Death metal pioneers Immolation reconfirm their undisputed influential status with the new full length “Atonement” which marks the band’s triumphant return delivering an inflamed creative force both relevant and unique in the extreme metal scene.

“The Distorting Light” is certainly a strong opener that sets an asphyxiating mood where absolute desolation reigns. Ross Dolan delivers steady ominous guttural vocals that perfectly match the obscure guitar driven rhythm that shines particularly for the dangerous overdose of blistering riffs and doom oriented melodic licks.

“When The Jackals Come” stands out for the darkly precise and heavy guitar work effortlessly supported by furiously intense drumming. Anguished feelings of desolation saturate the atmosphere as slow and heavy guitar melodies gain the appropriate spotlight.

“Fostering The Divide” packs a series of addictively groovy guitar riffs and while the rhythm might elegantly slow down at times a forlorn ferocity still permeates the song’s theme.

“Lower” conveys an intoxicating realm of darkness where brutal growls and fierce guitar riffs lead the listeners into an obscure musical journey. Robert Vigna delivers a smooth melodic guitar solo that shines for accuracy and deeply darkened tones.

The title track stays true to traditional death metal elements with intense speed and rhythmic audacity that create an endless series of dissonant gloomy spirals further enriched by highly atmospheric and melodic guitar work.

“Epiphany” combines a perennial sinister aura with a crunchy brutal groovy combo of ruthless fast drumming and methodical heavy guitar riffs while Vigna’s guitar solos create a mesmerizing melodic dismal force that cannot be ignored.

Old school death metal fans will immediately rejoice listening to “Atonement” as this album holds a particularly darkened force that deserves full attention and feels like a rightful celebration of Immolation’s music legacy.

Swedish folk/ambient multi-instrumentalist duo NOÊTA is ready to lure the listeners into a darkly magical sonic realm with the fascinating debut album “Beyond Life And Death”.

“Beyond Life” captures the enigmatic nature of dreams through a loop of obscure dissonant ambiance textures that are stripped of dynamics or easy melodies.

“In Drowning” showcases powerful introspective emotions effortlessly portrayed by simple fragile guitar melodies and loads of subtle ambiance layers that create a cold anxious atmosphere meant to reach a stylish noisy acme.

“Darkest Desires” will stand out immediately for its inner cathartic nature, surrounded by a vintage folk instrumental palette, and the exceptional hypnotic vocals that add a particularly alluring decadent mood.

With minimalist intensely melancholic acoustic arpeggios “In Void” has a pensive soul that doesn’t need flamboyant gimmicks to naturally shine through dark monochromatic nuances as gentle pensive vocals float above atmospheric layers.

“Beyond Life And Death” is a unique collection of gloomy poetic tunes and lovers of dark ambient music will certainly feel drawn to the elusive intriguing soundscape meticulously created by NOÊTA.

French black metal act The Great Old Ones unleashes the brand new full length “EOD: A Tale Of Dark Legacy”, a title that perfectly describes the darkened musical depth and Lovecraftian themes explored by the band.

“The Shadow Over Innsmouth” channels the proper amount of nightmarish mood with intense and furiously fast rhythmic section, anger driven growls and tight blackened guitar riffing. Melodic atmospheric layers and monolithic doom influenced guitar work also add a heavily oppressive feeling that will inevitably haunt the listeners.

“When The Stars Align” maintains an aggressively heavy approach as it flows like a classic horror tale carrying the burden of melancholy embedded in the guitar melodies and orchestral arrangements. The guitar riffs become painfully heavy and slow in proper doom fashion and convey darker rhythmic patterns.

“The Ritual” features modern post black asphyxiating elements with thick blistering guitar riffs and enticingly heavy drum work. As the visionary chaos tapers down, inspired melodic guitar leads channel an exquisitely dark emotional palette that feeds off the vibrant atmospheres.

“Mare Infinitum” will immediately stand out for its elegant moody atmospheres with palpable gothic influences as we are entering a gloomy realm of hopeless madness and pale distant lights. Fluid and hypnotic slow guitar passages, dissonant tempo variations and subtly savage drums channel a bleak void that no one can truly avoid as ominous choirs sing a dreadful lullaby.

With “EOD: A Tale Of Dark Legacy” The Great Old Ones successfully translate macabre storytelling into a gloomy work of music with cold aesthetics and plenty of obscure atmospheric melodies.

 

Not all Finnish bands are dark and gothic, in fact Ember Falls can even sound rather happy at times due to the electro dancey blasts and the modern trendy riffs that you will hear all over the band’s glamorous debut album “Welcome To Ember Falls”.

“The Cost Of Doing Business” packs a catchy ensemble of variegated metal/rock elements. Electro elements add a trendy vibe, gritty growls/screams deliver a more aggressive punch while clean vocals and polished guitars maintain a widely accessible melodic core.

On “Of Letting Go” the electro layers are particularly dominant and display a 90s style that gives a pleasant retro mood that culminates in a glossy chorus and a crispy clean melodic guitar solo.

“Freedom” is a mellow ballad style tune embellished with melancholic piano and melodic keyboards arrangements filled with the renowned rock romanticism which is also fully expressed by simple melodic guitars and soft vocals.

“Coe” relies on energetic rhythmic gimmicks resulting in an electro rock combo with enraged screams while metallic guitars make only a brief appearance as they tend to disappear in the background.

“One More Time” has a palpable pop soul with super catchy electro beats and scattered yet solid guitar riffs but the rather mellow chorus might not hold the desired groovy strength that instead can be easily found in the crunchy guitar solo.

It seems quite obvious that Ember Falls is trying hard to become famous in a perennial overcrowded music scene, some people will frown hearing a bunch of radio friendly tricks while others might seriously enjoy the cold melancholy, but with some luck “Welcome To Ember Falls” might truly become the gateway to success.

Underground dark/black metal legends Bethlehem return with a rejuvenated lineup and an ambitious self titled album which celebrates and marks the 25th anniversary of the band. Besides the palpable traditional black metal roots, Bethlehem successfully channels multiple musical influences and an understated experimental force.
“Fickselbomber Panzerplauze” has a savage rhythmic approach at full speed that certainly channels familiar primordial black metal roots surrounded by an oppressive atmosphere while occasional melodic guitar passages that mitigate the mood.
“Kalt’ Ritt in leicht faltiger Leere” delivers some raw blackened guitar riffs that manage to build a solid groove. Besides the traditional anger driven growls, vocalist Onielar delivers desperate screams and cries over super melodic guitars and piano harmonies matching the particularly depressing mood.
“Kynokephale Freuden im Sumpfleben” slows down the rhythm as it relies on a grave atmosphere where a gloomy yet pleasantly melodic guitar work becomes extremely dominant. Bethlehem also adds a groovy dose of blackened rock guitar riffing that temporarily takes away the deeply desolate aura.
“Arg tot frohlockt kein Kind” might focus on a bleak emotional palette but the guitar leads and the mid paced, almost mellow, rhythm seem to erase the previous depressing patina and the extreme metal raw elements as lovely dense melodies bring a post rock catchy glow.
“Wahn schmiedet Sarg” returns to a more aggressive rhythm dominated by tormented growls and screams but there is still space to properly showcase the band’s melodic side with a series of rocking guitar riffing and some slower doom oriented sinister passages.
Bethlehem self titled new album might feel unsettling to the occasional listener due to its bleak visionary nature and its extreme metal themes, nevertheless it also holds an unexpectedly approachable melodic melancholic mood.

Those who are familiar with the successful band No-Man will be excited to know that vocalist/songwriter Tim Bowness is back with a new solo concept album entitled “Lost In The Ghost Light” which lyrically revolves around the memories and reflections of a fictional rock musician in the twilight of his career.

“Worlds Of Yesterday” features luminous atmospheres elegantly rendered with smooth melancholic guitar phrases that hold a pure artistic soul. Tim Bowness focuses on calm precise vocals to accompany a vivid sonic palette filled of graceful keyboards layers.

“Kill The Pain That’s Killing You” delivers an acidic rock rhythm that fluently builds frenetic dynamics with charming guitar audacity while ethereal orchestrations and strings channel a brighter atmosphere.

Focusing on the ethereal atmospheric quality, the title track stands out for the polychromatic dreamy textures created with minimalist keyboards layers and reflective narrative.

“Distant Summers” will conquer all with its magical atmosphere effortlessly crafted by strings and flutes with a meticulous attention for every stylistic detail. With an intense wistful mood filled of exquisite sorrowful vibes this song reaches a spontaneous emotional acme.

Filled with sophisticated orchestral harmonies and an enchanting overdose of nostalgia “Lost In The Ghost Light” has a mellow prog rock soul that would easily attract a wide audience and all music connoisseurs.