Founded by Opeth’s bass player Martin Mendez, Spanish progressive death metal band White Stones begin a new remarkable chapter with the unpredictable dynamics of the second studio album “Dancing Into Oblivion”.
“New Age Of Dark” immediately showcases a primal death metal force courtesy of the blistering rhythmic section and the bold technical approach amplified by the vicious growls yet the prog flair of the guitar work adds diversity.
“Chain Of Command” begins with slow paced gloomy guitar melodies that will seamlessly evolve into complex rhythmic patterns fueled by the ominous influence of extreme metal while guitars generate intriguing technical twists reaching the acme with a charismatic proggy solo.
The intricate sonic realm of “Iron Titans” features immersive melodic progressions following a calmer rhythm as the whole instrumentation acquires soothing jazzy nuances in contrast with the aggressive segments confidently built by the sharp guitar riffs.
“Freedom In Captivity” puts the spotlight on the delightful prog style and the luminous tonalities of the guitar melodies but this dreamy mood will soon give way to a massive heavier rhythmic ensemble enhanced by technical accents and ruthless growls.
The sophomore release “Dancing Into Oblivion” aims to cement the distinct elaborate sonic vision carefully crafted by White Stones manifesting a balanced mix of ancestral fury and tasteful prog metal elements.

Norwegian icons Enslaved are ready to embark on a new mysterious voyage on the EP “Caravans To The Outer Worlds” which naturally manifests their unstoppable sonic evolution relying on their signature black/progressive style.
The majestic title track features arcane atmospheric waves and mystical melodic nuances while the magnetic savage guitar leads and the insane riffs effortlessly build frostbitten aggressive grooves accompanied by malignant growls clearly channeling the band’s primordial blackened roots.
There are also two instrumental tracks, “Intermezzo I: Lonnlig. Gudlig” combines futuristic synths sounds and bold guitar riffs keeping a mystifying mood while “Intermezzo II: The Navigator” showcases interesting proggy dynamics leading to robust grooves embellished by edgy keyboards.
“Ruun II – The Epitaph” embraces a slower haunting rhythm putting the spotlight on darkly soothing acoustic passages and solemn clean vocals that constantly evoke an ancestral Nordic flair while the elaborate keyboards can add hazy psychedelic accents.
Following the acclaimed release of the full length “Utgard” Enslaved continue to experiment and expand their remarkable sonic vision on “Caravans To The Outer Worlds” which despite being a short EP is destined to impress the audience.

Legendary extreme metallers Carcass make an explosive comeback with the ruthless grooves and the blood splattered themes of the brand new full length “Torn Arteries”.
The title track sounds like a bloody assault as the aggressive guitar riffs unleash a ferocious death metal flair following vicious rhythmic dynamics yet the stylish melodic accents and the wild technical leads will add diversity.
“Dance of Ixtab (Psychopomp & Circumstance March No. 1 in B)” begins with a slower darkened tempo and gradually builds a rhythmic tension with the massive drum blasts and the untamed riffage ultimately leading to an excellent melodic tinged guitar solo.
“The Devil Rides Out” is a super groovy track fueled by the horror vibes of the lyrics and the death’n’roll approach featuring a great combo of memorable guitar riffs and mournful melodic leads.
On “Flesh Ripping Sonic Torment Limited” a soulful acoustic piece introduces a monolithic rhythmic section as the savage drums and the blistering riffs just seem unstoppable until the charismatic guitar work delivers captivating gloomy melodic passages.
“Wake up and Smell the Carcass / Caveat Emptor” offers another round of big vitriolic riffs enhanced by caustic growls keeping alive a classic death metal mood while the guitar work continues to shine for the elaborate melodic licks.
For the grand finale “The Scythe’s Remorseless Swing” brings a comforting dark atmosphere emphasized by tasteful guitar leads yet the rhythmic section will soon acquire speed & fury delivering savage grooves.
Filled with gory themes, complex melodies and insane riffs “Torn Arteries” certainly cannot go unnoticed as Carcass celebrate their mighty legacy and the glory of death metal but also dare to explore modern musical territories.

Atlanta based technical death metal band Alluvial raises the bar with a new line up on the blistering sophomore album “Sarcoma” which aims to surprise the listeners with a complex blend of aggression and progressive flair.
The strength of “Ulysses” comes from the band’s instrumental prowess that generates interesting rhythmic twists manifesting the absolute fury of death metal through a vicious combo of relentless riffage and fast drumming while the lead guitar work focuses on cathartic phrases.
The title track can sound insanely hostile due to the breakneck speed and the savage screams while the technical proggy approach becomes evident through the sharp guitar riffs and the convoluted soloing.
On “40 Stories” a calmer melodic mood emphasizes the role of the surreal atmospheric accents and the smooth guitar harmonies reaching the acme with an eclectic solo yet a visceral rhythmic rampage will take over leading to unrestrained grooves.
“Exponent” doesn’t waste any time as the ruthless rhythmic section dwells within a chaotic realm channeling the brutal element of modern death metal but you can easily appreciate the unexpected technical aspects of the guitar work.
“Sleepers Become Giants” emphasizes a mystifying atmospheric ensemble and the darkened guitar tonalities craft shimmering melodic crescendos while the faster rhythmic segments maintain a tormented mood.
The instrumental track “Sugar Paper” perfectly embodies an elaborate composition that inevitably generates a high degree of diversity as guitars masterfully create a series of alluring melodies and spellbinding leads evoking sheer melancholia in contrast with the meticulous technical progressions and the frantic riffage.
Certainly Alluvial are eager to showcase an intense creative force that on “Sarcoma” skillfully leads to intricate rhythmic dynamics and captivating instrumental patterns shaping a unique sonic identity without sacrificing the extreme metal roots.

We all know Esa Holopanein as lead guitarist of iconic Finnish band Amorphis but now he is ready to begin a new exciting sonic endeavor releasing a debut solo album under the moniker Silver Lake joined by amazing vocalists.
Jonas Renkse of Katatonia delivers a poignant vocal performance on “Sentiment” which follows a mellow rhythm focusing on alluring guitar melodies and refined atmospheric arrangements to emphasize a perennial sense of melancholia.
“Alkusointu” takes a different direction focusing on a darkened epic flair through slower yet intricate guitar progressions surrounded by a solemn atmospheric grandeur that also highlights the dramatic spoken words by Finnish artist Vesa-Matti Loiri.
Listening to “In Her Solitude” you can instantly perceive fiery Nordic elements as the guitar work effortlessly shifts from enticing melodic phrases to cold heavier dynamics unfolding around the majestic vocal performance by Tomi Joutsen of Amorphis.
In the beginning “Promising Sun” evokes a fascinating melancholia with soft piano harmonies and sophisticated atmospheric layers embellished by the passionate vocals courtesy of Björn ‘Speed’ Strid of Soilwork & The Night Flight Orchestra yet the robust rhythmic section will acquire heavier tonalities to build inflamed grooves.
“Fading Moon” will certainly become a favorite as the eloquent vocals by Anneke Van Giersbergen and the memorable chorus flourish within the gorgeous melodic ensemble carefully crafted by a perfect mix of dreamy tonalites and intense rhythmic crescendos.
With Silver Lake Esa embraces an eclectic songwriting approach leading to an intriguing blend of heavy dynamics, dazzling prog elements and captivating melodic splendor destined to conquer your heart.

Featuring Lars Are Nedland of Borknagar and Solefald, dark rockers White Void manifest an extremely eclectic sonic vision deliberately inspired by diverse subgenres on the debut release “Anti”.
“Do. Not. Sleep.” stands out for the overdose of catchy melodies and the darkened tonalities channeling alluring retro vibes enriched by the intricate keyboards layers and the hard rock style of the guitar solo.
“Where You Go, You’ll Bring Nothing” offers an intriguing blend of moody guitar melodies and groovy rhythmic segments accompanied by the melancholic vocal delivery which feels particularly captivating during the slower passages.
Throughout “All Chains Rust, All Men Die” the vintage flair feels quite strong within the bluesy guitar progressions, the smooth soloing and the multilayered atmospheric keyboards while the rhythmic section is fueled by compelling darkened tonalities.
“The Fucking Violence Of Love” naturally channels multifaceted influences through the enticing blend of groovy rock riffage and the classic nuances of the charismatic guitar leads accompanied by bewitching keyboards arrangements.
The elaborate composition of “The Air Was Thick With Smoke” generates contrasting tonalities as the keyboards hold a dominant role creating magical atmospheric waves and 80s inspired dazzling layers to embellish the rhythmic ensemble while the guitar leads skillfully add sophisticated melodic aesthetics.
Conceptually based on Albert Camus’ Absurdism, “Anti” can effortlessly evoke sultry darkness and memorable hooks as White Void begin an exciting sonic endeavor destined to garner interest within the current rock/metal scene.

For more than 15 years Dutch symphonic metal icons Epica have meticulously developed a fascinating sonic identity that today reaches the acme with the majestic opus “Omega” which is also the final part of the metaphysical trilogy they began with “The Quantum Enigma” back in 2014. 

“Abyss Of Time – Countdown To Singularity” is filled with soaring rhythmic patterns showcasing a heavier approach amplified by the vicious growls while the flawless opulent symphonic arrangements and Simone Simons’s luminous vocal performance evoke the timeless beauty of the operatic style. 

On “The Skeleton Key” the elegantly darkened piano melodies and the solemn operatic choirs generate a harrowing mood that continues to linger through the bold guitar progressions while the super catchy chorus conveys a warm sense of hopefulness. 

Beginning with charming oriental tonalities “Seal Of Solomon” swiftly embraces a sumptuous symphonic essence as the orchestral grandeur constantly creates elaborate tapestries while the charismatic guitar solo skillfully blends melodic and heavier tonalities. 

The middle eastern style of the atmospheric intro on “Code Of Life” evokes mystical vibes that will continue to emerge through the symphonic splendor well supported by the robust rhythmic section and embellished by Simone’s striking vocal range during the poignant chorus. 

“Kingdom Of Heaven prt. 3 – The Antediluvian Universe” might be the most ambitious and complex track on the album as the delightful atmospheric arrangements combined with the classical elegance of the orchestra craft a cinematic sonic realm that often puts the spotlight on the soothing melodies as well as the dramatic crescendos while the heavier rhythmic patterns accompanied by Mark Jansen’s fiery growls can clearly channel a profound darkness. 

On “Synergize – Manic Manifest” guitars take the center stage following a significantly faster tempo and delivering loads of energetic riffs that maintain a groovy momentum within the epic symphonic ensemble while the calmer harmonious passages and the chorus sound quite accessible. 

The final track “Omega – Sovereign Of The Sun Spheres” perfectly manifests the band’s successful formula as the elaborate instrumental progressions are seamlessly entwined with the magnificent symphonic arrangements providing an entertaining mix of powerful rhythmic blasts and dazzling melodies leading to a memorable chorus. 

Epica certainly don’t disappoint their loyal acolytes delivering an overdose of monumental grooves and exquisite orchestrations enhanced by an impeccable production throughout “Omega” which is destined to shine bright in this dark world. 

Legendary guitarist Michael Schenker celebrates his 50th anniversary as a musician returning to his roots with the release of the new MSG album “Immortal” which features many talented artists. 

The bombastic celebration begins with “Drilled To Kill” channeling a fierce heavy metal energy with bold riffage and powerful vocals while the extensive guitar solos deliver wild shredding and renowned keyboardist Derek Sherinian adds intriguing twists. 

“Don’t Die On Me Now” tends to focus on polished melodic moments and a soothing vocal delivery naturally leading to a radio friendly chorus and the smooth rhythmic ensemble is enriched by captivating guitar solos.  

“After The Rain” follows a slower pace enhancing the ballad style with a series of melancholic guitar progressions surrounded by soft atmospheric tapestries that put the spotlight on a poignant vocal performance courtesy of Michael Voss. 

The classic heavy metal vibes of “Sail The Darkness” generate solid guitar driven grooves with a familiar 80’s flair and the resulting great energy is obviously amplified by the dazzling guitar solos. 

“Sangria Morte” marks another enjoyable moment following an old school pathway that focuses on memorable grooves and proper rockers style vocals while Michael raises the bar with skillful fiery soloing. 

The grand finale arrives with Michael’s version of the Scorpions song “In Search Of The Peace Of Mind” which showcases a detailed composition featuring multiple vocalists and offering enthralling nostalgic arpeggios that will reach an epic acme with a stunning guitar solo. 

Undoubtedly listening to “Immortal” you can expect all kinds of charismatic guitar acrobatics and impeccable musicianship as the strength of MSG comes from Michael’s collaboration with stellar musicians. 

Finnish folk metal icons Korpiklaani continue their successful sonic journey with the release of the majestic 11th full length “Jylhä” inspired by tales of folklore, nature and even murders. 

“Verikoira” is an explosive album opener packing an overdose of super crunchy guitar riffs and some spooky vocals that can lead to darkened grooves in contrast with the positive energy embodied by the traditional folk tonalities of the fiddle.  

“Niemi” features a wild stomping rhythm as the fascinating mix of violin and accordion keeps alive all the beloved folk nuances while the gritty riffage amplifies the energetic momentum. 

“Mylly” can offer calmer melancholic melodies that further emphasize the delicate folk aesthetics and the dominant role of the somber melodic progressions while the solid rhythmic section can still generate groovy dynamics.  

On “Tuuleton” the emotional motifs lead to melancholia infused harmonies but certainly the band is able to maintain a catchy folk mood with the lavish mix of vibrant accordion melodies and smooth guitar phrases. 

“Kiuru” revolves around a robust groovy rhythmic ensemble as guitars and drums can definitely sound quite fierce yet the comforting violin harmonies and the sorrowful vocal delivery evoke somber feelings.  

Even if at times “Pohja” manifest a soulful melodic essence the main rhythmic core relies on powerful & heavy guitar driven grooves while the traditional folk spirit is clearly embodied by the solemn chants and the wild energy of the violin & accordion combo. 

“Juuret” conveys an epic atmosphere with darker accents as the moody melodies and the passionate vocals often follow a slower pace to highlight the folk elements and the poignant emotions while during the grand finale the whole instrumentation embraces a raw energy.

Undoubtedly “Jylhä” symbolizes another crucial milestone showcasing a prolific creativity as Korpiklaani carefully blend entertaining danceable grooves, traditional folk flavors and fiery heavy metal. 

Swedish titans Therion proudly reach another crucial milestone releasing the 17th studio album “Leviathan” that will delight their faithful fans with intricate dynamics, classic metal grooves and operatic grandeur. 

“The Leaf On The Oak Of Far” is packed with catchy guitar driven grooves reminiscing of the glorious days of heavy metal while the symphonic tapestries and the solemn operatic choirs can effortlessly convey a fascinating dramatic depth.  

“Die Wellen Der Zeit” feels like an elegant operetta as the passionate vocal harmonies, the classical nuances of the rich multilayered atmospheric arrangements and the graceful melodic textures emphasize the exquisite symphonic splendor. 

“Eye Of Algol” certainly combines the main elements of a Therion hit song as the darkened rhythmic patterns are constantly fueled by energetic riffage and Near Eastern flavors enriched by the charismatic choirs.

On “Nocturnal Light” the magnificent elaborate atmospheric ensemble surrounds a series of  spellbinding melodic crescendos while the stellar blend of theatrical choirs and Thomas Vikstrom’s captivating vocal performance is destined to steal the spotlight.  

The mood of “Psalm Of Retribution” becomes significantly darker as the symphonic tapestries and the striking operatic choirs acquire arcane tonalities around the memorable heavy rhythmic patterns while a charming dreamy essence will come to life with refined orchestral arrangements. 

“Ten Courts Of Diyu” stands out for the detailed composition that naturally creates an enthralling mixture of melancholia infused progressions and sumptuous orchestrations enhanced by the diverse flawless vocal deliveries and the irresistible melodic flair of the excellent guitar solo. 

Undoubtedly “Leviathan” maintains the majestic symphonic essence that conquered so many acolytes worldwide therefore Therion deliberately choose to stay true to their unrivaled legacy yet bravely continue to explore different styles to create a remarkable work of music.