Tuska Festival, Helsinki (Finland) 27-28-29/06/2025

This year, The Offering was once again present at Finland’s largest metal festival, the legendary Tuska Festival.
The festival, held in Helsinki’s Suvilahti district over the last weekend of June, drew a staggering 60,000 people.
There were four stages featuring both well-known and lesser-known bands, numerous food outlets, side shows for every taste, live interviews at the Tuska Forum in collaboration with the Bleeding Metal Podcast, and this year, it was even possible to plan your own funeral.
The festival was also partially broadcast live on Finland’s main television network, and some shows can be watched for free here.
Below is the report and photos provided by our reporter Cristina Gregori.

Day 1

The first day of the festival, characterized by mixed weather with periods of rain, drew a record 22,000 attendees.
Among the most anticipated bands were In Flames, Electric Callboy, Dragonforce, Knocked Loose, and Imminence.
Unfortunately, it was not possible to see all the bands at the festival because many overlaped, playing on different stages.

Finnish melodic death metal band Horizon Ignited opened the festival with a strong show on the main stage.

Norwegians Blood Command proved on the Nordic Energy Stage that they rock with their captivating and versatile mix of punk rock and metal and plenty of irreverent energy.

Knocked Loose, hailing from the United States, were one of the most anticipated bands of the festival. They delivered an intense and energetic show on the main stage, unleashing hardcore and metalcore fans in a mosh pit.

DragonForce is a band that needs no introduction. With over 20 years of career and known for their turbo-charged power metal, they brought a show to the Nordic Energy Stage that could only be described as a flood of energy and color. Dragons and video games graced the stage, and speed and technical prowess were the watchwords describing what was seen and heard. Even the flying plush chicken had its moment of glory.

The legendary Cradle of Filth took to the main stage bringing their symphonic black metal and the stage presence they are known for.

Bambie Thug, the artist who achieved great success representing Ireland at the Eurovision Song Contest 2024 with the song “Doomsday Blue,” had the opportunity to bring her Ouija-pop style to the Radio City stage. Two dancers accompanied Bambie Thug onstage, and the show was a real eye-catcher; the mix of musical genres and the captivating, sensual choreography certainly made an impression.

Electric Callboy were perhaps the most anticipated band of the day. This band, which boldly leaps from genre to genre, combining schlager and deathcore, hardstyle and industrial metalcore, and everything in between, made its entrance onto the main stage with a bang and confetti. There are many words to describe the show, but none would truly be enough to capture what you can hear and see at their shows. If we could define the band, we would say millennial, because it embodies everything millennials love.

Swedish metalcore band Imminence was among the most anticipated bands of the day. Their performance on the Radio City Stage brought a well-balanced combination of darkness, elegance and passion. There is something enchanting about the way the band approaches the stage and plays.

Closing out the first day of the festival were In Flames, pioneers of the Gothenburg sound. A band capable of reinventing themselves album after album, they are one of the most beloved by metal fans, and their ability to balance new songs with classics live is one of their strengths. The show, despite the rain, was incredible.

Day 2

On the second day of the festival, the most acclaimed bands included Powerwolf, Slaughter To Prevail, Orbit Culture, Wind Rose, and The Halo Effect.
This day was marked by controversy regarding the Russian band Slaughter To Prevail, who had waved the Russian flag at a show in the United States a few weeks earlier. Fortunately, the day went off without a hitch, maintaining the spirit of metal.

The first band to perform on the Nordic Energy Stage was Arion, who have made an impressive and steady ascent to the absolute elite of Finnish melodic metal. Energy and melody are the words to describe their captivating show.

Italian power/folk band Wind Rose threw a party on the Nordic Energy Stage. Their stage presence and infectious energy won over the Tuska crowd.

On the main stage, Mokoma, one of Finland’s best-known and most beloved bands, did not disappoint, getting the Suvilahti Arena spinning and creating a pleasant atmosphere.

Gothic rock supergroup Cemetery Skyline, which includes members of Amorphis, Sentenced, Insomnium, Dark Tranquillity, and Dimmu Borgir, performed on the Nordic Energy stage. The contrast between the sunny day and their gothic music was interesting. It was an extraordinary performance.

Orbit Culture is one of the most promising emerging bands on the international metal scene in recent years. The band played their modern melodic groovy death metal on the main stage, leaving no doubt that their future shines brighter than ever.

Countless Goodbyes is not a new name to us at The Offering, as we’ve watched them grow over the years. The band brought a passionate and energetic show to Kvalt Stage, and the audience loved every minutes.

Alcest, pioneers of French post-black metal and black gaze, performed on the Radio City stage as one of the most anticipated bands, and they didn’t disappoint. Their atmospheric, delicate, and raw performance offered an intense and magnetic experience.

From one French band to another, Eihwar have transformed the Kvalt stage into a ritual, transporting the audience to a parallel universe, where they dance to the rhythm of brutal pagan dancefloor music, combining Nordic folk tradition, ritual chants, shamanic drums and surprising electronic rhythms.

Slaughter to Prevail were eagerly awaited by fans, as this was an exclusive show at a European festival and their first ever in Finland. The band is one of the hottest names in extreme metal and left no doubt about their talent on the main stage; the show was something fans will hardly forget.

Progressive rock band Royal Sorrow made their live debut on the Kvalt Stage, and there’s no doubt the band will soon have a huge following.

For fans of melodic death metal, one of the most anticipated bands was definitely The Halo Effect. The band, comprised of former members of In Flames and led by Dark Tranquillity frontman Mikael Stanne, impressed the audience with their performance on the Nordic Energy Stage.

Powerwolf were undoubtedly the most anticipated band of the day. Their theatricality and generous use of impressive stage props transformed the main stage into something unique. Corpse paint and flawless power metal made the show unforgettable.

Day 3

A storm was forecast for the third and final day of the festival, and to make the area safe, the organizers decided to remove anything that might pose a risk, such as the screens on the sides of the main stage. Fortunately, the day turned out to be excellent, with sunshine and a bit of wind. This day also opened the doors to younger metal fans, with minors able to enjoy the festival and see their favorite artists until 6 p.m. Among the most anticipated bands were Lorna Shore, Motionless in White, Nothing More, Whitechapel, Kim Dracula, and Apocalyptica.

Cyan Kicks brought their catchy radio hits to Tuska for the first time. The band rocked the Radio City Stage audience with their infectious energy, delivering a flawless show.

Finnish industrial metal gems and presenters of sick disco, Turmion Kätilöt, brought the party to the festival’s main stage. The band did not disappoint their fans, putting on a show like only they know how.

Lights to Remain bring together the best parts of 90’s melodic death metal mixed with 00’s metalcore. The band performed on the Kvalt stage and did not leave anyone cold with their energetic performance.

Kim Dracula emerged from TikTok, creating metal covers of non-metal songs, and is now one of the most anticipated artists. What was seen and heard on the Radio City stage was something unusual, a mix of diverse influences, moments of jazz and death metal. An unforgettable and unusual show.

Apocalyptica need no introduction: they took to the main stage to promote the follow-up to their legendary debut album, where cellists from Helsinki’s renowned Sibelius Academy played a symphonic tribute to the greatest of the Big Four: heavy metal titans Metallica. Even those who are less familiar with the band were able to join in and sing along to Metallica classics. The show was a veritable explosion of energy.

Whitechapel have always been among the absolute pinnacles of deathcore, and they finally made their mark at Tuska. The band performed on the Radio City stage, perhaps a little too small for the audience due to the tent. The show was intense, giving fans an unforgettable experience.

The Vantages, a young Finnish band, enchanted the audience on the Kvalt stage with their irresistible mix of vintage guitar rock and gothic nostalgia from the turn of the millennium.

The last band to grace the Kvalt stage was Noiduin, a dark folk band from the west coast of Finland. The band, which builds all its instruments by hand, enchanted the Tuska audience with the rhythm of their shamanic drums and the dark echoes of folk that filled the air. It was a show that will go down in history.

Closing out the festival was the most anticipated band: Lorna Shore. The band needs no introduction, having made waves in recent years thanks to their exceptional results and an album that many considered groundbreaking. The show showcased the talent of the musicians, particularly singer Will Ramos and guitarist Adam De Micco, all accompanied by pyros. During their performance there were at least three circle pits, this show how loved this band is.

Tuska is considered a safe festival by those who attend, where people can be themselves, free from preconceptions and prejudices. The audience is a mix of black and brightly colored outfits, giving free rein to their imagination and making the festival even more unique and unforgettable. Being a unicorn, a fairy, or a demon is possible during the three days, and there’s nothing more beautiful than seeing all these beautiful people express themselves and be part of an incredible community.

https://tuska.fi/

Cradle Of Filth to release new album ‘The Screaming Of The Valkyries’ on March 21st

Cradle Of Filth are delighted to announce the release of their 14th full-length studio album ‘The Screaming Of The Valkyries’ via Napalm Records on March 21st.

Today, the first single from the album ‘To Live Deliciously’ was released, which, according to the band’s iconic frontman Dani Filth, underlines a hedonistic lifestyle:

“This song is about celebrating life. About satisfying your desires free from the demands of religion, fashion or the state. Free from guilt or limitations, as nature intended. This could also be understood as a hedonistic code of life, as long as it is not done at the expense of causing others suffering.”

Cradle Of Filth, one of the biggest names in extreme metal, is one of the most respected bands in the genre. The Grammy-nominated band has been a trendsetter for over three decades. Today, a new chapter begins in the band’s career, as the first single from the upcoming album has been released to fans.

The Screaming Of The Valkyries album track listing:

1. To Live Deliciously
2. Demagoguery
3. The Trinity Of Shadows
4. Non Omnis Moriar
5. White Hellebore
6. You Are My Nautilus
7. Malignant Perfection
8. Ex Sanguine Draculae
9. When Misery Was A Stranger

Cradle Of Filth is:
Dani Filth – vocals
Marek ‘Ashok’ Smerda – guitar
Martin ‘Marthus’ Skaroupka – drums
Daniel Firth – bass
Donny Burbage – guitar
Zoe Federoff – vocals, keyboards

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Porispere 2-3.8.2024, Pori(Finland)

Porispere was held in Kirjurinluoto Pori during the first weekend of August. As every year the lineup was varied to please everyone and for metal lovers there was Cradle of Filth, Sonata Arctica, Royal Republic, Battle Beast, Lost Society, Stam1na to name the most famous.
The audience also had the privilege of celebrating the music of Kingston Wall, the legendary cult progressive rock band from the 90s that ended with the death of Petri Walli in 1995, thanks to the project Jylli & Kuoppis – Music of Kingston Wall presented by bassist Jukka Jylli and drummer Sami Kuoppamäki accompanied by Jesper Anastasiadis, Juhani Grönroos, Esa Holopainen and Mikko Von Hertzen.
Another historic Finnish rock band Don Huonot, who celebrate their 35th anniversary in 2024, graced the stage at Porispere after their recent comeback.
A historic moment also for Lauri Tähka, one of the most esteemed and passionate Finnish artists of recent years, who seems to conclude his career in 2024 with some shows, including the one in Porispere. Also Kwan, a Finnish band that saw a boom in the early 2000s and had many famous names as guests on their albums such as Siiri Nordin (Killer), Jyrki 69 (The 69 eyes) and Lauri Ylönen (The Rasmus), returned to the stage with its original lineup this summer.
Closing the festival on Friday was the dj Windows95man, who represented Finland at the last edition of Eurovision with the song “No rules!”
Our reporters Cristina Gregori and Miika Riikonen were on location to take some photos which you can see in the gallery below.

https://www.porispere.fi/

Knotfest Finland, Turku 12-12/08/2022

We had the opportunity to be present at the first edition of Knotfest Finland. The festival was held at the Artukainen event park in Turku and was organized by Fullsteam Agency. The large area allowed to host 30,000 spectators, resulting sold out on the second day. On the first day, on the two stages we saw Timo Rautiainen & Trio Niskalaukaus, Bloodred Hourglass, Stam1na, Sara, Arch Enemy, Lähiöbotox, Lamb of God, Huora and as final Nightwish. On the second day Blind Channel opened the dances followed by Shiraz Lane, TesserAct, Stoned Statues, Cradle of Filth, Medeia, Bring Me The Horizon, Moon Shot, the long-awaited Slipknot and at the end Huoratron. Here are some photos taken by Cristina Gregori.

 

Cradle Of Filth – Cryptoriana – The Seductiveness Of Decay

Legendary groundbreaking band Cradle Of Filth is ready to conquer even the most stubborn audience with the exquisite dark beauty of the brand new opus “Cryptoriana – The Seductiveness Of Decay”. Following the ex novo success of the grandiose stylish album “Hammer Of The Witches”, Cradle Of Filth continues to fuel the lavish creative spark to produce an impeccable work of music.

With haunting orchestrations, obscure guitar melodies and ominously triumphant operatic choirs the opener “Exquisite Torments Await” is not your average atmospheric intro and gives you a taste of the utterly decadent nature of this new album.

“Heartbreak And Séance” emanates pure Victorian gothic splendor with darkly romantic guitar melodies entwined with ravishing classical orchestration & choirs while mastermind Dani Filth delivers majestic grim screams and venomous primordial growls through a convoluted crescendo of dreadful extreme rhythmic blasts.

“Achingly Beautiful” continues to celebrate lascivious Victorian gothic nuances as intricate alluring orchestral compositions offer succulent solemn layers further embellished by Lindsay Schoolcraft’s spellbinding voice. A sudden nightmarish lullaby breaks the fast paced plummeting rhythm with spectral magnificence portrayed by grandiose operatic choirs and dazzling melancholic keyboards while Dani renders everything absolutely obscure with ghoulish vocals through a wicked guitar riffing galore.

“Wester Vespertine” enhances intoxicating gothic vibes with fragile piano melodies, hedonistic orchestrations that provide highly dramatic epic vibes and Lindsay’s darkly soothing vocals. Dani confidently channels a perennial pitch-black renaissance while a distinctive climax of impossibly darkened addictive guitar melodies & impressive creative solos deliver an extra dosage of sinister charisma.

On “The Seductiveness Of Decay” guitar riffs acquire a tremendous classic metal energy as the rhythm becomes audaciously groovy with untamed diabolical speed and Dani matches the diabolical mood with extraordinarily savage vocals. Classical baroque orchestration remains steady in the background until tempo slows down to favor an epic sublime harmonious catharsis.

With eerie acoustic melodies and sinister narratives “Vengeful Spirit” showcases theatrical vibes but soon unleashes a rather bold guitar driven fast paced rhythm and a relentless vibrant shredded solo. As the composition returns to an opulent dramatic melancholia guest vocalist Liv Kristine delivers fascinating vocals inevitably triggering the delightful memory of her iconic performance on the masterpiece “Nymphetamine”.

With the current line-up Cradle Of Filth has embraced a marvelous resurrection that naturally leads to the creation of the current charismatic work of music. Cinematic like a vintage creepy horror movie and sumptuous like a classical operetta
“Cryptoriana – The Seductiveness Of Decay” reconfirms Cradle Of Filth’s longstanding status as masters of the most elegant darkest metal par excellence.