UK atmospheric black metal pioneers Fen skillfully craft the elegantly convoluted new opus “Elemental Part One: Mourning Earth” focusing on grandiose atmospheric gloom and majestic crushing dynamics.
“Glacier” channels the band”s primordial extreme metal roots with a towering rhythmic section and unstoppable inflamed guitar riffs while otherworldly arpeggios bring a rather sentimental finale.
Within a dreamy atmospheric realm “Massif” celebrates a meditative melodic splendor focusing on sophisticated guitar progressions that seamlessly evolve into dramatic blackened crescendos amplified by merciless growls.
“Abyssal Plain” is filled with bleak emotions as graceful melodic guitars favor glowing post-metal nuances but inner dark forces ultimately unleash scorching faster rhythmic blasts.
“Moor” reaches a captivating gloomy acme as guitars naturally follow a forlorn melodic pathway enhancing a contemplative momentum with solemn clean vocals and opulent atmospheric waves yet a distinct blackened essence will inevitably lead to harsh rhythmic segments increasing speed and rage.
With the release of the enthralling artistic endeavor “Elemental Part One: Mourning Earth” Fen can fully manifest a visionary composition masterfully blending ominous heaviness and languid harmonious beauty.

Rebellious Belarus dissidents Dymna Lotva shape their own artistic evolution exploring diverse darkened territories and mythical realms on the inspiring fourth album “Vyraj”.
Listening to “Zory” we enter an obscure dimension where ruthless growls and incessant riffage remain dominant while the baroque keyboards accents emphasize a mysterious mood.
“Veha” channels the ritualistic vibes of obscure Nordic black metal with monolithic guitars and intense rhythmic blasts enriched by cinematic eerie orchestrations characterized by a cryptic folk inspiration.
“The Boat of Despair” is destined to conquer your heart immediately expressing eternal gloom with the exquisite gothic flair of decadent guitar melodies and sumptuous keyboards further enhanced by an extraordinary vocal performance courtesy of legendary Aaron Stainthorpe.
On “Niama Darohi” haunting synths meticulously prepare a theatrical atmospheric maze while dramatic growls and gelid guitar riffs build a satisfying blackened structure that culminates in a convoluted harmonious solo.
“Return My Coffin Home” ensures a cathartic grand finale choosing an epic melodic pathway for the polished guitars and conveying a perennial sense of longing with opulent atmospheric textures.
During their personal journey Dymna Lotva courageously manifest an expansive sonic vision that naturally overcomes boundaries leading to the kaleidoscopic soundscapes of “Vyraj”.

Norwegian artist Håvard Ellefsen known as the enigmatic musical entity Mortiis embraces a visionary experimental approach that never ceases to evolve and evidently defies standard categorization generating today the cinematic new album “Ghosts of Europa”.
The title track depicts a surreal atmospheric ensemble where warped electro beats and mystical melodic waves gently unfold around fascinating vocals and often convey surprising uplifting sentiments.
Drenched in endless melancholia “The Faith That Fades Away” spellbinds even the occasional listeners with a poignant vocal delivery and darkly mesmerizing atmospheric arrangements naturally leading to thrilling rhythmic crescendos with the addition of gritty noise guitars.
In the beginning “Transcending Morpheus” reveals ancestral ritualistic vibes focusing on solemn choirs and the cathartic rhythmic patterns naturally acquire enticing darkwave textures.
“Tundra, Heart of Hell” takes you straight to the dancefloor relying on the distorted echoes of raw guitars to build electrifying grooves in industrial fashion enriched by dense atmospheric multilayers.
With an addictive dark rock flair “Farewell Romero” amplifies gloomy vibes with an intricate blend of dystopian electronic soundscapes and magnetic fuzzy guitars perfectly complemented by a wild vocal performance.
After over a thousand sessions Mortiis proudly refuses any rules and ultimately finds the ideal creative liberation within the hypnotizing sonic realm of “Ghosts of Europa”.

Italian post rock band Klimt 1918 courageously continues to embrace a remarkable evolution perfectly symbolized by the immense nostalgia and the passionate creativity of the long awaited fifth album “Àmor”.
We enter an ethereal dreamland with the hazy soundscapes of “Dream Core” as the riveting atmospheric ensemble constantly surrounds the warm vocals and the evocative melodic guitars.
Distant from the daily dreadful reality “Nihil Vltra” offers expansive atmospheric arrangements and ardent melodic crescendos highlighting an exquisite detailed composition.
We are dreaming the same dream as “Eros” rightfully gains the spotlight with glistening melodic crescendos featuring a seductive alto saxophone solo that will definitely please all music connoisseurs.
On the fervent track “Nexus” you can feel a burning desire as the precise drums build a palpable rhythmic tension embellished by shimmering guitars naturally crafting catchy harmonious progressions.
Following a throbbing rhythm “Petricore” reveals a poetic vocal delivery and a smooth melodic flow well supported by a futuristic background of drone guitars and murky synths.
Within the electrifying rhythmic ensemble of “Aftersun” , bittersweet vocals and luminous cascading guitars convey sheer melancholia and vibrant rock nuances.
With “Àmor” Klimt 1918 invites you to join a fascinating sonic voyage on a sunny summer day channeling an intoxicating post rock essence and focusing on the creation of mesmerizing emotive themes and cathartic melodic splendor.

Featuring the talented duo of vocalist Mick Moss and guitarist Luís Fazendeiro, Sleeping Pulse after more than a decade finally release the new deeply melancholic album “Dreams & Limitations” carefully shaping a personal sonic identity.
“Rise” evidently focuses on eloquent melodies and emotional themes fully expressed by Mick’s soothing voice yet the crispy guitar riffs ultimately evolve into intense rhythmic crescendos amplifying the heavier aspects.
Grief and struggles mark the emotive pathway of “Illuminate” which shines for the dreamy post rock nuances emphasizing the detailed guitar work and the poetic vocal performance.
“Two Wreaths” spellbinds you with the heartbreaking beauty of classical piano and mellow arpeggios gracefully unfolding around passionate vocal harmonies.
“Behind the Glass” constantly evokes a sense of eternal longing with elegant strings and gloomy guitar progressions culminating with the glowing tones of the cathartic solo.
Surrounded by spacey atmospheric layers “Extrasolar” relies on bleak guitar tonalities to create an intricate melodic ensemble yet the impeccable rhythmic section will acquire cosmic energy to enhance a solid groovy attitude.
Showcasing a distinct doomy progressive rock vision Sleeping Pulse confidently embarks on a contemplative existential voyage leading to the evocative soundscapes of “Dreams & Limitations”.

Mastermind Kristian Eivind Espedal aka Gaahl joined by selected collaborators returns with the band Trelldom expanding his artistic vision on the new highly anticipated release “…by the word…”.
“When This Was Young” courageously combines dissonance and poetry as enigmatic whispered vocals hold an imposing role emerging through cryptic melodic waves and visceral rhythmic patterns.
“I Speak Forgotten Voices” explores diverse music territories highlighting the flamboyant saxophone and conveying mystical vibes through the intricate grim guitar phrases destined to reach a primordial acme with blackened rhythmic twists fueled by hammering drums.
Disregarding any preconception the title track conjures ominous forces through the towering rhythmic dynamics and the uneasy guitar progressions showcasing remarkable black metal roots further emphasized by malevolent growls.
“The Word – Choose to Vanish” begins with mournful guitar tonalities evoking dismal feelings and ultimately evolving into significantly faster & chaotic rhythmic crescendos skillfully embellished by the eclectic saxophone and the consequent unexpected jazz flair.
Choosing an intriguing avant-garde approach far from any music trends Trelldom passionately creates hypnotizing soundscapes challenging the audience and spreading overwhelming darkness throughout “…by the word…”.

British black metal act A Forest Of Stars spreads immense melancholia and undiluted darkness through the tormented soundscapes of the sixth full-length “Stack Overflow in Corpse Pile Interface”.
Throughout “Ascension Of The Clowns” the ghastly beauty of the violin is destined to spellbind the audience yet the band fearlessly shows a strong blackened essence with a merciless rhythmic assault.
On the complex track “Mechanically Separated Logic” enigmatic dissonance and compelling harmonious textures suddenly become entwined resulting in an eclectic rhythmic ensemble inspired by black metal tradition unfolding around a truly theatrical vocal performance.
Everything slows down on “Sway, Draped in Vague” favoring the bleak tonalities of the intricate melodic guitar progressions complemented by delicate female vocals in contrast with the dramatically darker & heavier rhythmic crescendos.
The majestic finale “Not Drinking Water” focuses on the towering role of convoluted haunting melodic themes emphasized by the graceful violin but the bold rhythmic section can still channel fury and despair disregarding any standard music categorization.
Within the gloomy grandeur of “Stack Overflow in Corpse Pile Interface” A Forest Of Stars have the opportunity to fully showcase their own variant of black metal deeply rooted into British musical soil combining classical elegance and sheer heaviness.

Hungarian duo The Moon And The Nightspirit courageously embrace a stylistic evolution that today leads to the eerie atmospheric post-metal soundscapes of the eighth studio album “Seed of the Formless”.
“Cosmic Seed” maintains an overwhelming sense of longing through dreamy melodic guitars and ethereal atmospheric waves that will ultimately lead to a significantly darker rhythmic ensemble.
“Luminous Thread” favors mediation with hypnotizing rhythmic patterns emphasized by spellbinding vocal harmonies while guitars will acquire a raw energy and distorted grim tonalities complemented by tormented screams.
On “Odyssey Limen” cascading guitars engage in wilder energetic dynamics supported by faster monolithic drums while luminous melodic leads and haunting vocals naturally convey wistful feelings.
“Fount of Everlight” explores the depths of consciousness channeling cosmic energy through cathartic melodic tapestries and memorable guitar driven grooves that surround a poignant vocal performance.
“Lament of the Thistle Queen” depicts an otherworldly atmospheric realm where whispered vocals and delicate acoustic passages evoke the peacefulness of a genuine connection with nature culminating in a deeply melancholic rhythmic crescendo.
With the release of “Seed of the Formless” The Moon And The Nightspirit certainly still maintain a mystical folk soul deep inside but choose a dramatically heavier songwriting approach to fully express their renewed creative force and spirituality.

From the North of Russia Moon Far Away follow a gothic folk pathway to genuinely depict ancient tales throughout the visionary fifth album “Acou”.
After an enigmatic intro the title track evokes a luminous serenity with angelic vocal harmonies and the comforting warmth of the acoustic progressions.
The dreamy composition of “Soulofkey” relies on a recurring melodic phrase naturally embellished by magical folk elements.
“To Count Her Names” invokes an ancestral inspiration to deliver deeply melancholic acoustic passages enhanced by theatrical vocals.
Surrounded by a celestial atmosphere “What Way Your Rose Grows?” creates a spontaneous connection with nature through delicate arpeggios and a haunting vocal duet.
The hypnotizing power of “How Do the Moons Walk on Grain” comes from the immersive approach offering airy multilayered atmospheric nuances and monochromatic rhythmic patterns.
As Moon Far Away meticulously craft a cathartic sonic realm “Acou” also symbolizes a profound spiritual journey through remote wintry landscapes exploring the depths of your soul.

Norwegian black metal stalwarts Slagmaur confidently manifest an unapologetic approach invoking a primordial obscure force throughout the desolate soundscapes of the new release “Hulders Ritual”.
“Ritual Dogs” opens the album evoking perennial darkness with the necessary dosage of furious rhythmic blasts constantly fueled by galloping savage guitars, gelid atmospheric arrangements and dramatic screams.
The misanthropic attitude of “Wildkatze” inevitably demands fast belligerent drums and unstoppable harsh tremolo picking to emphasize the classic sinister sound.
Throughout “Huldergeist” an expansive lugubrious atmosphere ultimately leads to suffocating instrumental crescendos around a menacing vocal performance courtesy of guest vocalist Hoest of legendary Taake while the finale features a nostalgic folk essence with gentle melodies and haunting female vocals.
“Rathkings” showcases a ghastly mood through decadent melodic phrases while the oppressive rhythmic assault and the sardonic growls depict a ritualistic imagery adorned by solemn orchestrations.
Within the cryptic musical darkness of “Hulders Ritual” Slagmaur celebrate the ominous glory of Norwegian black metal and Nordic folklore focusing on unforgiving crushing dynamics and frostbitten tonalities.