Boston-based dark melodic power/thrash band Let Us Prey begins an adventurous music endeavor with the savage & groovy debut album “Virtues Of The Vicious”.
“Above The Vaulted Sky” doesn’t waste any time as the bold rhythmic section constantly channels explosive thrash metal vibes while the smooth guitar solo and the chorus hold a subtle melodic flair also enhanced by the versatile vocal delivery.
The title track immediately unleashes a series of furious unrestrained rhythmic patterns that also highlight the eclectic guitar work shifting from merciless riffage to fancy intricate leads until everything slows down as a darkly elegant atmospheric momentum takes over.
“In Suffering” begins with understated atmospheric layers that introduce a series of charismatic melodic guitar progressions in fact the rhythm here is less hostile emphasizing the passionate vocal performance and the somber feelings.
Despite the mellow piano intro “Murder Thy Maker” reveals an aggressive approach as the inflamed rhythmic section follows a faster menacing tempo and guitars skillfully engage in sophisticated progressions and brilliant shredding.
The darkened essence of “The Cruel Creation Of Me” is fully expressed by the presence of ruthless growls and the haunting atmosphere which surrounds the fierce rhythmic dynamics and the excellent guitar leads.
“And Hell That Followed With Me” closes the album with an elaborate composition blending a darkly alluring atmospheric ensemble and a massive series of vicious guitar driven grooves in contrast with the melodic soul of the mellow contemplative breakdown and the soothing vocal harmonies.
Let Us Prey aim to keep things interesting throughout the debut release “Virtues Of The Vicious” as they tend to blend diverse metal subgenres in order to develop a personal sonic manifesto while maintaining a heavy & groovy mood.
Melodic death metal quintet Voices Of Ruin unleashes the third full length “Path To Immortality” offering a powerful melo death assault with a balanced blend of thundering rhythmic patterns and vibrant melodies.
“Carved Out” doesn’t waste any time as the fast rhythmic section delivers aggressive dynamics fueled by the hostile riffage and the spiteful growls but certainly the lead guitar work becomes fundamental crafting smooth melodies and flamboyant shredding.
In the beginning the title track seems to favor cold melodies with melancholia infused phrases yet the intense guitar riffs can easily generate monumental furious segments supported by the precise drumming and the increasing speed that leads to another round of fierce shredding.
Even if “Reach Toward The Sky” continues to follow a rather menacing rhythmic pathway highlighting the extreme metal elements the lead guitars have the chance to create passionate melodic passages and intricate solos characterized by enthralling luminous tonalities.
“I Am God” puts the spotlight on the unrestrained guitar riffs that easily build a strong rhythmic tension and the whole instrumentation confidently follows a rather heavy approach while the skillful lead guitar will provide a fair dosage of soulful melodic passages.
“Whispers” stands out for the majestic soloing and the clarity of the melodic guitar phrases that immediately convey a gloomy grandeur that will often return within the savage & heavier sonic realm to provide additional calm shimmering harmonies and a profound melancholia.
“Everlong” marks an inflamed finale as the raw energy of the guitar driven grooves is a key element that leads to monumental rhythmic blasts in contrast with the nostalgic vibes of the brief dreamy melodic progressions.
Voices Of Ruin are based in California but they are certainly deeply influenced by the glorious Scandinavian melo death formula and are clearly developing a personal sonic identity as showcased by the intriguing soundscapes of “Path To Immortality”.
American black metal quintet Sicarius are ready to unleash a venomous sonic onslaught on the sophomore release “God Of The Dead Roots”.
There is no escape as soon as the initial diabolical atmosphere of “BIA” gives way to belligerent heavy guitar riffs following a vicious fast rhythm confidently channeling the brutal elements of old school black metal.
“Immortal Plight” continues to generate hellish blackened grooves with solid riffage and fierce drumming but somehow the lead guitar work manages to bring a glimpse of hope with a series of cold melodic phrases.
Evoking strong occult vibes “Nekromanteia” focuses mainly on slower arcane guitar progressions surrounded by a dense esoteric atmosphere so lead guitars also have the opportunity to craft some mournful melodies.
The title track features demonic growls and intensely obscure rhythmic patterns diligently built by super fast drumming and crushing guitar riffs that successfully maintain an uncompromising black metal ensemble that eventually evolves into a calmer mysterious momentum.
“Scythe Bearers” delivers another relentless dosage of unrestrained blackened blasts that seem simply unstoppable yet there are some brief slower and absolutely cryptic moments.
The asphyxiating sonic realm that Sicarius create on “God Of The Dead Roots” is certainly not for the faint of heart as the band keeps on delivering merciless blackened grooves that might make you feel shattered and desperate.
Scardust is a new band from Israel eager to grab your attention making their official debut in the metal scene with the album “Sands Of Time” on which they skillfully mix multiple subgenres with a striking symphonic flair and elaborate prog dynamics.
“Overture” opens the album with the classical splendor of strings and sumptuous orchestrations and you can immediately perceive the detailed songwriting that will lead to a variegated instrumental ensemble featuring major guitar shredding and intriguing rhythmic variations performed in prog metal fashion.
With massive epic vibes “Dials” follows the successful symphonic metal formula offering opulent symphonic layers, solemn choirs and flawless operatic vocals yet often deviates with unexpected jazzy tonalities and fancy technical guitar progressions.
“Hourglass” focuses on delicate melancholia infused guitar melodies accompanied by the enchanting voice of Noa Gruman that here and throughout the entire album showcases a truly versatile delivery while the instrumental work is also full of surprises mixing different styles and acquiring heavier dynamics around the complex guitar phrases.
The title track has a minimalist beginning with fragile piano melodies and poignant vocals but will soon embrace vivid symphonic tapestries enhanced by stunning operatic vocals & choirs leading to a full blown majestic piece.
Featuring guest vocalist Kobi Farhi of Orphaned Land “Out Of Strong Came Sweetness” certainly stands out for the ardent vocal duet which also matches the contrasting tonalities generated by the passionate melodic passages and the heavier rhythmic bursts with crunchy guitar riffs that often lead to darker groovy vibes.
“Blade” can sound a bit romantic as Noa is joined by guest vocalist Jake E of Cyhra for a rather emotional duet which becomes the main focus surrounded by accessible polished melodic crescendos and soothing atmospheric arrangements.
It’s a pleasure to see another metal band coming from Israel and certainly the cultural background of Scardust influences their music style leading to the evident diversity that characterizes the debut release “Sands Of Time” but it’s also clear that these songs will attract all lovers of symphonic metal.
Founded in 2013 by guitarist/vocalist Scott Eames, known as touring guitarist for Thy Antichrist, blackened death metal band Nevalra is ready to unleash the debut album “Conjure The Storm” that aims to impress the audience with an elaborate aggressive sonic assault embellished by dramatic melodic textures.
The majestic beginning of “Warchestra” features opulent orchestrations and creepy atmospheric accents swiftly followed by a rather hostile instrumental ensemble diligently built by relentless guitar riffs and punishing drums obviously accompanied by hellish growls yet there are many tasteful melodic guitar leads that enhance the darkened vibes and showcase impressive musicianship.
“…Of Ruination” certainly has a vicious blackened rhythmic section that will trigger a massive moshpit yet the lead guitars confidently craft loads of intricate refined melodies with an exquisite neoclassical inspiration.
The title track shines for the enthralling orchestral intro and the dazzling melodic guitar work, especially emphasized by the thrilling skillful solos, that certainly add some alluring theatrical aesthetics to the main infectious rhythmic section.
From beginning to end “It Dies In Vain” relies on a ferocious approach with menacing growls and unstoppable savage guitar riffs following a tight rhythmic section with evident death metal influences while the lead guitars again engage the listeners creating enticing melodic crescendos.
“Take Your Leave” shows the most melodic aspects of Nevalra’s music style with sorrowful acoustic phrases followed by luminous impeccable guitar harmonies in contrast with the sheer brutality of the groovy rhythmic segments and the belligerent vocal delivery.
“Prophet For Profit” can sound quite aggressive with a straightforward death metal oriented rhythmic blast that seems incessant until suddenly everything slows down for a brief yet intense dramatic moment delivering stylish melancholic guitar melodies.
Nevalra are still an emerging band but it must be noted that on “Conjure The Storm” they already follow a precise music direction with great passion resulting in a cohesive debut effort that definitely has the potential to attract numerous acolytes of melodic extreme metal.
With their signature sleaze rock Swedish rockers Backyard Babies have been quite popular over the past three decades and certainly the best way to celebrate such successful long career is to release the brand new full length “Sliver & Gold” and get the party started.
The passion for classic rock is very much alive on “Good Morning Midnight” which is an explosive album opener relying mainly on gritty guitar riffs to build consistent rock grooves with an underlying rebellious punk attitude.
“Shovin’ Rocks” is all about anthemic rock guitar grooves, flamboyant soloing and no frills rhythmic dynamics that get you moving with an unmistakable raw energy matched by the raucous rocker vocal delivery.
“Yes To All No” still has the expected entertaining rock energy once the upbeat rhythm becomes more dominant but also some deeply melancholic vibes that lead to warm arpeggios and slightly somber vocals.
With “Bad Seeds” we’re back to the party mood as the rock enthusiasm becomes a fundamental element in the guitar riffage and super catchy chorus amplified by the smooth guitar solo.
“44 Undead” is the song that demands to be played loud with an addictive chorus and an irresistible rocker essence perfectly embodied by the edgy vocal delivery, the dirty guitar riffs and the memorable slick guitar solo.
The playful approach of the title track is fueled by the turbulent punk elements combined with an overdose of classic rock grooves but probably the star of the show is the thrilling guitar solo that adds heavier accents and variety.
“Sliver & Gold” definitely holds a nostalgic aura celebrating the good times of rock ‘n roll as Backyard Babies stay true to their renowned rock spirit and confidently put together an energetic collection of catchy songs.
Founded by acclaimed drummer James Payne of Vital Remains and Hour of Penance, Hiss From The Moat is ready to celebrate the release of the sophomore album “The Harrier” which revolves mainly around technical blackened death metal dynamics.
The creepy atmospheres of “The Badial Despondency” introduce the monstrous title track where the massive rhythmic ensemble is constantly fueled by the technical precision of the drums and the belligerent guitar riffs while the soloing showcases fancy shredding and darkened vibes.
The mood of “The Passage To Hell” definitely matches the title as the menacing drum march and the consequent guitar driven grooves dwell within an asphyxiating blackened realm enriched by the calmer yet nightmarish atmospheric momentum.
It’s nice to take a break with the sophisticated classical guitar melodies of “The Abandonment (Interlude)” where the band can showcase a different songwriting approach and still manifest a profound sense of darkness.
There are plenty of extreme metal elements on “The Allegory Of Upheaval” as thick guitar riffs could not sound more obscure supported by brutal drum blasts and hellish growls while the lead guitar work tends to focus on remarkable melancholia infused melodies.
“God Nephasto” fully embraces fierce uncompromising grooves fueled by a palpable primordial force that demands faster rhythmic segments and blackened guitar riffs while once again the technical soloing stands out for the subtle melodic accents.
There is a perennial darkness throughout “The Decay Of Lies” and the blackened influences become rather dominant in the guitar work that skillfully takes the center stage with an overdose of gloomy tonalities and decadent melodies.
Overall “The Harrier” is a solid extreme metal opus that can often sound absolutely ominous but Hiss From The Moat are able to add also melodic & atmospheric twists to such aggressive sonic approach.
We can all agree that Malevolent Creation are an institution in the extreme metal scene and the best way to celebrate the 13th full length aptly entitled “The 13th Beast” is to deliver a massive overdose of traditional death metal that requires instant headbanging to be fully enjoyed.
“End The Torture” opens the album with ominous vibes as guitars gradually build merciless rhythmic dynamics following pummeling drums to ensure a proper death metal sonic assault spiced up by the intense shredding offered by the guitar solos.
On “Mandatory Butchery” you can easily recognize the key brutal elements of classic death metal but also bold thrash accents as guitars deliver steady fierce riffs accompanied by cavernous growls yet the darkened melodic guitar work adds contemplative depth.
If you’re looking for sheer brutality “Agony For The Chosen” got you covered as relentless guitar riffs and savage drumming lead to a hellish sonic realm without any hesitation and only the fancy guitar soloing allows you to catch your breath.
“Born Of Pain” is another cohesive death metal anthem that relies on the borderline chaotic approach of the super fast rhythmic section but at some point the tempo gets slower to emphasize the grave tonalities of the guitars.
“Knife At Hand” continues to unleash furious rhythmic blasts favoring breakneck speed and a full blown aggressive approach surprisingly interrupted by occasional sorrowful atmospheric instrumental passages.
“Release The Soul” begins with a calmer yet immensely darkened approach and while guitars can still sound utterly ravenous they often put aside the violent speed to focus on anguished melodic phrases and obscure doom tinged tonalities.
Undoubtedly Malevolent Creation stay true to their infamous music formula and as expected “The 13th Beast” is characterized by a consistent classic death metal style revolving mainly around fast uncompromising guitar driven grooves.
Hecate Enthroned are certainly one of the UK underground’s longest-running bands that, despite several line-up changes through the years, have always followed a blackened gothic sonic formula that once again comes to life on the new release “Embrace Of The Godless Aeon”.
The vampyric mood of “Revelations In Autumn Flame” is palpable through the super fast waves of blackened majesty courtesy of an infectious series of tight guitar riffs and hellish vocals constantly surrounded by refined gloomy keyboards arrangements that become essential within such nightmarish sonic vision.
“Temples That Breathe” feels like an arcane ritual as tormented atmospheres enrich the blackened fury of the guitars and drums while the crepuscular melodies are further enhanced by the lush symphonic gothic arrangements.
“Goddess Of Dark Misfits” begins with the profound melancholy of piano melodies that naturally accompany the darkly elegant vocals performed by guest vocalist Sarah Jezebel Deva and the consequent seductive gothic splendor becomes the highlight of the track.
Following a slower dramatic rhythm “Whispers Of The Mountain Ossuary” tends to focus on tenebrous atmospheres and graceful melodic textures with a fashionable gothic style until harsh guitar riffs confidently unleash cold blackened tonalities.
The epic lengthy final track “Erebus And Terror” begins like a funeral march that soon evolves into an opulent ode to darkness focusing mainly on gothic elements such as the immense gloom fully expressed by melodic guitars, dreamy piano, solemn symphonic orchestrations and Sarah’s fascinating operatic vocal harmonies.
The composition of “Embrace Of The Godless Aeon” might not be considered incredibly innovative nevertheless we can all agree that on this album Hecate Enthroned successfully deliver a delightful overdose of sultry gothic nuances that feel like a decadent soundtrack for cold winter nights.
Fronted by charismatic vocalist Heather Michele California based symphonic/gothic-metal band Graveshadow is ready to release the second full length “Ambition’s Price” which embraces the familiar stylish elements of such beloved metal subgenre.
“Doorway To Heaven” marks a strong beginning as ‘90s atmospheric keyboards are particularly dominant surrounding and shaping a simple catchy rhythmic ensemble where guitars focus on a combo of crunchy riffs and polished melodies while Heather’s vocals effortlessly shift from dramatic cleans to enraged growls.
On “Widow And The Raven” guitars and keyboards craft softly epic melodies but there are occasional fierce rhythmic bursts even if the band chooses to deliver an easy minimalist groove and focus more on atmospheric accents and charming vocals.
The title track becomes more melancholic with somber melodic guitars and subtly grandiose keyboards arrangements certainly emphasizing the symphonic aspects that simply embellish the accessible rhythm while vicious growls and some thicker riffing spice up the soft melodic essence.
“The Unspoken” stays true to power metal style riffage and consequent epic vibes with loads of atmospheric layers plus fiery growls certainly channel the ready to battle mood in contrast with the prominent melodic momentum.
The primary melodic nature of “Return To Me” is immediately evident as the band favors melancholic guitar passages, harmonious keyboards breakdowns and ethereal atmospheric layers while Heather focuses on soothing clean vocals to match the general gloomy mood.
“Liberator” cranks up the volume with more frenetic rhythmic patterns as guitars become more present confidently acquiring heavier tonalities accompanied by intense growls and another dosage of symphonic accents featuring haunting organ melodies.
“Ambition’s Price” certainly offers those symphonic/power metal dynamics that conquered many fans in the last two decades and Graveshadow confidently represents the genre delivering cohesive songwriting and musicianship.