of The Grave” Tracklist:
1. Betrayer
2. King Of The Universe
3. Black Martin
4. Legion Of The Grave
5. Nightmare
6. Venomous
7. Messiah Of Death
8. Dead Mind
9. Trapped In A Soul’s Garden
10. Night Vision
Line Up:
Emmanuelson – Vocals
Steel Zard – Drums
Tony Steel – Guitars
Steff Leadmaster – Lead guitars
Stone warrior – Bass
Australian heavy metal titans TEMTRIS return with the blistering new single “Scars Of Betrayal”, the second offering from their highly anticipated eighth studio album, Queen of Crows, due for release on August 8, 2025, via Wormholedeath.
The single offers another glimpse into the emotional depth and dynamic energy of Queen of Crows — a commanding nine-track opus that dives headfirst into the complexities of the human condition. Dark, bold, and unflinchingly honest, the album balances thought-provoking storytelling with virtuosic musicianship, setting a new bar for modern heavy metal.
Following the success of the first single, “The World is Bleeding Out”, this latest release continues to build momentum as the band gears up for a series of national and international tour dates, soon to be announced.
“Tanzerloch” marks the long-awaited return of Balt Hüttar, folk metal guardians of the ancient Cimbrian heritage from the Altopiano dei Sette Comuni (Italy). As the first single and title track of their upcoming album (due out September 12th), “Tanzerloch” offers a dramatic entry point into a record that blends myth, memory, and metal with bold sonic vision.
With this new track, Balt Hüttar reaffirms their distinctive identity—one rooted in the rediscovery and celebration of the endangered Cimbrian language and culture, interwoven with the energy and force of modern folk metal. Inspired by a local legend from the Roana area, “Tanzerloch” tells the story of a man who disappears into a mysterious sinkhole during a witches’ sabbath, encountering a world of spirits, shadows, and ancient forces. Sung in Italian and Cimbro – a rare medieval Germanic language still spoken in some mountain communities of Northern Italy – the lyrics evoke both the mysticism of the tale and the tension between nature and the supernatural.
Musically, “Tanzerloch” is one of the band’s most ambitious and immersive pieces to date. Its seven-minute runtime unfolds in dynamic movements, opening with somber melodic lines and building toward a powerful climax filled with layered instrumentation and ritualistic cadence. The arrangement includes flutes, tagelharpa, accordion, Irish bouzouki, and bodhrán, seamlessly blending with distorted guitars, tribal drums, and the dual vocal approach that alternates between storytelling clarity and feral intensity. The track conjures a trance-like state that mirrors the mythical dance within the narrative, transporting the listener into a liminal space between reality and folklore.
The song was composed by all five members of the band, reflecting the group’s multifaceted musical background, and the lyrics have been drawn directly from oral Cimbrian traditions that have survived centuries of cultural erosion.
The upcoming full-length album “Tanzerloch” will further explore the myths, historical traumas, and cultural identity of the Altopiano dei Sette Comuni through eleven tracks that blend metal’s aggression with poetic reflection and folk memory. Produced, recorded, mixed, and mastered by Christian Zecchin—who also shares artistic direction with the band—the album is visually enriched by the illustrations of Fabio Porfidia.
Balt Hüttar have long stood out for their strong conceptual approach and live intensity, sharing the stage with bands such as Elvenking, Folkstone, Rotting Christ, Skyclad, and Waylander. With “Tanzerloch”, they take a bold step forward, offering a haunting and deeply rooted vision of folk metal where myth, language, and sound converge in a ritual of memory and resistance.
Having recently signed to Frontiers Music Srl, rising rocker AUSTEN STARR is elated to release her debut single “I Am The Enemy” alongside a music video, available to view below. With this striking debut single, AUSTEN STARR sets the stage for what promises to be an ambitious and emotionally charged musical journey.
AUSTEN STARR comments on signing to Frontiers:
“I’m very excited and very grateful to be working with Frontiers. Despite me being a brand-new artist, they were highly supportive of my vision and they gave me free reign in terms of artistic expression. It’s really, really cool of a label to do that for a debut. Thank you, Frontiers!”
On the new single, she adds:
“’I Am The Enemy’ leans slightly into ‘pop,’ but has been a favorite of everyone involved in the project, and the timing seemed right for a summer release to be this upbeat and deceptively saccharine. The video intends to show the dichotomy that exists around my desire to live within this ‘rockstar’ persona; one side is really tortured about it and the other is excited about it. The version of me that you see on the Viper Room stage is the culmination and resolution of those two parts.”
AUSTEN STARR is a reluctant Bostonian with a penchant for self-induced misery. A natural contrarian, she was raised in a household where being a musician was the last thing she was encouraged to do—so, of course, AUSTEN recorded an album with the help of some heavy-hitters from Frontiers and beyond. While AUSTEN considers herself to be an “anxious wreck,” she’s channeled her inner turmoil and contradictions into a compelling musical statement. AUSTEN’s penchant for hypocrisy is almost as defined as her narrative voice. After all, she admits both to hating bad grammar and to using it in one of her own songs because it fits the meter. When she’s not rocking out on stage or recording, AUSTEN is learning guitar, embracing “emo karaoke nights,” and forging ahead with a relentless, albeit trepidatious, determination to carve out her place in the music world.
BAND LINE UP:
Vocals: Austen Starr
Guitars: Joel Hoekstra (Whitesnake, Revolution Saints, Iconic, Cher, Trans-Siberian Orchestra)
Bass/Drums: Chris Collier (Mick Mars, Lita Ford)
Keyboards: Steve Ferlazzo (Hugo’s Voyage, Avril Lavigne)
Background Vocals: Chloe Lowery (Trans-Siberian Orchestra)
A year after unleashing their fourth studio album, “Imprisoned Souls,” in July 2024, Eternal Drak, formerly from Colombia and now residing in Quebec City, Canada, returns with their next offering, “The Warrior Order”, a five-track record that includes the band’s rendition of Metallica’s “Leper Messiah,”.
Set to be available on digital platforms on July 17th, the blackened thrash band has teamed up with Bravewords for its full stream premiere. Listen HERE.
“The Warrior Order” serves as a heartfelt homage to the band’s journey, a way to honour the memories they’ve created and express their immense gratitude to the fans who have stood by them through the years. By revisiting and reimagining these older tracks from their 2002 debut, “La Resurreccion De La Orden Guerrera”, the now-formed trio aims to rekindle the connection with their long-time listeners while simultaneously inviting new fans to discover and embrace our unique sound. They hope to bridge the past and the future.
Fans can expect the blending of raw, nostalgic vibes of classic metal with the refined production and innovation of contemporary music. By doing so, the EP seeks to evoke powerful memories and untold stories from the past while offering a renewed, enriched auditory experience that resonates with both long-time metal enthusiasts and newer audiences.
“This EP bridges two distinct eras in the journey of Eternal Drak: the energetic creativity of the 1990s and the refined artistry of the present day. It represents a homage to the band’s origins, where young minds passionately crafted what is now revered as old-school metal. These early works have been revisited and revitalized, bringing their raw spirit into the modern soundscape with enhanced production quality that respects the authenticity of the era while ensuring it resonates with contemporary audiences. Through meticulously re-recording the four original tracks, Eternal Drak breathes new life into their debut, preserving the integrity of black thrash metal while making it accessible to a new generation of listeners. To complement this effort, the album includes a cover of one of the most iconic and influential bands in metal history, serving as both a tribute and a testament to the enduring inspiration these legends have provided. This project encapsulates the band’s unwavering dedication to their craft, blending nostalgia with innovation to create a sound that is timeless yet refreshingly current,” adds band founder Andres Martinez, “Drakar” (Vocal/Guitar).
The lyrics on “The Warrior Order” are drawn from Eternal Drak‘s inspiration from a narrative crafted during the band’s early years, which delves into the tale of Lucifer’s exile to the underworld. The story portrays how his influence pervaded humanity, shaping beliefs, behaviors, and aspirations in profound ways. It explores the impact of his legacy on Earth, touching on themes of power, temptation, and rebellion. Furthermore, the narrative captures Lucifer’s relentless quest to find pathways back into the mortal realm, ultimately aiming to reclaim dominion and challenge the celestial forces that banished him. This intricate and evocative storyline serves as the foundation for much of the band’s lyrical content, blending mythological depth with existential reflection to resonate powerfully with listeners.
Recommended for fans of Venom, Celtic Frost, Metallica, and Sepultura, “The Warrior Order” will be available on July 17th, 2025, at the following links:
Track Listing:
1. Oda a la luna – 4:22
2. Contra Viento – 5:16
3. Eternal Drak – 5:50
4. La Nueva Orden – 5:51
5. Leper Messiah (Cover) – 5:29
EP Length: 26:48
Since their inception, black thrash metal forms the backbone of Eternal Drak‘s musical identity, enriched by dynamic influences that span rock & roll and groove elements, with Latin rhythms adding a unique touch of cultural depth. The band’s steadfast commitment to black thrash metal serves as a constant through the years, acting as a solid foundation for their evolving sound. While their compositions continue to explore diverse stylistic directions, the essence of black thrash metal remains unshaken, anchoring their music with raw energy and authenticity. Eternal Drak‘s ability to seamlessly integrate these varied influences showcases their versatility and adds layers of complexity to their identity, ensuring their sound is both compelling and intensely memorable.
You must be logged in to post a comment.