Author: Alexiel Divine

Conan & Deadsmoke – Doom Sessions Vol.1

Renowned label Heavy Psych Sounds Records has started a new series of split EPs and the first one “Doom Sessions Vol.1” features a reissue of UK’s heavy riff masters Conan’s “Beheaded” and two exclusive tracks from Italian kings of slowness Deadsmoke.

With “Beheaded” Conan simply unleash a monolithic track that could not sound darker as the heavy doom force demands painfully slow guitar riffs, lugubrious atmospheric progressions and tormented vocals that inevitably create a murky sonic realm where all hope is lost. 

The first track by Deadsmoke is “Dethroned Concrete” which immediately channels undiluted darkness and impending doom as the chunky guitar riffs and the desperate screams march confidently through a dense atmospheric ensemble while the rhythmic crescendos successfully channel a fuzzy psychedelic tinged temper ultimately leading to a totally trippy grand finale. 

On “Dead Minds Army” Deadsmoke continues to convey a smoky darkened atmosphere that surrounds the faster monumental rhythmic section fueled by mighty guitar riffs and grave tonalities enriched by a good dosage of enigmatic psychedelic elements. 

As “Doom Sessions Vol.1” demonstrates this new series is a really exciting idea destined to entertain lovers of the genre as both Conan and Deadsmoke deliver their signature heavy sonic manifesto. 

Let Us Prey – Virtues Of The Vicious

Boston-based dark melodic power/thrash band Let Us Prey begins an adventurous music endeavor with the savage & groovy debut album “Virtues Of The Vicious”.

“Above The Vaulted Sky” doesn’t waste any time as the bold rhythmic section constantly channels explosive thrash metal vibes while the smooth guitar solo and the chorus hold a subtle melodic flair also enhanced by the versatile vocal delivery. 

The title track immediately unleashes a series of furious unrestrained rhythmic patterns that also highlight the eclectic guitar work shifting from merciless riffage to fancy intricate leads until everything slows down as a darkly elegant atmospheric momentum takes over.  

“In Suffering” begins with understated atmospheric layers that introduce a series of charismatic melodic guitar progressions in fact the rhythm here is less hostile emphasizing the passionate vocal performance and the somber feelings.  

Despite the mellow piano intro “Murder Thy Maker” reveals an aggressive approach as the inflamed rhythmic section follows a faster menacing tempo and guitars skillfully engage in sophisticated progressions and brilliant shredding.

The darkened essence of “The Cruel Creation Of Me” is fully expressed by the presence of ruthless growls and the haunting atmosphere which surrounds the fierce rhythmic dynamics and the excellent guitar leads. 

“And Hell That Followed With Me” closes the album with an elaborate composition blending a darkly alluring atmospheric ensemble and a massive series of vicious guitar driven grooves in contrast with the melodic soul of the mellow contemplative breakdown and the soothing vocal harmonies. 

Let Us Prey aim to keep things interesting throughout the debut release “Virtues Of The Vicious” as they tend to blend diverse metal subgenres in order to develop a personal sonic manifesto while maintaining a heavy & groovy mood. 

Kamancello – Of Shadows

Featuring a collaboration between Kurdish kamanche (four-string Persian spike-fiddle) player Shahriyar Jamshidi and renowned cellist Raphael Weinroth-Browne, Kamancello present the new album “Of Shadows” which was recorded live and all the pieces were improvised in one take. 

The mysterious vibes of “Beyond The Gate” flourish through the compelling rhythmic crescendos and it’s quite impressive to hear how the Kurdish kamanche and the cello can craft such elaborate dynamics.

The impeccable classical approach and the exotic tonalities of “To Mourn” can certainly express a somber emotional turmoil as the entwined heart wrenching melodic waves generate cathartic progressions. 

“Dance Of Shadows” seems to dwell within a limbo in between darkness & light as the opulent melodies create eclectic progressions that could not sound more poetic making you feel compelled to embark on a soul searching journey. 

The cinematic nature of “Towards The Inevitable” fully comes to life through the fascinating instrumental dialogues that this time often gain a majesting energetic momentum generating significantly darker rhythmic patterns and in the end you could easily get lost through the sublime bowed passages. 

Undoubtedly the artistic vision behind “Of Shadows” goes beyond standard music categories as with a remarkable musicianship Kamancello spontaneously create otherworldly soundscapes that can take you far away from the grim reality. 

Might – Might

German duo Might have concocted a unique sonic experience for the debut self-titled release channeling an overdose of darkened post-rock vibes. 

“Pollution Of Mind” begins with an inflamed guitar riff that spontaneously shapes a sludge oriented sonic realm further amplified by rambunctious rhythmic blasts while the dark sultry vocals can evoke grim emotions. 

Darkness descends on “Vampire” as the mighty guitar riffs continue to rely on a sludge/doom inspiration to build murky groovy dynamics yet you will also find some lovely somber melodic passages. 

“Possession” still holds a palpable darkened soul as the enigmatic guitar tonalities lead the way through a dismal rhythmic ensemble and the monochromatic riffage showcases a lugubrious doom attitude. 

The minimalist composition behind “Warlight” has an intense post-rock flair lingering through the gentle guitar melodies, the bittersweet vocal harmonies and the hazy rhythmic crescendos that generate a captivating dreamy mood. 

On “Flight Of Fancy” a mysterious atmosphere surrounds the mournful rhythmic patterns and the moody guitar phrases while the dominant melodic essence accompanied by enchanting vocals constantly conveys darkened emotions.

Within a realm of shadows and lights on this eponymous debut album Might create darkly alluring soundscapes that can easily spellbind the listeners. 

Kingnomad – Sagan Om Rymden

The music of Swedish band Kingnomad is characterized by an interesting blend of 70s prog and proto-metal elements that come to life through the fascinating soundscapes of the latest album “Sagan Om Rymden”. 

The sonic realm of “Omniverse” already channels a comforting cosmic energy through the inspiring melodic phrases and the groovy rhythmic patterns that benefit from the magical retro tonalities. 

The majestic track “Tillbakablik – The Usurper King” tends to amplify the luminous prog rock style of the guitar work crafting smooth melodies accompanied by a soulful vocal performance yet the rhythmic section will eventually deliver some energetic grooves and an extensive psychedelic tinged guitar solo will emphasize the inner space rock temper. 

On “Multiverse” the soothing melodic essence flourishes through the charming oriental style of the guitar passages that often showcase compelling prog twists especially evident during the rhythmic crescendos embellished by the vintage flair of the spacey keyboards arrangements. 

The retro feel continues to influence the whole instrumental ensemble of “On The Shoulders Of Giants” as the shimmering guitar tonalities and the consequent moody melodies combined with subtle psychedelic accents can take you back in time. 

“The Unanswered Question” truly aims to hypnotize you with the tasteful melodic guitars that glow through a steady no frills groovy rhythm surrounded by another good dosage of psychedelic tones embedded within the keyboards work. 

The strength of “Sagan Om Rymden” certainly comes from the multifaceted songwriting approach and the psychedelic nuances that instantly make you wanna join Kingnomad on this new intriguing sonic journey. 

Primal Fear – Metal Commando

German heavy metal veterans Primal Fear reach another major milestone with the release of the 13th album “Metal Commando” revolving around heavy guitar driven grooves and darkened melodies. 

“I Am Alive” opens the album with great energy as the inflamed guitar riffs and the fancy shredding introduce a flawless groovy sonic realm channeling an overdose of classic heavy metal vibes and the bold rhythmic section will embrace a melodic pathway during the catchy chorus. 

“Along Came The Devil” continues to unleash mighty guitar riffs supported by the precise rhythmic section that as expected will trigger instant headbanging while the vocals can effortlessly deliver devilish high pitch screams.

With a slightly slower tempo “Hear Me Calling” emphasizes the stellar melodic guitar work which naturally shifts from mellow harmonies to flamboyant soloing while the sing along chorus definitely amplifies the song’s emotive essence. 

“My Name Is Fear” is another wild track with a significant old school approach fueled by the massive chunky guitar riffs that obviously generate a series of powerful rhythmic dynamics enriched by melodic elements and the excellent shredding galore of the solo. 

Throughout “Howl Of The Banshee” guitars rightfully maintain the spotlight crafting a generous dosage of relentless riffage and melodic hooks especially evident during the charismatic solos and the memorable chorus. 

The lengthy final track “Infinity” offers recurring darkened contemplative atmospheric arrangements which amplify the intense melancholia that characterizes the refined guitar melodies and the poignant vocal delivery yet the untamed rhythmic patterns and the impressive guitar solos will also showcase a strong epic flair within the faster & heavier segments. 

Primal Fear have been around for 22 years and listening to “Metal Commando” you will quickly understand that they are still driven and inspired by a genuine passion for heavy metal that even today seems simply unstoppable. 

Dark Sarah – Grim

Cinematic metal band Dark Sarah invites you to the world of horror fantasy embodied by the new album “Grim” which revolves around a spellbinding melodic essence and opulent orchestrations. 

“The Chosen One” begins with pulsating electro layers that introduce a smooth blend of fiery guitar riffs and soothing melodic progressions that tend to emphasize the epic nature of the symphonic tapestries embellished by Heidi Parviainen’s impeccable operatic vocals. 

The luminous orchestrations on “Melancholia” provide refined and even darker atmospheric waves entwined with utterly solemn vibes surrounding another enthralling vocal performance that highlights the poignant melodic soul and the emotional motifs. 

“La Folie Verte” feels like an eerie fairytale with a playful mood as the orchestrations create a magical soundtrack spiced up by the energetic rhythmic section and the versatile vocal delivery. 

Featuring a wonderful duet with talented vocalist JP Leppäluoto as Wolf “The Wolf and the Maiden” is definitely a standout track that focuses on majestic orchestrations delivering darkened nuances and dramatic depth while the melodic textures lead to a catchy chorus. 

The instrumental ensemble of “The Devil’s Peak” can deliver some fierce rhythmic dynamics and is surrounded by a darkly alluring atmosphere that naturally maintains an enchanting cinematic approach.  

The fantasy themes feel stronger on “Mörk” which features guest vocalist Jasse Jatala as Mörk and rely on a significantly heavier rhythmic rampage allowing guitars to add chunky riffs and flamboyant leads following faster drum blasts while the detailed orchestrations continue to evoke delightful symphonic vibes. 

On “The Dark Throne” Heidi’s vocals take the center stage to fully express heartwarming emotions and pure melancholy flourishing through a compelling blend of electronic layers and elegant atmospheric arrangements. 

Dark Sarah tells a fantastic fairytale through the sumptuous soundscapes of “Grim” showcasing an intricate songwriting approach and a fascinating cinematic grandeur. 

Enuff Z’nuff – Brainwashed Generation

Centered around founding member Chip Z’nuff, iconic rock ‘n roll band Enuff Z’nuff adds the new album “Brainwashed Generation” to their extensive bombastic discography. 

“Fatal Distraction” delivers smooth groovy dynamics with tight guitar riffs entwined with soothing melodic passages leading to a radio friendly chorus that also expresses some bittersweet feelings. 

The steady rock grooves of “I Got My Money Where My Mouth Is” are further amplified by the gritty guitar tonalities and the whole instrumental ensemble certainly follows a classic hard rock pathway that reaches the acme with a vibrant sing along chorus. 

Featuring special guest Mike Portnoy, “It’s All In Vain” is filled with nostalgic vibes as the soothing guitar melodies, the charming leads and the vintage flair of the keyboards flow like a dream following a slower tempo. 

On “Drugland Weekend” guitars have a powerful raw sound so the authentic rock spirit feels very alive, enhanced also by Chip’s true rocker style vocals, and the resulting irresistible rhythmic patterns instantly make you feel good. 

“Go…” showcases a balanced blend of slick rock guitar riffs and subtle melancholic feelings that become more evident during the laid back rhythmic passages and the widely accessible passionate chorus.  

“Winding Road” returns to a highly energetic rhythmic rampage in fact guitars acquire a vivid rock essence focusing on the creation of addictive grooves and the wilder solo can easily steal the spotlight. 

Certainly Enuff Z’nuff still incarnate the authentic rock ‘n roll lifestyle in fact “Brainwashed Generation” keeps the crazy party going with loads of catchy tunes and aims to please the faithful fans but also conquer the heart of a new generation of rock lovers. 

Ddent – Couvre-sang

French instrumental post-metal unit Ddent aims to spellbind the audience embarking on an immersive sonic journey through the majestic soundscapes of the new full length “Couvre-sang”. 

The darkened atmosphere of “Songe” can feel quite surreal generating delightful contemplative moments and as soon as the monumental guitar work takes the center stage you can perceive grim emotions lingering through the faster & heavier rhythmic patterns. 

The dream continues to unfold on “Puissancerevee” as the excellent guitars maintain a sorrowful mood crafting mellow phrases yet the rhythmic section will provide a darkly energetic momentum with sophisticated progressions. 

With a striking intricate composition and a fascinating post-metal approach “Souvenirsdematieres” constantly evokes sheer melancholia as the captivating guitar melodies and the fiery riffage flourish elegantly through the opulent atmospheric arrangements.  

The moody instrumental ensemble of “Videsdechos” takes you far away through a hypnotizing maze made of bleak melodic passages and intense heavier rhythmic segments that definitely highlights the stellar musicianship. 

“Voile” confidently follows a significantly heavier sonic pathway as the abrasive guitar riffs and the monolithic doom tinged drumming become the main focus creating an overdose of crushing rhythmic crescendos and enigmatic melodies leading to a philosophical atmospheric grand finale. 

Throughout “Couvre-sang” Ddent manifest their compelling artistic vision pushing boundaries to fully create a remarkable sonic realm where dreamy melodies and unexpected rhythmic twists naturally entwine. 

Executioner’s Mask – Despair Anthems

Featuring Jay Gambit of noise metal unit Crowhurst on vocals, Ryan Wilson from Intestinal Disgorge on synth and drum programming, and LACE and Cop Warmth’s Craig Mickle on guitar, Executioner’s Mask focuses on darkwave and post-punk elements to create the compelling soundscapes of the debut album “Despair Anthems”. 

“The Defilers” sets the mood with a goth tinged atmosphere and baritone vocals that can immediately convey a darkened sonic realm emphasized by murky guitar phrases and pulsating beats. 

The irresistible goth flair of “No Funeral” generates an overdose of moody & utterly catchy guitar driven grooves enriched by the haunting atmospheric accents and the theatrical vocal delivery. 

On “Bury Me A Grave” the synths add some creepy vibes that spontaneously amplify the inner raw energy of the guitar work within a borderline depressing atmosphere. 

On “1988” a nostalgic mood lingers through the shimmering melodic progressions and the subtle atmospheric layers while the slick rhythmic section maintains a darkened groovy momentum with gritty riffage. 

The laid back rhythm of “True Blue” can easily induce daydreaming as the bittersweet guitar harmonies and the calm vocals express somber emotions surrounded by spacey darkened atmospheric tapestries. 

You can instantly perceive a shroud of sadness throughout “Desperation Rising” as the monochromatic melodies and the distorted phrases flow gently following a gloomy slow paced rhythm. 

While despair & darkness are the main motifs behind the composition of “Despair Anthems” Executioner’s Mask can also create addictive dancey grooves that will definitely captivate the listeners.