Author: Crix

DYING AWKWARD ANGEL Returns with “The Fallen,” A Powerful Glimpse Into New Album “The Missing Frame”

Italian melodic death metallers Dying Awkward Angel unveil their new single “The Fallen”, a track that fully embodies the band’s identity and sonic direction.

Taken from the album “The Missing Frame”, released via Rockshots Records, “The Fallen” represents the essence of Dying Awkward Angel’s sound: the cold precision of Swedish melodic death metal fused with the raw aggression of American thrash and death metal, delivered with a modern and uncompromising approach.

Formed in 1998 in Turin by guitarist and main composer Edoardo Demuro, the band has built a solid reputation within the underground metal scene, sharing the stage with acts such as Decapitated, Impaled Nazarene, Necronomicon, Forgotten Tomb, and Node. Over the years, they have developed a distinctive style rooted in the Gothenburg tradition while maintaining a strong and personal identity.

With “The Missing Frame”, the band pushed their sound further than ever before, faster, heavier, and more direct, described by the band themselves as “a brutal and honest cooperation between us all.”

“The Fallen” captures the album’s core themes of duality, control, and inner conflict, translating them into a track that is both melodic and relentless.

“Imagine an old and charismatic boss who says: I spoiled my children…but they talk instead of listening,” adds the band.

A reflection on authority, legacy, and the moment when control slips away.

Recorded at Bottleneck Studios in Turin and produced by the band, “The Missing Frame” stands as a powerful statement of intent, balancing tradition and evolution within the melodic death metal genre.

Recommended for fans of At The Gates, Carcass, and Dark Tranquillity, listen to “The Fallen” – https://www.youtube.com/watch?v=aehAJlkkW-g​

Add to your Spotify Playlist – https://open.spotify.com/album/5SpG2i3qgkqlAIZnbP1pWJ​

CD ORDER “The Missing Frame” – https://rockshots.eu/TheMissingFrameCD​

Previous Singles:

Music Video – The Inner Paradox – https://www.youtube.com/watch?v=XPoiysCBU2M​

9.99 – https://www.youtube.com/watch?v=cAiEvJ3rpvE​

Music Kills – https://www.youtube.com/watch?v=1JtD-Fhte_w​

​

Track Listing:​
1. The Ecstasy of God (Instrumental)
2. Black Waves
3. The Fallen
4. Music Kills
5. 9.99
6. Raptus
7. YOU MUST DIE!
8. Blinded
9. Skin and Bones
10. The Inner Paradox
11. Out of Mind (R’lyeh)
12. A Promise
13. The Missing Frame (Instrumental)

Dying Awkward Angel is an Italian melodic death metal band formed in 1998 by guitarist Edoardo Demuro and drummer Ivan Longo. Influenced by the ferocity and melody of the ‘90s extreme metal scene, drawing from the Gothenburg sound as well as UK and US death and thrash metal, the band quickly developed a distinctive style that blends raw aggression, dark atmospheres, and introspective lyricism.

After two well-received demos (Dying Awkward Angel, 2002, and Ghost at the Spine, 2004), the band released their first full-length, “Waiting for Punishment,” in 2013, followed by the EP “Madness Rising” (2015), showcasing a more mature and dynamic approach to songwriting. In 2018, Dying Awkward Angel released “Absence of Light” through Rockshots Records / Extreme Metal Music, gaining praise from international press and expanding their reach across Europe, the USA, and Japan.

Having shared the stage with acts like Decapitated, Impaled Nazarene, Necronomicon, Forgotten Tomb, Keno,s and Node, the band is known for delivering uncompromising live performances and intense musicality.

In 2024 and 2025, the singles “The Magical World of the Dead“, “Music Kills“, and “9.99” marked the band’s powerful return, leading up to the release of their new album “The Missing Frame“, due out on August 22nd, 2025, via Rockshots Records. This new chapter reflects a more focused and violent sonic identity—one that remains faithful to the Swedish melodeath tradition while embracing a darker, more deliberate production.

Line-up:​
Michele Spallieri: Vocals
Demuro Edoardo: Guitars,
Lorenzo Asselli: Guitars
Luca Pellegrino: Drums
Davide Onida: Bass Guitar

https://www.rockshots.eu | http://www.dyingawkwardangel.com | https://www.instagram.com/dyingawkwardangel_official/​


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Stalwart Reintroduces “Through the Dead Eyes” Guitar & Bass Playthrough Video

Extreme metal force Stalwart presents the official guitar and bass playthrough video for “Through the Dead Eyes,” originally released in 2024 and now reintroduced to highlight the technical precision and compositional depth of one of the band’s most punishing tracks.

The playthrough offers fans and musicians a view of the powerful performance details that define Stalwart’s sound, showcasing the band’s discipline, precision, and uncompromising artistic vision to a wider audience.

Stalwart’s latest album, Tempvs Edax Rervm, delves into the inexorable power of time, exploring themes of fading identity and inevitable decay as “heaven and earth have switched places.” The album distills the band’s essence—groove-driven riffs, intricate rhythms, and atmospheric layers—into a heavier, darker, and more focused continuation of their intense metal legacy.

Stream the album: orcd.co/teralbum

Formed in 1999 in Saint Petersburg, Russia, Stalwart has built a reputation in the extreme metal scene with a distinctive blend of death, thrash, groove, and progressive metal — combining crushing riffs, intricate rhythms, and atmospheric layers. Over their career, they’ve released six full-length albums through labels including Fono, Soyuz/MetalAgen, CD-Maximum, Metallism, and PRC Music, with four albums produced by the renowned Wiesławski brothers (Vader, Decapitated, Behemoth) at Hertz Studio, Poland. Stalwart has shared stages with Behemoth, Kataklysm, Vader, Amon Amarth, Primal Fear, Finntroll, and Carnifex, performing across Russia, Ukraine, Finland, Estonia, and Germany.

After a hiatus starting in 2019, the band returns with their seventh album, Tempvs Edax Rervm, out early 2026 via WormHoleDeath Records, promising crushing grooves, complex rhythms, relentless blast beats, and immersive atmospheres — a new chapter in Stalwart’s evolution.

www.facebook.com/stalwartmetal
www.youtube.com/@stalwart.metalband
www.instagram.com/stalwart.metalband
www.tiktok.com/@stalwartmetal
soundcloud.com/stalwartmetal

Finnish death metal band Hautajaisyö released the second single and music video from the forthcoming fifth album

The Finnish Death metal band Hautajaisyö are set to release their fifth album ‘Surun paino’ on March 20th 2026 via Inverse Records. The second single ‘Kuusi Kantajaa’ is out now with a music video.

 

The music video differs from the official single in that it features guest appearances by the Jumalaudat choir and cameos from Finnish metal bands: Surujuhla, Messiah Paratroops, Defiled Serenity, Kituma, Vahinkolapsi, and Chordae Exitium.

Janne Partanen comments the single:

” ‘Kuusi Kantajaa’ has been a hit with audiences from the moment it was first performed live. As the audience shouts along with the choir, the song is taken to a new level. This song has a similar feel to our older hit, ‘Revin Ihoni Rikki’, but only time will tell if it will be as popular.”

LISTEN to Kuusi Kantajaa single on streaming services: https://push.fm/fl/hautajaisyo-kuusi-kantajaa 

Line-up:
Janne Partanen: vocals
Sami Lustig: guitars
Simo Pesonen: bass
Teemu Roth: drums

 https://linktr.ee/hautajaisyo

LOUD AS HELL OPEN AIR FESTIVAL Announces 2026 Line Up w/ FALLUJAH, ALLEGAEON, SUMMONING THE LICH, GRAVEMASS, CRIMSON SHADOWS, EDGE OF PARADISE and more

Renowned for unleashing one of Western Canada’s most punishing festival experiences, Loud As Hell Open Air Festival returns with another year of crushing performances, freak shows, burlesque acts, clinics, vendors, and, naturally, dinosaurs.

Loud As Hell isn’t just a festival; it’s a full‑throttle celebration of metal chaos. Set against the rugged expanse of Alberta’s badlands, where carved sandstone, towering hoodoos, and sweeping canyons dominate the horizon, Canada’s loudest extreme‑music gathering unveils its 2026 lineup featuring FALLUJAH, ALLEGAEON, SUMMONING THE LICH, GRAVEMASS, CRIMSON SHADOWS, STARKILL, SUPER MONSTER PARTY, MOURNING HIGH, EDGE OF PARADISE, HOG MEETS FROG, and many more.

Hosted in Drumheller, AB, from July 31st to August 2nd at the Dinosaurs Down Stampede, the festival’s 14th edition erupts with the ferocity of rising Canadian and international metal acts. This year’s roar echoes through the heart of the country’s largest dinosaur fossil beds, promising an unforgettable weekend of pure sonic devastation.

Weekend Passes (July 31 – Aug 2) are available at https://loudashell.ca/shop/​

This weekend pass grants you full access to all the headbanging, moshing, and metal mayhem that Loud As Hell Open Air offers.

Headlining the closing night of the festival are progressive death‑metal titans Fallujah, who released their sixth studio album, “Xenotaph,” on June 13, 2025, through Nuclear Blast Records. The band describes it as their most technical, dynamic, and progressive work to date, expanding on the direction set by “Empyrean” while exploring a sci‑fi conceptual landscape.

Album Stream – Xenotaph – https://www.youtube.com/watch?v=p30_S3d5pCQ​

Headlining night two of the festival, Allegaeon brings a razor‑sharp fusion of technical mastery and soaring melody to the stage. Their sound balances blistering precision with sweeping, emotionally charged songwriting. With the return of original vocalist Ezra Haynes, the band has entered one of its strongest eras yet. Their performances are known for being both surgically tight and explosively energetic. On any festival bill, Allegaeon stand out as a powerhouse of modern melodic death metal.

Music Video – Waking Circles – https://www.youtube.com/watch?v=u69dc2UIE-w​

Headlining opening night, Summoning the Lich is a fantasy‑driven technical death‑metal band from St. Louis, known for blending high‑speed precision with rich, lore‑heavy storytelling. Their latest album, “Under the Reviled Throne,” was released in July 2024 via Prosthetic Records. The record expands their ongoing dark‑fantasy universe, raising the stakes with a more focused, streamlined approach to songwriting. They’ve spent the past three years touring extensively across the U.S., sharing stages with Allegaeon, Gorod, Inferi, Vale of Pnath, and Abigail Williams. With their explosive live energy and cinematic world‑building, Summoning the Lich brings a uniquely immersive, high‑intensity presence to the festival lineup.

Music Video – My Horrors Unending – https://www.youtube.com/watch?v=25omoUK_JLI​

Other band highlights on this year’s lineup are Gravemass, channeling a bleak, ritual‑driven strain of black metal that feels carved straight from the void. Their sound fuses suffocating atmosphere with an unrelenting, punishing intensity. With their debut album “This Is the Way” on the horizon this coming March 2026, the band is poised to push their occult‑laden vision into a new chapter. Onstage, they deliver a hypnotic and overwhelming presence that pulls crowds deep into their darkness. On any festival lineup, Gravemass stands out as a grim, commanding force built for total sonic devastation.

Music Video – This Is The Way – https://www.youtube.com/watch?v=sR9gy-AD8-E​

Crimson Shadows return with their signature blend of high‑velocity melodic death metal and triumphant, power‑metal‑infused storytelling. Their newest chapter is fueled by fresh material and renewed momentum after years of silence. The band continues to sharpen their heroic, battle‑driven sound with soaring melodies and relentless speed. Their live performances erupt with anthemic energy built for massive festival crowds. Crimson Shadows stand out as a blazing force of epic, melodic fury.

Music Video Defenders of the Crown – https://www.youtube.com/watch?v=x9S0Wyat6Uw​

Starkill continues to refine their blend of melodic death metal and symphonic power metal with renewed force. Their most recent release is the 2025 re‑recorded edition of “Be Dead or Die,” highlighting their updated sound and lineup. The band has remained active onstage, including late‑2025 U.S. shows and appearances at events like Mad With Power Fest. They’ve also teased new music in development, signaling more to come.

Music Video – Be Dead or Die – https://www.youtube.com/watch?v=TFq9b_3E7ug​

Super Monster Party explodes onto the stage with a high‑energy fusion of metal, punk, and chaotic party‑themed theatrics. Their sound is fast, fun, and unapologetically wild, built for crowds that want to move. The band’s over‑the‑top performances turn every set into a full‑blown spectacle. They’ve been gaining momentum across the underground scene with their tongue‑in‑cheek intensity and infectious hooks.

Music Video- Test Your Might – https://www.youtube.com/watch?v=hl9biyqu3qk​

Mourning High is a rising force from Arizona/ California, blending crushing heaviness with emotional, melodic intensity. Their sound moves between atmospheric tension and hard‑hitting riffs, driven by powerful vocal dynamics. In 2025, they won the Wacken Metal Battle USA, earning a coveted performance slot at Wacken Open Air and making a strong international debut. Their live shows hit with raw energy and vulnerability, pulling crowds in immediately.

Vendetta – https://www.youtube.com/watch?v=In6unLebvLM​

Edge of Paradise is a cinematic hard‑rock/metal force from Los Angeles, known for their fusion of electronic textures, industrial edge, and soaring melodic hooks. Their newest album, “Prophecy,” was released in March 2025 via Napalm Records. The record marks their sixth studio release and explores themes of AI, humanity, and the looming “Singularity.” The band remains active on the road, including 2026 festival appearances such as Hyperspace Metal Festival in Vancouver and Rock in Rautheim in Germany. With their cinematic soundscapes and high‑energy performances, Edge of Paradise bring a futuristic, electrifying presence to the festival lineup.

Music Video – Falling Light – https://www.youtube.com/watch?v=pAxGA5ogRv0​

Hog Meets Frog is an Austrian avant‑garde groove‑metal trio known for their wild fusion of funk, prog, jazz, and heavy riff‑driven chaos. Their self‑described “Frogcore” sound blends technical musicianship with eccentric humor and high‑energy theatrics. The band continues to build momentum across Europe with recent singles, new live sessions, and steady festival appearances. Their shows are unpredictable, explosive, and packed with quirky character work that turns every performance into a spectacle. Hog Meets Frog brings a vibrant, genre‑bending jolt of fun and ferocity to LAH this year.

Urbanizer – ft. Marco Minnemann (The Aristocrats, Steven Wilson, Joe Satriani) – https://www.youtube.com/watch?v=2PBE6BjOGuc​

LOUD AS HELL OPEN AIR 2026​
​
​Thursday, July 30 – Kick-Off Party
​Art Of Attrition (Red Deer, AB)
Fall Of Earth (Edmonton, AB)
All Was Lost (Edmonton, AB)
The Judge The Juror (Edmonton, AB)
​
​Friday, July 31
​Summoning The Lich (St. Louis, MO)
Circus Of Hell – Freak Show (Peace River, AB)
Starkill (Chicago, IL)
Iron Kingdom (Vancouver, BC)
Hazzardous Material. – Burlesque (Alberta)
Edge Of Paradise (Los Angeles, CA)
W.M.D. (Vancouver, BC)
Selias (Toronto, ON)
Citizen Rage (Calgary, AB)
Supermodel Taxidermy (Fort McMurray, AB)
​
​Saturday, August 1
​Allegaeon (Fort Collins, CO)
Gravemass (Vancouver, BC)
Hazzardous Material – Burlesque (Alberta)
Super Monster Party (South Florida)
Death Toll Rising (Edmonton, AB)
Autumn Lies Buried (Clarksville, TN)
The Behest Of Serpents (Canton, OH)
Cyanate (Reno, NV)
Arrow In The Quiver (Vancouver, BC)
Brain Stem (Edmonton, AB)
Savage Blade (Nelson, BC)
Shackled To The Throne (Edmonton, AB)
Hog Meets Frog (Vienna, Austria)
Decrepitation (Edmonton, AB)
​
​Sunday, August 2
​Fallujah (San Francisco, CA)
Circus Of Hell – Freak Show (Peace River, AB)
Crimson Shadows (Toronto, ON)
Hazzardous Material – Burlesque (Alberta)
Mourning High (Arizona/California)
Scream At The Sky (Pueblo, CO)
Dawn Vally (Toronto, ON)
Red Raven Chaos (Montreal, QC)
Spectre (Winnipeg, MB)
Die Another Day (Calgary, AB)
Unsilenced (Winnipeg, MB)
Devolver (Grande Prairie, AB)
Ditch Pisser (Alberta/BC)
Hellrager (Cornwall, ON)
Reject (Reject, SK)

Since launching in 2012, Loud As Hell Open Air Festival has cemented its place as a cornerstone of Canada’s extreme music scene, showcasing hundreds of bands from across the country and around the world, save for a brief pause in 2020 due to the COVID-19 pandemic. Over the years, the festival has hosted heavyweights like Revocation, First Fragment, Beyond Creation, Striker, Green Jelly, The Convalescence, Jungle Rot, Narcotic Wasteland, Into Eternity, Goatwhore, Fit for An Autopsy, Archspire, Unleash The Archers, Protest the Hero, AngelMaker, and many more, drawing metalheads from coast to coast for a weekend of sonic devastation.

More info:
​LoudAsHell.ca​
​Facebook.com/LoudAsHellFestival​
X: @LoudAsHellFest
Instagram: @LoudAsHellFestival
​Social Media Hashtags #LAHXIV, #LAHOA, #LAHOA2026

LAH Partners:​
WCMFA – Western Canadian Metal Festival Alliance
Asher Media Relations
Bravewords
Metal-Rules
Absolute Underground Mag
Ghost Cult Magazine
This Day In Metal
Valley Brewing
Canalta Hotels
Neighbours’ Corner Pub
Prairie Fire Productions Ltd
CFUV 101.9 Thrash Can
Slimbztv
High Voltage TV
Through The Looking Glass Photography
Heavy Metal A Way Of Life
QMR (Queen Metal Radio)

Frostmorner Unleashes “Demiurge” Visualizer Video

Blackened atmospheric death metal project Frostmorner has unveiled the official visualizer for “Demiurge,” the latest offering from the acclaimed debut album Orbital Kaos, out now via Wormholedeath.

Ambitious in both scope and vision, “Demiurge” is a track that dares to ask one of existence’s questions: what if the universe itself was born from music? Drawing on the ancient philosophical archetype of the Demiurge, the primordial creator of all things, Frostmorner weaves a cinematic narrative in which musical creation and cosmic birth are one and the same. The Demiurge composes. The music plays. And from that music, a universe erupts into being.
The vision is epic and majestic, with imagery that captures the vastness of the cosmos and the immense power of music.
In the final act, the narrative shifts to the universe’s end—evoking the death of a star and the return to singularity.

Orbital Kaos is a collection of self-contained worlds, each track its own standalone entity, orbiting a single, unifying force: Kaos. Not chaos as disorder, but Kaos as the primordial state from which all things emerge.

Stream “Orbital Kaos” now: orcd.co/orbitalkaos

Hailing from Sicilian roots, Mario began the Frostmorner journey in 2019. After evolving from a collaborative effort into a solo powerhouse, Frostmorner has carved out a distinct niche in the Blackened Atmospheric Death Metal landscape. Handling all duties from guitars and drums to artwork and design, Frostmorner represents the ultimate DIY spirit in extreme metal, earning acclaim from fanzines and radio stations worldwide.

linktr.ee/FrostMorneR
www.instagram.com/frostmorner
www.facebook.com/FrostmornerMusicOfficial
www.tiktok.com/@frostmorner
x.com/FrostMorneR_
www.youtube.com/@frostmorner
frostmorner.bandcamp.com

Metal band Stam1na has released their 11th album “Apnea.”

Finnish metal band Stam1na, celebrating their 30th anniversary, released their 11th album, “Apnea,” today. The album was produced by Stam1na together with Julius Mauranen (Viitasen Piia, Oranssi Pazuzu). The songs “Golem” and “Käärmeenfyrkki” were previously released from the album.

https://lnk.to/Stam1na-Apnea

“Sometimes life feels like a nightmare. I think Apnea describes the struggle against negative feelings. The album is like chasing away a poisonous snake, created by sleep paralysis, that has wrapped itself in a knot. Music can be a healing antidote to everything painful. At least our band feels like they’ve gained strength and a new direction from the album’s creation. I hope this feeling resonates with others as well,” describes Antti Hyyrynen.

Stam1na is one of Finland’s most famous metal bands and has also gained fame abroad. The band has won seven Emma Awards, reached number one on the charts eight times, received numerous gold and platinum awards, and has sold out venues across Finland, also headlining numerous festivals. Stam1na will begin their “Käärmeennyrkki 2026” tour in support of their new album on March 6, 2026.

Symphonic Black Metal Force DAIDALOS New Album “Dante” Out now

Founded in 2020 by multi-instrumentalist and composer Tobias Püschner, Daidalos has quickly shaped a distinctive voice in the modern symphonic black metal scene. With “Dante”, the project reaches a new level of intensity and vision, transforming the descent into Hell into a psychological journey through doubt, despair, and revelation.
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Darker, more focused and more dramatic than ever, the album blends massive orchestration, razor-sharp guitars and a powerful emotional arc, creating a cinematic and immersive listening experience. Each track is built from a single piano idea inspired by Dante Alighieri’s Divine Comedy, evolving into a continuous black-metal audio drama in which interludes and songs merge into a cohesive descent.
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Entirely composed and performed by Püschner and produced by Nahuel Lozano (Mental Cruelty), “Dante” stands as a bold and personal work that pushes the boundaries of symphonic black metal into something deeply atmospheric and narrative-driven.
​
For fans of: Dimmu Borgir, Fleshgod Apocalypse, Septicflesh.

New album “Dante” out now as of February 20th, 2026, from Rockshots Records.

CD Version of “Dante” – https://rockshots.eu/products/daidalos-inferno-cd​
LP Version of “Dante” – https://rockshots.eu/products/daidalos-inferno-lp​

Add to your Spotify playlist – https://open.spotify.com/album/0cwWz3bBX0Y80XhB1MMeTP​

Lyric Video – Dis – https://www.youtube.com/watch?v=Pq90saioITY​

Visaulizer – Euphobia – https://www.youtube.com/watch?v=YP2Wg-R3VpQ​

​

Track Listing:​
1. Dante – 2:18
2. Inferno – 3:42
3. Ashes – 4:22
4. Storm – 4:05
5. Minos – 0:30
6. King – 4:00
7. Styx – 2:08
8. Gate – 0:20
9. Dis – 4:15
10. Phlegethon – 1:18
11. Malebolge – 0:40
12. Euphobia – 4:54
13. Ultimatum – 4:19
Album Length: 36:51

Daidalos is the brainchild of German composer and multi-instrumentalist Tobias Püschner, founded in 2020 as a creative outlet merging black metal, orchestration and conceptual storytelling. What began during the isolation of the pandemic quickly evolved into a full artistic vision – a fusion of cinematic grandeur and the emotional depth of extreme metal.

The debut album “The Expedition” (2022, Rockshots Records / Extreme Metal Music) introduced Daidalos as a unique force in the symphonic black metal scene. Entirely written and performed by Püschner, the album reimagined the tragic story of the Franklin expedition through a vast and icy soundscape where atmosphere and aggression met in perfect tension. Critics praised its originality and ambition, calling it a “symphonic extreme metal masterpiece” (AMMO Underground) and “an album that captures imagination and balances beauty with intensity” (GBHBL).

Building upon that foundation, Püschner continued to refine his approach – weaving together cinematic orchestrations, classical influences and the raw intensity of black and death metal. Collaborating with Nahuel Lozano (Mental Cruelty) on guitars, recording, and production, Daidalos shaped its signature sound: monumental, dramatic and deeply emotional.

Across his work, Püschner treats music as a form of storytelling – each record conceived as a self-contained world. His compositions often explore historical, philosophical and spiritual themes portrayed through the lens of symphonic black metal and theatrical expression.

With “Dante” (2025), Daidalos reaches a new artistic chapter: not a retelling but a reinterpretation of the Divine Comedy, where doubt, despair and revelation intertwine. Yet the core remains the same – the search for meaning in darkness, expressed through meticulous orchestration, intense vocal delivery and the balance between aggression and melancholy that defines Daidalos.

Endorsements: Steinberg (Cubase 12), Hörluchs (In-Ear Monitoring)

Daidalos Line-Up:​
Tobias Püschner; Vocals, Drums, Keyboards, Orchestrations, Songwriting, Production

Rockshots.eu | Instagram.com/daidalosmusic | Facebook.com/daidalosband​

SONS OF BUTCHER Fire Up The Grill w/ Video “Makin’ Bacon” From New EP “Skids” Out March 2026

Canada’s filthiest, funniest, and most fearlessly unwashed rock band, Sons of Butcher, return with “Skids”, a brand‑new four‑song EP due out in March 2026 to mark a fresh chapter in the band’s long, greasy legacy. After a decade‑long hiatus, the band behind Teletoon’s cult animated series is officially back in the butcher shop, with their most polished, unhinged, and radio‑ready material to date.
​
​“This EP is an honest batch of comedy songs from the grease‑clogged hearts of a band of has‑been butchers,” says Ricky Butcher, lead vocals/guitar.

After releasing five full‑length albums and becoming infamous for spandex, pepperette‑throwing, and the roaming meat tray, the band stepped away until a reunion show reignited the flame. A photo from that night now serves as the EP’s cover art, capturing Ricky and Doug in a triumphant, full‑body rock pose that symbolized their return.

“Skids” is a raw, four‑track eruption of cheap‑meat swagger and skid‑life grit, marking Sons of Butcher’s first batch of songs not tied to their Teletoon storyline, aside from the fully overhauled “Peppercorn Steak,” revived from an indie pilot episode. Reuniting with longtime producer Jordon Zadorozny at Skylark Park and featuring drumming from Kellii Scott of Failure, the band carves out a sound that pushes their legacy forward while staying true to their cult‑favourite chaos. Across the EP, Sons of Butcher swing from the denim‑soaked bounce of “Denim Dreamin’” to the metal‑fired frenzy of lead single “Makin’ Bacon,” slide into the gritty pop‑rock swagger of “Steeltown Handy,” and land squarely back in classic SOB absurdity with the 80s‑riffed peppercorn‑obsessed anthem “Peppercorn Steak” (planned for release to be the band’s official anthem for National Steak Day on April 25th).

The EP’s lead single, “Makin’ Bacon,” is a high‑speed, metal‑tinged celebration of bacon worship. It’s chaotic, catchy, and quintessentially Sons of Butcher, shot out of a cannon and straight into your frontal lobe. The accompanying music video is a meaty, maximalist feast of absurdity, riff‑fueled energy, and pure mock‑rock spirit.

Watch the “Makin’ Bacon” video – https://www.youtube.com/watch?v=4lnsb7uWp4g​

Add to your Spotify playlist – https://open.spotify.com/track/2xlPHi4gvvJ9BRnpZDQb7k​

​

Sons of Butcher began as the real‑life incarnation of their animated Teletoon alter‑egos, blending absurdist comedy and heavy riffs into the proudly self‑made genre of mock rock. The band quickly grew beyond the cartoon, releasing five albums, one live album, and an EP, and has built a cult following through chaotic, spandex‑clad live shows and meat‑soaked theatrics. “Skids” marks their first major release since 2020’s “Lockdown In Steeltown” and their first collection of songs not directly tied to the original series’ storyline.

Recommended for fans of Tenacious D, Spinal Tap, Psychostick, and Steel Panther, “Skids” will be released on March 27th, 2026, and will be available for CD pre-order at: https://sonsofbutcher.bandcamp.com/album/skids​

Sons of Butcher will support the EP with a run of Spring 2026 tour dates, including five shows with Hamilton’s beloved skid‑icon B.A. Johnston.

Show Dates:​
Feb 28 – The Parlour @ Ridiculous – Hamilton, ON – ‘Makin Bacon’ single release w/ Marty Topps
March 14 – The Bank Arthouse – Welland, ON w/ Monsters of Schlock
April 2 – Honey Dip – London, ON – opening for B. A. Johnston
April 3 – L’Hemisphere Gauche – Montreal, QC – opening for B. A. Johnston
April 4 – House of Targ – Ottawa, ON – opening for B. A. Johnston
April 17 – The Corktown – Hamilton, ON – opening for B. A. Johnston
April 18 – Baby G – Toronto, ON – opening for B. A. Johnston

​

Track Listing:​
1. Denim Dreamin’ – (3:05)
2. Makin’ Bacon – (2:37)
3. Steeltown Handy – (2:21)
4. Peppercorn Steak – (1:42)

Album Recording Credits:​
• All songs performed by: Sons of Butcher
• All songs written by: Trevor Ziebarth
• Produced by: Jordon Zadorozny
• Mixed by: Jordon Zadorozny
• Mastered by: Bill Hendersen
• Album Artwork by: Jay Ziebarth, Randy Gilbert (front cover), Kidd Gloves Photography (back cover)
• Member of SOCAN
• Canadian Content (MAPL)

EP Line Up:​
Ricky Butcher – Lead Vocals, Guitar
Doug Borski – Vocals, Bass
Kellii Scott – Drums
Jordon Zadorozny – Lead Guitar
Brandon Wars – Lead Guitar

Live Band Line Up:​
Ricky Butcher – Vocals, Guitar
Doug Borski – Vocals, Bass
Crissy Stixx – Drums
Joey Salami – Lead Guitar

More Info:

​https://www.sonsofbutcher.ca/​

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Norwegian Gothic Doom Titans EVIG NATT Unleash Long-Awaited Album “Vaketimen”

Emerging from the unholy metal grounds of the Norwegian west coast, EVIG NATT proudly announces the worldwide release of their cinematic new masterpiece, Vaketimen, out today.

Deeply rooted in the atmospheric traditions of their homeland, Evig Natt, featuring former members of metal legends Einherjer and Enslaved, expands the horizons of the genre. Vaketimen is an evocative journey through “Orchestral Gothic Doom Metal,” a sound that is as aggressive as it is subtle, and as noisy as it is beautiful.

Following the success of their self-titled 2016 release, which saw the band touring from Belgium to Japan, Vaketimen represents a refined evolution. The album balances crushing riffs with elegant, slow-burning arrangements, creating a tension-filled landscape of melody and earned darkness. Drawing inspiration from icons like Anathema, My Dying Bride, and Swallow The Sun, Evig Natt blends progressive elements with black metal intensity to create something truly unique.

Vaketimen is available now on all digital platforms:
orcd.co/vaketimen

Formed in 2003 in Karmøy, western Norway, EVIG NATT began as a studio project by vocalist Kirsten Jørgensen and bassist Stein Sund, later joined by drummer Harald Magne Revheim. The band released their acclaimed debut I Am Silence in 2007 via Omvina Records, followed by Darkland in 2010 on Black Bards, earning international praise and features in magazines such as Metal Hammer and Scream. Their self-titled third album arrived in 2016 and led to tours across Europe and Japan.

Musically, EVIG NATT sit at the crossroads of gothic doom, progressive metal, and black metal, with influences ranging from Anathema and My Dying Bride to Swallow The Sun and The Provenance. Members have also been connected to Norwegian metal pillars Einherjer and Enslaved, further grounding the band in the country’s heavy legacy.

With Vaketimen, EVIG NATT sound focused, mature, and unafraid to let the music breathe. This is not about excess. It’s about atmosphere, emotion, and the long shadow that lingers after the final note.

Evig Natt is:
Kirsten Jørgensen: Vocals
Stein Sund: Vocals and bass
Arne Marton Tangjerd: Guitar
Ruben Osnes: Guitar
Tom Andre Enge: Drums

Bandcamp: evignatt.bandcamp.com
Facebook: www.facebook.com/evignattofficial
Instagram: www.instagram.com/evignatt_official
YouTube: www.youtube.com/user/EvigNatt1

Extreme metal band Kneel Before The Death: “The Weight of Truth” single marks the beginning of a new, more electronic and aggressive era

Having released their self-titled debut album last June — which also climbed onto Finland’s official physical albums chart — Kneel Before The Death now unveil their highly anticipated new single, “The Weight of Truth.” The track simultaneously launches a new chapter in the band’s saga.

“‘The Weight of Truth’ is possibly our favorite track from our catalog so far. The song is built around a beautiful yet massive melody that also forms the core of the chorus. With this release, we wanted to push our sound in a more aggressive and electronic direction. We drew inspiration from hard techno and incorporated sharp, high-frequency elements to create an intense and chaotic atmosphere,” the band explains, continuing:

“Jonathan Dolese, who mixed the track, did an outstanding job bringing our vision to life by blending the extreme heaviness of deathcore with elements of electronic music.”

Kneel Before The Death have spent the beginning of the year largely on the road. Their Finnish shows have included support slots for Austrian deathcore outfit Spire of Lazarus, and the band is already eagerly anticipating the biggest festival summer of their career so far.

“2026 has kicked off at full speed in the KBTD camp. We have several spring shows in support of our debut album, culminating in major festival appearances next summer at Tuska and Nummirock. Our debut landing on the Official Finnish Charts and the sold-out album release show were true highlights of last summer. However, our focus is firmly on the upcoming body of releases, which we’re extremely excited about. 2026 will continue right where we left off last year — big things are coming for Kneel Before The Death!”

Already announced Kneel Before The Death shows:
March 12, 2026 – Torvi, Lahti, FI
March 14, 2026 – Tiivistämö, Helsinki, FI
June 17–20, 2026 – Nummirock, Nummijärvi, FI
June 26, 2026 – Tuska, Helsinki, FI

Kneel Before The Death online