Dark metal collective Deathwhite has chosen to remain anonymous so far nevertheless the sophomore full length “Grave Image” is destined to reach a wider audience with compelling melodic textures and a profound sense of despair. 

“Funeral Ground” focuses on cold guitar tonalities to express dismal emotions through delicate harmonies and heavier doom tinged riffage accompanied by a soulful vocal delivery that enhances the extremely somber mood. 

On “In Eclipse” the rhythmic section diligently builds memorable grooves with sharp bass lines and catchy guitar riffs again evidently inspired by classic doom nuances and the mood feels quite emotional and nostalgic especially due to the presence of calmer guitar melodies. 

The title track marks another memorable moment depicting a dreamy melancholic sonic realm with passionate vocals and a wide range of refined guitar progressions that shift from gentle melodies to charismatic yet absolutely sorrowful leads. 

The bold guitar driven grooves on “Among Us” sound really catchy but also manage to maintain a darkened sense of desolation that is further emphasized by the graceful vocal harmonies and the scattered ethereal arpeggios. 

“Plague Of Virtue” follows a similar groovy pathway as guitars continue to hold a major role in the creation of a heavier momentum skillfully blending melo-death and doom elements that will ultimately embrace the accessible melodic essence of the catchy chorus. 

The fascinating final track “Return To Silence” might feel darker and utterly bleak with loads of elegant often heartwrenching melodies that will inevitably move the listeners yet there is still a fair dosage of engaging heavier rhythmic dynamics. 

Driven by sincere emotions and melodic gloom Deathwhite successfully evoke an  overwhelming melancholia throughout “Grave Image” which feels so comforting during these cold winter nights. 

 

Italian experimental metal outfit Nero Di Marte is devoted to the creation of distinctive hard to categorize soundscapes that seem to constantly evolve following a wild creative freedom throughout the new album “Immoto”. 

The cerebral complexity of “Sisyphos” proves that this is not music for the masses. The emotional vocal delivery and the otherworldly guitar melodies can take you far away creating an intense introspective momentum that leads to a particularly dreamy finale but there are also massive chaotic rhythmic segments fueled by borderline dissonant guitar riffs and faster drumming. 

The title track is another lengthy opus that fully showcases a multifaceted composition beginning with soft vocals and guitar harmonies that will gradually express vivid emotions through post metal oriented instrumental progressions that shift from mellow melodies to harsh rhythmic blasts. 

On “La Casa Del Diavolo” in the midst of a dense almost impenetrable atmosphere guitars craft enticing melodic textures and acquire darker tonalities with a strong post metal inspiration and once again the band effortlessly shifts from tranquil moments to significantly heavier prog influenced rhythmic crescendos. 

With a moody atmospheric approach and delicate guitar harmonies “Irradia” flows like a beautiful daydream yet even if the inner melancholia remains a key element the rhythmic section will eventually embrace a sharp heavier momentum accompanied by theatrical vocals.  

With an evident avantgarde approach on “Immoto” Nero Di Marte fearlessly aim to craft unique and even unusual instrumental progressions that also express a whirlwind of meaningful emotions. 

With the avant garde project Thy Catafalque mastermind Tamás Kátai has always chosen a distinctive experimental approach inspired by diverse and even contrasting genres and as a result the new album “Naiv” is bound to constantly surprise the audience.  

“A Bolyongás Ideje” prepares you for a wild ride with a strong blackened rhythmic rampage that highlights the heavier tonalities of the guitar work while the somber vocals and the understated atmospheric arrangements successfully maintain a rather fascinating darkened mood. 

The arcane harmonious beauty of “Embersólyom” tends to favor a mystical folk spirit as the soft atmospheric layers and the comforting piano melodies channel a graceful melancholia lingering even through the heavier rhythmic segments.   

On “A Valóság Kazamatái” futuristic electro arrangements become the main focus with crazy synths and an incredibly variegated range of sounds paired with harsh industrial oriented guitar riffs and contrasting peaceful introspective melodies. 

There’s a lot going on “Vető” as the evident eclectic composition generates exotic melodic waves and entertaining, often unexpected, electronic rhythmic patterns while the more traditional metal elements still find a way to emerge with some intense guitar riffs. 

“Szélvész” certainly has an elaborate structure that once again aims to maintain a multifaceted soundscape yet the massive guitar driven grooves hold a dominant role and will become quite memorable accompanied by the perfect dosage of dreamy atmospheres and obscure rhythmic blasts. 

Certainly diversity is one of the key elements that render “Naiv” such a unique opus so distant from any predefined music category as with an excellent musicianship Thy Catafalque bravely manipulate sounds and explore various subgenres to fully express their creative force. 

In the mountains of North Carolina Bask have been working meticulously to craft the third full length aptly entitled “III”, an opus lyrically inspired by folklore and mythology destined to leave a mark with a striking progressive rock flair and hypnotizing soundscapes. 

“Three White Feet” is a great way to start the album with enchanting guitar melodies channeling nostalgic vibes matched by the heartfelt vocal delivery and showcasing impeccable musicianship while the solid rhythmic section will have the chance to deliver heavier sludgy segments. 

“New Dominion” goes straight to charismatic groovy moments featuring intense riffage and powerful drum blasts but such monumental rhythmic backbone is always enriched by proggy elements and glowing guitar melodies. 

“Stone Eyed” conveys a comforting sense of melancholia through intricate melodic waves as guitars shine for the exquisite dreamy tonalities yet there are also thrilling rhythmic crescendos that benefit from the addition of the irresistible psychedelic organ. 

The cinematic final track “Maiden Mother Crone” shifts to a glowing folk mood fully expressed by the gentle banjos melodies and the fragile nostalgic atmosphere accompanied by a particularly spellbinding vocal performance. 

Focusing on a detailed songwriting approach Bask have created something truly unique and passionate on “III” as each song tells a fascinating story through multifaceted melodic textures and a distinct Southern rock feeling. 

On the seventh full length “Colours In The Sun” Australian quintet Voyager aim to reach a wider audience demonstrating interesting songwriting skills that lead to an eclectic blend of catchy pop flavors and technical heavy rhythmic patterns. 

The music style of “Colours” definitely fits the title as guitars and keyboards craft bright comforting melodies with a strong 80’s pop flair yet there are many technical prog twists within the solid rhythmic section that seamlessly lead to significantly heavier dynamics. 

On “Severomance” the 80’s vibes feel quite prominent with the multilayered keyboards and the accessible melodic chorus featuring a luminous vocal delivery in contrast with scattered crunchy guitar riffs. 

“Brightstar” follows a similar pathway as keyboards continue to be essential in the creation of cinematic soundscapes that channel uplifting vibes matched by the passionate vocals and the glowing proggy guitar melodies. 

Featuring an impeccable performance by guest vocalist Einar Solberg of Leprous “Entropy” could easily become a favorite due to the emotive nature of the vocal harmonies and also there are complex prog oriented instrumental passages that focus on the charismatic melodic guitar work. 

The 80’s synths feel utterly strong on “Reconnected” creating all kinds of entertaining electro beats that will occasionally evolve into moody atmospheric layers while the rhythmic section can generate fierce heavy patterns with tight guitar riffs and precise drumming. 

“Water Over The Bridge” is probably the heaviest track unleashing steady raw energy through the intense djent style guitar riffs and the prog rhythmic twists while the soothing vocals and the subtle atmospheric arrangements maintain a pleasant melodic essence. 

Undoubtedly there are many refreshing ideas behind the versatile composition of “Colours In The Sun” and Voyager seem to have developed a tasteful polychromatic formula that will satisfy music connoisseurs. 

 

This is an exciting time for American quartet Cloak as they are ready to unleash the sophomore full length “The Burning Dawn” which promises to solidify the band’s status with an enthralling darkened essence. 

“The Cleansing Fire” immediately builds a fiery heavy momentum with an overdose of blackened rock grooves ideal for a cool live performance while the melodic guitar leads naturally evoke a sheer melancholia in proper gothic fashion. 

“A Voice In The Night” conveys irresistible eerie vibes through the slower dramatic passages and the bewitching dark tonalities of the guitar work which effortlessly shifts from decadent melodic textures to sharp riffage accompanied by the aptly sinister vocal delivery. 

“Lifeless Silence” certainly emphasizes the melodic grandeur and the gothic allure with understated atmospheric accents and guitars also acquire extremely melancholic nuances without sacrificing the heavier groovy elements. 

The instrumental track “The Fire, The Faith, The Void” depicts an eternal gloom allowing the melodic guitar leads to stand out providing poetic phrases and gelid tonalities that amplify the compelling gothic flair. 

“On Poisoned Ground” relies on a wild black ‘n’ roll spirit consequently the groovy guitar riffs and the bold rhythmic section can showcase an aggressive approach yet there will always be plenty of melodic leads channeling profoundly somber emotions. 

Despite being still a new name in the metal scene Cloak are already shaping their own sonic identity fueled by undiluted darkness and youthful energy in fact “The Burning Dawn” is destined to conquer your cold black hearts with a charismatic blend of haunting melodies and groovy dynamics. 

 

Norwegian black metal titans 1349 reach a new diabolical milestone with the seventh full-length “The Infernal Pathway” which draws its inner pitchblack energy from the band’s primordial roots yet dares to broaden the ferocious sonic manifesto with darkened melodies & atmospheres. 

“Abyssos Antithesis” packs a series of blistering blackened grooves as fiery guitars and monumental drums are clearly fueled by a devastating primal force while the impressive soloing delivers a precise and intense shredding galore. 

The perilous core of “Through Eyes Of Stone” ensures belligerent guitar progressions leading to an asphyxiating heavy momentum as the rhythmic section simply feels unstoppable and Ravn’s growls certainly amplify the darkly anthemic essence. 

On “Towers Upon Towers” you will find plenty of aggressive rhythmic blasts yet the mighty guitar licks will also channel a profound sense of despair with brooding melodic hints and the vocals will acquire extra dramatic depth. 

“Striding The Chasm” is destined to become a favorite with an intense hellish strength leading to addictive black ‘n’ roll grooves courtesy of absolutely menacing heavy guitar riffs, terrific flawless drum blasts and an utterly savage solo. 

“Stand Tall in Fire” dwells within a perennial gelid darkness shifting the focus to total desolation and gloomy grandeur this time through theatrical ominous narratives conveying an arcane flair through the intoxicating guitar melodies and the insanely sinister rhythmic patterns. 

Undoubtedly at the center of “The Infernal Pathway” you can always perceive the Aural Hellfire that symbolizes the sonic realm of 1349 since their inception but the band also continues to spontaneously evolve in order to create a memorable journey through chaos and darkness. 

The atmospheric music realm of Foscor fully comes to life on the latest release “Els Sepulcres Blancs” which is the second chapter of a poetic conceptual trilogy where the band is able to explore intense emotions within the world of dreams and expectations. 

The dreamy themes of the whole album are already evident on “Laments” as fragile piano melodies and hazy atmospheres feel essential yet there are some engaging rhythmic crescendos when guitars acquire heavier rock tonalities. 

On “Malson” the instrumental passages focus on icy harmonies and immense melancholia with the strong post-rock influence of the tranquil guitar melodies and the soft vocal delivery and while there are some pleasant rhythmic progressions everything here belongs to an ethereal sonic realm. 

On “Cel Rogent” there are plenty of intriguing dynamics as guitars can deliver bold groovy riffs yet this is not a particularly heavy track as a profound melancholia continues to linger leading to misty atmospheric layers and graceful soloing. 

“Cançó de Mort” relies on multilayered sentimental arrangements and relaxing delicate guitar phrases with hints of darker emotions or scattered luminous harmonies to create an intimate musical and even philosophical experience. 

On “Els Sepulcres Blancs” Foscor seem to have left behind their blackened roots to fully focus on an introspective musical depth that demands dreamy soundscapes and a taste of poetry to be fully expressed.