Author: Alexiel Divine

Annihilator – Ballistic, Sadistic

In the metal scene Annihilator will always hold an influential status and they are ready to showcase an unstoppable creative force paired with a true devotion to old school metal on the seventeenth studio album “Ballistic, Sadistic”. 

“Armed To The Teeth” immediately unleashes a crazy frenetic rhythmic rampage with a classic heavy sound revolving around cohesive guitar riffs but as you expect Jeff Waters is always ready to make things more interesting with the intense lead guitar work that stands out for the technical ability and the evident diversity of the various solos. 

“The Attitude” is angry and faster with a solid series of menacing rhythmic patterns accompanied by spiteful vocals and the wild shredding of the guitar soloing. 

“Psycho Ward” keeps a classic thrash metal approach from beginning to end with constant galloping guitar riffs yet there is a crucial melodic essence expressed by the somber tonalities and the tasteful moody solos. 

On “Dressed Up For Evil” the rhythmic patterns can become insanely frantic following a hostile approach that requires immediate headbanging and once again the charismatic lead guitar work will craft a winning mix of crazy shredding and melodic licks. 

“One Wrong Move” continues to follow such winning formula revolving around sharp rhythmic dynamics and enraged vocals destined to reach the acme with the thrilling guitar solos but this track also features a tranquil introspective momentum embodied by graceful guitar melodies. 

“The End Of The Lie” is another energetic track that brings a proper thrash metal assault as the rhythmic approach definitely showcases an enjoyable vintage flair full of groovy guitar riffs and sharp leads. 

With seventeen albums in over thirty years Annihilator have already reached a huge milestone and “Ballistic, Sadistic” certainly stays true to their legacy delivering all the massive guitar driven grooves that thrash metalheads will love. 

Raphael Weinroth – Browne – WorldsWithin

You might be familiar with Canadian cellist and composer Rapahel Weinroth-Browne for his collaborations with several renowned bands such as Leprous and now the time has come to begin a new exciting chapter releasing his solo debut album “Worlds Within”.

The two movements of “From Within” feel like an endless dream unfolding between light and dark as the somber cello melodies evoke an immense melancholy with mellow emotionally charged tonalities that will evolve into a dazzling crescendo. 

“From Above” is fueled by a luminous energy that leads to intense compelling grooves and eclectic variations that blend impeccable classical harmonies and edgy electronic elements within a darkened atmospheric realm. 

“Tumult” is a memorable opus consisting of four movements that showcase diverse inspirations ranging from a wild combo of groovy & heavy rhythmic segments and electro beats to the exquisite beauty of minimalist classical melodies that flow gently through gloomy cinematic waves. 

“Worlds Within” is a single composition divided into ten tracks therefore you should listen to the whole album without interruption to enjoy the incredibly versatile sounds that Rapahel can create with the cello and to fully appreciate his artistic vision which stands out for the sublime classical approach and the multifaceted creative sparks. 

Midnight – Rebirth By Blasphemy

In the last few years Midnight became a name to remember in the underground metal scene but after many successful tours the band has been steadily gaining even more attention so it’s the perfect time to release the new album “Rebirth By Blasphemy” which shows that mastermind Athenar chooses to do whatever he wants embracing a true rebirth. 

The album opens with “Fucking Speed And Darkness” and this title definitely foreshadows what you can expect to hear as Midnight fiercely unleash furious and extremely entertaining rhythmic patterns constantly fueled by the raw diabolical energy of the guitar riffs and the venomous screams. 

The title track is a blasphemous super catchy tune where the frantic vocals feel like a call to arms and the guitar riffs and killer leads keep on marching confidently with vibrant classic metal tonalities and dirty punk vibes. 

“Escape The Grave” has a rebellious attitude embedded in the ravenous rock power of the guitar work and the consequent irresistible groovy rhythmic galore that keeps the old school metal spirit alive. 

There’s a devilish flair running through “Rising Scum” as the sinister guitar tonalities lead to obscure riffage and somber melodic elements following a slower yet still spontaneously vicious rhythm. 

“Warning From The Reaper” relies on faster dynamics that amplify the primal energy of the vibrant guitar licks generating a consistent series of savage grooves while the vocals continue to channel pure rage. 

With a calmer intro “You Can Drag Me Through Fire” might sound a bit more polished allowing the melodic guitar work to really shine yet there is plenty of wrath and disgust to fuel the addictive guitar driven grooves and the hostile vocal delivery. 

While the music of Midnight is destined to thrive within a darkened realm their future looks brighter than ever and “Rebirth By Blasphemy” is filled with powerful ruthless hooks that are destined to get stuck in your head. 

Marko Hietala – Pyre Of The Black Heart

We all know Marko Hietala as long standing member of the extremely successful Finnish band Nightwish but now the time has come for Marko to explore different music territories and express his personal creativity on the debut solo album “Pyre Of The Black Heart”.

“Stones” begins with soft arpeggios leading to a warm melancholia swiftly followed by the subtle prog elements of the energetic rhythmic section yet the multilayered orchestrations will maintain the main folkish melodic essence. 

“Dead God’s Son” aims to express somber emotions through heartfelt vocals and soothing guitar melodies but while the majority of the song follows a mellow rhythm there are occasional heavier moments built by raw riffage. 

“For You” offers a glowing mixture of lavish atmospheric arrangements and nostalgia infused harmonies creating a slightly darker introspective mood enhanced by the particularly passionate vocal delivery and the delightful melodic guitar leads. 

“I Am The Way” couldn’t sound more melancholic with comforting piano melodies in contrast with the modern flair of the synths and the occasional heavy guitar riffs yet the vocals and the whole instrumentation tend to maintain a shimmering melodic spirit throughout the song. 

“Death March For Freedom” focuses on a darkened groovy approach with the intriguing multifaceted keyboards and the sharp prog oriented guitar work following diverse rhythmic segments and ultimately leading to a catchy big chorus. 

The final track “Truth Shall Set You Free” is destined to move the listeners depicting a peaceful soundscape with evocative arpeggios, luminous violin melodies and understated atmospheric beauty that perfectly accompany the deeply emotional vocal harmonies. 

Listening to “Pyre Of The Black Heart” it becomes evident that Marko is not following a precise music direction as all these songs showcase various influences and such spontaneous songwriting approach will certainly surprise the audience.  

Haunt – Mind Freeze

Haunt began as a solo project of Beastmaker frontman Trevor William Church but now it’s clear that they are becoming an unstoppable force releasing another brand new full length “Mind Freeze” in a very short time. 

With “Light The Beacon” Haunt fully manifest their will to carry the torch for classic ‘80s metal unleashing fiery guitar riffs and tight rhythmic blasts which definitely lead to an overload of entertaining grooves yet maintain a rather somber atmosphere. 

With a fierce faster rhythmic section “Hearts On Fire” channels pure energy as the galloping guitar riffs constantly build cohesive grooves reminiscing of the golden era of heavy metal and the chorus is also quite memorable. 

The title track features captivating rounds of powerful guitar driven grooves and fancy leads even if this time the tempo is slower to emphasize an inner emotional gloom also expressed by the slightly melancholic vocals and the atmospheric accents. 

On “Saviours Of Man” the old school heavy metal formula is still prominent with solid riffage and wicked soloing but the darkened synths layers certainly influence the general mood so there’s a higher degree of melancholy perfectly matched by the vocal delivery. 

The synths continue to have a significant role on “Have No Fear” in fact the resulting dark atmosphere creates a nice contrast with the high energy & speed of the rhythmic patterns that reach the acme with the wild guitar solo. 

Listening to “Mind Freeze” you will easily comprehend that Haunt firmly believe in heavy metal and they fearlessly continue to follow the chosen musical pathway with genuine passion disregarding whatever is supposed to be trendy right now. 

Sons Of Apollo – MMXX

Back in 2017 Sons Of Apollo impressed the metal scene with the charismatic debut album “Psychotic Waltz” and now Mike Portnoy, Derek Sherinian, Ron “Bumblefoot” Thal , Billy Sheehan and Jeff Scott Soto return with a stronger chemistry and brilliant ideas to release the sophomore full length “MMXX”.

The album opener “Goodbye Divinity” manifest diverse nuances & styles starting with enigmatic synths that introduce a series of extra crunchy guitar riffs and consequent heavy rhythmic dynamics with an evident prog metal flair leading to complex variations and such dazzling instrumental ensemble is enriched by Soto’s charismatic rocker delivery. 

With a darker mood “Asphyxiation” focuses on massive rounds of heavy rhythmic grooves while maintaining a catchy essence enhanced by the passionate vocals and the eclectic technical nature of the song comes alive with the flamboyant keyboards and the vibrant guitar soloing. 

The atmospheric grandeur and the poignant piano melodies of “King Of Delusion” evoke gloomy emotions and will continue to hold an essential role throughout the song but soon the impeccable rhythmic section will take over delivering bold guitar riffs and precise drumming while the vocals naturally add an edgy rock vibe that will shift to a soothing emotive delivery during the slower introspective moments. 

“Resurrection Day” demands your attention with the elaborate prog approach of the guitar work and the remarkable rhythmic variations that generate massive entertaining grooves rendered even more interesting by the mind-blowing bass solo and the stellar keyboards. 

The inspiring epic opus “New World Today” marks a grand finale constantly reminding you of the band’s brilliant musicianship in fact every instrument is crucial in the creation of so many intricate patterns that generate a major sonic diversity ranging from fierce rhythmic blasts and insane odd time signatures to magnificent guitar leads and luminous melodic crescendos. 

It would be impossible to overlook the extraordinary talent that fuels “MMXX” yet Sons Of Apollo are not just trying to showcase their evident abilities as they work together to create a memorable collection of songs that is destined to attract more fans worldwide. 

Sylvaine / Unreqvited – Time Without End

Norwegian composer Sylvaine and Canadian black metal experimentalist Unreqvited team up to create the split album “Time Without End” which showcases their artsy vision through atmospheric textures and exquisite melodies. 

“No More Solitude” is a minimalist track where Sylvaine focuses on an intimate delivery with magical soothing vocals accompanied by lovely piano melodies and subtle dreamy atmospheric accents leading to a profoundly emotional sonic realm. 

“Falling” offers stripped-down arrangements and a slightly darkened flair to emphasize the ethereal nature of the song relying on glowing acoustic phrases and Sylvaine’s delicate emotive vocal harmonies. 

On “Interwoven” Unreqvited aims to create peaceful soundscapes through luminous guitar melodies, elegant atmospheres and sophisticated orchestrations leading to a beautiful dreamy sonic experience filled with nostalgic vibes. 

The moody daydream continues on “Fields Of Elysium” as graceful guitar harmonies flourish through a frail atmosphere yet there are some powerful melodic crescendos that showcase a familiar blackgaze inspiration and fully express an emotional turmoil. 

Both Sylvaine and Unreqvited are talented artists that on the new release “Time Without End” choose to focus on a shimmering composition and a captivating shoegaze essence that will definitely appeal to lovers of such influential subgenre. 

Unreqvited – Mosaic II: La Déteste Et La Détresse

Canadian post-black metal band Unreqvited continues an ambitious music journey on the fourth full length “Mosaic II: La Déteste Et La Détresse” characterized by an experimental approach and compelling darkened nuances. 

“Nightfall” opens the album with a dense melancholic atmosphere featuring understated orchestrations and an overload of mellow contemplative guitar melodies that are bound to generate gloomy feelings that will continue to linger even during the more energetic blackened moments. 

“Wasteland” goes straight to a tormented blackened rhythmic section channeling dismal feelings within an intensely darker atmospheric ensemble yet the shimmering melodic essence will always emerge through deeply melancholic guitar melodies following a dramatically slower tempo. 

“Pale” relies on shoegaze inspired dreamy atmospheric waves emphasized by the nostalgic tonalities of the harmonious guitar work and the delightful piano melodies that guide the listeners through a cathartic sonic realm that will occasionally embrace darker & heavier tonalities during scattered rhythmic blasts. 

“Disorder” feels like a glowing daydream with uplifting piano melodies and serene atmospheric layers that certainly have an essential role yet at times an introspective darkness tends to prevail with grave guitar riffs and distant anguished screams. 

Unreqvited embarks on a therapeutic music journey and as a result “Mosaic II: La Déteste Et La Détresse” often evokes feelings of despair and misery through an evident blackened force but its strength comes from the intricate melodic tapestries that seem to generate an inspiring sense of hope. 

Lotus Thief – Oresteia

San Francisco avant-gardists Lotus Thief are ready to spellbind you with the sophisticated soundscapes of the third full length “Oresteia” inspired by the ancient Greek tragedy by Aeschylus. 

Dramatic feelings linger throughout “Agamennon” which already feels like a theatrical opus best enjoyed in a nocturnal setting to appreciate the inner darkened torments and the elegant atmospheric arrangements that surround the hypnotic vocals. While the compelling melodies at times can sound fragile like a fading dream there are plenty of heavier dynamics as guitars deliver intense riffage with grave doom tonalities further amplified by some ominous growls. 

“Libation Bearers” lies within a gloomy atmospheric ensemble that embraces sultry melodic waves and passionate vocals while the fiery rhythmic section focuses on a darkened post rock momentum that at the same time enhances the groovy patterns and the arcane essence. 

The complex theatrical nature of “The Furies” becomes evident since the initial combo of dramatic choirs and mystical atmosphere that will naturally evolve into a cathartic blend of obscure heavier segments and soulful guitar melodies leading to an epic crescendo. 

“Sister In Silence” begins with hazy multilayered atmospheric arrangements that take you far away but soon the instrumental ensemble unravels an exquisite poetic soul through poignant violin and guitar melodies accompanied by contemplative vocal harmonies in contrast with the brief yet increasingly darker rhythmic momentum. 

The mythical narratives and the diverse tonalities render “Oresteia” a particularly intriguing & memorable work of music and Lotus Thief constantly take the opportunity to sincerely express a multitude of emotions through words and melodies. 

 

Lord Mantis – Universal Death Church

After a dark time of struggles and feuds extreme metallers Lord Mantis have found a new purpose and creative force leading to the latest venomous offering “Universal Death Church”.

“God’s Animal” certainly holds a fiery blackened sludge core generating a legit overdose of darkly enigmatic tonalities with galloping groovy guitar riffs and filtered spiteful screams while the solo manages to channel the perfect dosage of bleak melodies. 

“Qliphotic Alpha” seems to belong to an underground post-apocalyptic realm as the heavy guitar riffs have a mournful doom flair well supported by the abrasive rhythmic section but later a series of slower arcane melodic guitar progressions will amplify the inner atmospheric desolation. 

On “Consciousness.exe” the crunchy guitar driven grooves don’t really need extreme speed to grab your attention and the whole instrumental ensemble feels quite accessible also due to the comforting melodic gloom and the hazy atmospheric arrangements. 

“Fleshworld” immediately unleashes an aggressive blackened approach further enhanced by the vitriolic screams so the atmosphere becomes pitchblack even when the tempo slows down a bit to focus on a grave emotional turmoil expressed by the somber doom aesthetics of the guitar work. 

The compex final track “Hole” constantly evokes a mysterious aura through the ominous rhythmic maze still characterized by a darkened blend of sludge & doom yet there is a desire to experiment with different styles as the saxophone delivers moody dynamics and the synths create murky psychedelic atmospheric textures. 

“Universal Death Church” marks the renewed union of Lord Mantis and certainly belongs to a realm of darkness and torment as symbolized by the instrumental chaotic moments and the abstract atmospheres.